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Erich Leinsdorf (born Erich
Landauer) (February 4, 1912 – September 11, 1993) was an
Austrian-born American conductor.[1]
He performed and recorded with leading orchestras and opera
companies throughout the United States and Europe, earning a
reputation for exacting standards as well as an acerbic
personality.[2] He
also published books and essays on musical matters.
Biography
Leinsdorf was born in Vienna, and was studying music at a local school
by the age of 5. He studied conducting at the Mozarteum in Salzburg, and later at the
University of Vienna and the Vienna Academy of Music. From 1934 to
1937 he worked as an assistant to Bruno Walter and Arturo
Toscanini at the Salzburg Festival. He conducted at
the Metropolitan Opera in New York City
from 1938, being particularly noted for his Wagner; after the
sudden death of Artur Bodanzky in 1939, Leinsdorf was
named the Met's "head of German repertoire".[1][3]
In 1942 Leinsdorf became a naturalized American citizen.[1]
From 1943 he had a brief three-year post as Music Director of the
Cleveland Orchestra, but was absent
for much of this tenure because he was drafted into the United
States Armed Forces for World War II; the orchestra did not
renew Leinsdorf's contract. Many years later, in the transition in
Cleveland from Lorin
Maazel to Christoph von Dohnányi between
1982 and 1984, Leinsdorf returned to lead several concerts;
Leinsdorf described his role as "the bridge between the
regimes".[3]
He was the principal conductor of the Rochester Philharmonic
Orchestra from 1947 to 1955. Leinsdorf came to despair of what
he saw as Rochester's insular musical culture, famously remarking
that "Rochester is the best disguised dead end in the world!"
Subsequently he was briefly head of the New York
City Opera, before resuming his association with the Met.[1]
In 1962 he was named music director of the Boston Symphony Orchestra.
His time in Boston would produce many recordings for RCA, but was
also marked by controversy, as he occasionally clashed with
musicians and administrators.[2]
More than once Leinsdorf's performances were interrupted by
historical events. On November 22, 1963, during a performance of
the Boston Symphony Orchestra, he delivered this sad news: "Ladies
and Gentlemen, we have a press report over the wires ... We hope
that it is unconfirmed but we have to doubt it ... that the
President of the United States has been victim ... of an
assassination. [audience gasps and murmurs loudly] We will play the
Funeral March from Beethoven's third symphony."[4]
He was referring to the assassination of President
John F. Kennedy in Dallas, Texas.
Leinsdorf was in Israel at the start of the Six Day War in 1967. In
1969 Leinsdorf left the Boston post. He would continue to
guest-conduct operas and orchestras around the world for the next
two decades, being particularly associated with the Metropolitan
Opera and the New York Philharmonic. He also
served from 1978 to 1980 as principal conductor of the (West) Berlin Radio
Symphony Orchestra.[2] He
died of cancer in Zürich,
Switzerland, at the age of 81.
His notable students include John Ferritto.
Recordings
Leinsdorf made numerous recordings throughout his career,
including some 78-rpm discs for Columbia Records with the Cleveland
Orchestra. He made a number of recordings with the Los Angeles Philharmonic for
Capitol. In
the 1950s, he was conductor for a series of complete stereophonic
opera recordings for RCA Victor, made in Rome, beginning with Puccini's
Tosca with Zinka Milanov, Jussi Bjoerling, and Leonard Warren
(RCA CD #63305). He continued to record for RCA as music director
of the Boston Symphony. Later he again made additional operatic
recordings, including the first complete stereo recording of Erich Wolfgang Korngold's
Die tote
Stadt, with Carol Neblett and René Kollo (RCA CD
#87767[2]). Also under RCA, Leinsdorf conducted the BSO with
pianist Arthur Rubinstein in pianist's second
complete recording of Beethoven's piano concertos, Brahms' First
Piano Concerto, and Tchaikovsky's First Piano Concerto.
Boston Symphony
Orchestra discography
Recordings made with the Boston Symphony Orchestra for RCA
Records:
- 1962 Béla
Bartók: Concerto for Orchestra
- 1964 Béla
Bartók: Violin Concerto No. 2 Violinist, Joseph
Silverstein
- 1969 Ludwig van Beethoven: Symphony No.
1 in C Major, Op. 15
- 1967 Ludwig van Beethoven: Symphony No.
2
- 1962 Ludwig van Beethoven: Symphony No. 3 in
E-Flat Major, Op. 55
- 1966 Ludwig van Beethoven: Symphony No.
4 in B-Flat, Op. 60
- 1968 Ludwig van Beethoven: Symphony No.
5 in C Minor, Op. 67
- 1969 Ludwig van Beethoven: Symphony No.
6 in C Minor, Op. 68
- 1966 Ludwig van Beethoven: Symphony No.
7 in A Major, Op. 92
- 1969 Ludwig van Beethoven: Symphony No.
8 in F Major, Op. 93
- 1969 Ludwig van Beethoven: Symphony No. 9 in
D Minor, Op. 125 The Choral with the New England
Conservatory Chorus and Chorus Pro Musica with soloists Jane Marsh,
Josephine Veasey, Plácido Domingo, and Sherill Milnes
- 1967 Ludwig van Beethoven: Creatures of Prometheus -
Excerpts
- 1967 Ludwig van Beethoven: Piano
Concerto No. 1 in C Major, Op. 15, Pianist: Artur Rubinstein
- 1967 Ludwig van Beethoven: Piano
Concerto No. 2, Pianist: Artur
Rubinstein
- 1965 Ludwig van Beethoven: Piano
Concerto No. 3, Pianist: Artur
Rubinstein
- 1964 Ludwig van Beethoven: Piano
Concerto No. 4, Pianist: Artur
Rubinstein
- 1963 Ludwig van Beethoven: Piano
Concerto No. 5, Pianist: Artur
Rubinstein
- 1966 Ludwig van Beethoven: Coriolan
Overture, Op. 62
- 1966 Ludwig van Beethoven: Leonore
Overture No. 2, Op. 72
- 1963 Ludwig van Beethoven: Leonore
Overture No. 3, Op. 72a
- 1965 Alban Berg:
Le Vin, Soloist: Phyllis Curtin
- 1964 Alban Berg:
Wozzeck - excerpts, Soloist: Phyllis Curtin
- 1964 Hector
Berlioz: Damnation of Faust - Rakoczy March
- 1963 Johannes Brahms: Symphony No. 1
- 1964 Johannes Brahms: Symphony No. 2 in D
Major, Op. 73
- 1966 Johannes Brahms: Symphony No. 3
- 1966 Johannes Brahms: Symphony No. 4 in E
Minor, Op. 98
- 1964 Johannes Brahms: Piano Concerto No. 1,
Pianist: Van
Cliburn
- 1964 Johannes Brahms: Piano Concerto No. 1,
Pianist: Artur Rubinstein
- 1968 and 1969 Johannes Brahms: Requiem,
Soloists: M. Caballe and Sherill Milnes with the New England
Conservatory Chorus
- 1966 Johannes Brahms: Tragic
Overture, Op. 81
- 1966 Anton
Bruckner: Symphony No. 4, The Romantic
- 1967 Elliot Carter: Piano Concerto, Pianist:
Jacob Lateiner
- 1967 Michael Colgrass: As quiet
as
- 1963 Norman Dello Joio: Fantasy and
Variations, Pianist: Lorin Hollander
- 1967 Antonin Dvorak: Symphony No. 6
- 1967 Antonin Dvorak: Slavonic Dance, Op. 72, No.
2
- 1967 Antonin Dvorak: Slavonic Dance, Op. 72, No.
8
- 1967 Antonin Dvorak: Romance in F, Violinist: Itzhak
Perlman
- 1963 Gabriel Fauré: Elegie, Cellist:
Samuel Mayes
- 1966 Irving
Fine: Serious Song
- 1965 Irving
Fine: Toccata Concertante
- 1968 Alberto Ginastera: Piano Concerto,
Pianist: Joao Carlos Martin
- 1968 Alberto Ginastera: Variaciones
Concertantes
- 1966 Joseph
Haydn: Symphony No. 93 in D Major
- 1968 Joseph
Haydn: Symphony No. 96 in D Major
- 1964 Zoltán Kodály: Peacock
Variations
- 1965 Zoltán Kodály: Harry Janos,
Suite
- 1963 Joseph
Lanner: Die Mozartisten Waltzes
- 1962 Gustav
Mahler: Symphony 1
- 1966 Gustav
Mahler: Symphony 3, Soloist: Shirley Verrett with the New
England Conservatory Chorus
- 1963 Gustav
Mahler: Symphony 5
- 1965 Gustav
Mahler: Symphony 6
- 1962 & 63 Felix Mendelssohn: "A Midsummer
Night's Dream, excerpts, Soloists: Arlene Saunders and Helen
Vanni with Berkshire Festival Chorus
- 1964 Gian Carlo Menotti: The Death of
the Bishop of Brindisi, Soloist: Lili Chookasian and George
London with members of the Catholic Memorial and St. Joseph's High
School Glee Clubs
- 1967 Wolfgang Amadeus Mozart:
Symphony 36
- 1969 Wolfgang Amadeus Mozart:
Symphony 39
- 1963 Wolfgang Amadeus Mozart:
Symphony 41
- 1963 Wolfgang Amadeus Mozart:
Eine kleine Nachtmusik
- 1964 Wolfgang Amadeus Mozart:
Requiem, Soloists: Endich, Eunice Alberts, DiVirgilio, and
Mac Morgan with a chorus of members from the Chorus Pro Musica, New
England Conservatory Chorus, St. John's Seminary, Harvard Glee
Club, and Radcliffe Choral Society
- 1968 Sergei Prokofiev: Symphony 2
- 1966 Sergei Prokofiev: Symphony 3
- 1963 Sergei Prokofiev: Symphony 5
- 1965 Sergei Prokofiev: Symphony 6
- 1966 Sergei Prokofiev: Scythian
Suite, Op. 20
- 1968 Sergei Prokofiev: Lieutenant Kijé Suite,
Op. 60 with David Clatworthy
- 1963 Sergei Prokofiev: Cello Symphony,
Cellist: Samuel Mayes
- 1965 Sergei Prokofiev: Piano Concerto No.
1, Pianist: John Browning
- 1965 Sergei Prokofiev: Piano Concerto No. 2
in G Minor, Op. 16 Pianist: John Browning
- 1967 Sergei Prokofiev: Piano Concerto No.
3, Pianist: John Browning
- 1967 Sergei Prokofiev: Piano Concerto No.
4, Pianist: John Browning
- 1964 Sergei Prokofiev: Piano Concerto No.
5, Pianist: Lorin Hollander
- 1969 Sergei Prokofiev: Piano Concerto No.
5, Pianist: John Browning
- 1964 Sergei Prokofiev: Violin Concerto No.
1, Violinist: Erick Friedman
- 1966 Sergei Prokofiev: Violin Concerto No.
2 in G Minor, Op. 63 Violinist: Itzhak Perlman
- 1967 Sergei Prokofiev: Romeo and Juliet
- excerpts
- 1963 & 1964 Nicolai
Rimsky-Korsakov: Le Coq d'Or, Suite
- 1969 Xavier Scharwenka: Piano Concerto No. 1, Pianist: Earl
Wild
- 1964 Arnold Schoenberg:
Gurre-Lieder - Interlude and Song of the Wood Dove,
Soloist: Lili Chookasian
- 1969 Arnold Schoenberg: Survivor of
Warsaw, Soloist: Sherill Milnes and the New England Conservatory
Chorus
- 1964 Gunther Schuller: Seven Studies on
Themes of Paul Klee
- 1963 Robert
Schumann: Symphony No. 4
- 1966 Jean
Sibelius: Violin Concerto, Violinist: Itzhak Perlman
- 1964 John Phillip Sousa: Stars and Stripes
Forever
- 1965 Richard
Strauss: The Egyptian Helen - Awakening Scene,
Soloist: Leontyne Price
- 1965 Richard
Strauss: Salome - Dance of the Seven Veils, Soloist:
Leontyne Price
- 1965 Richard
Strauss: Salome - Interlude and Final Scene, Soloist:
Leontyne Price
- 1963 Richard
Strauss: Ein Heldenleben, Violinist: Joseph
Silverstein
- 1965 Igor
Stravinsky: Agon
- 1965 Igor
Stravinsky: Violin Concerto, Violinist: Joseph Silverstein
- 1964 Igor
Stravinsky: Firebird, Suite
- 1964 Pyotr Ilyich Tchaikovsky:
Marche Slav
- 1963 Pyotr Ilyich Tchaikovsky:
Piano Concerto No. 1, Pianist: Artur
Rubinstein
- 1966 Pyotr Ilyich Tchaikovsky:
Piano Concerto No. 1, Pianist: Mischa Dichter
- 1967 Pyotr Ilyich Tchaikovsky:
Violin Concerto in D Major, Op.35 Violinist: Itzhak
Perlman
- 1964 & 1965 Verdi: Requiem, Soloists: Birgit
Nilsson, Lili Chookasian, Carlo Bergonzi, and Ezio Flagello with
the Chorus Pro Musica
- 1967 Richard
Wagner: Flying Dutchman, Overture
- 1965 Richard
Wagner: Lohegrin, complete opera
- 1965 Richard
Wagner: Lohegrin, Act 1 Prelude
- 1965 Richard
Wagner: Lohegrin, Act 3 Prelude
- 1967 Richard
Wagner: Meistersinger Act 1 Prelude
- 1967 Richard
Wagner: Tannhauser, Overture
- 1964 Richard
Wagner: Tannhauser, March
- 1967 Richard
Wagner: Tristan and Isolde, Prelude
- 1969 Kurt Weill:
Kleine Dreigroschenmusik
Television
Leinsdorf with the BSO appreared regularly on local broadcasts
from WGBH-TV. On August 17, 1967, Leinsdorf conducted the Boston
Symphony Orchestra in a two-hour primetime special
telecast in color on NBC, a
reflection of the days when a commercial network would periodically
broadcast a full-length classical concert. The program, entitled
An Evening at Tanglewood, featured violinist Itzhak Perlman as
guest soloist.[5]
Bibliography
- Leinsdorf, Erich (1976).
Cadenza: A Musical Career. Boston: Houghton Mifflin. ISBN
0395244013.
- Leinsdorf, Erich (1981). The
Composer's Advocate: A Radical Orthodoxy for Musicians. New
Haven: Yale University Press. ISBN
0300024274.
- Leinsdorf, Erich (1997). Erich
Leinsdorf on Music. Portland, OR: Amadeus Press. ISBN
157467028X.
References
External
links