| FLCL | |
|---|---|
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| フリクリ (Furi Kuri) |
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| Genre | Science fiction, Action, surreal comedy |
| Manga | |
| Author | Hajime Ueda |
| Publisher | Kodansha |
| English publisher |  Tokyopop |
| Demographic | Seinen |
| Magazine | Magazine Z |
| Original run | October 23, 2000 – August 23, 2001 |
| Volumes | 2 |
| Novel series | |
| Publisher | Kadokawa Shoten |
| Demographic | Male |
| Imprint | Kadokawa Sneaker Bunko |
| Original run | June 2000 – March 2001 |
| Volumes | 3 |
| Original video animation | |
| Director | Kazuya Tsurumaki |
| Studio | Gainax, Production I.G |
| Licensor |  Madman Entertainment Synch-Point (formerly) Funimation Entertainment |
| Released | April 26, 2000 – March 16, 2001 |
| Episodes | 6 |
FLCL (フリクリ Furi Kuri, known in North America as Fooly Cooly) is an original video animation series written by Yōji Enokido, directed by Kazuya Tsurumaki and produced by the FLCL Production Committee, which included Gainax, Production I.G, and Starchild Records.
FLCL follows Naota Nandaba, a twelve-year-old boy living in the fictional Japanese suburb of Mabase, and his interactions with Haruko Haruhara, who arrives in the quiet suburb, drawn by the industrial town houses and the Medical Mechanica building.
The English adaptation of the series was first licensed by Synch-Point and Geneon Entertainment, which released the DVDs and soundtrack respectively, but has been out of print for some time now. In January 2010, however, Funimation Entertainment announced that they would be re-releasing the series on DVD and Blu-ray.[1] In addition, the series aired on TV in America on Adult Swim a few times, and is currently being re-aired.
Contents |
Naota's life is confined to going to school and living with his father and grandfather. The usually boring life in Mabase is rudely interrupted by the arrival of Haruko Haruhara, who bursts on the scene by running Naota over with her Vespa scooter, then giving him CPR and hitting him on the head with a blue vintage Rickenbacker 4001 left-handed reverse strung electric bass guitar.[2][3] Later, Naota is shocked to find Haruko working in his house as a live-in maid.
Haruko's search for the Pirate King, Atomsk, puts her at odds with Medical Meccanica, the monolithic industrial corporation. At the same time, Naota is being watched by Commander Amarao. The Commander believes Haruko is in love with Atomsk and that Medical Meccanica is out to conquer the galaxy. The combination of circumstances gets Naota involved in a three-way battle between Haruko, Amarao and Medical Mechanica.
Naota Nandaba is the protagonist of the series, obsessed with appearing mature and nonchalant. He idolizes his older brother Tasuku, who represents for Naota what it means to be an "adult".
Haruko Haruhara is Mabase's newest resident, an extraterrestrial investigator for the Galactic Space Police Brotherhood. She becomes the Nandaba household maid while working to find Atomsk, the most powerful space pirate in the galaxy. She uses her bass guitar[2] to create an N.O. portal in Naota's head, through which various objects periodically appear, including Medical Mechanica robots and Naota's guitar, among others. Amarao states in episode 4 and episode 6 that Haruko's real name is "Raharu".
Canti is the first robot to emerge from Naota's head. It was manufactured by Medical Mechanica, and had been used by them to capture Atomsk. It is later revealed that Atomsk can manifest through Canti, with Naota being the catalyst.
Mamimi Samejima is a high school truant, and Tasuku's ex-girlfriend. She is a lonely and depressed heavy-smoker. She adopts several pets and names them all "Ta-kun" as a replacement for Naota's brother, she might be a pyromaniac too. She also thinks of Naota as a replacement for Tasuku, but later grows uninterested when Naota exhibits independence.
Eri Ninamori is the daughter of the mayor of Mabase and the president of Naota's sixth grade class. Ninamori is a complex character—like Naota she is obsessed with acting grown-up, but she often loses her composure when angry or excited. Ninamori hides her frustration with her father's sex scandal, and rigs an election for the school play so that she gets the lead role while Naota gets cast opposite her, hinting that she has a crush on him.
Nandaba Kamon, a would-be editor, is Naota's father. Unlike his son, he is clearly outgoing and does what he pleases. Naota often reprimands his father for not acting like an adult.
Nandaba Shigekuni is Naota's grandfather, a retired baker. He doesn't like Mamimi.
Commander Amarao is a special agent of the Bureau of Interstellar Immigration. He apparently has some past with Haruko and claims to know who or what she really is. Amarao's childhood also seems to mirror Naota's. Amarao's eyebrows have unusual properties.
Kitsurubami is an agent of Commander Amarao, a healthy young woman who worries about her boss's eyebrows. She is generally repulsed by him, especially by his occasional advances toward her.
Tasuku Nandaba is Naota's brother who lives in the United States and plays minor-league baseball -- he is never shown in the anime, except in a flashback (only his silhouette is shown) and in a photo of Tasuku and his "American girlfriend".
FLCL is directed by Kazuya Tsurumaki and produced by the FLCL Production Committee, which included Gainax, Production I.G, and Starchild Records.
Six pieces of theme music are used for the episodes; five opening themes and one closing theme. All the theme songs are by The Pillows, a Japanese rock band. The battle themes are "Advice" and "Little Busters". The opening themes are: "One Life", used in episode one, "Instant Music" in episode two and three, "Happy Bivouac" for episode four, "Runners High", utilized in episode five, and "Carnival" in episode six. The closing theme is "Ride on Shooting Star", used for all of the episodes. Geneon Entertainment has released three original soundtracks encompassing the aforementioned songs, with the soundtracks titled Addict, released on January 20, 2004, King of Pirates, released on September 7, 2004, and FLCL No. 3, released on June 7, 2005.[4][5][6]
FLCL's odd style, hyperactive pace, convoluted, esoteric plot, and tendency to break the fourth wall sets it apart from other contemporary anime. It can be categorized as a work of comedy, drama, science fiction, romance, philosophy, and a parody of contemporary culture in general. It has an abstractly designed storyline about growing up and losing the childish viewpoint of life that all people once had, and seeing the true reality of the world.
Although most of the series is done in a standard "anime" style, the animation frequently veers off into other realms, including bullet time, black and white, stills, two elaborate sequences drawn as semi-animated manga and a pair of shots in episode five that recreate the look of South Park, or mosaic.
Haruko flying on her Guitar in a bunny outfit and wearing earrings is a reference to the promotional video of Daicon IV (an anime convention that took place in Osaka in the 1980s). Haruko announces, "Daicon Five!", as she rides in, in a satirical reference to the show.{[Episode 5]} This animation, along with the promo video for Daicon III, were some of Gainax's very first works.
The series also references such pop culture icons as, John Woo, South Park, Neon Genesis Evangelion (Gainax's most famous production), Pepsi, Lupin III, Initial D, Gundam, Tank Girl, Doraemon, Magical Shopping Arcade Abenobashi, and Ashita No Joe. As well as referencing popular Japanese anime shows such as in Haruko's eyeless smiles (a subtle nod to the way the titular character of the anime Crayon Shin-chan smiles)[citation needed], the English-dubbed FLCL also references The Red Hot Chili Peppers, Rage Against the Machine, Filter, Slash, Naked Lunch, Paul McCartney, Van Halen, Richard Cheese, Anna Nicole Smith, Hustler, Elvis Presley, Jimi Hendrix, Hitler, the USSR, Hamtaro, Tom & Jerry, Final Fantasy series, and Seven of Nine from Star Trek: Voyager.
There are some places where dialogue of the English translation is different from the Japanese version, an attempt to make the dialogue easier to understand in the English translation. (Example: Haruko uses the term "mouth to mouth" repeatedly throughout the series, though the "-th" sound does not exist in Japanese, making it sound like "mouse to mouse". This is used in a pun in "Full Swing," when she crawls out of the Kamon puppet's mouth wearing a mouse suit.).
Further comments in the booklets discuss the severe loss in translation of the plays made in Japanese via homonyms, synonyms, and so on. One example of trying to preserve this in English is the "empty", "MTV" and various homonyms in English during the Kamon/Haruko manga sequence.
FLCL has been released as a two-volume manga by artist Hajime Ueda, and a three-volume novel serialization by screenwriter Yoji Enokido.
The manga interprets the series with all of the key elements intact, but loses some details (e.g. that Canti is Atomsk) and changes the dialogue. It is a much darker and more graphic take on the story, highlighting the sex and violence (Naota intentionally kills his father with the baseball bat in a rather grisly scene because he thought Haruko and his father were sleeping together; Shigekuni and an unnamed war buddy later suicide-bomb the Medical Mechanica building).
The manga has also been mildly controversial for its unique art style, especially the uses of ink to roughly outline objects and shade areas. Volume 1 is more like the first two episodes while Volume 2 is more like episodes 3 through 6. One major change to a character is Ninamori, as her robot becomes an ally and is not destroyed. Its design is also different, being a large octopus-like robot attached to her head that enables her to fly. The ending is also quite different from the anime.
The English language edition of the manga was released by TOKYOPOP in two volumes (ISBN 978-1-59182-396-4 and ISBN 978-1-59182-397-1).
The first of the three novels was released in America on March 11, 2008, the second on September 9, 2008, and the final on March 10, 2009. All were released in Japan starting in 2000, and in 2008 in the United States.
Six DVD compilations, each containing one episode, have been released in Japan by Gainax.[7] In addition, a DVD collection box, containing all six DVD compilations, was released in Japan on August 13, 2005.[8] Three DVD compilations were released by Synch-Point in North America. A DVD collection box, containing all the DVD compilations of the English episodes, was released on January 23, 2007, but have since gone out of print.[9][10][11] In January 2010, Funimation Entertainment announced that they had acquired the license for the series and would be releasing it on DVD and Blu-ray.[1] The series is also often aired on TV in America on Adult Swim.
The American reception for the series, although not widespread, has been enthusiastic following its release on Adult Swim in the summer of 2003. Anime.com also gave the series an enthusiastic review in October of that year,[12] although there was also a minor reference to it in the September "issue". In 2003, it also went on to win third place for Best Animation Film at the Fantasia Festival.[13]
FLCL has garnered mostly positive reception among reviewers, Adult Swim occasionally refers to FLCL as "The greatest show we have ever aired."[citation needed] Christopher McDonald of Anime News Network called it "downright hilarious" and "visually superb" with great music, citing the packaging of 2 episodes per DVD as the only weakness of Synch-Point's original release.[14]
It was also a success from a corporate standpoint. A Time Warner press release from August 12, 2003 lauds the success of Cartoon Network, and mentions FLCL:
On February 24, 2007, FLCL was nominated for "Best Cast", and won "Best Comedy Series" and "Best Short Series" at the first American Anime Awards show.[16]
In the November 2007 issue of Anime Insider, FLCL was ranked 4th in their list of the best English-licensed anime of all time.[17]
The directors of Avatar: The Last Airbender, an American animated television series, claim inspiration from FLCL.[18] Avatar director Giancarlo Volpe says the staff "were all ordered to buy FLCL and watch every single episode of it."[19]
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FLCL (2000) (フリクリ, Furi Kuri, also Fooly Cooly) is an anime OVA series co-produced by Gainax and Production I.G.. The series was created and directed by Kazuya Tsurumaki, and written by Yōji Enokido.
Contents |
   | Synch-Point - Synch-Point: Production - FLCL index |
| | Anime.com October 2003 - Anime.com October 2003: Chobits, FLCL, and the Slayers |
| | Time Warner - Newsroom - Print This - Time Warner - Newsroom - Print This |
| | Awards for FLCL (2000) (V) - FLCL (2000) (V) - Awards |
| | American Anime Awards Winners - American Anime Awards Winners - Anime News Network |
| | FLCL review - THEM Anime Reviews 4.0 - FLCL |
| | here. - Fooly Cooly vrs Furi Kuri - Ask Synch-Point - Synch-Point Section - Anime Gamers Forum - Message Board - Yuku |
| | Open Directory links for FLCL - Open Directory - Arts: Animation: Anime: Titles: F: FLCL |
| | Production I.G's English ''FLCL'' site - Production I.G |
| | Anime : Furi Kuri - AnimeNfo.Com : Furi Kuri |
| | PULP : : The Manga Magazine : : 6.03 FLCL - pulp-mag.com |
| | Easy Target @ Nandaba.net - Easy Target ::: FURI KURI, FOOLY COOLY, FLCL ::: nandaba.net |
| | FLCL Anime Gallery - Anime Stocks Gallery » Gallery » FLCL |
| | ''See Ya Later, Naota'' music video - ++| A M V - Video Information: See Ya Later, Naota |
| | ''Mad World'' music video - ++| A M V - Video Information: Mad World |
| | MangaReviewer.com - banned interdit verboden prohibido vietato proibido |
| | FLCL (2000) (V) - FLCL (2000) (V) - User ratings |
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