Herman Wouk: Wikis

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Herman Wouk

Herman Wouk in Jerusalem, 1955
Born May 27, 1915 (1915-05-27) (age 94)
New York, NY
Occupation American author
Spouse(s) Betty Sarah Brown

Herman Wouk (pronounced /ˈwoʊk/ "woke"; born May 27, 1915) is a bestselling, Pulitzer Prize-winning Jewish American author with a number of notable novels to his credit, including The Caine Mutiny, The Winds of War, and War and Remembrance.

Contents

Biography

Herman Wouk was born in New York City into a Jewish family that had emigrated from Russia. After a childhood and adolescence in the Bronx and a high school diploma from Townsend Harris High School, he earned a B.A. from Columbia University in 1934, where he studied under philosopher Irwin Edman. Soon thereafter, he became a radio dramatist, working in David Freedman's "Joke Factory" and later with Fred Allen for five years then in 1941, for the United States government, writing radio spots to sell war bonds. He lived a fairly secular lifestyle in his early 20s before deciding to return to a more traditional Jewish way of life, modeled after his grandfather, in his mid-20s. From that day to the present, Wouk has commenced each day of his life with a reading of Scripture in Hebrew.

Wouk joined the United States Navy and served in the Pacific Theater, an experience he later characterized as educational; "I learned about machinery, I learned how men behaved under pressure, and I learned about Americans." Wouk served as an officer aboard two destroyer minesweepers (DMS), the USS Zane and USS Southard, becoming executive officer of the latter. He started writing a novel, Aurora Dawn,[1] during off-duty hours aboard ship. Wouk sent a copy of the opening chapters to Irwin Edman who quoted a few pages verbatim to a New York editor. The result was a publisher's contract sent to Wouk's ship, then off the coast of Okinawa. The novel was published in 1947 and became a Book of the Month Club main selection. His second novel, City Boy, proved to be a commercial disappointment at the time of its initial publication in 1948; perhaps, as Wouk once claimed, it was swept away by the excitement over Norman Mailer's bestselling World War II novel The Naked and the Dead.

While writing his next novel, Wouk read each chapter as it was completed to his wife, who remarked at one point that if they didn't like this one, he'd better take up another line of work (a line he would give to the character of the editor Jeannie Fry in his 1962 novel Youngblood Hawke). The novel, The Caine Mutiny (1951), went on to win the Pulitzer Prize. A huge best-seller, drawing from his wartime experiences aboard minesweepers during World War II, The Caine Mutiny was adapted by the author into a Broadway play called The Caine Mutiny Court Martial, and was later made into a film, with Humphrey Bogart portraying Lt. Commander Philip Francis Queeg, captain of the fictional DMS Caine. Some Navy personnel complained at the time that Wouk had taken every twitch of every commanding officer in the Navy and put them all into one character, but Captain Queeg has endured as one of the great characters in American fiction.

He married Betty Sarah Brown in 1945, with whom he had three sons. He became a fulltime writer in 1946 to support his growing family. His first-born son, Abraham Isaac Wouk, died in a tragic accident as a child; Wouk later dedicated War and Remembrance (1978) to him with the Biblical words, "He will destroy death forever."

In 1998, Wouk received the Guardian of Zion Award. He and his wife currently live in Palm Springs, CA.

Writing

Experts have described The Caine Mutiny as one of the best depictions of daily life aboard a US ship during the Second World War.

His novels after The Caine Mutiny include Marjorie Morningstar (1955), Youngblood Hawke (1962), and Don't Stop the Carnival (1965). In 1956 he published in paperback the novel Slattery's Hurricane, which he had written in 1948 as the basis for the screenplay for the film of the same name. Wouk's first work of non-fiction was 1959's This is My God, an explanation of Orthodox Judaism.

In the 1970s, Wouk published his two most ambitious novels, The Winds of War (1971) and War and Remembrance (1978). He described the latter, which included a devastating depiction of the Holocaust, as "the main tale I have to tell." Both were made into hugely popular TV miniseries. Although they were made several years apart, both were directed by Dan Curtis and both starred Robert Mitchum as Captain Victor "Pug" Henry, the main character.

The novels are ingeniously constructed historical fiction, so absorbing that Henry Kissinger called them at one point "the war itself." Each has three layers: the story told from the viewpoint of Captain Henry; a more or less straightforward historical account of the events of the war; and, most ingeniously, an analysis by a member of Hitler's military staff, the insightful General Armin von Roon, who would have been a major figure in world history, had he existed. There are many classic accounts in the novels, but perhaps most interesting are the bombing raid on Germany by British airmen before Pearl Harbor (Captain Henry joins them for a look see), in the first novel, and the Battle of Midway, in the second. The latter contains what one reviewer called a "remarkable roster call of American airmen sacrificed during the battle."

Wouk devoted "thirteen years of extraordinary research and long, arduous composition" to these two novels. "The seriousness with which Wouk has dealt with the war can be seen in the prodigious amount of research, reading, travel and conferring with experts, the evidence for which is to be found in the uncataloged boxes [of his papers] at Columbia University." [2]

Wouk on Zionism

  • "Zionism is a single long action of lifesaving, of snatching great masses of people out of the path of sure extinction." (This is My God, first edition (1959), page 264.)

Notes

  1. ^ Originally titled by Wouk as Aurora Dawn; or, The True history of Andrew Reale, containing a faithful account of the Great Riot, together with the complete texts of Michael Wilde's oration and Father Stanfield's sermon.
  2. ^ Beichman, Arnold, Herman Wouk: The Novelist as Social Historian 77, 81 (Transaction Books 1984, ISBN 0-87855-498-X).

Library of Congress

Wouk has kept a personal diary since the 1930s. On September 10, 2008, Wouk formally presented the Library of Congress with his journals, now numbering over 90 volumes, in a ceremony which honored him with the first Library of Congress Award for Lifetime Achievement in the Writing of Fiction.

Wouk often refers to his journals to check dates and facts in his writing, and was hesitant to let the originals out of his personal possession. A solution was arrived at: a scanning service bureau was selected to scan the entire set of volumes into digital formats.[1]

Dustcover of Herman Wouk's 2004 book A Hole in Texas.

Selected works

See also

References

External links

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Quotes

Up to date as of January 14, 2010

From Wikiquote

Herman Wouk (born May 27, 1915) is a bestselling American author with a number of notable novels to his credit, including The Caine Mutiny (for which he won the Pulitzer Prize in Fiction in 1952), The Winds of War, and War and Remembrance.

Contents

Sourced

  • I felt there’s a wealth in Jewish tradition, a great inheritance. I’d be a jerk not to take advantage of it.
    • On his return to Orthodox Judaism
    • Time Magazine (September 5, 1955)
  • The imaginative artist willy-nilly influences his time. If he understands his responsibility and acts on it—taking the art seriously always, himself never quite—he can make a contribution equal to, if different from, that of the scientist, the politician, and the jurist. The anarchic artist so much in vogue now—asserting with vehemence and violence that he writes only for himself, grubbing in the worst seams of life—can do damage. But he can also be so useful in breaking up obsolete molds, exposing shams, and crying out the truth, that the broadest freedom of art seems to me necessary to a country worth living in.
    • “An Exclusive Interview with Herman Wouk,” Kirk Polking, Writer’s Digest (September 1966)
  • I regard the writing of humor as a supreme artistic challenge.
    • Book-of-the-Month Club News (May 1985)
  • "You can know almost anything about G-d, provided you put the right questions to Him. You have to learn how to put the questions, and they have to be accurate and airtight. [...] [M]y father, for instance, doesn't know that two atoms of hydrogen bind with one atom of oxygen to form a water molecule. Yet it's G-d's truth, and an important one. You don't know it [...] you believe it because you read it somewhere, or a teacher told you. I know it. I've put the question, and He answered, straight out. G-d will answer a high school boy. He asks only that you use common sense, pay very close attention to Him, not be sloppy, and count and measure correctly. G-d ignores sloppy questions. Sloppiness is the opposite of G-dliness. G-d is exact. He is marvelously, purely exact. Theology is all slop. Moses gave the best answers you could get, three thousand years ago, and he was no theologian." ("Inside, Outside", p. 567 of the hardcover edition. The quote is fictional physicist Mark Herz answering the protagonist's question "What can you know about G-d? You either believe or you don't.")
  • We are in the black theater of nonexistence. In an eye blink the curtain is up, the stage ablaze, for the vast drama of ourselves.
    • On Genesis I as his favorite opening passage
    • New York Times (June 2, 1985)
  • This is an excellent martini—sort of tastes like it isn’t there at all, just a cold cloud.
    • The Winds of War teleplay, for the ABC miniseries based on the novel (September 10, 1986))

This is My God: The Jewish Way of Life (1959)

  • There is a mystery about the Jews … and within this mystery lies the reason for the folk pride of the house of Abraham. This pride exists despite the disabilities that come from many centuries of ostracism.
  • Deep in the heart of both critical Christian and alienated Jew, there is … a feeling, not even a feeling, a shadow of a notion, nothing more substantial than the pointless but compelling impulse to knock on wood when one talks of the health of children—something that says there is more to Jews than meets the eye.

Unsourced

  • I learned about machinery, I learned how men behaved under pressure, and I learned about Americans.
  • Illusion is an anodyne, bred by the gap between wish and reality.
  • Income tax returns are the most imaginative fiction being written today.
  • Some people think that all the equipment you need to discuss religion is a mouth.
  • Write a page a day. It will add up.

External links

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