From Wikipedia, the free encyclopedia
Fritz Grünbaum (April 7, 1880 in Brno, Moravia as Franz Friedrich
Grünbaum – January 14, 1941 at the Dachau concentration camp, Germany) was an Austrian Jewish
cabaret artist, operetta and pop song writer, director, actor and
master of ceremonies.
Biography
During his childhood and adolescence Grünbaum lived with his
family in Brünn which were dealing in art. At an age of 18 years,
he attended law school in Vienna which he concluded, in fact, as a
doctor, but more and more he began to show interest for literature.
After the law studies, he began as a master of ceremonies at Vienna
Cabaret Die Hoelle, where he had his first performance in the
operetta "Phryne" in 1906. From 1903 on he composed first libretti,
among others with Robert Bodanzky and made his appearance as an
actor in the most different minor parts on many Vienna Cellar
Stages and Revue Theatres.
Until the beginning of World War I (in which he enlisted himself
as a voluntary in 1915) again and again he travelled to Berlin -
the first time in 1907 in order to perform at "Chat Noir" - to act
as master of ceremonies at Rudolf Nelson's theatres.
In 1914, Grünbaum acted for the first time at Simpl, the
legendary Vienna Cabaret where he also acted time and again in the
time to come. Together with Karl Farkas he developed in 1922 the
so-called "Doppelconférence" originated from Hungary and presented
at the "Budapester Orpheum" of Vienna, and led it to its highest
spot.
In fact, Grünbaum was described by acquaintances as an "adorable
contemporary", but this fact did not impede him to slap an imperial
and royal officer in 1910 at the "Hölle" restaurant when he
proclaimed anti-Semitic slogans during the programme. After that,
he continued with his performance. Later the officer challenged
Grünbaum to a duel during which Grünbaum was injured.
In 1914, Grünbaum was infected by the war frenzy and in 1914 he
joined military service. In spring of 1916 he fought at the Italian
front, but he returned disenchanted and from that time he attracted
attention by pacifistic slogans.
Fritz Grünbaum contracted three marriages in total. After his
first marriage with Karolina Nagelmüller (1908-1914), he married a
colleague Mizzi Dressl and in 1919 he married Lilli Herzl with whom
he stayed until her deportation to Minsk in 1942 (where she is
missing).
From 1926, Grünbaum was working at Vienna Bürgertheater. In 18
stage settings he and Karl Farkas had beautiful girls show their
legs with the music of Egon Neumann in "Journal der Liebe" and Rita
Georg parade in a breeches part. The guest performance of the
Marischka revue which began on October 1, 1927 fully fit into this
schema. Performance no. 430 of "Wien lacht wieder" took place. In
thirty stage settings, Grünbaum and Karl Farkas (music by Ralph Benatzky)
performed last year's pop song revue which had not lost its
popularity with 120 players and 900 fancy dresses.
The artist again and again commuted between Berlin and Vienna.
In Berlin he acted in films and wrote pop songs, he wrote scripts,
in Vienna he was working at different cabarets. In 1933, his texts
became more political in Vienna. On occasion of one of his last
performances at Vienna Cabaret Simpl during the programme of "Metro
Grünbaum - Farkas toenende Wochenschau" he was still joking: "I see
nothing, absolutely nothing, I think I got astray in national
socialist culture." On March 10, 1938, the day German troops
marched into the alpine republic, together with Karl Farkas he was
acting for the last time in Simplicissimus. After that, they were
put under stage ban. The next day, he tried to flee to
Czechoslovakia, but he and his wife were sent back at the border.
He hid quite a while in Vienna, but then he was betrayed and
transported to the Dachau concentration camp.
Later he was taken to Buchenwald and subsequently returned to
Dachau. He died at the Dachau concentration camp on January 14,
1941 after having acted for a last time on New Year's Eve for his
fellow-sufferers. A star was dedicated to him on the Walk of Fame
of cabaret. He is buried at Vienna Central Cemetery, Old Israelite
Part, Gate 1.
Fritz Grünbaum´s art
collection
Egon Schiele:
Tote Stadt III 1911, former Collection
Grünbaum, today
Leopold Museum Vienna
During his lifetime, Fritz Grünbaum was a well-known art
collector, especially of Austrian modernist art, whose
artworks were featured in famous catalogues and exhibitions. His
collection extended to over 400 pieces, 80 of them have been works
made by Egon
Schiele (1890-1918). This collection disappeared during Nazi
time and 25% of the collection appeared on the art market in the
early 1950s through Swiss Art dealer Eberhard Kornfeld. The fate of
the remaining rest is buried in the past up till now.
Influence
In Dani Levy's film "Mein Führer - Die wirklich wahrste Wahrheit
über Adolf Hitler", an artistic momument is raised to Grünbaum by
playing the central character "Adolf G." The changed first name
"Adolf", of course, has a meaning. Rotthaler believes: Possibly,
through Fritz G. you get into the secret centre of Levy's
melancholic grotesqueness ... Because the ... play ..., of course,
conceals the good old Doppelconférence. He quotes the New York
"Aufbau" who wrote on occasion of Grünbaum's assassination in
Dachau the following: The most terrible was that he did not look
like a Dachau prisoner, but rather than a Dachau prisoner acted by
Fritz Grünbaum. One looked out for a farce and it was a
tragedy.
- Opera -Libretti: "Die Die Dollarprinzessin/The Dollar
Princess", 1907 / 1909 (with A. M. Willner)
- "Der Liebeswalzer", 1908 (with Robert Bodanzky)
- "Die Czikosbaronesse", 1920
- "Traumexpress", 1931 (with Karl Farkas)
- Comedy: "Sturmidyll", 1914
- Lyrics: "Draußen in Schönbrunn" and "Ich hab das Fräuln Helen
baden sehn"
- "Die Schöpfung" (Cabaret)
- "Die Hölle im Himmel" (Cabaret)
- "Der leise Weise"
Filmography (Actors)
- Der Raub der Mona Lisa (1931)
- Meine Frau die Hochstaplerin (1931)
- Der brave Sünder (1931)
- Arm wie eine Kirchenmaus (1931)
- Einmal möcht' ich keine Sorgen haben (1932)
- Ein Lied, ein Kuß, ein Mädel (1932)
- Mensch ohne Namen (1932)
- Es wird schon wieder besser (1932)
- Mädchen zum Heiraten (1932)
Literature and Sources
Translated from de:Fritz Grünbaum,
which lists as references:
- Christoph Wagner-Trenkwitz und Marie-Theres Arnbom, Grüß mich
Gott! Fritz Grünbaum 1880-1941, Brandstätter, 2005, ISBN
3-85498-393-X
- Walter Fritz: Im Kino erlebe ich die Welt - 100 Jahre Kino und
Film in Österreich. Wien, 1996, S. 146, ISBN 3-85447-661-2
- Viktor Rotthaler: Frühling für Hitler. Dani Levys historische
Vorbilder Frankfurter Rundschau, 13. 1. 2007, S. 15
- "Das Cabaret ist mein Ruin" - 2 CDs (CD1: Chansons, Conferencen
und Texte von (und mit) Fritz Grünbaum. CD2: Feature über Fritz
Grünbaum von Volker Kühn), Ed. Mnemosyne, Verl. für Alte Hüte &
Neue Medien, Neckargemünd/Wien, Februar 2005 - ISBN
3-934012-23-X
- Hans Veigl, "Entwürfe für ein Grünbaum-Monument. Fritz Grünbaum
und das Wiener Kabarett", ÖKA, Graz/Wien, 2001 - ISBN
3-9501427-0-3
- Fritz Grünbaum, "Hallo, hier Grünbaum!", Löcker Verlag,
Wien/München, 2001 - ISBN 3-85409-330-6
- Fritz Grünbaum, "Die Schöpfung und andere Kabarettstücke. Mit
einer kabarettistischen Vorrede von Georg Kreisler", Löcker Verlag,
Wien/München, 1984 - ISBN 3-85409-071-4
- Fritz Grünbaum, Der leise Weise. Gedichte und Monologue aus dem
Repertoire. Herausgegeben von Hans Veigl. Wien 1992 - ISBN
3-218-00552-3
- Ernst Federn, (1999): Fritz Grünbaums 60. Geburtstag im
Konzentrationslager. In: Roland Kaufhold (Hg.) (1999): Ernst
Federn: Versuche zur Psychologie des Terrors. Gießen
(Psychosozial-Verlag), S. 95-97.
Weblinks