Eternal Sunshine of the Spotless Mind: Wikis


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Eternal Sunshine of the Spotless Mind

Theatrical release poster
Directed by Michel Gondry
Produced by Anthony Bregman
Steve Golin
Written by Screenplay:
Charlie Kaufman
Michel Gondry
Pierre Bismuth
Charlie Kaufman
Starring Jim Carrey
Kate Winslet
Kirsten Dunst
Mark Ruffalo
Elijah Wood
Tom Wilkinson
Jane Adams
David Cross
Music by Jon Brion
Cinematography Ellen Kuras
Editing by Valdís Óskarsdóttir
Distributed by Focus Features
Release date(s) March 19, 2004
Running time 108 minutes
Country United States
Language English
Budget $20 million
Gross revenue $72.2 million

Eternal Sunshine of the Spotless Mind is a 2004 American psychological-drama film by director Michel Gondry. The film uses elements of science fiction, nonlinear narration and neosurrealism to explore the nature of memory and romantic love.[1] It opened in North America on March 19, 2004 and grossed over US$70 million worldwide.[2]

Gondry worked on the story with writer/director Charlie Kaufman and Pierre Bismuth, a French performance artist. Together, they won an Academy Award for Best Original Screenplay in 2005, alongside a nomination for Kate Winslet for Best Actress that year. The film stars Jim Carrey and Kate Winslet and features Kirsten Dunst, Mark Ruffalo, Tom Wilkinson, Elijah Wood, Jane Adams, and David Cross.

The title is taken from the poem Eloisa to Abelard by Alexander Pope, the story of a tragic love affair, where forgetfulness became the heroine's only comfort.

The film became a critical and commercial success, developing a strong cult following and receiving myriad accolades, even well after its release. The film was lauded by critics as one of the best films of 2004, and, in recent lists, has been acclaimed as one of the best films of the decade.



Emotionally unstable Joel Barish (Jim Carrey) and dysfunctional free spirit Clementine Kruczynski (Kate Winslet) strike up a relationship on a Long Island Rail Road train from Montauk. They are inexplicably drawn to each other, despite their radically different personalities.

Although they apparently do not realize it at the time, Joel and Clementine are in fact former lovers, now separated after having spent two years together. After a nasty fight, Clementine hired the New York firm Lacuna, Inc. to erase all her memories of their relationship. (The term "lacuna" means a gap or missing part. Lacunar amnesia is a gap in one's memory about a specific event.) Upon discovering this, Joel was devastated and decided to undergo the procedure himself, a process that takes place while he sleeps.

Much of the film takes place in Joel's mind. As his memories are erased, Joel finds himself revisiting them in reverse. Upon seeing happier times of his relationship with Clementine from earlier in their relationship, he struggles to preserve at least some memory of her and his love for her. Despite his efforts, the memories are slowly erased, with the last memory of Clementine telling him to "Meet me in Montauk".

In separate but related story arcs occurring during Joel's memory erasure, the employees of Lacuna are revealed to be more than peripheral characters. Patrick (Wood), one of the Lacuna technicians performing the erasure, is dating Clementine while viewing Joel's memories, and copying Joel's moves to seduce her. Mary (Dunst) turns out to have had an affair with the married doctor (Wilkinson) who heads the company, a relationship which she agreed to have erased from her memory when it was discovered by his wife. Once Mary learns this, she steals the company's records and sends them to all of its clients.

Joel and Clementine come upon their Lacuna records shortly after re-encountering each other on the train. They react with shock and bewilderment, given that they have no clear memory of having known each other, let alone having had a relationship and having had their memories erased. In the end, they reunite despite knowing that their past relationship, now erased, failed.


Targeted memory erasure

Targeted memory erasure is a fictional non-surgical procedure. Its purpose is the focused erasure of memories, particularly unwanted and painful memories, and it is a mild form of brain damage comparable to a "night of heavy drinking." The procedure is performed exclusively by Lacuna Incorporated. The characters of Joel and Clementine used this procedure to erase their memories of each other. As part of the screenwriting and promotion for the film, a backstory for the technology was made, including a spoof website[3] for "Lacuna, Inc." which is the source for the following information.

Though the procedure in the movie is fictional, recent research has shown it is possible to successfully erase selective memories in lab mice. Such a procedure may lead to cures of post-traumatic stress.[4]

Depictions of the memories

Throughout the film we see a wide range of film techniques used to depict both the destruction of Joel's memories as well as his transitions from one to another. These range from quite subtle to extremely dramatic:

  • The picture quality and sound resolution of the memory simply deteriorate (one example being when Joel talks with his neighbor in the lobby of their apartment building).
  • Use of very limited stage lighting (such as when Clementine is pulled away from Joel in the train station).
  • Subtle details fade from view (examples of this being when Clementine's name fades away from the Lacuna postcard that Joel has in his hand or when the books in the Barnes and Noble gradually turn white).
  • In one case, time and perspective seem to "loop" (the scene where Joel tries to make up with Clementine after she stormed out of his apartment, Joel finds himself unable to get from one end of the street to another – this also combines the elimination of details such as the displays of stores. Also in this scene, we repeatedly see reflections of the lamp in Joel's apartment floating in the air).
  • Overt disintegration of the memories (examples of this include the car falling from the sky, the disappearance of a car that Joel and Clementine are in, the disappearance of a fence, a scene where they run through a train station with the people there "winking out", and perhaps most elaborately, the falling apart of the beach house that Joel and Clementine were in).
  • Heavy sound and image distortion, faces appearing blank (when Joel and Clementine enter the erased memory of Joel speaking to Dr. Mierzwiak).
  • Cycling between the adult actors and their younger selves (when Joel recalls a humiliating memory of being forced by bullies to hit a dead bird with a hammer, the footage switches back and forth between young actors playing Joel and Clementine and Kate Winslet and Jim Carrey. Joel is apparently able to visualize Clementine's youthful appearance because he had seen a picture of her as that when they were still together).
  • Scenes of the movie use a trompe-l'œil (or forced perspective) effect, enabling the actors to be seen by the audience as life-sized, yet their characters are existing in a smaller world. (Examples are when Joel and Clementine are in the kitchen sink, or when Joel hides from his mother and a neighbor/Clementine under the table in his memory as a child.)

Frames of reference

There were numerous frames of reference in Eternal Sunshine. One was reality, shown in the group of scenes at the beginning and end of the movie that take place just before, on, and after Valentine's Day. The rest of the scenes could be broadly classified as taking place in Joel's memory, but these can be subdivided into:

  1. Memories that Joel gets to relive as if they were really happening (e.g., the date on the frozen Charles River).
  2. Memories in which Joel narrates in a voiceover (e.g., the "dining dead" meal).
  3. Memories which Joel watches take place and with which he can and does interact.
  4. Memories in which Joel is a participant but can "break character" and change the way the scene turns out.
  5. Memories in which Joel relives various moments of his childhood with Clementine in the place of one of the people in the memory.
  6. Memories where Joel watches them unfold as if they were on a television screen (his conversation with Frank in the lobby of his building)
  7. Memories that had been erased and lingered on in a degraded form (e.g., the faceless beings in the Lacuna offices).

Some events that actually took place during Joel's erasure (i.e. technicians Stan and Patrick's conversation about Patrick's stealing Clementine's panties) bleed through to memories Joel is reliving.

Throughout the film, a useful indicator for when a particular event is taking place is Clementine's hair color. Any time she is shown with blue hair indicates something in the present or a memory from the recent past (from about the time of the couple's disengagement). Clementine has green hair during the couple's first encounter, and shortly changes it to red when they become romantically involved. She then changes her hair color to 'tangerine' orange as their disengagement nears.


Kaufman made it very clear in an interview included with the published shooting script,[5] that the story ended with the final scene of Joel and Clementine in the hallway, in which they appeared to have agreed to give their relationship one more try. He said it was up to individual members of the audience to decide what would have ultimately happened. This "unfinished" resolution of the story is foreshadowed by the following dialogue in the scene where Joel relives the memory of approaching Clementine at the bookstore where she worked after they first met at the beach party:

Joel: It would be different if we could just give it another go-around.

Clementine: Remember me. Try your best. Maybe we can.

There is debate as to what the repeated scene of Joel and Clem playing in the snow right before the credits means. In an interview also included with the published shooting script, Gondry said he wanted the scene of them playing in the snow to loop throughout the credits. This desire apparently sprang from the initial intent (expressed in an early script) that Joel and Clementine spent the rest of their lives meeting, falling in and out of love, getting their memories erased, and then repeating the cycle. However, Gondry said that this was not done, because it would ultimately distract from the credits.

In addition, several photo-stills that were from footage that wound up on the cutting room floor show Joel and Clementine sitting together on the steps to Joel's building with their arms around each other (and dressed in the same clothes that they wore in the hallway scene). It is unclear whether these were pictures taken for promotional purposes or from footage cut from the final scene at Joel's apartment.

Deleted and moved scenes

The shooting script – which has been published as a book (ISBN 1-55704-610-7) – and early drafts contain a fair amount of material that was either left on the cutting room floor or never shot.

A major change that came in editing was that the sequence of scenes where Joel and Clementine are shown (re)meeting in Montauk and then going to the Charles River got moved from near the end of the movie to the beginning. According to the Kaufman interview published with the shooting script, this was done to make sure the audience liked Clementine, as without it, their initial impression of her, based upon scenes from the end of Joel and Clem's first relationship, might have been too negative.

Dropped scenes included dialogue on the train, dialogue in Clementine's apartment, scenes with Joel and Naomi (the girlfriend he had before Clementine, portrayed by Ellen Pompeo), Joel in the Lacuna office describing his negative feelings about Clementine in more detail, and scenes showing Joel and Clementine on their first "date". The dialogue from the deleted Lacuna office scene is used later, when he is listening to a tape of himself describing Clementine's personality flaws, and brief moments of the cut scene showing their first "date" are mixed in with the jumble of memories Joel sees of Clementine as the erasure process comes to an end. In fact, much of the content of the film was moved around in editing. A fair amount of scenes were changed on-the-spot by director Michel Gondry, including scenes showing the Ringling Bros. and Barnum & Bailey Circus in the streets of Manhattan. Another dropped scene was one that took place in a bar where a very drunk Clementine tried to make Joel jealous by coming onto another man (which might have prompted Joel's claim in his taped interview with Mierzwiak that Clementine was very promiscuous). Another deleted scene that appears in the special two-disc DVD set is an extended scene in the doctor's office when Mary Svevo is listening to the tape of her file. Mary is saying in the tape why she should have the procedure done, especially after having to get an abortion. Yet another showed Joel and Clementine reading the mystery novel "The Red Right Hand" together on his couch (which is the novel we see Clementine reading in the diner at Montauk where she and Joel (re)meet for the first time.

Awards and recognition

Kaufman, Gondry, and Bismuth won the 2004 Academy Award for best original screenplay for Eternal Sunshine. Winslet was also nominated for best actress but lost to Hilary Swank in Million Dollar Baby.

Critical reception

The movie has a 93% certified fresh rating on the Rotten Tomatoes website based on 211 reviews. The consensus is that the film is "a twisty, trippy, yet moving take on love, Kaufman-style."[6]

Roger Ebert commented, "Despite jumping through the deliberately disorienting hoops of its story, Eternal Sunshine has an emotional center, and that's what makes it work."[7] Ebert later included the film in his Great Movies series.[8]

Time Out summed up their review by saying, "the formidable Gondry/ Kaufman/Carrey axis works marvel after marvel in expressing the bewildering beauty and existential horror of being trapped inside one's own addled mind, and in allegorising the self-preserving amnesia of a broken but hopeful heart."[9]

In 2006, in issue 201 of Empire magazine, Eternal Sunshine of the Spotless Mind was voted #83 in their 201 Greatest Movies of All Time poll as voted for by the readers. That same year, Winslet's performance as Clementine was included in Premiere magazine's 100 Greatest Performances of All Time at #81. Claudia Puig, reviewer of USA Today said about her performance that "Winslet is wonderful as a free spirit whose hair color changes along with her moods. She hasn't had such a meaty role in a while, and she plays it just right."[10]

Carol Vernallis points out that Gondry's experience in directing music videos contributed in the film's mise-en-scene and sound design. Vernallis describes some threads of the visual, aural and musical motifs through out the film, and how some motifs can work in counterpoint.[11]

In November 2009, Time Out New York ranked the film as the third-best of the decade:

In the past, both director Michel Gondry’s kindergarten arts-and-crafts aesthetic and Charlie Kaufman’s Möbius-striptease scripts have come off as insufferably twee and gimmicky. So why does this existential meta-rom-com always leave us teary-eyed and genuinely moved?...[T]he duo finally finds the right combination of high-concept and humanity here, taking the what-if idea of a company that lobotomizes the lovelorn into territory that’s funny, painful, poetic and unsettlingly weird.[12]

Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "Only the bizarre and byzantine brain of Charlie Kaufman could turn this 2004 story about erasing all memories of love into one of the most romantic movies of the decade."[13] In December 2009, the AV Club declared the film the best of the decade.[14] Slant Magazine placed the film at number 87 on their list of the best films of the 2000s.[15]

In a January issue of The Onion, the comic newspaper's A.V. Club rated Eternal Sunshine of the Spotless Mind as the number one movie of the 2000s, beating out the likes of Christopher Nolan's Memento and the Coen Brother's No Country for Old Men. The article states, "It’s the rare film that shows us who we are now and who we’re likely, for better or worse, forever to be."

It has been calculated to be the tied-for-second most critically acclaimed film of the 2000s (behind There Will Be Blood and tied with the three Lord of the Rings films) by virtue of its number of appearances on prominent 'films of the decade' lists.[16]

Music and soundtrack

The soundtrack album for Eternal Sunshine of the Spotless Mind was released by Hollywood Records on March 16, 2004.

The score was composed by Los Angeles musician Jon Brion. Other songs featured are from artists such as Jeff Lynne's E.L.O. ("Mr. Blue Sky" was featured in trailers and television spots but not used in the film), The Polyphonic Spree, The Willowz, and Don Nelson. Beck, in a collaboration with Jon Brion, provides a cover version of the Korgis' "Everybody's Got to Learn Sometime".

Notably, many of the vocal songs either revolve around memories or the sun.

During the scene where Clementine enters Joel's apartment finding Joel listening to the tape about Clementine while staring at the skeleton painting of Clementine, the underscore is a poignant arrangement of "Oh My Darling Clementine." The harmonic voicings are such where the melody is clear up until the point of the line "you are lost and gone forever", where the arranger opted for use of dramatic diminished chords in the harmony thereby understating the fact that the two are gone and lost forever having no memory of each other.

Three filmi songs from old Hindi movies can be heard playing in the background. "Mera Man Tera Pyaasa" (My heart is thirsting for you) from the movie Gambler (1971) performed by Mohammed Rafi, "Tera Sang Pyaar Mein" performed by Lata Mangeshkar, and "Wada Na Tod" (Break not the promise) by Lata Mangeshkar from the movie Dil Tujhko Diya (Gave my heart to you) (when Clementine invites Joel to her apartment for a drink). All the three songs are listed in the original soundtrack credits.

The musical score from the film's opening scenes have also been used in television and cinema adverts in the UK for mobile phone company Vodafone.

Music relating to the movie

Many bands have referenced the movie in song, including Breaking Benjamin in their song "Forget it", Bayside in the song "Montauk", OAR in the song Love and Memories, Backseat Goodbye in the song "Technicolor Eyes", Epik High in the song "Free Music", Christmas Fuller Project in the song "Meet Me in Montauk", The Autumns in the song "Clem", Signalrunners with the track "Meet Me in Montauk", and Circa Survive in the song also titled "Meet Me in Montauk" as well as several other songs on their 2005 album, Juturna. Rapper Jay Electronica sampled songs from the soundtrack on his song, "Act 1: Eternal Sunshine (The Pledge)." Your Ex-lover is Dead by Stars is also a reference to the movie, and the video to the song is also reminiscent of the film due to the band performing laying down on an iced over lake. Vienna Teng has said that her song "Recessional" was inspired by the movie.

Ryan Star's "Losing Your Memory", from the album Songs from the Eye of an Elephant, includes the lyrics "I wake in Montauk with you near." In the context of the song, it is a clear reference to the film.

Film setting and locations

The film is set largely in the Long Island suburb of Rockville Centre, in Montauk, Long Island, and in New York City.

According to the end credits, it was filmed in and around Brooklyn, Manhattan, Montauk, Mount Vernon, Wainscott, and Yonkers, New York; also Bayonne and West Orange, New Jersey. The Barnes and Noble scenes were filmed at the Columbia University Bookstore. Clementine's house was filmed in Williamsburg, Brooklyn. The 100-year old property is now up for sale.[17] Some of the scenes in Yonkers were filmed along Riverdale Ave and Valentine Ln. Also, the Charles River scene was filmed at FDR State Park in Yorktown, New York.

All of the train scenes were shot aboard a Metro-North Railroad train along the New Haven Line, and the Mount Vernon East train station substituted for the Rockville Centre station.

Home video

Eternal Sunshine of the Spotless Mind is available in the U.S. in separate anamorphic widescreen and full screen editions as of September 28, 2004. Both widescreen and full screen editions carry English Dolby Digital 5.1 Surround, English DTS 5.1 Surround and French Dolby Digital 5.1 tracks.

It is available as a one-disc Widescreen Collector's Edition worldwide. Bonus features included on this disc is:[18]

  • A Look Inside Eternal Sunshine of the Spotless Mind – Step into the mind of the filmmakers in this behind-the-scenes look at Eternal
  • A Conversation with Jim Carrey and Director Michel Gondry – Witness an unparalleled discussion between Jim Carrey and Michal Gondry as they reflect on their favorite moments from the making of the film
  • Feature Commentary with Michel Gondry and Writer Charlie Kaufman
  • Deleted Scenes
  • The Polyphonic Spree "Light & Day" Music Video
  • Lacuna Infomercial

A special two-disc widescreen Collector's Edition DVD was released in the U.S. on January 4, 2005. Bonus features include:[19]

  • Award Winning Screenplay Book
  • Feature Commentary with Michel Gondry and Charlie Kaufman
  • A Conversation with Kate Winslet and Michel Gondry
  • A Conversation with Jim Carrey and Michel Gondry
  • A Look Inside Eternal Sunshine of the Spotless Mind
  • Inside the Mind of Michel Gondry
  • Deleted/ Extended Scenes
  • Anatomy of a Scene with Jim Carrey and Michel Gondry
  • The Polyphonic Spree "Light & Day" Music Video
  • Lacuna Infomercial

The film was released on HD DVD on April 24, 2007. Its bonus features consist of:[20]

  • A Look Inside Eternal Sunshine Of The Spotless Mind
    • Step into the mind of the filmmakers in this behind-the-scenes look at Eternal Sunshine.
  • Deleted Scenes and Extended Scenes
  • A Conversation with Jim Carrey and Director Michel Gondry
    • The star and director reflect on their favorite on-set moments.
  • A Conversation with Kate Winslet and Director Michel Gondry
  • Inside the mind of Director Michel Gondry
  • Feature Commentary with Michel Gondry and Charlie Kaufman
  • Anatomy of a Scene: Saratoga Avenue
  • Polyphonic Spree "Light & Day" Music Video
  • Deleted / Extended Scenes
  • Lacuna Commercial

See also


  1. ^ "Eternal Sunshine of the Spotless Mind". Slant Magazine. Retrieved 2008-10-27. 
  2. ^ "Eternal Sunshine of the Spotless Mind". Box Office Mojo. Retrieved 2007-06-02. 
  3. ^ "Lacuna Inc." spoof website
  4. ^ "Power of the Memory Molecule". Retrieved 2008-11-23. 
  5. ^ Eternal Sunshine of the Spotless Mind: The Shooting Script (Newmarket Shooting Script Series): Charlie Kaufman, Michel Gondry: Books
  6. ^ Rotten Tomatoes, Main Page of Eternal Sunshine of the Spotless Mind reviews
  7. ^ Reviews :: Eternal Sunshine of the Spotless Mind from Roger Ebert's website
  8. ^ Ebert, Roger, 2010-01-02. Great Movies review of Eternal Sunsine of the Spotless Mind.
  9. ^ Eternal Sunshine of the Spotless Mind movie review - Film - Time Out London
  10. ^ Puig, Claudia, 2006. USA Today, Movie Review: Eternal Sunshine of the Spotless Mind
  11. ^ Vernallis, Carol. "Music video, songs, sound: experience, technique and emotion in Eternal Sunshine of the Spotless Mind." Screen. 49.3. (2008) pp.277–97.
  12. ^ "The TONY top 50 movies of the decade". Time Out New York. Nov 26–Dec 2, 2009. Retrieved 2009-12-02. 
  13. ^ Geier, Thom; Jensen, Jeff; Jordan, Tina; Lyons, Margaret; Markovitz, Adam; Nashawaty, Chris; Pastorek, Whitney; Rice, Lynette; Rottenberg, Josh; Schwartz, Missy; Slezak, Michael; Snierson, Dan; Stack, Tim; Stroup, Kate; Tucker, Ken; Vary, Adam B.; Vozick-Levinson, Simon; Ward, Kate (December 11, 2009), "THE 100 Greatest MOVIES, TV SHOWS, ALBUMS, BOOKS, CHARACTERS, SCENES, EPISODES, SONGS, DRESSES, MUSIC VIDEOS, AND TRENDS THAT ENTERTAINED US OVER THE PAST 10 YEARS". Entertainment Weekly. (1079/1080):74-84
  14. ^ The best films of the '00s
  15. ^ "Best of the Aughts: Film". Slant Magazine. Retrieved February 10, 2010. 
  16. ^
  17. ^ Capri Jet Realty
  18. ^ "Eternal Sunshine of the Spotless Mind". Retrieved 2008-06-13. 
  19. ^ "Eternal Sunshine of the Spotless Mind". Retrieved 2008-06-13. 
  20. ^ "Eternal Sunshine of the Spotless Mind". Retrieved 2008-06-13. 

External links

Awards and achievements
Preceded by
X2: X-Men United
Saturn Award for Best Science Fiction Film
Succeeded by
Star Wars Episode III: Revenge of the Sith


Up to date as of January 14, 2010

From Wikiquote

Eternal Sunshine of the Spotless Mind is a 2004 film about a couple who undergo a procedure to erase each other from their memories when their relationship turns sour, but it is only through the process of loss that they discover what they had to begin with.

Directed by Michel Gondry. Written by Charlie Kaufman and Michel Gondry.
You can erase someone from your mind. Getting them out of your heart is another story.(taglines)


Joel Barish

  • Sand is overrated. It's just tiny, little rocks.
  • Why do I fall in love with every woman I see that shows me the least bit of attention?
  • I'm constitutionally incapable of making eye-contact with a woman I don't know.
  • She was nice. Nice is good.
  • Random thoughts for Valentine's Day, 2004. Today is a holiday invented by greeting card companies. To make people feel like crap.
  • This is working like gangbusters!
  • Constantly talking isn't necessarily communicating.
  • Are we like those bored couples you feel sorry for in restaurants? Are we the dining dead?
  • It's all being wiped away.
  • I could die right now, Clem. I'm just... happy. I've never felt that before. I'm just exactly where I want to be.
  • I loved you on this day. I love this memory.

Clementine Kruczynski

  • Drink up, young man. It'll make the whole seduction part less repugnant.
  • I'm always anxious thinking I'm not living my life to the fullest, y'know? Taking advantage of every possibility? Just making sure that I'm not wasting one second of the little time I have.
  • stop listening to what is true, and what is true is constantly changing.
  • I apply my personality in a paste.
  • I'm a vindictive little bitch, truth be told.
  • I'm not a concept. Too many guys think I'm a concept or I complete them or I'm going to make them alive, but I'm just a fucked up girl who is looking for my own peace of mind. Don't assign me yours.
  • You look familiar. Ever shop at Barnes & Noble?

Mary Svevo

  • [quoting Alexander Pope] "How happy is the blameless vestal's lot!
    The world forgetting, by the world forgot.
    Eternal sunshine of the spotless mind!
    Each prayer accepted, and each wish resigned."
  • [quoting Friedrich Nietzsche] "Blessed are the forgetful: for they get the better even of their blunders."
  • Adults are, like, this mess of sadness and phobias.


Clementine: You're not a stalker or anything, right?
Joel: I'm not a stalker. You're the one that talked to me, remember?
Clementine: That is the oldest trick in the stalker book.
Joel: Really? There's a stalker book? Great, I gotta read that one.

Clementine: Joel, I'm not a concept. Too many guys think I'm a concept or I complete them or I'm going to make them alive, but I'm just a fucked up girl who is looking for my own peace of mind. Don't assign me yours.
Joel: I remember that speech really well.
Clementine: I had you pegged, didn't I?
Joel: You had the whole human race pegged.
Clementine: Probably.
Joel: I still thought you were going to save me. Even after that.
Clementine: I know.

Clementine: This is it, Joel. It's going to be gone soon.
Joel: I know.
Clementine: What do we do?
Joel: Enjoy it.

[During Joel's exploration of a memory]
Joel: I'm in my head already, Aren't I?
Howard: I suppose so. This- this is about what it would look like.

Joel: [In the house on the beach] I really should go! I've gotta catch my ride.
Clementine: So go.
Joel: I did. I thought maybe you were a nut... but you were exciting.
Clementine: I wish you had stayed.
Joel: I wish I had stayed too. Now I wish I had stayed. I wish I had done a lot of things. I wish I had... I wish I had stayed. I do.
Clementine: Well I came back downstairs and you were gone!
Joel: I walked out, I walked out the door!
Clementine: Why?
Joel: I don't know. I felt like I was a scared little kid, I was like... it was above my head, I don't know.
Clementine: You were scared?
Joel: Yeah. I thought you knew that about me. I ran back to the bonfire, trying to outrun my humiliation.
Clementine: Was it something I said?
Joel: Yeah, you said "so go." With such disdain, you know?
Clementine: Oh, I'm sorry.
Joel: It's okay.

Clementine: You know me, I'm impulsive.
Joel: That's what I love about you.

Joel: I can't see anything I don't like about you.
Clementine: But you will, you will think of things and I'll get bored with you and feel trapped because that's what happens with me.
Joel: Ok.


External links

Simple English

Eternal Sunshine of the Spotless Mind is a movie which was released on March 19, 2004. It was directed by Michel Gondry, a well-known French director of Human Nature, and the story of the movie was written by Charlie Kaufman of Being John Malkovich and Adaptation and Pierre Bismuth as well as Gondry. Jim Carrey, famous for his acting in several comedy movies such as The Mask and Bruce Almighty, and Kate Winslet, a heroine of Titanic, starred in this film as main characters both of whom are struggling to erase their memories of love.

The story of this film is about memory erasure of a couple who once loved each other but now, suffer from the memories of their love. Joel Barish (Jim Carrey) decides to erase his memory about his girlfriend, Clementine Kruczynski (Kate Winslet), after he discovered that she had removed all of her memories about him. He goes to see Dr. Howard Mierzwiak (Tom Wilkinson) of Lacuna Inc., a firm that helps people erase their painful, heartbreaking memories with a special brain map processing, and asks the doctor to erase his memory. However, while the memory erasure is ongoing, he faces with their earlier memories that are so passionate, sweet and precious that they should never be deleted. Although Joel tries to wake up and stop getting rid of her from his mind, Dr. Mierswiak and his employees keep going on the process. Joel eventually gets to the last memory, disappearing with the last words of Clementine saying, “Meet me in Montauk.” Other than the story of main characters, the staff members of Lacuna Inc. such as Mary (Kirstin Dunst), and Patrick (Elijah Wood) also have some related stories which will be a key for the ending of this movie.

The director tells people two quotes by Mary’s words in the movie. The first one is from Nietzsche’s saying, “Blessed are the forgetful, for they get the better even of their blunders.” The second one is from Alexander Pope’s poem, “How happy is the blameless vestal's lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each prayer accepted, and each wish resigned.” The title of this movie, “Eternal Sunshine of the Spotless Mind” is actually from this quote.

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