| # |
Title |
Writer(s) |
Director |
Original
airdate |
Code |
| 046-301 |
"The
Innocents, Part 1" |
Michael
Duggan |
Thomas J.
Wright |
October 2, 1998 (1998-10-02) |
3-1 |
| Frank Black teams up with an intuitive FBI agent named
Emma Hollis to probe a plane crash linked to the spread of a deadly
plague. |
| 047-302 |
"Exegesis,
Part 2" |
Chip
Johannessen |
Ralph Hemecker |
October 9, 1998 (1998-10-09) |
3-2 |
| The probe of an aircraft disaster leads Frank and
partner Emma Hollis to an extraordinarily gifted psychic who is on
the run from the menacing Millennium Group |
| 048-303 |
"TEOTWAWKI" |
Chris Carter & Frank
Spotnitz |
Thomas J.
Wright |
October 16, 1998 (1998-10-16) |
3-3 |
| An investigation of a deadly shooting spree at a high
school is mysteriously tied to a powerful group of citizens setting
its own agenda for the year 2000. |
| 049-304 |
"Closure" |
Larry Andries |
Daniel
Sackheim |
October 23, 1998 (1998-10-23) |
3-4 |
| The pursuit of a remorseless killer gets to Emma
Hollis, whose fierce resolve to nail the slayer is tied to a
violent incident that scarred her emotionally as a
child. |
| 050-305 |
"...Thirteen
Years Later" |
Michael R.
Perry |
Thomas J.
Wright |
October 30, 1998 (1998-10-30) |
3-5 |
| Murders begin to occur on the set of a film loosely
based on a grisly case from Frank's past. Classic Rock band KISS
make an appearance as themselves and in small roles. |
| 051-306 |
"Skull and
Bones" |
Chip
Johannessen & Ken Horton |
Paul Shapiro |
November 6, 1998 (1998-11-06) |
3-6 |
| The discovery of secretly buried bodies at a
construction site reveals an odious connection to the Millennium
Group. |
| 052-307 |
"Through a
Glass Darkly" |
Patrick Harbinson |
Thomas J.
Wright |
November 13, 1998 (1998-11-13) |
3-7 |
| A missing 10-year-old girl in rural Oregon entangles
Frank and Emma in an unsettling case that involves a convicted
child molester, now out on parole. |
| 053-308 |
"Human
Essence" |
Michael
Duggan |
Thomas J.
Wright |
December 11, 1998 (1998-12-11) |
3-8 |
| In Vancouver, B.C., Emma takes on a drug case involving
her half-sister, an addict who claims that new heroin on the street
is turning users into monsters. |
| 054-309 |
"Omertà" |
Michael R.
Perry |
Paul Shapiro |
December 18, 1998 (1998-12-18) |
3-9 |
| On a Christmas holiday in Vermont with his daughter,
Black is drawn into a case involving a mobster and two ethereal
women with miraculous healing powers. |
| 055-310 |
"Borrowed
Time" |
Chip
Johannessen |
Dwight Little |
January 15, 1999 (1999-01-15) |
3-10 |
| Strange fevers endanger Frank's young daughter, whom he
believes is being stalked by a sinister man fascinated with
near-death experiences. |
| 056-311 |
"Collateral
Damage" |
Michael R.
Perry |
Thomas J.
Wright |
January 22, 1999 (1999-01-22) |
3-11 |
| Tensions resurface between Frank Black and former ally
Peter Watts in a search for the latter's daughter, abducted by an
Army vet with a grudge against the Millennium Group. |
| 057-312 |
"The Sound of
Snow" |
Patrick Harbinson |
Paul Shapiro |
February 5, 1999 (1999-02-05) |
3-12 |
| Mysterious audio tapes trigger deadly hallucinations in
the Seattle area, where Frank's investigation induces visions of
his deceased wife, Catherine. |
| 058-313 |
"Antipas" |
Chris Carter & Frank
Spotnitz |
Thomas J.
Wright |
February 12, 1999 (1999-02-12) |
3-13 |
| Frank Black's arch-nemesis Lucy Butler resurfaces as
the prime suspect in a murder case that involves the supernatural
and the demonic possession of a young girl. |
| 059-314 |
"Matryoshka" |
Erin Maher & Kay Reindl |
Arthur Forney |
February 19, 1999 (1999-02-19) |
3-14 |
| The suicide of an elderly ex-FBI agent leads Frank into
a case that uncovers dark secrets and Bureau intrigue at the dawn
of the atomic age. |
| 060-315 |
"Forcing the
End" |
Marjorie David |
Thomas J.
Wright |
March 19, 1999 (1999-03-19) |
3-15 |
| Leads in the abduction of a young pregnant woman from
Brooklyn steer Frank and Emma to a mysterious plot hatched by a
fanatical cult that is driven by Biblical prophecy. |
| 061-316 |
"Saturn
Dreaming of Mercury" |
Chip
Johannessen & Jordan Hawley |
Paul Shapiro |
April 9, 1999 (1999-04-09) |
3-16 |
| Mystery surrounds Frank's new neighbors, a couple and
their preteen son whose arrival coincides with erratic, often
violent behavior by Frank's daughter Jordan. |
| 062-317 |
"Darwin's
Eye" |
Patrick Harbinson |
Ken Fink |
April 16, 1999 (1999-04-16) |
3-17 |
| An escaped mental patient with a violent past has taken
an apparently compliant hostage, and their elusiveness on the run
stymies Frank and Emma. |
| 063-318 |
"Bardo
Thodol" |
Chip
Johannessen & Virginia Stock |
Thomas J.
Wright |
April 23, 1999 (1999-04-23) |
3-18 |
| Eerie discoveries haunt Frank and Emma on a case
involving Asian mysticism, Millennium Group machinations and
incredible biotechnological advances. |
| 064-319 |
"Seven and
One" |
Chris Carter & Frank
Spotnitz |
Peter
Markle |
April 30, 1999 (1999-04-30) |
3-19 |
| Intimidations linked to a childhood trauma prey upon
Frank Black, who is also beset by an ominous stalker--and by a
hardened FBI agent who thinks he's gone over the edge. |
| 065-320 |
"Nostalgia" |
Michael R.
Perry |
Thomas J.
Wright |
May 7, 1999 (1999-05-07) |
3-20 |
| A journey back to the town where she grew up is
anything but a sentimental one for Emma Hollis, who is
investigating a grisly serial-murder case with Frank and a sheriff
she knew as a child. |
| 066-321 |
"Via
Dolorosa" |
Marjorie David & Patrick Harbinson |
Paul Shapiro |
May 14, 1999 (1999-05-14) |
3-21 |
| On the trail of a copycat killer, Frank Black is
haunted by memories of the original fiend, while Emma is distracted
by the deterioration of her father, an Alzheimer's
patient. |
| 067-322 |
"Goodbye to
All That" |
Ken Horton & Chip Johannessen |
Thomas J.
Wright |
May 21, 1999 (1999-05-21) |
3-22 |
| An ongoing search for a serial killer is marked by
bizarre occurrences--and the disclosure of Millennium Group
experimentation with radical brain surgery. |
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