| Glass Wings | |
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![]() Original cover of Glass Wings |
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| ç¾½æ ¹çŽ»ç’ƒãƒŽå›ã€‚ (Hane Garasu no Kimi) |
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| Genre | Romance, Fantasy |
| Manga | |
| Author | Misuzu Asaoka |
| Publisher | |
| English publisher | |
| Demographic | ShÅjo |
| Published | December 17, 2003 |
| Volumes | 1 |
Glass Wings (ç¾½æ ¹çŽ»ç’ƒãƒŽå›ã€‚ Hane Garasu no Kimi, lit. "Your Glass Wings") is a one-shot manga anthology by Misuzu Asaoka. Kadokawa Shoten originally published it in Japan on December 17, 2003 under the Asuka Comics label. Tokyopop released it in the United States on February 7, 2006. In 2005, they also released it in Germany under the title Der Prinz mit den gläsernen Schwingen (The Prince with the Glass Wings). Asaoka noted that she prefers her character designs to look both attractive and intelligent, and that she put more effort into developing some characters' faces than their bodies. Glass Wings has received several primarily negative reviews from English-speaking audiences.
The anthology is a collection of three gothic love stories; the first and titular story "Glass Wings" spans three chapters, while the other two are each one chapter long. The first story revolves around the relationship between two siblings, and their quest to leave their past lifes and their cruel mother behind. The second story, "Firefly", involves a young demon boy's struggle to refrain from eating human flesh as is common among his kind. He leaves his clan and is immediately accepted into a village that is oblivious to his identity, his clan continues to track him. The final story, "Jion Princess", tells the story of a young orphan who becomes a scapegoat for a wealthy girl, Yura; she is beaten to keep Yura healthy, and blamed when Yura suffers.
Contents |
"Glass Wings" is the story of Hagane, a boy with "Death Blood" that kills anyone who touches it. He is forced into a relationship with a woman named Tsubaki, but soon meets a girl named Ruriha, who he is immediately drawn to. It is revealed that Ruriha and Tsubaki have Death Blood as well and that Tsubaki is Ruhiha and Hagane's mother. Hagane and Ruriha run away from Tsubaki. They face difficulties of interacting with other people, while Tsubaki looks for them. They are eventually captured by Tsubaki and taken to her palace, where Ruriha's calls wake Hagane from a drug induced stupor. Tsubaki throws Ruriha out a window and Hagane jumps after her. They fall into a lake and swim to shore, while Tsubaki angrily sets her palace on fire.
"Firefly" is the story of a young demon boy named Yuinne, who must eat corpses to survive. Additionally, the rules of his clan demand that they kill and eat humans. Yuinne chooses to not abide by these rules and to only eat creatures that died of natural causes. Upset with the members of his clan, Yuinne runs away. He meets a girl named Mia, who lets him stay in an unoccupied cottage in her village. Yuinne enjoys his time in the town, but struggles with his hunger for flesh. Nakiri, a member of his former clan, sets out to kill Yuinne for leaving. The town discovers that Yuinne is a demon after a villager sees him eat the raw meat of a recently perished bird. The town turns against him except for Mia, who is subsequently killed by Nakiri. After a brief battle, Nakiri promises to return and leaves Yuinne to mourn his loss. Mia's spirit returns to Yuinne, consoling him and advising him to stop blaming himself.
"Jion Princess" is the story of an orphan girl named Soyogi, who becomes a yorimashi—one that takes the pain and sickness from another—for a sick, wealthy girl named Yura. Soyogi looks almost exactly like Yura, which is why she is chosen to be Yura's yorimashi. Soyogi is treated cruely by Yura, but does not care as Yura is also the only one to treat her like a human. Yura visits her fiancé in a monastery, leaving Soyogi behind. After her return, Yura treats Soyogi more kindly. Confused by Yura's change and not believing her to be the same person she knew, Soyogi jumps from a window. While crying over Soyogi's body, Yura reveals that she did care about her.
Asaoka notes that she usually likes her characters to look "sexy", regardless of age or sex, and "intelligent" and that she spent more time on developing Hagane and Ruriha's bodies than on their faces. She states that while she had an ideal body in mind that at time she was unable to "draw it out precisely".[1] She also notes that, when thinking of Tsubaki's youth, she imagined Tsubaki "having an affair with two men and suffering from this very passionate yet complicated love." She explaines that Tsubaki was not just an "abnormal mother", but "had a very sad and tough past".[2]
Glass Wings was first released on December 17, 2003 in Japan by Kadokawa Shoten under the label Asuka Comics.[3] Tokyopop released the anthology in the United States on February 7, 2006 and in Germany under the title Der Prinz mit den gläsernen Schwingen (The Prince with the Glass Wings) in 2005.[4][5] The anthology contains the three-chapter-long story "Glass Wings" and the one-chapter-long stories "Firefly" and "Jion Princess", all written and illustrated by Misuzu Asaoka. Hagane, the main character of "Glass Wings", is featured on the book's cover.
Glass Wings was listed as 91 on the Top 100 Graphic Novels list for January 2006, which listed the estimated sales of the comic distributor Diamond to comic stores.[6]
Glass Wings has received several primarily negative reviews from English-speaking audiences. Writing for IGN, A.E. Sparrow comments that the "stunning artwork will captivate" readers, but that the book suffers from "muddled dialogue" and sound-effect balloons that intrude on the book's flow.[7] Julie Rosato of Mania praises the art of Glass Wings, though she notes that the "crammed pages made it hard to enjoy the character detail and almost impossible to appreciate the various emotional dynamics." She criticizes the conflicts as "un-relatable" because of the "fantastical-horror angle" and the Tsubaki plotline as "disjointed". She states that "too much about this book moves too fast, and with too little emotional impact", that this leaves the reader without concern for the characters, and therefore unaffected by the stories' tragic ends.[8] School Library Journal's John Leighton states that "the artwork is overdone with each figure too stylized and each article of clothing bejeweled to the max." He concludes that Glass Wings "has promise but never really takes off."[9]
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