A harbinger is a sign of things to come. Throughout history and literature, harbingers and omens figure prominently, and are responsible for major decisions which have altered the course of both.
An example of a harbinger is that of Constantine the Great, who, as legend goes, saw a vision in which either (depending on the version) a cross, a fish or a labarum monogram was emblazoned in the sky. A loud, steady voice then allegedly told him, In hoc signo vinces ("By this as your sign, you will conquer"). He used that standard in battle, and conquer he did, bringing Christianity to the Empire.
In the Biblical sense, prophecy, when describing the foretelling of an event, is to be subjected to scrutiny of the Scriptures. Biblical prophecy is also distinct from harbingers, in the sense that the foretelling comes by the spoken word (often attributed directly to God), and not in the manifestation of signs.
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Harbinger by |
Originally appeared in St. Louis Magazine, 1 November
1891
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Bruno did very nice work in black and white; sometimes in green and yellow and red. But he never did anything quite so clever as during that summer he spent in the hills.
The spring-time freshness had stayed, some way. And then there was the gentle Diantha, with hair the color of ripe wheat, who posed for him when he wanted. She was as beautiful as a flower, crisp with morning dew. Her violet eyes were baby-eyes – when he first came. When he went away he kissed her, and she turned red and white and trembled. As quick as thought the baby look went out of her eyes and another flashed into them.
Bruno sighed a good deal over his work that winter. The women he painted were all like mountain-flowers. The big city seemed too desolate for endurance often. He tried not to think of sweet-eyed Diantha. But there was nothing to keep him from remembering the hills; the whirr of the summer breeze through delicate-leafed maples; the bird-notes that used to break clear and sharp into the stillness when he and Diantha were together on the wooded hillside.
So when summer came again, Bruno gathered his bags, his brushes and colors and things. He whistled soft low tunes as he did so. He sang even, when he was not lost in wondering if the sunlight would fall just as it did last June, aslant the green slopes; and if – and if Diantha would quiver red and white again when he called her his sweet own Diantha, as he meant to.
Bruno had made his way through a tangle of underbrush; but before he came quite to the wood’s edge, he halted: for there about the little church that gleamed white in the sun, people were gathered – old and young. He thought Diantha might be among them, and strained his eyes to see if she were. But she was not. He did see her though – when the doors of the rustic temple swung open – like a white-robed lily now.
There was a man beside her – it mattered not who; enough that it was one who had gathered this wild flower for his own, while Bruno was dreaming. Foolish Bruno! to have been only love’s harbinger after all! He turned away. With hurried strides he descended the hill again, to wait by the big water-tank for a train to come along.
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This work published before January 1, 1923 is in the public domain worldwide because the author died at least 100 years ago. |
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