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"Lamartine, before the
Hôtel de Ville, Paris, rejects
the Red Flag," February 25, 1848. By Henri Felix Emmanuel
Philippoteaux (1815–1884). The red flag represents terror, blood,
and a "party's republic," Lamartine told the crowd.
Henri Félix Emmanuel Philippoteaux (1815-1884)
was a French artist. He was born in Paris, France, studied art at the studio of Leon Cogniet,[1]
and first exhibited his work at the Paris Salon of
1833.[1]
One of his most well-known works was a depiction of the Siege of Paris
during the Franco-Prussian War,[2] painted
in the form of a cyclorama, a type of large panoramic painting
on the inside of a cylindrical platform designed to provide a
viewer standing in the middle of the cylinder with a 360° view of
the painting. Viewers surrounded by the panoramic image are meant
to feel as if they are standing in the midst of a historic event or
famous place.
Philippoteaux also produced a large number of works chronicling
the rise and successes of Napoleon
Bonaparte, including a portrait of Napoleon in his regimental
uniform and a group of paintings of French victories in the Napoleonic
Wars. Philippoteaux was awarded the Légion
d'honneur in 1846.[1][3]
Philippoteaux's son Paul Philippoteaux was also an
artist; both were famous for their production of cycloramas. Father and son
collaborated on The Defence of the Fort d'Issy in 1871.
They also collaborated on a cyclorama of the Battle of
Gettysburg that became a celebrated work in the United
States:
"One cyclorama, however, halted the slide in popularity, and
almost single-handedly revived the public's interest in the medium
for another decade...this singular creation was initially painted
in 1882-83 by Henry F. Philippoteaux and Paul Philippoteaux, a
father and son team of French artists...within a year, half a
million people had stood before it."[4]
Father and son enhanced the artistic effect of their cylindrical
painting by adding a third dimension, including elements of diorama placed in front of the
painting, and by incorporating sections of walls and battlefield
objects that blended into the painted parts of the
presentation.[5]
He died in 1884 and his obituary in the New York Times
appeared on November 10, 1884.[1]
References
- ^ a
b
c
d
"Death of a French
Painter". The New York Times. November 10, 1884. http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9B07E0DA143FE533A25753C1A9679D94659FD7CF.
- ^
"The Panorama of a battle.
The picture of the Siege of Paris". The New York
Times. September 17, 1882. http://query.nytimes.com/mem/archive-free/pdf?res=9B02EEDD143DE533A25754C1A96F9C94639FD7CF. Retrieved
2009-05-18.
- ^
Viardo, Louis. The Masterpieces of French Art Vol I. Ed.
WM. A. ARMSTRONG. PHILADELPHIA: GEBBIE & CO., Publishers.
1883., p. 70. [1]
- ^
Sokalski, JA. Pictorial illusionism:
the theater of Steele MacKaye. McGill Queens University
Press. p. 133. http://books.google.com/books?id=xDKTjMxEgJ0C&pg=PA133&lpg=PA133&dq=critic+of+philippoteaux&source=bl&ots=yiNx2EJuV8&sig=c_TcfBA-f7_l_PhfLHpeVB5I06k&hl=en&ei=hQATSoa0GZHFtgfPp-mXBA&sa=X&oi=book_result&ct=result&resnum=5#PPA133,M1.
- ^
Sokalski, p. 134
Partial
list of works
- The Iceberg, Episode of the Wars of America, (1833)
- The Retreat from Moscow, (1835)
- The Capture of Ypres. (1837)
- Death of Turenne
- The Siege of Antwerp in 1792
- Colonel Fr. Ponsonby rescued on the battlefield of Waterloo, by
a French Officer
- They are in our House (1880)
- The Periwinkle
- The Deception
- The Blade of Grass
- The Return from the Dram-shop, (1853)
- The Battle of the Raab,
- The Passage of the Tagliamento
- The Siege of Antwerp in 1832
External
links
The Numbering of the Israelites, engraving
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Charge of the French Cuirassiers at Waterloo, painting
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Arrival of "la Dorade" at Courbevoie on 14 December
1840., 1867. Château de Malmaison
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Napoleon at the Battle of Rivoli, oil on canvas
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