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Giambattista Vico

Born Giovanni Battista Vico
23 June 1668(1668-06-23)
Naples, Kingdom of Naples
Died 23 January 1744 (aged 75)
Naples, Kingdom of Naples
Occupation philosopher, historian, jurist
Nationality Neapolitan
Genres Roman Jurisprudence, Platonism
Notable work(s) Scienza Nuova.

Giovanni Battista (Giambattista) Vico or Vigo (23 June 1668 – 23 January 1744) was an Italian philosopher, rhetorician, historian, and jurist. A critic of modern rationalism and apologist of classical antiquity, Vico's magnum opus is titled "Principles/Origins of [re]New[ed] Science about the Common Nature of Nations" (Principi di Scienza Nuova d'intorno alla Comune Natura delle Nazioni). The work is explicitly presented as a "Science of reasoning" (Scienza di ragionare), and includes a dialectic between axioms and "reasonings" (ragionamenti) linking and clarifying the axioms. Vico is often claimed to have inaugurated modern philosophy of history, although the expression is alien from Vico's text (Vico speaks of a "history of philosophy narrated philosophically").[1] He is otherwise well-known for noting that verum esse ipsum factum ("true itself is fact" or "the true itself is made"), a proposition that has been read as an early instance of constructivist epistemology.[2][3] Overall, the contemporary interest in Vico has been driven by peculiarly historicist interests like Tagliacozzo.[4] and Hayden White[5].

Contents

Biography

Born to a bookseller and the daughter of a carriage maker in Naples, Italy, Vico attended a series of grammar schools, but ill-health and dissatisfaction with Jesuit scholasticism led to home schooling.

After a bout of typhus in 1686, Vico accepted a tutoring position in Vatolla (a Frazione of the comune of Perdifumo), south of Salerno, that would last for nine years. In 1699, he married a childhood friend, Teresa Destito, and took a chair in rhetoric at the University of Naples. Throughout his career, Vico would aspire to, but never attain, the more respectable chair of jurisprudence. In 1734, however, he was appointed royal historiographer by Charles III, king of Naples, and was afforded a salary far surpassing that of his professorship. Vico retained the chair of rhetoric until ill-health forced him to retire in 1741.

Major works and their reception

Vico is best known for his verum factum principle, first formulated in 1710 as part of his De Italorum Sapientia[6]. The principle states that truth is verified through creation or invention and not, as per Descartes, through observation: “The criterion and rule of the true is to have made it. Accordingly, our clear and distinct idea of the mind cannot be a criterion of the mind itself, still less of other truths. For while the mind perceives itself, it does not make itself.” This criterion for truth would later shape the history of civilization in Vico’s opus, the Scienza Nuova (The New Science, 1725), because he would argue that civil life – like mathematics – is wholly constructed.

Relying on a complex etymology, Vico argues in the Scienza Nuova that civilization develops in a recurring cycle (ricorso) of three ages: the divine, the heroic, and the human. Each age exhibits distinct political and social features and can be characterized by master tropes or figures of language. The giganti of the divine age rely on metaphor to compare, and thus comprehend, human and natural phenomena. In the heroic age, metonymy and synecdoche support the development of feudal or monarchic institutions embodied by idealized figures. The final age is characterized by popular democracy and reflection via irony; in this epoch, the rise of rationality leads to barbarie della reflessione or barbarism of reflection, and civilization descends once more into the poetic era. Taken together, the recurring cycle of three ages – common to every nation – constitutes for Vico a storia ideale eterna or ideal eternal history.

Vico’s major work was poorly received during his own life but has since inspired a cadre of famous thinkers and artists, including Benedetto Croce, James Joyce, Bertrand Russell, Samuel Beckett, Isaiah Berlin, Giovanni Gentile, Erich Auerbach, Northrop Frye, Harold Bloom, Julius Evola, Edward Said, Marshall McLuhan, Thomas Berry, and Robert Anton Wilson. Later his work was received more favourably as in the case of Lord Monboddo to whom he was compared in a modern treatise.[7]


walah nu ngapusi be.....

Vichian rhetoric and humanism

Vico's version of rhetoric is often seen as the result of both his humanist and pedagogic concerns. In De Nostri Temporis Studiorum Ratione ("On the Order of the Scholarly Disciplines of Our Times"), presented at the commencement ceremonies of 1708, Vico argued that whomever “intends a career in public life, whether in the courts, the senate, or the pulpit” should be taught to “master the art of topics and defend both sides of a controversy, be it on nature, man, or politics, in a freer and brighter style of expression, so he can learn to draw on those arguments which are most probable and have the greatest degree of verisimilitude” (however, in his "Scienza Nuova", Vico denounces as "false eloquence" one defending both sides in controversies). As Royal Professor of Latin Eloquence, it was Vico’s task to prepare students for higher studies in law and jurisprudence. His lessons thus dealt with the formal aspects of the rhetorical canon, including arrangement and delivery. Yet as the above oration also makes clear, Vico chose to emphasize the Aristotelian connection of rhetoric with dialectic or logic, thereby reconnecting rhetoric to ends (or topics) as their center. Vico's objection to modern rhetoric is that it cuts itself off from common sense (sensus communis), as the sense common to all men. In his lectures and throughout the body of his work, Vico's rhetoric begins from a central argument or "middle term" (medius terminus) which it then sets out of clarify by following the order of things as they arise in our experience. Probability and circumstance retain their proportionate importance, and discovery – reliant upon topics or loci – supersedes axioms derived through reflective abstraction. In the tradition of classical Roman rhetoric, Vico sets out to educate the orator as the deliverer of the "oratio", a speech having "ratio" or reason/order at its heart. What is essential to the oratory art (as the Greek rhetorike) is the orderly link between common sense and an end commensurate to it—an end that is not imposed upon the imagination from above (in the manner of the moderns and a certain dogmatic form of Christianity), but that is drawn out of common sense itself. In the tradition of Socrates and Cicero, Vico's real orator or rhetorician will serve as midwife in the birth of "the true" (as a form or idea) out of "the certain" (as the confusion or ignorance of the student's particularized mind).

Vico's rediscovery of "the most ancient wisdom" of the senses (a wisdom that is "human foolishness" or humana stultitia), his emphasis on the importance of civic life, and his professional obligations remind us of the humanist tradition. He would call for a maieutic or jurisprudential oratory art against the grain of the modern privileging of a dogmatic form of reason in what he called the “geometrical method” of Descartes and the Port-Royal logicians.

Response to the Cartesian method

As he relates in his autobiography, Vico returned to Naples from Vatolla to find “the physics of Descartes at the height of its renown among the established men of letters.” Developments in both metaphysics and the natural sciences abounded as the result of Cartesianism. Widely disseminated by the Port Royal Logic of Antoine Arnauld and Pierre Nicole, Descartes’ method was rooted in verification: the only path to truth, and thus knowledge, was through axioms derived from observation. Descartes’ insistence that the “sure and indubitable” (or, "clear and distinct") should form the basis of reasoning had an obvious impact on the prevailing views of logic and discourse. Studies in rhetoric – indeed all studies concerned with civic discourse and the realm of probable truths – met with increasing disdain.

Vico’s humanism and professional concerns prompted an obvious response that he would develop throughout the course of his writings: the realms of verifiable truth and human concern share only a slight overlap, yet reasoning is required in equal measure in both spheres. One of the clearest and earliest forms of this argument is available in the De Italorum Sapientia, where Vico argues that “to introduce geometrical method into practical life is ‘like trying to go mad with the rules of reason,’ attempting to proceed by a straight line among the tortuosities of life, as though human affairs were not ruled by capriciousness, temerity, opportunity, and chance. Similarly, to arrange a political speech according to the precepts of geometrical method is equivalent to stripping it of any acute remarks and to uttering nothing but pedestrian lines of argument.” Vico’s position here and in later works is not that the Cartesian method is irrelevant, but that its application cannot be extended to the civic sphere. Instead of confining reason to a string of verifiable axioms, Vico suggests (along with the ancients) that appeals to phronêsis or practical wisdom must also be made, as do appeals to the various components of persuasion that comprise rhetoric. Vico would reproduce this argument consistently throughout his works, and would use it as a central tenet of the Scienza Nuova.

Rhetoric in the Scienza Nuova

Principj di Scienza Nuova - title page of 1744 edition.

In 1720, Vico began work on the Scienza Nuova – his self-proclaimed masterpiece – as part of a treatise on universal right. Although a full volume was originally to be sponsored by Cardinal Corsini (the future Pope Clement XII), Vico was forced to finance the publication himself after the Cardinal pleaded financial difficulty and withdrew his patronage. The first edition of the New Science (Scienza Nuova, rather than Nuova Scienza, for which Galileo had been known) appeared in 1725, and a second, reworked version was published in 1730; neither was well received during Vico’s lifetime.

Vico’s humanism (his returning to a pre-modern form of reasoning), his interest in classical rhetoric and philology, and his response to Descartes contribute to the philosophical foundations for the second Scienza Nuova. Through an elaborate Latin etymology, Vico establishes not only the distinguishing features of first humans, but also how early civilization developed out of a sensus communis or common (not collective) sense. Beginning with the first form of authority intuited by the giganti or early humans and transposed in their first "mute" or "sign" language, Vico concludes that “first, or vulgar, wisdom was poetic in nature.” This observation is not an aesthetic one, but rather points to the capacity inherent in all men to imagine meaning via comparison and to reach a communal "conscience" or "prejudice" about their surroundings. The metaphors that define the poetic age gradually yield to the first civic discourse, finally leading to a time characterized by "full-fledged reason" (ragione tutta spiegata), in which reason and right are exposed to the point that they vanish into their own superficial appearance. At this point, speech returns to its primitive condition, and with it men. Hence the "recurring" (ricorso) of life to "barbarism" (barbarie). It is by way of warning his age and those stemming from it of the danger of seeking truth in clear and the distinct ideas blinding us to the real depths of life, that Vico calls our attention back to a classical art of moderating the course of human development, lest the liberty enjoyed in the "Republic" be supplanted by the anarchic tyranny of the senses. Crucial to Vico's work remains a subtle criticism of all attempts to impose universality upon particularity, as if ex nihilo. Instead, Vico attempts to always let "the true" emerge out of "the certain" through innumerable stories and anecdotes drawn mostly from the history of Greece and Rome and from the Bible. Here, reason does not attempt to overcome the poetic dimension of life and speech, but to moderate its impulses so as to safeguard civil life.


While the transfer from divine to heroic to human ages is, for Vico, marked by shifts in the tropological nature of language, the inventional aspect of the poetic principle remains constant. When referring to “poets”, Vico intends to evoke the original Greek sense of “creators”. In the Scienza Nuova, then, the verum factum principle first put forth in De Italorum Sapientia remains central. As such, the notion of topics as the loci or places of invention (put forth by Aristotle and developed throughout classical rhetoric) serves as the foundation for "the true", and thus, as the underlying principle of sensus communis and civic discourse. The development of laws that shape the social and political character of each age is informed as much by master tropes as by those topics deemed acceptable in each era. Thus, for the rudimentary civilization of the divine age, sensory topics are employed to develop laws applicable on an individual basis. These laws expand as metonymy and synecdoche enable notions of sovereign rule in the heroic age; accordingly, acceptable topics expand to include notions of class and division. In the final, human age, the reflection that enables popular democracy requires appeals to any and all topics to achieve a common, rational law that is universally applicable. The development of civilization in Vico’s storia ideale eterna, then, is rooted in the first canon of rhetoric, as invention via loci shapes both the creation of and discourse about civil life.

Isaiah Berlin has devoted attention to Vico as a critic of the Enlightenment and a significant humanist and culture theorist [8]; [9]

Footnotes

  1. ^ The contemporary dominant interpretation of Vico owes much to Donald Philip Verene; see his 2002 "Giambattista Vico," A Companion to Early Modern Philosophy, Steven M. Nadler, ed. (London: Blackwell Publishing, ISBN 0 631 21800 9), 570.
  2. ^ Ernst von Glasersfeld, An Introduction to Radical Constructivism.
  3. ^ Bizzell and Herzberg, 800, The Rhetorical Tradition.
  4. ^ Giambattista Vico: An International Symposium. Giorgio Tagliacozzo, Editor; and Hayden V. White, Co-editor. Johns Hopkins University Press, 1969. An attempt to inaugurate a non-historicist interpretation of Vico is found in Interpretation: A Journal of Political Philosophy[1], Spring 2009, Vol. 36.2
  5. ^ (1976), "The tropics of history: The deep structure of the New Science" in Giambattista Vico "Science of Humanity", ed. Giorgio Tagliacozzo and Donald Philip Verene (Baltimore and London, 1976)
  6. ^ His wording was «Verum et ipsum factum convertuntur » (« Il vero e il fatto si convertono reciprocamente»), an idea which can be found also in occasionalism and scottist scholasticism
  7. ^ Hobbs, Catherine, Rhetoric on the Margin of Modernity, Vico, Condillac, Monboddo, Southern Illinois University Press, Carbondale, Illinois (1992)
  8. ^ Berlin, Isaiah, Vico and Herder: Two Studies in the History of Ideas, Chatto and Windus, 1976. Redwood Burn Ltd.. ISBN 0-7011-2512-8.
  9. ^ Berlin, Isaiah, Three Critics of the Enlightenment: Vico, Hamann, Herder, Pimlico, 2000. ISBN 0–7126–6492–0.

References

Bibliography

  • Bedani, Gino. Vico Revisited: Orthodoxy, Naturalism and Science in the Scienza Nuova. Oxford: Berg Publishers, 1989.
  • Berlin, Isaiah. Vico and Herder: Two Studies in the History of Ideas. London: Hogarth, 1976.
  • Bizzell, Patricia, and Bruce Herzberg. The Rhetorical Tradition: Readings from Classical Times to the Present. 2nd ed. Basingstoke: Macmillan; Boston, Ma: Bedford Books of St Martin's Press, 2001. Pp. Xv, 1673. (First Ed. 1990). 2001.
  • Colilli, Paul. Vico and the Archives of Hermetic Reason. Welland, Ont.: Editions Soleil, 2004.
  • Croce, Benedetto. The Philosophy of Giambattista Vico. Trans. R.G. Collingwood. London: Howard Latimer, 1913.
  • Danesi, Marcel. Vico, Metaphor, and the Origin of Language. Bloomington: Indiana UP, 1993
  • Fisch, Max, and Thomas Bergin, trans. Vita di Giambattista Vico (The Autobiography of Giambattista Vico). 1735-41. Ithaca: Cornell UP, 1963.
  • Vico, Giambattista. The New Science of Giambattista Vico. (1744). Trans. Thomas G. Bergin & Max H. Fisch. Ithaca: Cornell University Press, 1948.
  • Grassi, Ernesto. Vico and Humanism: Essays on Vico, Heidegger, and Rhetoric. New York: Peter Lang, 1990.
  • Joyce, James. Finnegans Wake. Viking 1939.
  • Levine, Joseph. Giambattista Vico and the Quarrel between the Ancients and the Moderns. Journal of the History of Ideas 52.1(1991): 55-79.
  • Lilla, Mark. "G. B. Vico: The Making of an Anti-Modern." Cambridge, MA: Harvard University Press, 1993.
  • Mazzotta, Giuseppe. "The New Map of the World: The Poetic Philosophy of Giambattista Vico." Princeton: Princeton University Press, 1999.
  • Miner, Robert. "Vico, Genealogist of Modernity." Notre Dame: University of Notre Dame Press, 2002.
  • Nicolini, Fausto, ed. Opera di G.B. Vico. Bari: Laterza, 1911-41.
  • Palmer, L.M., trans. De Antiquissima Italorum Sapientia ex Linguae Originibus Eruenda Librir Tres (On the Most Ancient Wisdom of the Italians Unearthed from the Origins of the Latin Language). 1710. Ithaca: Cornell UP, 1988.
  • Pinton, Girogio, and Arthur W. Shippee, trans. Institutiones Oratoriae (The Art of Rhetoric). 1711-1741. Amsterdam: Editions Rodopi B.V., 1984.
  • Pompa, Leon, trans. Scienza Nuova (The First New Science). 1725. Cambridge: Cambridge UP, 2002.
  • Schaeffer, John. Sensus Communis: Vico, Rhetoric, and the Limits of Relativism. Durham: Duke UP, 1990.
  • Verene, Donald. Vico's Science of Imagination. Ithaca: Cornell UP, 1981.
  • Verene, Molly Black "Vico: A Bibliography of Works in English from 1884 to 1994." Philosophy Documentation Center, 1994.
  • Vico, Giambattista. "On Humanistic Education," trans. Giorgio A. Pinton and Arthur W. Shippee. Ithaca: Cornell UP, 1993.
  • Vico, Giambattista. "On the Study Methods of Our Time," trans. Elio Gianturco. Ithaca: Cornell UP, 1990.
  • Vico, Giambattista. "The New Science of Giambattista Vico, trans. Thomas G. Bergin and Max H. Fixch. Ithaca: Cornell UP, 1968.

External links


1911 encyclopedia

Up to date as of January 14, 2010

From LoveToKnow 1911

GIOVANNI BATTISTA VICO (1668-1744), Italian jurist and philosopher, was born at Naples on the 23rd of June 1668. At the university he made rapid progress, especially in jurisprudence, though preferring the study of history, literature, juridical science and philosophy. Being appointed tutor to the nephews of the bishop of Ischia, G. B. Rocca, he accompanied them to the castle of Vatolla, near Cilento, in the province of Salerno. There he passed nine studious years, chiefly devoted to classical reading, Plato and Tacitus being his favourite authors, because "the former described the ideal man, and the latter man as he really is." On his return to Naples he found himself out of touch with the prevailing Cartesianism, and lived quietly until in 1697 he gained the professorship of rhetoric at the university, with a scanty stipend of loo scudi. On this he supported a growing family and gave himself to untiring study. Two authors exercised a weighty influence on his mind - Francis Bacon and Grotius. He was no follower of their ideas, indeed often opposed to them; but he derived from Bacon an increasing stimulus towards the investigation of certain great problems of history and philosophy, while Grotius proved valuable in his study of philosophic jurisprudence. In 1708 he published his De ratione studiorum, in 1710 De antiquissima Italorum sapientia, in 1720 De universi juris uno principio et fine uno, and in 1721 De constantia jurisprudentis. On the strength of these works he offered himself as a candidate for the university chair of jurisprudence, but as he had no personal or family influence was not elected. With calm courage he returned to his poverty and his favourite studies, and in 1725 published the first edition of the work that forms the basis of his renown, Principii d'una scienza nuova. In 1730 he produced a second edition of the Scienza nuova, so much altered in style and with so many substantial .additions that it was practically a new work. In 1735 Charles III. of Naples marked his recognition of Vico's merits by appointing him historiographer-royal, with a yearly stipend of t oo ducats. Soon after his mind began to give way, but during frequent intervals of lucidity he made new corrections in his great work, of which a third edition appeard in 1744, prefaced by a letter of dedication to Cardinal Trojano Acquaviva. He died on the 20th of January of the same year. Fate seemed bent on persecuting him to the last. A fierce quarrel arose over his burial between the brotherhood of St Stephen, to which he had belonged, and the university professors, who desired to escort his corpse to the grave. Finally the canons of the cathedral, together with the professors, buried the body in the church of the Gerolimini.

Vico has been generally described as a solitary soul, out of harmony with the spirit of his time and often directly opposed to it. Yet a closer inquiry into the social conditions of Vico s time, and of the studies then flourishing, shows him to have been thoroughly in touch with them.

Owing to the historical past of Naples, and its social and economic condition at the end of the 17th century, the only study that really flourished there was that of law; and this soon penetrated from the courts to the university, and was raised to the level of a science. A great school of jurisprudence was thus formed, including many men of vast learning and great ability, although little known outside their immediate surroundings. Three men, however, obtained a wider recognition. By his exposition of the political history of the kingdom, based on a study of its laws and institutions and of the legal conflicts between the state and the court of Rome, Pietro Giannone was the initiator of what has been since known as civil history. Giovan Vincenzo Gravina wrote a history of Roman law, specially distinguished for its accuracy and elegance. Vico raised the problem to a higher plane, by tracing the origin of law in the human mind and explaining the historical changes of the one by those of the other. Thus he made the original discovery of certain ideas which constitute the modern psychologico-historic method. This problem he proceeded to develop in various works, until in his Scienza nuova he arrived at a more complete solution, which may be formulated as follows: If the principle of justice and law be one, eternal and immutable, why should there be so many different codes of legislation? These differences are not caused by difference of nationality only, but are to be noted in the history of the same people, even in that of the Romans. This problem is touched upon in his Orations or Inaugural Addresses (Orazioni o Prolusioni) and in his Minor Works (Scritti minori). Finally he applied himself to its solution in his Universal Law (Diritto universale), which is divided into two books. The first of these, De uno et universi juris principio et fine uno, was subdivided into two parts; so like. wise was the second, with the respective titles of De constantia philologiae and De constantia jurisprudentis. The following is the general idea derived from these researches. Vico held God to be the ruler of the world of nations, but ruling, not as the providence of the middle ages by means of continued miracles, but as He rules nature, by means of natural laws. If, therefore, the physicist seeks to discover the laws of nature by study of natural phenomena, so the philosopher must seek the laws of historical change by the investigation of human events and of the human mind. According to Vico, law emanates from the conscience of mankind, in whom God has infused a sentiment of justice. and is therefore in close and continual relation with the human mind, and participates in its changes. This sentiment of justice is at first confused, uncertain and almost instinctive - is, as it were, a divine and religious inspiration instilled by Heaven into the primitive tribes of the earth. It is an unconscious, universal sentiment, not the personal, conscious and rational sentiment cf the superior few. Hence the law to which it gives birth is enwrapped in religious forms which are likewise visible and palpable, inasmuch as primitive man is incapable of abstract, philosophical ideas. This law is not the individual work of any philosophical legislator, for no man was, or could be, a philosopher at that time. It is first displayed in the shape of natural and necessary usages consecrated by religion. The names of leading legislators, which we so often find recorded in the history of primitive peoples, are symbols and myths, merely serving to mark an historic period or epoch by some definite and personal denomination. For nations, or rather tribes, were then distinguished by personal names only. The first obscure and conf used conception of law gradually becomes clearer and better defined. Its visible and religious forms then give way to abstract formulae, which in their turn are slowly replaced by the rational manifestation of the philosophic principles of law that gains the victory in the final stage of development, designated by Vico as that of civil and human law. This is the period of individual and philosophic legislators. Thus Roman law has passed through three great periods - the divine, the heroic and the human - which are likewise the three chief periods of the history of Rome, with which it is intimately and intrinsically connected. Nevertheless, on careful examination of these three successive stages, it will easily be seen that, in spite of the apparent difference between them, all have a common foundation, source and purpose. The human and civil philosophic law of the third period is assuredly very different in form from the primitive law; but in substance it is merely the abstract, scientific and philosophic manifestation of the same sentiment of justice and the same principles which were vaguely felt in primitive times. Hence one development of law may be easily translated into another. Thus in the varied manifestations of law Vico was able to discover a single and enduring principle (De universi juris uno princ p peo et fine uno). On these grounds it has been sought to establish a close relation between Vico and Grotius. The latter clearly distinguished between a positive law differing in different nations and a natural law based on a general and unchanging principle of human nature, and therefore obligatory upon all. But Vico was opposed to Grotius, especially as regards his conception of the origin of society, and therefore of law. Grotius holds that its origin was not divine, but human, and neither collective, spontaneous nor unconscious, but personal, rational and conscious. He believed, moreover, that natural law and positive law moved on almost constant and immutable parallel lines. But Vico maintained that the one was continually progressing towards the other, positive law showing an increasing tendency to draw nearer to natural and rational law. Hence the conception that law is of necessity a spontaneous birth, not the creation of any individual legislator; and hence the idea that it necessarily proceeds by a natural and logical process of evolution constituting its history. Vico may have derived from Grotius the idea of natural law; but his discovery of the historic evolution of law was first suggested to him by his study of Roman law. He saw that the history of Roman jurisprudence was a continuous progress of the narrow, rigorous, primitive and almost iron law of the XII. Tables towards the wider, more general and more humane jus gentium. Having once derived this conception from Roman history, he was easily and indeed necessarily carried on to the next - that the positive law of all nations, throughout history, is a continual advance, keeping pace with the progress of civilization, towards the philosophic and natural law founded on 'the principles of human nature and human reason.

As already stated, the Scienza nuova appeared in three different editions. The third may be disregarded; but the first and second editions are almost distinct works. In the former the author sets forth the analytical process by which the laws he discovered were deduced from facts. In the second he not only enlarges his matter and gives multiplied applications of his ideas, but also follows the synthetic method, first expounding the laws he had discovered and then proving them by the facts to which they are applied. In this edition the fragmentary and jerky arrangement, the intricate style, and a peculiar and often purely conventional terminology seriously checked the diffusion of the work, which accordingly was little studied in Italy and remained almost unknown to the rest of Europe. Its fundamental idea consists in that which Vico, in his peculiar terminology, styles "poetical wisdom" (sapienza poetica) and "occult wisdom" (sapienza riposta), and in the historical process by which the one is merged in the other. He frequently declares that this discovery was the result of the literary labours of his whole life.

Vico was the first thinker who asked, Why have we a science of nature, but no science of history? Because our glance can easily be turned outwards and survey the exterior world but it is far harder to turn the mind's eye inwards and contemplate the world of the spirit. All our errors in explaining the origin of human society arise from our obstinacy in believing that primitive man was entirely similar to ourselves, who are civilized, i.e. developed by the results of a lengthy process of anterior historic evolution. We must learn to issue from ourselves, transport ourselves back to other times, and become children again in order to comprehend the infancy of the human race. As in children, imagination and the senses prevailed in those men of the past. They had no abstract ideas; in their minds all was concrete, visible and tangible. All the phenomena, forces and laws of nature, together with mental conceptions, were alike personified. To suppose that all mythical stories are fables invented by the philosophers is to write history backwards avid confound the instinctive, impersonal, poetic wisdom of the earliest times with the civilized, rational and abstract occult wisdom of our own day. But how can we explain the formation of this poetic wisdom, which, albeit the work of ignorant men, has so deep and intrinsic a philosophic value? The only possible reply is that already given when treating of the origin of law. Providence has instilled into the heart of man a sentiment of justice and goodness, of beauty and of truth, that is manifested differently at different times. The ideal truth within us, constituting the inner life that is studied by philosophers, becomes transmuted by the facts of history into assured reality. For Vico psychology and history were the two poles of the new world he discovered. After having extolled the work of God and proclaimed Him the source of all knowledge, he adds that a great truth is continually flashed on us and proved to us by history, namely, "that this world of nations is the work of man, and its explanation therefore only to be found in the mind of man." Thus poetical wisdom, appearing as a spontaneous emanation of the human conscience, is almost the product of divine inspiration. From this, by the aid of civilization, reason and philosophy, there is gradually developed the civil, occult wisdom. The continual, slow and laborious progress from the one to the other is that which really constitutes history, and man becomes civilized by rendering himself the conscious and independent possessor of all that in poetical wisdom remained impersonal, unconscious, that came, as it were, from without by divine afflatus. Vico gives many applications of this fundamental idea. The religion of primitive peoples is no less mythical than their history, since they could only conceive of it by means of myths. On these lines he interprets the whole history of primitive Rome. One book of the second edition of the Scienza nuova is devoted to "The Discovery of the True Homer." Why all the cities of Greece dispute the honour of being his birthplace is because the Iliad and the Odyssey are not the work of one, but of many popular poets, and a true creation of the Greek people which is in every city of Greece. And because the primitive peoples are unconscious and self-ignorant Homer is represented as being blind. In all parts of history in which he was best versed Vico pursues a stricter and more scientific method, and arrives at safer conclusions. This is the case in Roman history, especially in such portions as related to the history of law. Here he sometimes attains, even in details, to divinations of the truth afterwards confirmed by new documents and later research. The aristocratic origin of Rome, the struggle between the patricians and the plebeians, the laws of the XII. Tables, not, as tradition would have it, imported from Greece, but the natural and spontaneous product of ancient Roman customs, and many other similar theories were discovered by Vico, and expounded with his usual originality, though not always without blunders and exaggerations.

Vico may be said to base his considerations on the history of two nations. The greater part of his ideas on poetical wisdom were derived from Greece. Nearly all the rest, more especially the transition from poetical to occult wisdom, was derived from Rome. Having once formulated his idea, he made it more general in order to apply it to the history of all nations. From the savage state, through the terror that gives birth to religions, through the creation of families by marriage, through burial rites and piety towards the dead, men approach civilization with the aid of poetic wisdom, and pass through three periods - the divine, heroic and human - in which they have three forms of government, language, literature, jurisprudence and civilization. The primary government is aristocratic. Patrician tyranny rouses the populace to revolt, and then democratic equality is established under a republic. Democratic excesses cause the rise of an empire, which, becoming corrupt, declines into barbarism, and, again emerging from it, retraces the same course. This is the law of cycles, constituting that which is designated by Vico as the "eternal ideal history, or rather course of humanity, invariably followed by all nations." It must not be held to imply that one nation imitates the course pursued by another, nor that the points of resemblance between them are transmitted by tradition from one to the other, but merely that all are subject to one law, inasmuch as this is based on the human nature common to all alike. Thus, while on the one hand the various cycles traced and retraced by all nations are similar and y et independent, on the other hand, being actually derived from Roman history, they become converted in the Scienza nuova into a bed of Procrustes, to which the history of all nations has to be fitted by force. And wherever Vico's historical knowledge failed he was led into increased error by this artificial and arbitrary effort.

It has been justly observed by many that this continuous cyclical movement entirely excludes the progress of humanity towards a better future. It has been replied that these cycles are similar without being identical, and that, if one might differ from another, the idea of progress was not necessarily excluded by the law of cycles. Vico undoubtedly considered the poetic wisdom of the Middle Ages to be different from that of the Greeks and Romans, and Christianity to be very superior to the pagan religion. But he never investigated the question whether, since there is a law of progressive evolution in the history of different nations, separately examined, there may not likewise be another law ruling the general history of these nations, every one of which must have represented a new period, as it were, in the history of humanity at large. Therefore, although the Scienza nuova cannot be said absolutely to deny the law of progress, it must be allowed that Vico not only failed to solve the problem but even shrank from attacking it.

Vico founded no school, and though during his lifetime and for a while after his death he had many admirers both in Naples and the northern cities, his fame and name were soon obscured, especially as the Kantian system dominated the world of thought. At the beginning of the 19th century, however, some Neapolitan exiles at Milan called attention to the merits of their great countryman, and his reinstatement was completed by Michelet, who in 1827 translated the Scienza nuova and other works with a laudatory introduction. Vico's writings suffer through their author's not having followed a regular course of studies, and his style is very involved. He was a deeply religious man, but his exemption of Jewish origins from the canons of historical inquiry which he elsewhere applied was probably due to the conditions of his age, which preceded the dawn of Semitic investigation and regarded the Old Testament and the Hebrew religion as sui generis. For Vico's personal history see his autobiography, written at the request of the Conte di Porcia, and his letters; also Cantoni, G. B. Vico, Studii Critici e Comparativi (Turin, 1867); R. Flint, Vico (Edinburgh and London, 1884). For editions of Vico's own works, see Opere, ed. Giuseppe Ferrari, with introductory essay, "La Mente de Vico" (6 vols., Milan, 1834-35), and Michelet, Ouvres Choisies de Vico (2 vols., Paris, 1835). A full list is given in B. Croce, Bibliografia Vichiana (Naples, 1904). See also O. Klemm, G. B. Vico als Geschichtsphilosoph and Vblkerpsycholog (Leipzig, 1906); M. H. Rafferty in Journal of the Society of Comparative Legislation, New Series, xvii., xx.


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