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François de Salignac de la Mothe-Fénelon, more
commonly known as François Fénelon (6 August 1651
– 7 January 1715), was a French Roman Catholic theologian, poet and writer. He today is
remembered mostly as one of the main advocates of quietism and as the
author of The adventures of
Telemachus, a thinly veiled attack on the French monarchy, first published in 1699.
Childhood and Education,
1651-75
Fénelon was born on 6 August 1651 at the Château de Fénelon, in
Sainte-Mondane, Périgord, Aquitaine, the second of the three children
of Pons de Salignac, Comte de La Mothe-Fénelon by his wife Louise
de La Cropte. Being born into a noble family, many of Fénelon's
ancestors had been active in politics, and for several generations
his relatives had served as bishops of Sarlat.
Fénelon's early education was provided in the Château de Fénelon
by a private tutor which provided Fénelon with a thorough grounding
in the Greek
language and classics.
In 1667, at age 12, he was sent to the University of Cahors, where
he studied rhetoric and philosophy. When the
young man expressed interest in a career in the church, his uncle,
the Marquis Antoine de Fénelon (a friend of Jean-Jacques
Olier and Vincent de
Paul) arranged for him to study at the Collège du Plessis, whose theology
students followed the same curriculum as the theology students at
the Sorbonne. While there,
he became friends with Antoine de Noailles, who later became a cardinal and the Archbishop of Paris. Fénelon demonstrated
so much talent at the Collège du Plessis that at age 15, he was
asked to give a public sermon.
About 1672 (i.e. around the time he was 21 years old), Fénelon's
uncle managed to get him enrolled in the Séminaire de
Saint-Sulpice, the Sulpician seminary in Paris.
Early years as a priest,
1675-85
In about 1675, (when he would have been 24), he was ordained
as a priest. He initially
thought of becoming a missionary to the East, but ultimately
decided to join the Sulpician order.
In 1678, Hardouin de Péréfixe de Beaumont, Archbishop of Paris, selected Fénelon to
head the house of Nouvelles-Catholiques, a community for
Protestant converts about to enter the Church of Rome.
Missionary to the
Huguenots, 1686-87
During this period, Fénelon had become friends with his future
rival Jacques-Bénigne Bossuet. When
Louis
XIV revoked the Edict of Nantes in 1685, the Church
began a campaign to send the greatest orators in the country into
the regions of France with the greatest concentration of Huguenots to persuade them of the errors of
Protestantism.
Upon Bossuet's suggestion, Fénelon was included in this group,
alongside such oratorical greats as Louis Bourdaloue and Esprit
Fléchier.
He consequently spent the next three years in the Saintonge region of France
preaching to Protestants. He persuaded the king to remove troops
from the region and tried to avoid outright displays of religious
oppression, though, in the end, he was willing to resort to force
to make Protestants listen to his message. He believed that "to be
obliged to do good is always an advantage and that heretics and
schismatics, when forced to apply their minds to the consideration
of truth, eventually lay aside their erroneous beliefs, whereas
they would never have examined these matters had not authority
constrained them."
Important friends,
1687-89
During this period, Fénelon assisted Bossuet during his lectures
on the Bible at Versailles. It was probably at
Bossuet's urging that he now composed his Réfutation du système
de Malebranche sur la nature et sur la grâce, a work in which
he attacked Nicolas Malebranche's views on optimism, the creation, and the
Incarnation. This work was
not published until 1820, long after Fénelon's death
Fénelon also became friendly with the Duc de
Beauvilliers and the
Duc de Chevreuse, who were married to the daughters of Louix
XIV's minister of finance Jean-Baptiste Colbert. The
Duchesse de Beauvilliers, who was the mother of eight daughters,
asked Fénelon his advice on raising children; as a result, he wrote
his Traité de l'education des filles. This work is often
seen as being somewhat ahead of its time, as it insists that girls
should receive a thorough education, particularly in theological
matters, so that they will be able to recognize and refute heresies. He
also wrote a Treatise on the Existence of God.
In 1688, Fénelon first met Jeanne Marie Bouvier
de la Motte Guyon, usually known simply as "Mme. Guyon", who
was being well-received in the social circle of the Beauvilliers
and Chevreuses. He was deeply impressed by her piety and would
later become a devotee and defender of her brand of Quietism.
Royal
tutor, 1689-97
In 1689, Louis XIV named Fénelon's friend the Duc de
Beauvilliers as governor of the royal grandchildren. Upon
Beauvilliers' recommendation, Fénelon was named the tutor of the Dauphin's eldest son, the 7-year-old Duke of Burgundy, who was second in line
for the throne.
As tutor, Fénelon was charged with guiding the character
formation of a future King of France. He
wrote several important works specifically to guide his young
charge. These include his Fables and his Dialogues des
Morts.
But by far the most lasting of his works that he composed for
the duke was his Les Aventures de
Télémaque (English The Adventures of Telemachus, Son
of Ulysses), written in 1693-94. On its surface, The
Adventures of Telemachus was a novel about Ulysses' son Telemachus, but in reality, it was a biting
attack on the divine right
absolute
monarchy which was the dominant ideology of Louis XIV's France.
In sharp contrast to Bossuet, who, when tutor to the Dauphin had
written Politique tirée de l'Écriture sainte
which affirmed the divine foundations of absolute monarchy while at
the same exercising the future king to use restraint and wisdom in
exercising his absolute power, in Telemachus, Fénelon went
so far as to write "Good kings are rare and the generality of
monarchs bad" (p. 254).
The French literary historian Jean-Claude Bonnet calls
Télémaque “the true key to the museum of the eighteenth
century imagination.” [1] One of
the most popular works of the century, it was an immediate best
seller both in France and abroad, going through many editions and
translated into every European language and even Latin verse (first
in Berlin in 1743, then in Paris by Étienne Viel [1737-87]). It
inspired numerous imitations (such as the Abbé Jean Terrasson's
novel Sethos (1731),
[2]It also
supplied the plot for Mozart's opera, Idomeneo
(1781).
It was the general opinion that Fénelon's tutorship resulted in
a dramatic improvement in the young duke's behaviour. Even the
memoirist Louis de Rouvroy, duc
de Saint-Simon, who generally disliked Fénelon, admitted that
when Fénelon became tutor, the duke was a spoiled, violent child;
when Fénelon left him, the duke had learned the lessons of
self-control and had been thoroughly impressed with a sense of his
future duties. Telemachus is therefore widely seen as the
most thorough exposition of the brand of reformism in the
Beauvilliers-Chevreuse circle, which hoped that following Louis
XIV's death, his brand of autocracy could be replaced by a monarchy
less centralized and less absolute, and with a greater role for
aristocrats such as Beauvilliers and Chevreuse.
In 1693, Fénelon was elected to Seat 34 of the French Academy.
In 1694, the king named Fénelon Abbot of Saint-Valéry, a lucrative post
worth 14,000 livres a year.
The early- to mid-1690s are significant since it was during this
period that Mme de
Maintenon (quasi-morganatic wife of Louis XIV since
roughly 1684) began to regularly consult Fénelon on matters of
conscience. Also, since he had a reputation as an expert on the
education of girls, she sought his advice on the house of Saint-Cyr which she was
founding for girls.
In February 1696, the king nominated Fénelon to become the Archbishop of Cambrai while at the same
time asking him to remain in his position as tutor to the duke of
Burgundy. Fénelon accepted, and he was consecrated by his old
friend Bossuet in August.
The Quietist controversy,
1697-99
As already noted, Fénelon had met Mme Guyon in 1688 and had
subsequently become an admirer of her work.
In 1697, following a visit by Mme Guyon to Mme de Maintenon's
school at Saint-Cyr, Paul Godet des Marais, Bishop of Chartres (Saint-Cyr was located
within his diocese)
expressed concerns about Mme Guyon's orthodoxy to Mme de Maintenon. He was
concerned that Mme Guyon's opinions bore striking similarities to
Miguel de
Molinos' Quietism, condemned by
Pope Innocent
XI in 1687. As a result, Mme de Maintenon asked for an
ecclesiastical commission to exam Mme Guyon's orthodoxy: the
commission consisted of two of Fénelon's old friends, Bossuet and
de Noailles, as well as the head of the Sulpician order of which
Fénelon was a member. The commission sat at Issy and, after six months of
deliberations, delivered its opinion in the Articles
d'Issy, 34 articles which briefly condemned certain of Mme
Guyon's opinions and set forth a brief exposition of the Catholic
view of prayer. These articles were
signed by Fénelon and the Bishop of Chartres, as well as by all
three members of the commission. Mme Guyon immediately submitted to
the decision of the commission.
At Issy, the commission had decided that Bossuet should follow
up the Articles with an exposition of them, so Bossuet now
proceeded to write that exposition in a work he entitled
Instructions sur les états d'oraison. Bossuet submitted
this work to the members of the commission, as well as to the
Bishop of Chartres and Fénelon, to ask for their signatures prior
to its publication. Fénelon refused to sign, arguing that Mme Guyon
had already admitted her mistakes and there was no point in further
condemning her. Furthermore, Fénelon disagreed with Bossuet's
interpretation of the Articles d'Issy, so in response Fénelon wrote
Explication des Maximes des Saints (a work often regarded
as his masterpiece - English: Maxims of the Saints), in
which he provided his own interpretation of the Articles d'Issy,
interpreting them in a way much more sympathetic to the Quietist
viewpoint than Bossuet's interpretation.
Louis XIV, shocked that his grandson's tutors held such views,
removed Fénelon from his post as royal tutor and ordered Fénelon to
remain within the boundaries of the archdiocese of Cambrai. The
king chastised Bossuet for not warning him earlier of Fénelon's
opinions and ordered Bossuet, de Noailles, and the Bishop of
Chartres to respond to the Maximes des Saints.
This unleashed two years of pamphlet warfare as the two sides
traded opinions. This continued until 12 March 1699, when the Inquisition formally
condemned the Maximes des Saints, with Pope Innocent XII listing 23 specific
propositions as unorthodox.
Fénelon immediately declared that he submitted to the pope's
authority in the matter and set aside his own opinion in the
matter. With this, the matter dropped.
In 1699, The Adventures of Telemachus was published and
Louis XIV was enraged by this work, which appeared to question the
very foundations of his regime. As a result, even after Fénelon
abjured his Quietist views, the king refused to revoke his order
forbidding Fénelon from leaving his archdiocese.
Later
years
As Archbishop of Cambrai, Fénelon spent most of his time in the
archiepiscopal palace in Cambrai, but also devoted several months of
each year to visitation of his archdiocese. He
preached in his cathedral on festival days, and took an especial
interest in seminary training and in examining candidates for the
priesthood prior to their ordination.
During the War of the Spanish
Succession, Spanish troops encamped in his archdiocese (an area
only recently gained by France from Spain), but the troops never interfered with
Fénelon in the exercise of his archiepiscopal duties. During the
war, Fénelon opened his palace to refugees from around the
archdiocese who had fled in the face of Spanish troops.
During these latter years, Fénelon wrote a series of anti-Jansenist works. The impetus for this was
the publication of the Cas de Conscience, which revived
the old Jansenist distinction between questions of law and
questions of fact, and arguing that though the church had the right
to condemn certain opinions as heretical, it did not have the right
to oblige one to believe that these opinions were actually
contained in Cornelius Jansen's Augustinus. In
response to this, Fénelon wrote treatises, sermons, and pastoral
letters which occupy seven volumes in his collected works. Fénelon
particularly condemned Pasquier Quesnel's Réflexions
morales sur le Nouveau Testament, and his writings were part
of the build-up to Pope Clement XI's 1713 bull Unigenitus,
condemning Quesnel's opinions.
Although confined to the archdiocese to Cambrai, in his later
years, Fénelon continued to act as a spiritual director for Mme de
Maintenon, the ducs de de Chevreuse and de Beauvilliers, the duke
of Burgundy, and a number of other prominent individuals.
Fénelon's later years were saddened by the deaths of many of his
close friends. Shortly before his death, he asked Louis XIV to
replace him with a man opposed to Jansenism and loyal to the
Sulpician order. He died on 7 January 1715.
Fénelon
as Reformer and Defender of Human Rights
Paul Hazard remarks on the bitterness of the questions Fénelon
has his fictional hero Telemachus put to Idomeneus, King of
Salente: "those same questions, in the same sorrowing tone, Fénelon
puts to to his pupil, the Duc de Bourgogne, against the day, when
he will have to take over the royal power: Do you understand the
constitution of kingship? Have you acquainted yourself with the
moral obligations of Kings? Have you sought means of bringing
comfort to the people? The evils that are engendered by absolute
power, by incompetent administration, by war, how will you shield
your subjects from them? And when in 1711, the same Duc de
Bourgogne became Dauphin of France, it was a whole string of
reforms that Fénelon submitted to him in preparation for his
accession".[3]
Finally, to complete the credit items of Fénelon’s account, we must
put his defense of Human Rights. Thus he speaks:
A people is no less a member of the human race, which is society
as a whole, than a family is a member of a particular nation. Each
individual owes incomparably more to the human race, which is the
great fatherland, than to the particular country in which he was
born. As a family is to the nation, so is the nation to the
universal commonweal; wherefore it is infinitely more harmful for
nation to wrong nation, than for family to wrong family. To abandon
the sentiment of humanity is not merely to renounce civilization
and to relapse into barbarism, it is to share in the blindness of
the most brutish brigands and savages; it is not be a man no
longer, but a cannibal.” [4]
Notes
- ^
La Naissance du Pantheon: Essai sur le culte des grands
homes (Paris Fayard, 1998).
- ^
itself the inspiration Mozart's Magic Flute.
- ^
Paul Hazard, The European Mind, 1680-1715, translated by
J. Lewis May (Cleveland Ohio: Meridian Books [1935] [1963], 1967)
pp. 282.
- ^
Fénelon, Dialogue des Morts, "Socrate et Alcibiade"
(1718), quoted in Paul Hazard, The European Mind,
1680-1715 (1967), pp. 282–83.
See also
Works
Sources