The Full Wiki

More info on Gesellschaft der Associierten

Gesellschaft der Associierten: Wikis


Note: Many of our articles have direct quotes from sources you can cite, within the Wikipedia article! This article doesn't yet, but we're working on it! See more info or our list of citable articles.


From Wikipedia, the free encyclopedia

The Gesellschaft der Associierten was an association of music-loving noblemen centered in Vienna and founded by Baron Gottfried van Swieten in 1786[1]. The society sponsored concerts, often reviving music from the past, and also commissioned new works.



The founder, Gottfried van Swieten, had an extremely strong interest in music, particularly in the revival of music by great composers of the past such as J. S. Bach and Handel. However, van Swieten was himself only a baron, and was originally a commoner (his father, Gerhard van Swieten, had been the personal physician of Empress Maria Theresa and had been elevated to the nobility during Gottfried's own lifetime). Thus van Swieten lacked the vast wealth held by the older nobility, who possessed great landed estates, often worked by serfs, in the hinterlands of the Empire. By recruiting a group of fellow music-lovers from the upper nobility, van Swieten was able to fund concert productions that would have been beyond his personal means.

There were, according to Antonicek, actually two organizations that bore this name. The original, founded in 1786, was called the "Gesellschaft der associierten Cavaliers", "Society of Associated Noblemen".[2] This was dissolved in 1792, perhaps in conjunction with Baron van Swieten's fall from political power (he lost his principal positions on December 5, 1791, the day his protegé Mozart died).[3] In 1799, the society was refounded with the curious name "Gesellschaft der Associierten" ("Society of the Associated"). For both the earlier and the later incarnations of the group, van Swieten served as "Secretär", secretary.

The organization's concerts were first given in one of the palaces of the members or in the large hall of the Imperial Library, then in a public performance in the Burgtheater or Jahn's Hall.[4]

The Gesellschaft der Associierten endured until 1808, five years after van Swieten's death. The task of sponsoring concerts was soon taken up again by the Gesellschaft der Musikfreunde, founded 1812.[5]

The name of the organization is translated in various ways into English, usually without distinguishing the two original versions. Timothy Bell renders it as "Society of Associated Cavaliers";[6] the translators of Deutsch (1965, 330) render it as "Society of Noblemen".


In his biography of Joseph Haydn (1810), Georg August Griesinger gave a list of the members, as follows.[7]

Haydn biographer Albert Christoph Dies, considered less reliable than Griesinger, adds a Count Marschall and a Baron von Spielmann.[9] and omits various names given by Griesinger.


Wolfgang Amadeus Mozart took on the task of conducting the Gesellschaft's concerts in 1788.[10] In addition to having him conduct, the Gesellschaft commissioned Mozart to prepare four works by Handel for performance according to contemporary taste:

The Gesellschaft's concerts were an important source of income for Mozart during this time, when he was experiencing severe financial worries.[14]


The Gesellschaft sponsored the composition and premieres of Joseph Haydn's last three oratorios. These were his The Seven Last Words of Christ (1795-1796), an oratorio reworking of an earlier orchestral piece; The Creation (1798); and The Seasons (1801).

The Gesellschaft der Associierten provided financial guarantees needed for Haydn to undertake these long-term projects. They also awarded Haydn a substantial honorarium on completion of these works, and arranged for benefit performances from which the proceeds would be Haydn's.[15] Dies (1810) reported that the Creation benefit yielded 9000 florins, a large sum, and that the Seasons benefit was "not so lucrative".[16]


  1. ^ Date from Braunbehrens 1990, 320
  2. ^ Antonicek (1972-1973, 28)
  3. ^ This conjecture is from Antonicek (1972-1973, 28)
  4. ^ Braunbehrens 1990, 320
  5. ^ De Nora (1991, 318)
  6. ^ in his English rendering (1990) of Braunbehrens's Mozart biography, cited below
  7. ^ Griesinger (1810, 38)
  8. ^ Probably Griesinger's spellng for Apponyi; see List of string quartets by Joseph Haydn
  9. ^ Dies (1810, 175)
  10. ^ Braunbehrens 1990, 320
  11. ^ Deutsch 1965, 330
  12. ^ New Grove Dictionary of Music and Musicians
  13. ^ Grove
  14. ^ Solomon 1995
  15. ^ Olleson (1963, 69)
  16. ^ Dies (1810, 175)


  • Antonicek, Theophil (1972-1973) "Vergangenheit muss unsre Zukunft bilden": Die patriotische Musikbewegung in Wien und ihr Vorkampfer. Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 26: 38-49.
  • Braunbehrens, Volkmar (1990) Mozart in Vienna. Translated from the German by Timothy Bell. New York: Grove and Weidenfeld. Includes a chapter covering van Swieten and his times.
  • DeNora, Tia (1991) Musical Patronage and Social Change in Beethoven's Vienna. The American Journal of Sociology 97:310-346.
  • Olleson, Edward (1963) "Gottfried van Swieten: Patron of Haydn and Mozart," Proceedings of the Royal Musical Association, 89th Sess. (1962 - 1963), pp. 63–74. Available online from JSTOR.
  • Griesinger, Georg August (1810) Biographical Notes Concerning Joseph Haydn. Leipzig: Breitkopf und Härtel. English translation by Vernon Gotwals, in Haydn: Two Contemporary Portraits, Milwaukee: University of Wisconsin Press.


Got something to say? Make a comment.
Your name
Your email address