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From Wikipedia, the free encyclopedia

This is about the Argentine actor. For the Portuguese missionary and explorer, see Francisco Álvares. For the Cuban beach volleyball player see Francisco Alvarez (volleyball)
Francisco Álvarez
Born December 26, 1892
Buenos Aires  Argentina
Died April 21, 1960
Years active 1931 - late 1950s

Francisco Álvarez (December 26, 1892 (Buenos Aires - April 21, 1960 in Lanus) was an Argentine film and theatre actor of the classic era of Argentine cinema.

Entering film in 1937 he appeared in 54 films between then and his death in 1960, appearing in films such as Al marido hay que seguirlo with Mapy Cortés and Pedro Quartucci in 1948.

External links


1911 encyclopedia

Up to date as of January 14, 2010

From LoveToKnow 1911

FRANCISCO ALVAREZ (c. 1465-1541 ?), Portuguese missionary and explorer, was born at Coimbra. He was a chaplainpriest and almoner to Dom Manuel, king of Portugal, and was sent in 1515 as secretary to Duarte Galvao and Rodrigo da Lima on an embassy to the negus of Abyssinia (Lebna Dengel Dawit (David) II.). The expedition having been delayed by the way, it was not until 1520 that he reached Abyssinia, where he remained six years, returning to Lisbon in 1526-1527. In 1 533 he was sent to Rome on an embassy to Pope Clement VII. The precise date of his death, like that of his birth, is unknown, but it must have been later than 1540, in which year he published at Lisbon under the king's patronage an account of his travels in one volume folio, entitled Verdadera Informacam das terras do Preste Joam. This curious work was translated into Italian (G. B. Ramusio, Navagationi, vol. i., Venice, 1550); into Spanish (Historia de las Cosas de Etiopia, by Fray Thomas de Padilla, Antwerp, 1 557); into French (Historiale Description de l'Ethiopie, Christ. Plantin, Antwerp, 1558); into German (Wahrhaftiger Bericht von. .. Ethiopien, Eisleben, 1566); into English (Sam. Purchas, Pilgrimes, part ii., London, 1625). The information it contains must, however, be received with caution, as the author is prone to exaggerate, and does not confine himself to what came within his own observation.


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