From Wikipedia, the free encyclopedia

Frederic Michael Raphael (born 14 August, 1931) is an American-born, British-educated screenwriter, and also a prolific novelist and journalist.

Life and career

Raphael was born in Chicago, Illinois, the son of Irene Rose (née Mauser) and Cedric Michael Raphael, an employee of the Shell Oil Co.^[1] With his parents, he emigrated to Putney, England in 1938. He was educated at Copthorne Preparatory School, Charterhouse School (Lockites), and St John's College, Cambridge, he won an Oscar for the screenplay for the 1965 movie Darling, and two years later an Oscar nomination for his screenplay for Two for the Road. He also wrote the screenplay for the 1967 film adaptation of Thomas Hardy's Far From the Madding Crowd directed by John Schlesinger.

His articles and book reviews appear in a number of newspapers and magazines, including the Los Angeles Times and The Sunday Times. He has published more than twenty novels, the best-known of which is the semi-autobiographical The Glittering Prizes (1976), which traces the lives of a group of Cambridge University undergraduates in post-war Britain as they move through university and into the wider world. The original six-part BBC television series, from which the book was adapted, won him a Royal Television Society Writer of the Year Award.^[2] Fame and Fortune, which continues the story to 1979, was adapted in 2007 and broadcast on BBC Radio 4, television channels having refused to commission the sequel themselves.

Raphael has also published several history books, collections of essays and translations. He has also written biographies of Somerset Maugham and Lord Byron. He was made a Fellow of the Royal Society of Literature in 1964.

In 1999, Raphael published Eyes Wide Open, a memoir of his collaboration with the director Stanley Kubrick on the screenplay of Eyes Wide Shut, Kubrick's final movie. That year, Penguin Books also published a new translation of Arthur Schnitzler's Dream Story, the basis for Eyes Wide Shut, featuring an introduction by Raphael.

He married Sylvia Betty Glatt on January 17, 1955 and their children are Paul Simon a film producer, Sarah Natasha (1960-2001) who was a painter, and Stephen Matthew Joshua a screenwriter.

Works

Fiction

• Obbligato 1956
• The Earlsdon Way 1958
• The Limits of Love 1960
• A Wild Surmise 1961
• The Graduate Wife 1962
• The Trouble with England 1962
• Lindmann 1963
• Orchestra and Beginners 1967
• Like Men Betrayed 1970
• Who Were You With Last Night? 1971
• April, June and November 1972
• Richard’s Things 1973
• California Time 1975
• The Glittering Prizes 1976
• Oxbridge Blues 1979
• After the War 1990
• Fame and Fortune (sequel to The Glittering Prizes) 2007

Other

• Somerset Maugham and his World 1976
• The Poems of Catullus (with Kenneth McLeish) 1979
• The List of Books: A library of over 3000 works (with Kenneth McLeish) Harmony Books, New York, 1981. ISBN 0-517-540177.
• The Necessity of Anti-semitism 1998
• Eyes Wide Open 1999
• Personal Terms 2001
• The Benefit of Doubt: Essays 2003
• A Spoilt Boy: A Memoir of a Childhood 2003
• Rough Copy: Personal Terms 2 2004
• Cuts and Bruises: Personal Terms 3 2006
• Some Talk of Alexander: A Journey Through Space and Time in the Greek World 2006

Screenplays (partial list)

• Nothing but the Best 1964
• Darling 1965
• Far from the Madding Crowd 1967
• Two for the Road 1968
• Daisy Miller 1974
• The King's Whore (1990)
• Eyes Wide Shut 1999
• Coast to Coast 2003

References

External links

• Raphael film reference entry
• Frederic Raphael at the Internet Movie Database
• Raphael's BFI entry
• Yahoo biography
• Plays by Raphael

From Wikiquote

Frederic Raphael (born Chicago, 1931) is an American-born British screenwriter, as well as a prolific novelist and journalist.

Sourced

• The Glittering Prizes
  • Title of novel

Halliwell's Who's Who in the Movies (2001 ed): Art. Frederic Raphael p.363

• A screenwriter is wise to have a life elsewhere.

• Modest successes are better known as failures.

• Who now reads novels as a guide to life and love? Everyone wants to star in his or her own movie.

Interview, http://www.tipjar.com/dan/raphael.htm

• Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.
  • Of Eyes Wide Shut

• Although he was an intelligent man, I don’t think that he was a supreme intelligence. He had a sense of having missed a university education. He was working when he was 17. It may have been his choice because his father was not a poor man. I would not, to say the least, call him a frank man. He talked about a great many things and then would occasionally reveal little anecdotal aspects of his own life. He was not interested in our becoming buddies. He was avid for knowledge, which he hoped I possessed, and which I tried to give the impression I did. I don’t have any notion whatever of being omniscient.
  • Of Stanley Kubrick

External links

Wikipedia has an article about:

Frederic Raphael