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Gary Rydstrom |
| Born |
1959
Chicago, Illinois |
Gary Roger Rydstrom (born 1959) is an American sound designer and director. He has won 7 Academy Awards for his work in sound for
picture.
Rydstrom graduated from the University of Southern
California School of Cinematic Arts
in 1981.[1]
He began his career at Skywalker Sound, Northern California in
1983. Offered the job by a college professor, Gary received the
opportunity to work with his mentor, Star Wars sound
designer Ben Burtt.
After gaining invaluable experience as a sound technician in
Indiana Jones and the
Temple of Doom, he went on to do sound design for the
comedy Spaceballs. The sound design for Backdraft, prepared from scratch,
would become the precursor for his sound for Terminator 2:
Judgment Day. The original sound effects from
Backdraft are constantly referenced and have been used for
numerous other films including the The Lord of the
Rings film trilogy and Shrek.
Gary Rydstrom's work on Terminator 2: Judgment Day is
arguably his career crowning achievement where he pioneered
original techniques still used to this day for creating realistic
sound effects. Even to this day Terminator 2 is considered
the benchmark for high-end motion picture sound design and Gary
went on to win an Academy Award for his groundbreaking
achievement.
Gary's sound work on Jurassic Park was a milestone
in terms of innovation as he and his team set out to create
dinosaur sounds by mixing together numerous different animal
vocalizations to make the audience feel as though giant bellowing
prehistoric beasts surrounded them. The Oscar-winning film took a
giant leap in being the very first motion picture to be presented
in DTS.
He subsequently went on to work on sound for numerous films
including Titanic, Saving
Private Ryan, Minority Report and Finding Nemo. He
won an MPSE lifetime achievement award for his stunning career and
regularly speaks at various sound design forums sharing his
extensive knowledge and enthusiasm with aspiring sound design
artists.
He has recently made his directorial debut with the Pixar animated short, Lifted,
for which he received his fourteenth Academy Award nomination. He
is currently directing Newt for Pixar.
Awards
and Nominations
Gary Rydstrom has been nominated for 14 Academy Awards (7 wins),
12 Golden Reel Awards (5 wins), 5 C.A.S Awards (2 wins), and 5
BAFTA Awards (2 wins).
- Academy Awards
- 2007: Lifted (Best Short Film,
Animated) - Nominated
- 2004: Finding Nemo (Best Sound
Editing) - Nominated
- 2003: Minority Report (Best Sound
Editing) - Nominated
- 2002: Monsters, Inc. (Best Sound
Editing) - Nominated
- 2000: Star Wars: Episode I - The Phantom
Menace (Best Sound) - Nominated
- 1999: Saving Private Ryan
(Best Effects, Sound Effects Editing) - Won
- 1999: Saving Private Ryan
(Best Sound) - Won
- 1998: Titanic (Best Sound) -
Won
- 1994: Jurassic Park (Best
Effects, Sound Effects Editing) - Won
- 1994: Jurassic Park (Best
Sound) - Won
- 1992: Terminator 2: Judgment
Day (Best Effects, Sound Effects Editing) - Won
- 1992: Terminator 2: Judgment
Day (Best Sound) - Won
- 1992: Backdraft (Best Effects, Sound
Effects Editing) - Nominated
- 1992: Backdraft (Best Sound) -
Nominated
- Motion Picture Sound Editors -
Golden Reel Award
- 2005: - Career Achievement
Award
- 2004: Finding Nemo (Best Sound
Editing in Feature Film - Animated - Sound) - Nominated
- 2003: Minority Report (Best Sound
Editing in Domestic Features - Dialogue & ADR) - Nominated
- 2003: Minority Report (Best Sound
Editing in Domestic Features - Sound Effects & Foley) -
Nominated
- 2002: Atlantis: The Lost
Empire (Best Sound Editing - Animated Feature Film, Domestic
and Foreign) - Won
- 2002: Monsters, Inc. (Best Sound
Editing - Animated Feature Film, Domestic and Foreign) -
Nominated
- 2002: Artificial Intelligence: AI
(Best Sound Editing - Dialogue & ADR, Domestic Feature Film) -
Nominated
- 2002: Artificial Intelligence: AI
(Best Sound Editing - Effects & Foley, Domestic Feature Film) -
Nominated
- 2001: Into the Arms of Strangers: Stories
of the Kindertransport (Best Sound Editing - Dialogue &
ADR, Domestic Feature Film) - Nominated
- 1999: A Bug's Life (Best
Sound Editing - Animated Feature) - Won
- 1999: Saving Private Ryan
(Best Sound Editing - Dialogue & ADR) - Won
- 1999: Saving Private Ryan
(Best Sound Editing - Sound Effects & Foley) -
Won
- 1998: Hercules (Best Sound
Editing - Animated Feature) - Won
- Cinema Audio Society - C.A.S
Award
- 2004: - Career Achievement Award
- 2000: Star Wars: Episode I - The Phantom
Menace (Outstanding Achievement in Sound Mixing for a Feature
Film) - Nominated
- 1999: Saving Private Ryan
(Outstanding Achievement in Sound Mixing for a Feature Film) -
Won
- 1998: Titanic (Outstanding
Achievement in Sound Mixing for a Feature Film) - Won
- 1994: Jurassic Park (Outstanding
Achievement in Sound Mixing for a Feature Film) - Nominated
- BAFTA Award
- 2000: Star Wars: Episode I - The Phantom
Menace (Best Sound) - Nominated
- 1999: Saving Private Ryan
(Best Sound) - Won
- 1998: Titanic (Best Sound) -
Nominated
- 1994: Jurassic Park (Best Sound) -
Nominated
- 1992: Terminator 2: Judgment
Day (Best Sound) - Won
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Filmography
References
External
links