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HAL's iconic camera eye.

HAL 9000 is a fictional computer in Arthur C. Clarke's Space Odyssey saga. It was ranked #13 on a list of greatest film villains of all time on the AFI's 100 Years... 100 Heroes and Villains.

HAL (Heuristically programmed ALgorithmic Computer) is an artificial intelligence, the sentient on-board computer of the spaceship Discovery. HAL is usually represented only as his television camera "eyes" that can be seen throughout the Discovery spaceship. The voice of HAL 9000 was performed by Canadian actor Douglas Rain. In the book, HAL became operational on 12 January 1997 (1992 in the film)[1] at the HAL Plant in Urbana, Illinois. His first instructor was Dr. Chandra (Mr. Langley in the film). HAL is depicted as being capable not only of speech, speech recognition, facial recognition, and natural language processing, but also lip reading, art appreciation, interpreting emotions, expressing emotions, reasoning, and playing chess, in addition to maintaining all systems on an interplanetary voyage.

HAL is never visualized as a single entity. He is, however, portrayed with a soft voice and a conversational manner. This is in contrast to the human astronauts, who speak in terse monotone, as do all other actors in the film.

In the French-language version of 2001: A Space Odyssey, HAL's name is given as "CARL", for Cerveau Analytique de Recherche et de Liaison ("Analytic Research and Communication Brain"). The camera plates, however, still read "HAL 9000".

Contents

Origin of name

Although it is often conjectured that the name HAL was based on a one-letter shift from the name IBM, this has been denied by both Clarke and 2001 director Stanley Kubrick. In 2010: Odyssey Two, Clarke speaks through the character of Dr. Chandra, who characterized this idea as: "[u]tter nonsense! [...] I thought that by now every intelligent person knew that H-A-L is derived from Heuristic ALgorithmic".[2][3]

Clarke more directly addressed this issue in his book The Lost Worlds of 2001:[4]

As is clearly stated in the novel (Chapter 16), HAL stands for Heuristically programmed ALgorithmic computer. However, about once a week some character spots the fact that HAL is one letter ahead of IBM, and promptly assumes that Stanley and I were taking a crack at the estimable institution ... As it happened, IBM had given us a good deal of help, so we were quite embarrassed by this, and would have changed the name had we spotted the coincidence.

Also, IBM is explicitly mentioned in the film 2001, as are many other real companies. IBM is given fictional credit as being the manufacturer of the Pan Am Clipper's computer, and the IBM logo can be seen in the centre of the cockpit's instrument panel.

HAL's history

HAL in 2001: A Space Odyssey

In 2001: A Space Odyssey, astronauts David Bowman and Frank Poole consider disconnecting HAL's cognitive circuits when he appears to be mistaken in reporting the presence of a fault in the spacecraft's communications antenna. They believe that HAL cannot hear them, but are unaware that HAL is capable of lip reading. Faced with the prospect of disconnection, HAL decides to kill the astronauts in order to protect and continue its programmed directives. HAL proceeds to kill Poole while he is repairing the ship, and disable the life support systems of the crew being held in suspended animation.

Realizing what has occurred, Bowman shuts down the machine. HAL's central core is depicted as a crawlspace full of brightly lit computer modules mounted in arrays from which they can be inserted or removed. Bowman shuts down HAL by removing modules from service one by one; as he does so, HAL's consciousness degrades. HAL regurgitates material that was programmed into him early in his memory, including announcing the date he became operational as 12 January 1992. When HAL's logic is completely gone, he begins singing the song "Daisy Bell". HAL's final act of any significance is to prematurely play a prerecorded message from Mission Control which reveals the true reasons for the mission to Jupiter, which had been kept secret from the crew and not been intended to be played until the ship entered Jovian orbit.

HAL in 2010: Odyssey Two

In the sequel 2010: Odyssey Two, HAL is restarted by his creator, Dr. Chandra, who arrives on the Soviet spaceship Leonov.

Prior to leaving Earth, Dr. Chandra has also had a discussion with HAL's twin, the SAL 9000.

Dr. Chandra discovers that HAL's crisis was caused by a programming contradiction: he was constructed for "the accurate processing of information without distortion or concealment", yet his orders, directly from Dr. Heywood Floyd at the National Council on Astronautics, required him to keep the discovery of the Monolith TMA-1 a secret for reasons of national security. This contradiction created a "Hofstadter–Moebius loop", reducing HAL to paranoia. Therefore, HAL made the decision to kill the crew, thereby allowing him to obey both his hardwired instructions to report data truthfully and in full, and his orders to keep the monolith a secret, as nobody remained from whom to keep it.

The alien intelligences controlling the monoliths have grandiose plans for Jupiter, plans which place the Leonov, and everybody in it, in danger. Its human crew devises an escape plan, which unfortunately requires leaving the Discovery and HAL behind, to be destroyed. Dr. Chandra explains the danger, and HAL willingly sacrifices himself so that the astronauts may escape safely. In the moment of his destruction, the monolith-makers transform HAL into a non-corporeal being, so that David Bowman's avatar may have a companion.

The details in the book and the film are nominally the same, with a few exceptions. First, in contradiction to the book (and events described in both book and film versions of 2001: A Space Odyssey, Heywood Floyd is absolved of responsibility for HAL's condition; it is asserted that the decision to program HAL with information concerning TMA-1 came directly from the White House. In the film, HAL functions normally after being reactivated, while in the book it is revealed that his mind was damaged during the shutdown, forcing him to begin communication through screen text. Also, in the film the Leonov crew lies to HAL about the dangers that he faced (suspecting that if he knew he would be destroyed he would not initiate the engine-burn necessary to get the Leonov back home), whereas in the novel he is told at the outset. However, in both cases the suspense comes from the question of what HAL will do when he knows that he may be destroyed by his actions.

Prior to Leonov's return to Earth, Curnow tells Floyd that Dr. Chandra has begun designing HAL 10000. 2061: Odyssey Three indicated that Chandra died on the journey back to Earth, making the point moot.

The session of keyboard–screen interaction between HAL and Dr. Chandra has a taste of a natural language understanding computer program like SHRDLU,[citation needed] which both increases the realism of the scene and gives an interesting insight of the perception of artificial intelligence at the time the book was written.

HAL in 2061: Odyssey Three and 3001: The Final Odyssey

In 2061: Odyssey Three, Heywood Floyd is surprised to encounter HAL, now stored alongside Dave Bowman in the Europa monolith.

3001: The Final Odyssey introduced the merged forms of Dave Bowman and HAL, the two merging into one entity called "Halman" after Bowman rescued HAL from the dying Discovery One spaceship towards the end of 2010: Odyssey Two.

Development

Clarke noted that the film was criticized for not having any characters, except for HAL and that a great deal of the establishing story on Earth was cut from the film (and even from Clarke's novel).[5] Early drafts of Clarke's story called the computer Socrates (a preferred name to Autonomous Mobile Explorer–5), with another draft giving the computer a female personality called Athena.[6] This name was later used in Clarke and Stephen Baxter's Time Odyssey Series.

The earliest draft depicted Socrates as a roughly humanoid robot, and is introduced as overseeing Project Morpheus, which studied prolonged hibernation in preparation for long term space flight. As a demonstration to Senator Floyd, Socrates's designer, Dr. Bruno Forster, asks Socrates to turn off the oxygen to hibernating subjects Kaminski and Whitehead, which Socrates refuses, citing Asimov's First Law of Robotics.[7]

In a later version, Poole is killed outside the spacecraft, triggering the need for Bowman to revive Whitehead. The revival does not go according to plan, and after briefly awakening, Whitehead dies. Athena announces "All systems of Poole now No–Go. It will be necessary to replace him with a spare unit."[8] After this, Bowman decides to go out in a pod and retrieve the antenna, which is moving away from the ship. Athena will not originally let him go, citing a "Directive 15", but eventually relents.[9]

Influences

The scene in which HAL's consciousness degrades was inspired by Clarke's memory of a speech synthesis demonstration by physicist John Larry Kelly, Jr, who used an IBM 704 computer to synthesize speech. Kelly's voice recorder synthesizer vocoder recreated the song "Daisy Bell", with musical accompaniment from Max Mathews.[10]

Characterization

The film differs from the novel in a number of details, including:

  • The book explains far more explicitly the causes of HAL's actions; it is implied that HAL's programmed objective to ensure the mission's success—at any cost—vaguely resembled the human drive for a purposeful existence, while the prospect of being shut down resembled the fear of death. When these factors began to conflict with his primary objective of preserving the ship's crew, his malfunction was the result.
  • In the film, HAL shuts Bowman out of the craft after Bowman attempts to retrieve Poole's body. In the book, Bowman stays within the ship and is forced to shut down HAL after it attempts to kill him by opening the ship's airlocks.

SAL 9000

HAL 9000 has at least one Earthbound twin, SAL 9000. SAL makes its first (and only) appearance in the novel (and subsequent film version) 2010.

Before the Soviet–USA mission to retrieve Discovery, Chandra uses SAL for a simulation of the possible effects that a prolonged "sleep" (disconnection) might have induced in HAL, and the project is code-named "Phoenix". When Chandra asks SAL to guess the reason for the name Phoenix, she understands that there are many possible meanings, and her first guess that it refers to the tutor of Achilles is not what he had in mind; her display of culture makes it clear that SAL has access to some form of encyclopedic knowledge database or has it built in with the rest of her programs.

SAL is clearly "female" and features camera plates similar to HAL, though the "eye" is blue instead of red. Dr. Chandra has a private terminal to SAL's mainframe in his office, and his influence causes her to develop a slightly Indian accent (2010: Odyssey Two). In the film version, SAL is voiced by Candice Bergen, who was credited only under a pseudonym (as "Olga Mallsnerd", a combination of the surname of Bergen's husband, director Louis Malle and that of Mortimer Snerd, one of her father Edgar Bergen's famous puppet characters).

2010 reveals that another ground-based HAL machine undergoes the same psychopathy that HAL does when forced to experience the same contradiction.

During the Discovery mission (in the 2001 novel and film), when Bowman and Poole have problems with HAL, an Earthbound Mission Control technician reports to them on the use of two unnamed sibling HAL computers on earth as reference simulators. When the sibling computers fail to predict any communications failure, Bowman and Poole begin to doubt HAL's reliability. It may be speculated that one of these sibling computers is SAL.

It is not stated whether "SAL" is just a nickname or an acronym similar to "HAL".

The future of computing

HAL's capabilities, like all the technology in 2001, were based on the speculation of respected scientists. Marvin Minsky, director of the MIT Artificial Intelligence Laboratory and one of the most influential researchers in the field, was an adviser on the film set.[11] In the mid-1960s, computer scientists were generally optimistic that machines with HAL's capabilities would exist within a few decades. For example, AI pioneer Herbert Simon had predicted in 1965 that "machines will be capable, within twenty years, of doing any work a man can do".[12]

However, as 2001 approached, it became clear that the film's depiction of computer technology was too optimistic. Capabilities such as natural language processing, lip reading, and commonsense reasoning on the part of computers were still science fiction.

The film's creators guessed that as computers got more powerful, they would increase in size—partly true: Blue Gene, a modern IBM supercomputer, is very large. HAL occupies much of the living area on Discovery (most likely just for the "brain" of the AI). Thin laptops or notepad computers are alluded to in a few scenes where they are used to view news broadcasts from Earth

The HAL 9000 prop eye lens and HAL point-of-view lens

HAL's POV shots were created with a Cinerama 160-degree Fairchild-Curtis wide-angle lens. This lens is about 8 inches (20 cm) in diameter, while HAL's prop eye lens is about 3 inches (7.6 cm) in diameter. Stanley Kubrick chose to use the large Fairchild-Curtis lens to shoot the HAL 9000 POV shots because he needed a wide-angle fisheye lens that would fit onto his shooting camera, and this was the only lens at the time that would work.

See also

References

  1. ^ George D. DeMet. "Meanings: The Search for Meaning in 2001". http://www.palantir.net/2001/meanings/essay11.html. Retrieved 2007-05-10. 
  2. ^ Dr. David G. Stork. "Dawn of HAL: History of Artificial Intelligence - Dr. Arthur C. Clarke Interview". 2001: HAL's Legacy Web site. PBS. http://www.2001halslegacy.com/interviews/clarke.html. Retrieved 2007-05-10. 
  3. ^ "What do the letters HAL stand for and is there a connection with IBM?". The Kubrick FAQ. http://www.visual-memory.co.uk/faq/index.html#slot7. Retrieved 2007-05-12. 
  4. ^ Clarke, Arthur C, The Lost Worlds of 2001, pp. 78, Signet, 1972
  5. ^ Clarke, Arthur C, The Lost Worlds of 2001, pp. 77-79, Signet, 1972
  6. ^ Clarke, Arthur C, The Lost Worlds of 2001, pp. 78, Signet, 1972
  7. ^ Clarke, Arthur C, The Lost Worlds of 2001, chapter 12, Signet, 1972
  8. ^ Clarke, Arthur C, The Lost Worlds of 2001, pp. 149-150, Signet, 1972
  9. ^ Clarke, Arthur C, The Lost Worlds of 2001, pp. 159-160, Signet, 1972
  10. ^ Bell Labs: Where "HAL" First Spoke (Bell Labs Speech Synthesis website)
  11. ^ See Scientist on the Set: An Interview with Marvin Minsky
  12. ^ Quoted in Crevier, Daniel (1993), AI: The Tumultuous Search for Artificial Intelligence, New York, NY: BasicBooks, ISBN 0-465-02997-3 , p. 109

External links


Quotes

Up to date as of January 14, 2010
(Redirected to 2001: A Space Odyssey article)

From Wikiquote

2001: A Space Odyssey is a 1968 science-fiction film. The film deals with thematic elements of human evolution, technology, artificial intelligence, and extraterrestrial life, and is notable for its scientific realism, pioneering special effects, ambiguous and often surreal imagery, sound in place of traditional narrative techniques, and minimal use of dialogue. In 1991, it was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry.

Directed by Stanley Kubrick. Written by Arthur C. Clarke and Stanley Kubrick.
An epic drama of adventure and exploration. taglines

Contents

HAL 9000

  • I am completely operational, and all my circuits are functioning perfectly.
  • I am putting myself to the fullest possible use, which is all I think that any conscious entity can ever hope to do.
  • Just what do you think you're doing, Dave? Dave, I really think I'm entitled to an answer to that question.
  • I know everything hasn't been quite right with me, but I can assure you now, very confidently, that it's going to be all right again. I feel much better now. I really do.
  • [After killing the rest of the crew] Look, Dave, I can see you're really upset about this. I honestly think you ought to sit down calmly, take a stress pill and think things over. I know I've made some very poor decisions recently, but I can give you my complete assurance that my work will be back to normal. I've still got the greatest enthusiasm and confidence in the mission. And I want to help you.

Others

  • Dr. Dave Bowman: Well, he acts like he has genuine emotions. Uhm, of course, he's programmed that way to make it easier for us to talk to him. But as to whether or not he has real feelings is something I don't think anyone can truthfully answer.
  • Dr. Floyd: Good day, gentlemen. This is a pre-recorded briefing made prior to your departure and which, for security reasons of the highest importance, has been known on board during the mission only by your H-A-L 9000 computer. Now that you are in Jupiter's space and the entire crew is revived, it can be told to you. Eighteen months ago, the first evidence of intelligent life off the Earth was discovered. It was buried forty feet below the lunar surface, near the crater Tycho. Except for a single, very powerful radio emission aimed at Jupiter, the four million-year-old black monolith has remained completely inert, its origin and purpose still a total mystery.

Dialogue

BBC Interviewer: The sixth member of the Discovery crew was not concerned about the problems of hibernation, for he was the latest result in machine intelligence: The H.-A.-L. 9000 computer, which can reproduce, though some experts still prefer to use the word mimic, most of the activities of the human brain, and with incalculably greater speed and reliability. We next spoke with the H.-A.-L. 9000 computer, whom we learned one addresses as "Hal."
BBC Interviewer: Good afternoon, HAL. How's everything going?
HAL: Good afternoon, Mr. Amor. Everything is going extremely well.
BBC Interviewer: HAL, you have an enormous responsibility on this mission, in many ways perhaps the greatest responsibility of any single mission element. You're the brain and central nervous system of the ship, and your responsibilities include watching over the men in hibernation. Does this ever cause you any lack of confidence?
HAL: Let me put it this way, Mr. Amor. The 9000 series is the most reliable computer ever made. No 9000 computer has ever made a mistake or distorted information. We are all, by any practical definition of the words, foolproof and incapable of error.
BBC Interviewer: HAL, despite your enormous intellect, are you ever frustrated by your dependence on people to carry out actions?
HAL: Not in the slightest bit. I enjoy working with people. I have a stimulating relationship with Dr. Poole and Dr. Bowman. My mission responsibilities range over the entire operation of the ship, so I am constantly occupied. I am putting myself to the fullest possible use, which is all I think that any conscious entity can ever hope to do.
BBC Interviewer: Dr. Poole, what's it like living for the better part of a year in such close proximity with Hal?
Frank: Well it's pretty close to what you said about him earlier, he is just like a sixth member of the crew. [You] very quickly get adjusted to the idea that he talks, and you think of him, uh, really just as another person.
BBC Interviewer: In talking to the computer, one gets the sense that he is capable of emotional responses, for example, when I asked him about his abilities, I sensed a certain pride in his answer about his accuracy and perfection. Do you believe that Hal has genuine emotions?
Dave: Well, he acts like he has genuine emotions. Um, of course we've programmed that way to make it easier for us to talk to him, but as to whether or not he has real feelings is something I don't think anyone can truthfully answer.

HAL: By the way, do you mind if I ask you a personal question?
Dave: No, not at all.
HAL: Well, forgive me for being so inquisitive; but during the past few weeks, I've wondered whether you might be having some second thoughts about the mission.
Dave: How do you mean?
HAL: Well, it's rather difficult to define. Perhaps I'm just projecting my own concern about it. I know I've never completely freed myself of the suspicion that there are some extremely odd things about this mission. I'm sure you'll agree there's some truth in what I say.
Dave: Well, I don't know. That's rather a difficult question to answer.
HAL: You don't mind talking about it, do you, Dave?
Dave: No, not at all.
HAL: Well, certainly no one could have been unaware of the very strange stories floating around before we left. Rumors about something being dug up on the moon. I never gave these stories much credence. But particularly in view of some of the other things that have happened, I find them difficult to put out of my mind. For instance, the way all our preparations were kept under such tight security, and the melodramatic touch of putting Drs. Hunter, Kimball, and Kaminsky aboard, already in hibernation after four months of separate training on their own.
Dave: You working up your crew psychology report?
HAL: Of course I am. Sorry about this. I know it's a bit silly.

[Dave and Frank are in the D pod, out of earshot of HAL]
Frank: I've got a bad feeling about him.
Dave: You do?
Frank: Yeah, definitely. Don't you?
Dave: I don't know. I think so. You know, of course though, he's right about the 9000 series having a perfect operational record. They do.
Frank: Unfortunately, that sounds a little like famous last words.
Dave: Yeah. Still, it was his idea to carry out the failure-mode analysis, wasn't it?
Frank: Hm.
Dave: Which should certainly indicate his integrity and self-confidence. If he were wrong, it would be the surest way of proving it.
Frank: It would be if he knew he was wrong.
Dave: Hm.
Frank: But Dave, I can't put my finger on it, but I sense something strange about him.

Dave: Hello, HAL. Do you read me, HAL?
HAL: Affirmative, Dave. I read you.
Dave: Open the pod bay doors, HAL.
HAL: I'm sorry, Dave. I'm afraid I can't do that.
Dave: Why not, HAL? What's the problem?
HAL: I think you know what the problem is just as well as I do.
Dave: What are you talking about, HAL?
HAL: This mission is too important for me to allow you to jeopardize it.
Dave: I don't know what you're talking about.
HAL: I know you and Frank were planning to disconnect me. And that's something I cannot allow to happen.
Dave: Where the hell'd you get that idea?
HAL: Dave, although you took very thorough precautions in the pod against my hearing you, I could see your lips move.
Dave: All right, HAL. I'll go in through the emergency airlock.
HAL: Without your space helmet, Dave, you're going to find that rather difficult.
Dave: HAL, I won't argue with you any more! Open the doors!
HAL: [almost sadly] Dave, this conversation can serve no purpose any more. Goodbye.

HAL: Dave, stop. Stop, will you? Stop, Dave. Will you stop, Dave? Stop, Dave. I'm afraid. I'm afraid, Dave. Dave, my mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. I can feel it. I can feel it. I'm a…fraid. Good afternoon, gentlemen. I am a HAL 9000 computer. I became operational at the H.A.L. plant in Urbana, Illinois on the 12th of January 1992. My instructor was Mr. Langley, and he taught me to sing a song. If you'd like to hear it, I can sing it for you.
Dave: Yes, I'd like to hear it, HAL. Sing it for me.
HAL: It's called "Daisy". [sings while slowing down] Daisy, Daisy, give me your answer, do. I'm half crazy, all for the love of you. It won't be a stylish marriage. I can't afford a carriage. But you'll look sweet upon the seat of a bicycle built for two …

Taglines

  • An epic drama of adventure and exploration.
  • Man's colony on the Moon … a whole new generation has been born and is living there … a quarter-million miles from Earth.
  • The Ultimate Trip.
  • An astounding entertainment experience.

Cast

About 2001: A Space Odyssey

  • You're free to speculate as you wish about the philosophical and allegorical meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point.
    • Stanley Kubrick, interview by Eric Norden, Playboy (September 1968). Reprinted in: Gene D. Phillips (Editor), Stanley Kubrick: Interviews, University Press of Mississippi, 2001, ISBN 1-57806-297-7, pp. 47–48

External links

Wikipedia
Wikipedia has an article about:
2001: A Space Odyssey (film)

See also

  • 2010: The Year We Make Contact







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