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Harlan County, USA
Directed by Barbara Kopple
Produced by Barbara Kopple
Distributed by First Run Features
Release date(s) October 18, 1976
Running time 103 min.
Language English

Harlan County, USA is a 1976 documentary film covering the efforts of 180 coal miners on strike against the Duke Power Company in Harlan County, Kentucky in 1973. It was directed by Barbara Kopple, who has long been an advocate of workers' rights. Harlan County, U.S.A. is less ambivalent in its attitude toward unions than her later American Dream, the account of the Hormel Foods strike in Austin, Minnesota in 1985-86.

Overview

Kopple initially intended to make a film about Kenzie, Miners for Democracy and the attempt to unseat Tony Boyle. When miners at the Brookside Mine in Harlan County, Kentucky, struck in June 1972, Kopple went there to film the strike against Duke Power Company and UMWA's response (or lack thereof). The strike proved a more interesting subject, so Kopple switched the focus of her film.

Kopple and her crew spent years with the families depicted in the film, documenting the dire straits they find themselves in while striking for safer working conditions, fair labor practices, and decent wages: following them to picket in front of the stock exchange in New York, filming interviews with people affected by black lung disease, and even catching an attempted murder on film.

The most significant point of disagreement in the Harlan County strike was the company's insistence on including a no-strike clause in the contract.[1] The miners were concerned that accepting such a provision in the agreement would limit their influence over local working conditions. The sticking point was mooted when, a few years after this strike, the UMWA folded the agreement that was eventually won by this group of workers into a global contract.

Rather than using narration to tell the story, Kopple chose to let the words and actions of these people speak for themselves. For example, when the company goons show up early in the film — the strikers call them "gun thugs" — the goons try to keep their guns hidden from the camera. But as the strike drags on for nearly a year, both sides are more than willing to openly brandish their weapons.

Kopple also produces some interesting facts about the strike, such as the fact that Duke Power Company's profits increased more than 100 percent in a single year. Meanwhile, the striking miners, many of whom are living in squalid conditions without even the basics like running water, only received a 4% pay increase despite a 7% cost of living increase for that same year.

Another key element in this movie is the country and bluegrass music so central to the miners' lives. There are songs by Merle Travis, Hazel Dickens and Florence Reece, who makes a key appearance in the movie. Old as she is — she remembers when Harlan County was known as "Bloody Harlan" in the days of the Great Depression — Florence delivers a touching, throaty rendition of her most famous labor song, "Which Side Are You On?"

For those who may not understand the strike's importance, the specter of death always seems to loom large in this movie. A good case in point is the story of Joseph Yablonski, a passionate, populist union representative who was loved by many of the miners. In fact, many of them wanted to see Yablonski oust the indifferent and corrupt Boyle. Then Yablonski and his family were found murdered in their home. The police eventually caught the hired goons responsible for the killings and in one of the film's most devastating moments Tony Boyle is shown, frail, sickly and confined to a wheelchair, being carried up the courthouse steps to face a conviction for those murders.

Almost a full year into the strike a striking miner named Lawrence Jones is fatally shot during a scuffle. Jones was well-liked, quite young and had a 16-year-old wife and a baby. His mother collapsed from grief at his funeral. This tragic moment more than anything else finally forces the strikers and the management to come to the bargaining table.

A central figure in the documentary is Lois Scott, a firebrand who plays a major role in galvanizing the community in support of the strike. Several times she is seen publicly chastising those she feels have been absent from the picket lines. In one scene, Scott pulls a pistol from her bra. Associate director Anne Lewis compares Scott to Women's Liberation activists in the film's 2004 Criterion Collection special feature The Making of Harlan County, USA.

Jerry Johnson, one of the striking Eastover miners, attributes the ultimate conclusion of the strike to the presence of Kopple and her film crew: "The cameras probably saved a bunch of shooting. I don’t think we’d have won it without the film crew. If the film crew hadn’t been sympathetic to our cause, we would’ve lost. Thank god for them; thank god they’re on our side"[1 ]

The film won the 1976 Academy Award for Documentary Feature.[2] In 1990, Harlan County, USA was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." The events were dramatized in the 2000 TV movie Harlan County War.

References

  1. ^ Interview with Jerry Johnson. The Making of Harlan County U.S.A. DVD extra; appears on Harlan County U.S.A. DVD. New York, New York: Criterion Collection, 2006.
  2. ^ "NY Times: Harlan County, USA". NY Times. http://movies.nytimes.com/movie/21576/Harlan-County-USA/details. Retrieved 2008-11-15.  

External links

Awards and achievements
Preceded by
The Man Who Skied Down Everest
Academy Award for Documentary Feature
1976
Succeeded by
Who Are the DeBolts?







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