The Full Wiki

Erich Kleiber: Wikis


Note: Many of our articles have direct quotes from sources you can cite, within the Wikipedia article! This article doesn't yet, but we're working on it! See more info or our list of citable articles.


From Wikipedia, the free encyclopedia

Erich Kleiber (1930)

Erich Kleiber (5 August 1890 – 27 January 1956) was an Austrian-Argentinian conductor.



Born in Vienna, Kleiber studied in Prague. In 1923, after conducting a stirring performance of Beethoven's Fidelio at the Berlin State Opera, he became that institution's music director.

He was known for his interpretations of the standard symphonic and operatic repertoire, as well as for championing new works. In 1925 he conducted the première of Alban Berg's opera, Wozzeck. When Berg's second opera Lulu was branded Entartete Musik (degenerate music) by the Nazi Party, Kleiber, who was not jewish and therefore could have continued his career under the Nazi regime, resigned from his post at the Berlin Opera in protest. Kleiber also repudiated his contract with La Scala in Milan in April 1939, shortly after the fascist Mussolini regime enacted its own anti-semitic legislation, saying: "...[since] la Scala is denied for Jews...both as a Christian and an artist, I can no longer cooperate."[1]

Kleiber moved to Buenos Aires, where he worked at the Colón Theater, becoming its music director. Here he specialized in the German operatic repertoire, particularly the works of Wagner. Through the prestige of his name, he was able to attract such luminaries to the Colón as Emanuel List, Kirsten Flagstad, Viorica Ursuleac (in her only appearances in the Western Hemisphere) and Set Svanholm. Some of his performances from this period have been made available on CDs of varying quality, depending upon the conditions under which the original recordings took place. In 1938, Kleiber became an Argentinian citizen.

After World War II, he was offered his old position at the Berlin State Opera, which was at that time in the Russian zone of the divided city, but after discovering that the Communists were no more to his taste than the Nazis had been, he resigned without having conducted a single performance. He became a roving guest conductor, never again having any permanent post.

Kleiber made a few recordings, mainly for Decca. Two operatic recordings are still considered among the finest of these works: Mozart's Le Nozze di Figaro (with the Vienna Philharmonic Orchestra, and Cesare Siepi as Figaro) and Richard Strauss's Der Rosenkavalier. The former was included in Gramophone magazine's 100 Greatest Recordings.

His son Carlos Kleiber became a renowned conductor in his own right.

In August 2010, Colón Theater with Daniel Barenboim will celebrate 120 years of Erich Kleiber's Birth.


  1. ^ Cited in "Notes from Abroad", The Musical Times, April, 1939


  • John Russell, Erich Kleiber: a memoir (London 1957)
  • Cesar A. Dillon, Erich Kleiber: a discography (Buenos Aires 1990)
  • Tomislav Vichev, Kleiber's Era (Sofia 2003)

External links

Preceded by
Leo Blech
Music Director, Berlin State Opera
Succeeded by
Clemens Krauss
Preceded by
Joseph Keilberth
Music Director, Berlin State Opera
Succeeded by
Franz Konwitschny


Got something to say? Make a comment.
Your name
Your email address