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Hang (2nd generation 2007)
53 cm in diameter and 24 cm high.

A Hang [haŋ] (pronunciation between the vowel sounds in the word 'Hot' and 'Hungry') is a musical instrument in the idiophone class created by PANArt in Switzerland. The Hang is made from two deep drawn nitrided steel sheets that are attached together creating the recognizable 'UFO shape'. There is nothing inside the Hang but air. The top (Ding) side has a center 'note' hammered into it with 7 or 8 'tone fields' hammered around it. The bottom (Gu) is a simpler surface that has a rolled hole in the center with a tuned note that can be created when the rim is struck. The Hang uses some of the same physical principles as a steelpan but with a nitrided surface and structural change of having two clamped shells with a small opening so that the instrument is a Helmholtz Resonator. The creation of the Hang was the result of many years of research on the steelpan as well as the study of a diverse collection of instruments from around the world such as gongs, gamelan, ghatam/udu, drums, and bells. Metallurgical and acoustic research by the makers has led to significant changes and refinement in structure, design, and process over the years since the first Hang was offered.

The Hang is sometimes referred to as a Hang drum because it is often played by, and associated with, drummers. The 'drum' label is discouraged by PANArt and many players as simple drumiming can limit the sonic complexity of the Hang. Approaching the Hang soley as a drum can also lead to aggressive playing that can cause injury to the player and detuning of the Hang. There are many ways to produce sound out of a Hang that do not involve what many consider 'drumming'. The Hang-Makers and many veteran players instead regard the Hang a complex holistic entity more likened to a "sound sculpture"[1] than a typical drum.


Playing the Hang

Manu Delago playing the hang

The Hang is typically played resting on the player's lap, and can also be played on a stand. The Hang is generally played with the hands and fingers instead of mallets. This lighter playing tends to produce a complex overtone-rich sound that could be considered 'softer' and 'warmer' than the 'bright' sound of a mallet based traditional steelpan.

The 'top' (Ding side) of the Hang, depending on how it is played, can sound like a harp, bells, or harmonically tuned steelpans. The notes are laid out in a cross pattern in the 'tone circle' from low to high so that with a specific orientation of the Hang, the player can ascend or descend the 'scale' by alternating using the left and right hands to strike the 'tone fields'. Each tone field has multiple overtones oriented specifically in the flattened field with a 'boss' or 'dimple' roughly at the center. Typically there is a fundamental tone, an overtone tuned to an octave above that fundamental, and an additional overtone a fifth above that octave (twelfth/tritave). The orientation is fairly consistent across the fields on each Hang so that the overtones can be highlighted, muted, or extracted based on how and where the player strikes the tone field.

The 'bottom' (Gu side) of the Hang has ghatam/udu-like properties using the Helmholtz resonance that occurs within the clamped shallow shells. In the 2nd Generation and Integral Hang adjustment of the size of the opening of the Gu 'hole' (by partially blocking it with either a hand, or the legs) can generate a sympathetic D2 from the Helmholtz resonance that activates subtle layers of cross complexities in the resonance of the instrument as notes are played on the Ding side. In the 1st and 2nd Generation models there is a single high note with a long sustain that can be generated by striking the rim of the hole on the 'Gu' side. In the Integral Hang there are two notes that can be generated (F and F#). The Hang can also be used as a friction idiophone. Shaker like sounds can be made by sliding a hand across the surface, and it can also ring like a singing bowl by using skin (a hand) or a bow.

Sound examples

Hang 2005 horizontal.ogg
1st generation Hang (2005) played horizontally on the lap
Low hang 2005 horizontal.jpg
Hang 2007 vertical.ogg
2nd generation Hang (2007) played vertically on the lap
2nd gen hang 2007 vertical.jpg

Creation and development

The Hang was developed in 2000 in Berne, Switzerland by Felix Rohner and Sabina Schärer (PANArt Hangbau AG). It was introduced at the Musikmesse Frankfurt in 2001. Its name comes from the Bernese German word for hand. The two deep drawn steel hemispheres of the Hang are hardened by a process known as gas-nitriding. The side considered the 'bottom' has an opening (Gu) in the center which allows the generation of the bass note through Helmholtz resonance. When it is played in a dampened way it can change in pitch similar to a talking drum. On the 'top' are seven (in the bass version of the Hang) or eight (treble version which is no longer produced) notes arranged in a 'Tone Circle' in zig-zag fashion from low to high. All are tuned harmonically (with fundamental, octave and the fifth above the octave) around a low note (Ding) at the center of the Tone Circle. Each creation is numbered and a signed.

Front line: Prototype Hang from January 2000 (left), Ghatam (right); second line: Three Hanghang built in 2007, 2006 and 2005 respectively (from the left to the right)

There are only two people who make Hanghang (plural form of Hang), the inventors Felix Rohner and Sabina Schärer. They have a little workshop in Berne where every Hang has been created. From 2001 to 2005 the First Generation Hang was offered in multiple scales ranging from fifteen to up to 45 different 'Sound Models'. The Hang makers took their initial inspiration from ethnomusicological roots with models such as the Aeolian, Ake Bono, Hijaz, Melog, Pygmy, and Zhi Diao. In 2005 PANArt was able to lower the tones on the Hang significantly in what they referred to as the Low Hang models with the Ding tuned to F3, E3 or Eb3. In the First Generation each creation was numbered, the model 'name' was written, and a signature of either Felix Rohner or Sabina Schärer was on a small note pasted on the inside of the top (Ding) surface.

In the spring of 2006 the Hang makers presented a new generation of Hang. The New Generation instruments (often referred to as 2nd Generation) have a surface coating of annealed brass over the nitrided steel as well as a ring of brass around the circumference of the Hang. From the many different scales the Hang makers reduced to a more stable and consistent structure[citation needed] with one type of central note (Ding) at D3. Most New Generation models have two A notes (A3 and A4) as well as another D (D4) in the Tone Circle around the Ding. The remaining notes were mixed into several different configurations. Older Hanghang had tone fields with the oval indentation oriented radially towards the Ding, with the 2007 models (as well as the Integral Hang) the tone fields are angled at about 45° from a line drawn from the Ding to the edge so both overtone 'sweet spots' are easy to reach from the Ding. They also started marking the individual serial number on the inside of the Gu opening and signing each Hang at the outside edge of the Gu side of the Hang. No 'Sound Model' names were officially given to the 2nd Generation models.

Five development stages of the PANArt Hang
1st Gen and Low hang have polished steel Ding, 2nd Gen have a brass coated Ding, Integral have brass brushed and dimpled Ding

In the spring of 2008 the Hang makers announced a new Hang, the Integral Hang. Numbers began again with an H in front (H1, H2, etc.) and with the first Integral Hang dated in November 2007. Several changes marked the Integral Hang. There was only one scale (D3 Ding, A3, Bb3, C4, D4, E4, F4, A4) with no other sound models/types offered. While the circumference remained a circle, the Gu side was shaped very slightly from spherical to oval. Along with that shift, the Gu hole was adjusted to a subtly oval shape and had two Gu ringing 'notes': F and an F#. Significant changes were made to the Ding (center note on the top). A circular indentation in the dome was made and has a texture of brass applied, annealed, and then lacquered. Also changes to the 'shoulder' area between the flattened area of the Ding and the notes in the tone field were implemented so that the transition was more gradual than in the 2nd Generation Hanghang. The PANArt logo, serial number, date of finalization, and signatures of the Hang makers were placed on Gu side of the Hang near the equator where the two shells meet.

In November of 2009 PANArt sent a letter to many who had requested a Hang indicating that there was a new development. The Free Integral Hang was to be the offering moving forward. This new approach appears to abandon 12 TET and A440 for an intuitive tuning approach that works with all the sound generating surfaces to integrate a more holistic creation.[2]

Obtaining a Hang

This section is a historical record as well as an indication of a general shift that PANArt has taken in regards to how their work is made available. The process of obtaining the PANArt Hang has changed over the years and the current and future state of the process is not entirely clear. Information on how to obtain a Hang has been sparse and often indirect. It has been gathered from 1st and 2nd hand reports on various websites as PANArt no longer has a direct presence (web or e-mail).

Initially PANArt sold directly as well as collaborating with a host of music shops and other retailers across the world. In 2006 the Hang Makers stopped shipping instruments directly and halted sales through retailers. With that change PANArt indicated that to obtain a Hang, prospective customers were to mail a letter by post requesting an instrument. In 2007, purchasers were invited to Bern with an appointment time to select an instrument from the different Sound Models offered. With the distribution of the single model Integral Hang beginning in 2008, purchasers could choose between requesting an appointment in Bern and having it shipped. In June 2008 a correspondence was sent by PANArt indicating that the production of Integral Hang instruments for the year had been spoken for, and that after the last Integral Hang was given to an owner (sometime in 2009) PANArt would take a "longer break" to decide how they would proceed in regards to the Hang. Requests received by mail and responded to would not be "thrown away" but the letter writers (at that time) would be placed on a list.[3]

In March 2009 another letter was sent from PANArt as a response to written requests indicating that they "will of course continue making hanghang" but "will not be able to sell you a Hang this year", indicating that a break for a few months would be taken to develop and research the Hang further. They also indicated "we will inform you about our activities at the end of the year".[citation needed]

A significant update in what it means to write a letter to PANArt requesting an Integral Hang was written by a visitor to PANArt in late 2009.[citation needed] It was indicated that a request letter should not be considered an order that is entered into a list based on date. PANArt decides whom they invite for a Hang purchase partly by the date of the letter but also based on other factors. A letter sent and the date it was written does not hold a place in line or guarantee that a Hang will be obtained.[citation needed]

As the production of instruments has reduced over the years and interest has grown, worldwide offers for used Hanghang are rare. Second hand prices went through a spike in 2008 but typically appear significantly higher than the purchase price from PANArt.[citation needed] This has been due to several factors including an increased demand since 2006 (high YouTube exposure) and a reduction in supply due to changes in the manufacture and distribution of Hanghang.[citation needed] Another change is the sales/re-tuning agreement PANArt has required since 2008. This agreement gives PANArt first rights to purchase back a Hang and discourages resale of a Hang by the owner at a price higher than the PANArt sales price.





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