Gérard de Nerval: Wikis

  
  

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Gérard de Nerval

Gérard de Nerval, by Nadar.
Born May 22, 1808(1808-05-22)
Paris, France
Died January 26, 1855 (aged 46)
Paris, France
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Gérard de Nerval (French pronunciation: [ʒeʁaːʁ də nɛʁval]) (May 22, 1808 – January 26, 1855) was the nom-de-plume of the French poet, essayist and translator Gérard Labrunie, one of the most essentially Romantic French poets.

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Biography

Two years after his birth in Paris, his mother died in Silesia whilst accompanying her husband, a military doctor, a member of Napoleon's Grande Armée. He was brought up by his maternal great-uncle, Antoine Boucher, in the countryside of Valois at Mortefontaine. On the return of his father from war during 1814, he was sent back to Paris. He frequently returned to the countryside of Valois during holidays and later returned to it in imagination in his Chansons et légendes du Valois.

His talent for translation was made manifest in his translation of Goethe's Faust (1828), the work which earned him his reputation; Goethe praised it, and Hector Berlioz later used sections for his legend-symphony La Damnation de Faust. Other translations from Goethe ensued; in the 1840s, Nerval's translations introduced Heinrich Heine's poems to French readers of the Revue des deux mondes. During the 1820s at college he became lifelong friends with Théophile Gautier and later joined Alexandre Dumas, père in the Petit Cénacle, in what was an exceedingly bohemian set, which was ultimately to become the Club des Hashischins. Nerval's poetry is characterized by Romantic deism. His passion for the 'spirit world' was matched by a decidedly more negative view of the material one: "This life is a hovel and a place of ill-repute. I'm ashamed that God should see me here." Among his admirers was Victor Hugo.

Gérard de Nerval's first nervous breakdown occurred during 1841. In a series of novellas, collected as Les Illuminés, ou les précurseurs du socialisme (1852), on themes suggested by the careers of Rétif de la Bretonne, Cagliostro and others, he described feelings that followed his third insanity. Increasingly poverty-stricken and disoriented, he finally committed suicide during 1855, hanging himself from a window grating. He left only a brief note to his aunt: "Do not wait up for me this evening, for the night will be black and white."[1] He was interred in the Père Lachaise cemetery in Paris.

Legacy

The influence of Nerval's insistence on the significance of dreams on the Surrealist movement was emphasised by André Breton. The writers Marcel Proust and René Daumal were also greatly influenced by Nerval's work, as was Artaud.

Umberto Eco analyses Gerard de Nerval's Sylvie (calling it a "masterpiece") to show the use of temporal ambiguity, demystifying the "mists" during his Six Walks in the Fictional Woods.

In Popular Culture

British progressive rock music band Pure Reason Revolution draw extensively from Nerval for influence in their lyrics, which often revolve around dreams and use a 'stream of consciousness' technique very similar to Nerval's. The title of their song 'Trembling Willows' is a reference to one of Nerval's poems 'Delfica', and its lyrics take many of the same images. Similarly, the song "In Aurelia" comes from Nerval's masterpiece of the same name.

British rock music band Traffic included a song on their album When the Eagle Flies called "Dream Gerrard." The lyrics were written by Vivian Stanshall as a tribute to Nerval. The song contains surreal lyrics like Nerval's work.

Pet lobster

According to the British television program "Status Anxiety", Nerval had a pet lobster. He took it for walks in the Palais Royal gardens in Paris on the end of a blue silk ribbon.

In an article about the life of Nerval by his contemporary, Théophile Gautier, Nerval is quoted as having said "Why should a lobster be any more ridiculous than a dog? ...or a cat, or a gazelle, or a lion, or any other animal that one chooses to take for a walk? I have a liking for lobsters. They are peaceful, serious creatures. They know the secrets of the sea, they don't bark, and they don't gnaw upon one's monadic privacy like dogs do. And Goethe had an aversion to dogs, and he wasn't mad."[2]

In the Sam Shepard and Patti Smith play Cowboy Mouth, the character Cavale is obsessed with Nerval, making numerous references to him and claiming that Nerval hanged himself on [her] birthday. It also mentions Nerval having a pet lobster, as above, amidst other fantastic claims. This may be the inspiration for the play's character 'Lobster Man.'

British comedians Michael Flanders and Donald Swann (known as the duo Flanders and Swann) make mention of Nerval's pet lobster in the introduction to Swann's setting of "Je Suis Le Ténébreux", featured in their revue "At the Drop of a Hat" (1956).

The continued dispute over whether Nerval ever owned a pet lobster seems to have been finally resolved thanks to the discovery of some personal correspondence in which Gérard, writing to his close childhood friend Laura LeBeau, recounts an embarrassing incident that occurred whilst holidaying in La Rochelle: "...and so, dear Laura, upon my regaining the town square I was accosted by the mayor who demanded that I should make a full and frank apology for stealing from the lobster nets. I will not bore you with the rest of the story, but suffice to say that reparations were made, and little Thibault is now here with me in the city..." The discovery was reported in an article in the online edition of Harper's Magazine, Nerval: A Man and his Lobster. [3]

The name of the pet lobster appears to be Thibault.

Works by de Nerval

  • Les faux saulniers (1850)
  • Voyage en Orient (1851), resulted from his extended hashish-filled voyage of 1842 to Cairo and Beirut. It must have puzzled readers of conventional travel books, for it retells Oriental tales like Solomon and the Queen of Sheba, in terms of the artist and the act of creation.
  • La Bohème Galante (1852)
  • Les Nuits d'Octobre (1852)
  • Sylvie (1853)
  • Petits châteaux de Bohême (1853)
  • Les Filles du Feu (1854), a volume of short stories.
  • Aurélia (1855), his fantasy-ridden interior autobiography— "Our dreams are a second life," he wrote— which influenced the Surrealists.
  • Promenades et Souvenirs (1854-56)
  • Un homard nommé Thibault (1855)

References

  1. ^ Sieburth, Richard, Gerard de Nerval: Selected Writings, p. xxxi, Penguin Group, London, 1999
  2. ^ Gautier, Théophile. Portraits et Souvenirs Littéraires (Paris: Charpentier, 1875), Richard Holmes trans.
  3. ^ Horton, Scott. "Nerval: A Man and His Lobster." No Comment column. Harper's Magazine. October 12, 2008.

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