A grindhouse is an American term for a theater that mainly shows exploitation films. It is named after the defunct burlesque theatres located on 42nd Street in New York City, where 'bump n' grind' dancing and striptease used to be on the bill.[1]
In the film Lady of Burlesque (1943) one of the characters refers to the burlesque theatre on 42nd Street, where they are performing stripteases and bump and grind dances, as a "grindhouse".
The introduction of television greatly eroded the audience for local and single-screen movie theatres, many of which were built during the cinema boom of the 1930s. In combination with urban decay after white flight out of older city areas in the mid to late 1960s, changing economics forced these theatres to either close or offer something that television could not. In the 1970s these theatres were put to new use as venues for exploitation films,[1] either adult pornography and sleaze, or slasher horror and dubbed martial arts films from Hong Kong[2].
Grindhouse films characteristically contain large amounts of sex, violence or bizarre subject matter. Quality varied, but low budget production values and poor print quality were common. Critical opinions varied regarding typical grindhouse fare, but many films acquired cult following and critical praise. Double, triple, and "all night" bills on a single admission charge often encouraged patrons to spend long periods of time in the theaters.
Some drive-ins screened grindhouse material, but by definition a grindhouse is an indoor theatre.
By the 1980s, home video threatened to render the grindhouse obsolete. By the end of the decade, these theaters had vanished from Los Angeles's Broadway and Hollywood Boulevard, New York City's Times Square and San Francisco's Market Street. By the mid-1990s, these particular theaters had all but disappeared from the United States. Very few are in existence today.
The concept of the grindhouse film has made several reappearances in modern popular culture. For example, the films, Planet Terror and Death Proof (released together as Grindhouse) were created as an homage to the lost genre. The 2009 video game, The House of the Dead: Overkill also serves as a parody of the old grindhouse horror movies, with each specific level lampooning a particular genre. The Author Jacques Boyreau created a book about the Grindhouse Legacy and relased Portable Grindhouse: The Lost Art of the VHS Box on 13 December 2009.[3]
Grindhouse is a 2007
anthology film written and directed by Robert Rodriguez and Quentin Tarantino. The film is a
double feature consisting of two feature-length segments bookended
by fictional trailers for upcoming attractions, advertisements, and
in-theater announcements. The film's title derives from the U.S.
film industry term "grindhouse," which refers to a movie
theater specializing in B movies, often exploitation films
showcasing graphic violence and sexuality, shown in a
multiple-feature format.
The first film is "Planet Terror," a zombie movie directed by Rodriguez and starring Rose McGowan and Freddy Rodriguez. The second is "Death Proof," a car-chase film directed by Tarantino and starring Kurt Russell and Tracie Thoms. The trailers are for films entitled "Machete" (also directed by Rodriguez), "Werewolf Women of the SS" (helmed by Rob Zombie), "Don't" (directed by Edgar Wright), and "Thanksgiving" (shot by Eli Roth).
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What about kinda cute, kinda hot, kind of sexy,
hysterically funny but not funny looking guy
who you could fuck did you not understand?
Grindhouse quotes at the Internet Movie Database
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