Henry IV, part 2: Wikis


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Facsimile of the first page of The Second Part of King Henry the Fourth from the First Folio, published in 1623

Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V.

Contents

Sources

Shakespeare's primary source for Henry IV, Part 2, as for most of his chronicle histories, was Raphael Holinshed's Chronicles; the publication of the second edition in 1587 provides a terminus ad quem for the play. Edward Hall's The Union of the Two Illustrious Families of Lancaster and York appears also to have been consulted, and scholars have also supposed Shakespeare familiar with Samuel Daniel's poem on the civil wars.

Date and text

Henry IV, Part 2, believed written sometime between 1596 and 1599, was entered into the Register of the Stationers' Company in 1600 by the booksellers Andrew Wise and William Aspley.

The play was published in quarto the same year (printing by Valentine Simmes). Less popular than Henry IV, Part 1, this was the only quarto edition. The play next saw print in the First Folio in 1623.

The quarto's title-page states that the play had been "sundry times publicly acted" before publication. Extant records suggest that both parts of Henry IV were acted at Court in 1612—the records rather cryptically refer to the plays as Sir John Falstaff and Hotspur. A defective record, apparently to the Second part of Falstaff, may indicate a Court performance in 1619.[1]

Dramatis Personae

Synopsis

The play picks up where Henry IV, Part One left off. Its focus is on Prince Hal's journey toward kingship, and his ultimate rejection of Falstaff. However, unlike Part One, Hal and Falstaff's stories are almost entirely separate, as the two characters meet only twice and very briefly. The tone of much of the play is elegiac, focusing on Falstaff's age and his closeness to death.

Falstaff is still drinking and engaging in petty criminality in the London underworld. Falstaff appears followed by a new character, a young page whom Prince Hal has assigned him as a joke. Falstaff inquires what the doctor has said about the analysis of his urine, and the page cryptically informs him that the urine is healthier than the patient. Falstaff promises to outfit the page in "vile apparel" (ragged clothing). They go off, Falstaff vowing to find a wife "in the stews" (i.e., the local brothels).

He has a relationship with Doll Tearsheet, a prostitute. When news of a second rebellion arrives, Falstaff joins the army again, and goes to the country to raise forces. There he encounters Mouldy, Bullcalf, Feeble, Shadow and Wart, a band of rustic yokels who are to be conscripted into the loyalist army, with two of whom, Mouldy and Bullcalf, bribing their way out. He also meets with an old school-chum, Master Shallow, and they reminisce about their youthful follies.

In the other storyline, Hal remains an acquaintance of London lowlife and seems unsuited to kingship. His father, King Henry IV, has apparently forgotten his reconciliation with his son in Henry IV, Part One, and is again disappointed in the young prince. Another rebellion is launched against Henry IV, but this time it is defeated, not by a battle, but by the duplicitous political machinations of Hal's brother, Prince John. King Henry then sickens and appears to die. Hal, seeing this, believes he is King and exits with the crown. King Henry, awakening, is devastated, thinking Hal cares only about becoming King. Hal convinces him otherwise and the old king subsequently dies contentedly.

The two storylines meet in the final scene, in which Falstaff, having learned that Hal is now King, travels to London in expectation of great rewards. But Hal rejects him, saying that he has now changed, and can no longer associate with such people. The London lowlifes, expecting a "paradise of thieves" under Hal's governance, are instead purged and imprisoned by the authorities.

At the end of the play, an epilogue thanks the audience and promises that the story will continue in a forthcoming play "with Sir John in it". In fact, the subsequent play, Henry V, does not feature Falstaff except for a brief mention of his death.

Reputation

Part 2 is generally seen as a less successful play than Part 1. Its structure, in which Falstaff and Hal barely meet, can be criticized as undramatic. Some critics believe that Shakespeare never intended to write a sequel, and that he was hampered by a lack of remaining historical material with the result that the comic scenes come across as mere "filler". However, the scenes involving Falstaff and Justice Shallow are admired for their touching elegiac comedy, and the scene of Falstaff's rejection can be extremely powerful onstage.

References

  1. ^ Halliday, F. E. A Shakespeare Companion 1564-1964. Baltimore, Penguin, 1964; p. 215.

See also

Shakespeare on screen (Henry IV, Part 2)

External links


Quotes

Up to date as of January 14, 2010
(Redirected to Henry IV, Part 2 article)

From Wikiquote

Henry IV, Part 2 is a history play by William Shakespeare. It was first published as part of Shakespeare's First Folio and was written somewhere between 1597 and 1599. It is the third part of a tetralogy; it is preceded by Richard II and Henry IV, Part I and is succeeded by Henry V.

Contents

Induction

  • From Rumour's tongues
    They bring smooth comforts false, worse than true wrongs.
    • Rumour

Act I

  • Even such a man, so faint, so spiritless,
    So dull, so dead in look, so woe-begone,
    Drew Priam’s curtain in the dead of night,
    And would have told him, half his Troy was burn'd.
    • Northumberland, scene i
  • Yet the first bringer of unwelcome news
    Hath but a losing office, and his tongue
    Sounds ever after as a sullen bell,
    Remember’d tolling a departing friend.
    • Northumberland, scene i
  • Let Heaven kiss earth! Now let not nature's hand
    Keep the wild flood confin'd! let order die!
    And let this world no longer be a stage,
    To feed contention in a lingering act.
    • Northumberland, scene i
  • I am not only witty in myself, but the cause that wit is in other men.
    • Falstaff, scene ii
  • A rascally yea-forsooth knave!
    • Falstaff, scene ii
  • Some smack of age in you, some relish of the saltness of time.
    • Falstaff, scene ii
  • Since all is well, keep it so: wake not a sleeping wolf.
    • Lord Chief Justice, scene ii
  • We that are in the vaward of our youth.
    • Falstaff, scene ii
  • For my voice, — I have lost it with hollaing, and singing of anthems.
    • Falstaff, scene ii
  • It was always yet the trick of our English nation, if they have a good thing, to make it too common.
    • Falstaff, scene ii
  • I were better to be eaten to death with a rust, than to be scoured to nothing with perpetual motion.
    • Falstaff, scene ii
  • If I do, fillip me with a three-man beetle.
    • Falstaff, scene ii
  • A good wit will make use of anything; I will turn diseases to commodity.
    • Falstaff, scene ii
  • Who lin'd himself with hope,
    Eating the air on promise of supply.
    • Bardolph, scene iii
  • When we mean to build,
    We first survey the plot, then draw the model;
    And when we see the figure of the house,
    Then must we rate the cost of the erection. 1
    • Bardolph, scene iii
  • An habitation giddy and unsure
    Hath he, that buildeth on the vulgar heart.
    • Archbishop of York, scene iii
  • Past, and to come, seem best; things present, worst.
    • Archbishop of York, scene iii

Act II

  • A poor lone woman.
    • Mistress Quickly, scene i
  • I’ll tickle your catastrophe.
    • Falstaff, scene i
  • He hath eaten me out of house and home.
    • Mistress Quickly, scene i
  • Thou didst swear to me upon a parcel-gilt goblet, sitting in my Dolphin-chamber, at the round table, by a sea-coal fire, upon Wednesday in Whitsun-week.
    • Mistress Quickly, scene i
  • I do now remember the poor creature, small beer.
    • Prince Henry, scene ii
  • Let the end try the man.
    • Prince Henry, scene ii
  • Thus we play the fools with the time; and the spirits of the wise sit in the clouds, and mock us.
    • Prince Henry, scene ii
  • He was, indeed, the glass
    Wherein the noble youth did dress themselves.
    • Lady Percy, scene iii
  • I beseek you now, aggravate your choler.
    • Mistress Quickly, scene iv

Act III

  • O sleep! O gentle sleep!
    Nature's soft nurse, how have I frighted thee,
    That thou no more wilt weigh my eyelids down,
    And steep my senses in forgetfulness?
    • King Henry IV, scene i
  • Can'st thou, O partial sleep! give thy repose
    To the wet sea-boy in an hour so rude;
    And, in the calmest and most stillest night,
    With all appliances and means to boot,
    Deny it to a king? Then, happy low, lie down!
    Uneasy lies the head that wears a crown.
    • King Henry IV, scene i
  • Death, as the Psalmist saith, is certain to all; all shall die. How a good yoke of bullocks at Stamford fair?
    • Shallow, scene ii
  • Accommodated; that is, when a man is, as they say, accommodated: or when a man is, — being, — whereby, — he may be thought to be accommodated; which is an excellent thing.
    • Bardolph, scene ii
  • Let that suffice, most forcible Feeble.
    • Falstaff, scene ii
  • We have heard the chimes at midnight.
    • Falstaff, scene ii
  • A man can die but once; — we owe God a death.
    • Feeble, scene ii
  • I do remember him at Clement's-inn, like a man made after supper of a cheese-paring: when he was naked, he was, for all the world, like a forked radish, with a head fantastically carved upon it with a knife.
    • Falstaff, scene ii

Act IV

  • We are ready to try our fortunes
    To the last man.
    • Mowbray, scene ii
  • I may justly say, with the hook-nosed fellow of Rome, — "I came, saw, and overcame."
    • Falstaff, scene iii
  • He hath a tear for pity, and a hand
    Open as day, for melting charity.
    • King Henry IV, scene iv
  • Thy wish was father, Harry, to that thought.
    • King Henry IV, scene iv
  • Commit
    The oldest sins the newest kind of ways.
    • King Henry IV, scene iv

Act V

  • A joint of mutton, and any pretty little tiny kick-shaws, tell William cook.
    • Shallow, scene i
  • His cares are now all ended.
    • Warwick, scene ii
  • Falstaff: What wind blew you hither, Pistol?
    Pistol: Not the ill wind which blows no man to good.
    • scene iii
  • A foutra for the world, and worldlings base!
    I speak of Africa, and golden joys.
    • Pistol, scene iii
  • Under which king, Bezonian? speak, or die!
    • Pistol, scene iii
  • Falstaff: My king! my Jove! I speak to thee, my heart!
    King Henry V: I know thee not, old man: fall to thy prayers;
    How ill white hairs become a fool, and jester!
    • Scene v

External links

  • Henry IV, Part 2 quotes analyzed; study guide with themes, character analyses, literary devices, teacher resources
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