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Holy Smoke!

Original poster
Directed by Jane Campion
Produced by Jan Chapman
Written by Anna Campion
Jane Campion
Starring Kate Winslet
Harvey Keitel
Music by Angelo Badalamenti
Cinematography Dion Beebe
Editing by Veronika Jenet
Distributed by Miramax Films
Release date(s) France:
November 24, 1999
United States:
December 3, 1999
Australia:
December 26, 1999
United Kingdom:
March 31, 2000
Running time 115 minutes
Country Australia
Language English

Holy Smoke! is a 1999 Australian drama film directed by Jane Campion, who co-wrote the screenplay with her sister Anna. It premiered at the Venice Film Festival and was shown at the New York Film Festival and the Taipei Golden Horse Film Festival before being released theatrically.

Contents

Plot synopsis

During a trip to India, Ruth Barron has a spiritual awakening and embraces the teachings of a guru named Baba. Back home in the Sydney suburb of Sans Souci, her parents are appalled to learn their daughter now answers to the name Nazni and has no intention of returning. They concoct a tale about her father Gilbert having had a stroke and being on the verge of death, and her mother Miriam travels to India in hopes of convincing her to come home, with no success until she suffers a serious asthma attack. Ruth agrees to accompany her on her return flight.

Miriam arranges a reunion with Gilbert, who supposedly is recuperating in the Outback, and this charade lands Ruth in the clutches of P.J. Waters, an American exit counselor who deprograms members of religious cults. In a remote cabin, he isolates Ruth, separates her from her sari and religious props, challenges her faith in Baba, and slowly wears her down. As she begins to weaken, Waters finds himself sexually attracted to her, and in time Ruth allows him to seduce her. She then turns the tables on him, as she discovers her sexuality allows her to make mincemeat of his machismo.

Production notes

The film was made on location in Delhi and Pushkar in India and Sydney and Hawker in the Flinders Ranges in South Australia. Interiors were filmed at Fox Studios Australia.

The film grossed $1,758,780 in the US and $1,821,943 in foreign markets for a worldwide box office of $3,580,723 [1].

Principal cast

Critical reception

In her review in the New York Times, Janet Maslin said, "As Holy Smoke moves from its early mix of rapture and humor into [the] more serious, confrontational stage, it runs into trouble . . . the screenplay . . . threatens to become heavy-handedly ideological beneath its outward whimsy . . . it turns out to be more fundamentally conventional than might be expected . . . Shot so beautifully by Dion Beebe that it seems bathed in divine light, [the film] has a sensual allure that transcends its deep-seated ponderousness. The richly colored Indian scenes have a hallucinogenic magic, while exquisite desert vistas radiate an attunement with nature. And the steamily claustrophobic look of the intense scenes between Ms. Winslet and Keitel have an eroticism that will not surprise viewers of The Piano." [2]

Roger Ebert of the Chicago Sun-Times observed, "It's a little surprising, although not boring, when it turns from a mystic travelogue into a feminist parable . . . Winslet and Keitel are both interesting in the film, and indeed Winslet seems to be following Keitel's long-standing career plan, which is to go with intriguing screenplays and directors and let stardom take care of itself . . . A smaller picture like this, shot out of the mainstream, has a better chance of being quirky and original. And quirky it is, even if not successful." [3]

In Variety, David Rooney stated, "Original in every sense, this often difficult film about family, relationships, sexual politics, spiritual questing, faith and obsession further explores the director's abiding fascinations in excitingly unconventional terms. Mainstream audiences may be unwilling to surrender to the pull of a unique journey that strips away its characters' masks and refuses easy solutions, and many men especially will find it too confronting. But others will embrace its thematic and stylistic complexity as qualities all too rare in contemporary cinema." [4]

Bob Graham of the San Francisco Chronicle said, "Holy Smoke sometimes has the mentality, for better or worse, of an encounter group. It also has a terrific subject and the spirit to bring it off." [5]

Awards and nominations

At the Venice Film Festival, Jane Campion and Kate Winslet won the Elvira Notari Prize. Campion was nominated for the Golden Lion but lost to Zhang Yimou for Not One Less.

References

External links

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Holy Smoke!
File:Holy smoke
Original poster
Directed by Jane Campion
Produced by Jan Chapman
Written by Anna Campion
Jane Campion
Starring Kate Winslet
Harvey Keitel
Music by Angelo Badalamenti
Cinematography Dion Beebe
Editing by Veronika Jenet
Distributed by Miramax Films
Release date(s) France:
24 November 1999
United States:
3 December 1999
Australia:
26 December 1999
United Kingdom:
31 March 2000
Running time 115 minutes
Country Australia
Language English

Holy Smoke! is a 1999 Australian drama film directed by Jane Campion, who co-wrote the screenplay with her sister Anna. It premiered at the Venice Film Festival and was shown at the New York Film Festival and the Taipei Golden Horse Film Festival before being released theatrically.

Contents

Plot synopsis

During a trip to India, Ruth Barron has a spiritual awakening and embraces the teachings of a guru named Baba. Back home in the Sydney suburb of Sans Souci, her parents are appalled to learn their daughter now answers to the name Nazni and has no intention of returning. They concoct a tale about her father Gilbert having had a stroke and being on the verge of death, and her mother Miriam travels to India in hopes of convincing her to come home, with no success until she suffers a serious asthma attack. Ruth agrees to accompany her on her return flight.

Miriam arranges a reunion with Gilbert, who supposedly is recuperating in the Outback, and this charade lands Ruth in the clutches of P.J. Waters, an American exit counselor who deprograms members of religious cults. In a remote cabin, he isolates Ruth, separates her from her sari and religious props, challenges her faith in Baba, and slowly wears her down. As she begins to weaken, Waters finds himself sexually attracted to her, and in time Ruth allows him to seduce her. She then turns the tables on him, as she discovers her sexuality allows her to make mincemeat of his machismo.

Production notes

The film was made on location in Delhi and Pushkar in India and Sydney and Hawker in the Flinders Ranges in South Australia. Interiors were filmed at Fox Studios Australia.

The film grossed $1,758,780 in the US and $1,821,943 in foreign markets for a worldwide box office of $3,580,723 [1].

Principal cast

Critical reception

In her review in the New York Times, Janet Maslin said, "As Holy Smoke moves from its early mix of rapture and humor into [the] more serious, confrontational stage, it runs into trouble . . . the screenplay . . . threatens to become heavy-handedly ideological beneath its outward whimsy . . . it turns out to be more fundamentally conventional than might be expected . . . Shot so beautifully by Dion Beebe that it seems bathed in divine light, [the film] has a sensual allure that transcends its deep-seated ponderousness. The richly colored Indian scenes have a hallucinogenic magic, while exquisite desert vistas radiate an attunement with nature. And the steamily claustrophobic look of the intense scenes between Ms. Winslet and Keitel have an eroticism that will not surprise viewers of The Piano."[2]

Roger Ebert of the Chicago Sun-Times observed, "It's a little surprising, although not boring, when it turns from a mystic travelogue into a feminist parable . . . Winslet and Keitel are both interesting in the film, and indeed Winslet seems to be following Keitel's long-standing career plan, which is to go with intriguing screenplays and directors and let stardom take care of itself . . . A smaller picture like this, shot out of the mainstream, has a better chance of being quirky and original. And quirky it is, even if not successful." [3]

In Variety, David Rooney stated, "Original in every sense, this often difficult film about family, relationships, sexual politics, spiritual questing, faith and obsession further explores the director's abiding fascinations in excitingly unconventional terms. Mainstream audiences may be unwilling to surrender to the pull of a unique journey that strips away its characters' masks and refuses easy solutions, and many men especially will find it too confronting. But others will embrace its thematic and stylistic complexity as qualities all too rare in contemporary cinema." [4]

Bob Graham of the San Francisco Chronicle said, "Holy Smoke sometimes has the mentality, for better or worse, of an encounter group. It also has a terrific subject and the spirit to bring it off." [5]

Awards and nominations

At the Venice Film Festival, Jane Campion and Kate Winslet won the Elvira Notari Prize. Campion was nominated for the Golden Lion but lost to Zhang Yimou for Not One Less.

See also

References

External links


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