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Georg Büchner

Born Karl Georg Büchner
17 October 1813(1813-10-17)
Goddelau, Germany
Died 19 February 1837 (aged 23)
Zurich, Switzerland
Occupation dramatist
Nationality German
Notable work(s) Danton's Death; Leonce and Lena; Woyzeck
Relative(s) Ludwig Büchner

Karl Georg Büchner (17 October 1813 – 19 February 1837) was a German dramatist and writer of prose. He was the brother of physician and philosopher Ludwig Büchner. Büchner's talent is generally held in great esteem in Germany. It is widely believed that, but for his early death, he might have attained the significance of such central German literary figures as Johann Wolfgang von Goethe and Friedrich Schiller.

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Life and career

Born in Goddelau near Darmstadt, Hesse-Darmstadt, the son of a doctor, Büchner attended a Humanist secondary school that focused on modern languages, including French, Italian, and English. Nevertheless Büchner studied medicine in Strasbourg.

In 1828 he became interested in politics and joined a circle of William Shakespeare aficionados which later on probably became the Gießen and Darmstadt section of the "Gesellschaft für Menschenrechte" (Society for Human Rights). In Strasbourg, he immersed himself in French literature and political thought.

Georg Büchner. Drawing by J.B.A. Muston
Gravestone of Georg Büchner on Germaniahügel in Zürich-Oberstrass

Writing career

While Büchner continued his studies in Gießen he established a secret society dedicated to the revolutionary cause. With the help of the evangelical theologian Friedrich Ludwig Weidig, he published the leaflet Der Hessische Landbote, a revolutionary pamphlet criticizing social grievances in the Grand Duchy of Hesse. The authorities charged them with treason and issued a warrant of apprehension. While Weidig was arrested, tortured and died imprisoned in Darmstadt, Büchner fled across the border to Strasbourg where he wrote most of his literary work and translated two plays by Victor Hugo, Lucrèce Borgia and Marie Tudor. Two years later, his dissertation, "Mémoire sur le Système Nerveux du Barbeaux (Cyprinus barbus L.)" was published in Paris and Strasbourg. He was influenced by the utopian communist theories of François-Noël Babeuf and Claude Henri de Saint-Simon. In October 1836, after receiving his doctorate and being appointed by the University of Zurich as a lecturer in anatomy, Büchner relocated to Zurich where he spent his final months writing and teaching until he died of typhus at the age of twenty-three.

In 1835, his first play, Dantons Tod (Danton's Death), about the French revolution, was published, followed by Lenz (first partly published in Karl Gutzkow's and Wienberg's Deutsche Revue, which was quickly banned); Lenz is a novella based on the life of the Sturm und Drang poet Jakob Michael Reinhold Lenz. In 1836 his second play, Leonce and Lena portrayed the nobility. His unfinished and most famous play, Woyzeck, was the first literary work in German whose main characters were members of the working class. Published posthumously, it became the basis for Alban Berg's opera Wozzeck which premiered in 1925.

By the 1870s, Büchner was nearly forgotten in Germany when Karl Emil Franzos edited his works; these later became a major influence on naturalism and expressionism. Arnold Zweig described Lenz, Büchner's only work of prose, as the "beginning of modern European prose".

External links

Works

Editions

  • Georg Büchner, Werke und Briefe. Münchner Ausgabe (dtv, 1997). ISBN 3423123745.

Translations

  • Georg Büchner, Complete Plays and Prose, trans. Carl Richard Mueller (Hill and Wang, 1963)
  • Georg Büchner, The Complete Plays: Danton's Death; Leonce and Lena; Woyzeck; Lenz; the Hessian Messenger; on Cranial Nerves; Selected Letters trans. John Reddick (Penguin Classics, 1993) ISBN 0140445862.
  • Georg Büchner, Danton's Death, Leonce and Lena and Woyzeck, trans. Victor Price, (Oxford World's Classics, 1998). ISBN 0192836501.

There are many translations of the individual plays.


Quotes

Up to date as of January 14, 2010

From Wikiquote

One must love humanity in order to reach out into the unique essence of each individual: no one can be too low or too ugly.

Karl Georg Büchner (17 October 181319 February 1837) was a German dramatist and writer of prose. He was the brother of physician and philosopher Ludwig Büchner.

Contents

Sourced

  • One must love humanity in order to reach out into the unique essence of each individual: no one can be too low or too ugly.

The Hessian Courier (1834)

  • Peace to the shacks! War on the palaces!
  • Raise your eyes and count the small gang of your oppressors who are only strong through the blood they suck from you and through your arms which you lend them unwillingly.
  • Supreme power rests in the will of all or of the majority.
  • In Germany, the judicial system has been the whore of the German princes for centuries.
  • The life of the wealthy is one long Sunday.
  • Germany is now a field of cadavers, soon she will be a paradise.
  • The state is therefore everyone; the rules within the state are laws which safeguard the welfare of all and which must originate from the welfare of all.

Dantons Tod (Danton's Death) (1835)

  • The sin is in our thoughts.
    • Act I
  • There are only Epicureans, either crude or refined; Christ was the most refined.
    • Act I
  • The revolutionary government is the despotism of liberty against tyranny.
    • Act I
  • The weapon of the Republic is terror, and virtue is its strength.
    • Act I
  • You women could make someone fall in love even with a lie.
    • Act I
  • The breath of an aristocrat is the death rattle of freedom.
    • Act I
  • Revolution is like Saturn, it devours its own children.
    • Act I
  • They say in the grave there is peace, and peace and the grave are one and the same.
    • Act I
  • Government must be a transparent garment which tightly clings to the people’s body.
    • Act I
  • The revolution must end and the republic must begin. In our constitution, right must take the place of duty, welfare that of virtue, and self-defense that of punishment. Everyone must be able to prevail and to live according to one’s own nature.
    • Act I
  • Whoever finishes a revolution only halfway, digs his own grave.
    • Act I
  • The statue of Freedom has not been cast yet, the furnace is hot, we can all still burn our fingers.
    • Act I
  • Murder begins where self-defense ends.
    • Act I
  • We are always on stage, even when we are stabbed in earnest at the end.
    • Act II
  • We are only puppets, our strings are being pulled by unknown forces.
    • Act II
  • The strides of humanity are slow, they can only be counted in centuries.
    • Act II
  • We have not made the Revolution, the Revolution has made us.
    • Act II
  • Your words smell of corpses.
    • Act II
  • Dying people often become childish
    • Act II
  • I’ll know how to die with courage; that is easier than living.
    • Act II
  • Revolution is like the daughters of Pelias: it cuts humanity to pieces in order to rejuvenate it.
    • Act II
  • The power of the people and the power of reason are one.
    • Act III
  • The stars are scattered all over the sky like shimmering tears, there must be great pain in the eye from which they trickled.
    • Act IV
  • Freedom and whores are the most cosmopolitan items under the sun.
    • Act IV
  • The world is chaos. Nothingness is the yet-to-be-born god of the world.
    • Act IV

Leonce and Lena (1838)

  • Love is a peculiar thing.
    • Act I
  • That is a long word: forever!
    • Act I
  • How many women does one need to sing the scale of love all the way up and down?
    • Act I
  • The death clock is ticking slowly in our breast, and each drop of blood measures its time, and our life is a lingering fever.
    • Act II
  • Death is the most blessed dream.
    • Act II
  • And for tired eyes every light is too bright, and for tired lips every breath too heavy, and for tired ears every word too much.
    • Act II
  • Do you know, Valerio, that even the least among all humans is so great that life is far too short to love him?
    • Act III

Woyzeck (1879)

  • There is something beautiful about virtue, Captain. But I am just a poor guy.
    • Scene VI
  • People like us are unhappy in this world and in the next, I guess if we made it to heaven, we’d have to help make it thunder.
    • Scene VI
  • A good man with a good conscience doesn’t walk so fast.
    • Scene X

External links

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