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The term hornpipe refers to any of several dance forms played and danced in Britain and elsewhere from the late 17th century until the present day. It is said that hornpipe as a dance began around the 16th century on English sailing vessels. Movements were those familiar to sailors of that time: "looking out to sea" with the right hand to the forehead, then the left, lurching as in heavy weather, and giving the occasional rhythmic tug to their breeches both fore and aft.[1]
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There are several traditional folk dance forms of the hornpipe:
Examples, current in Northumberland, of all these kinds of hornpipe may be found, either recorded or notated, on the FARNE archive website [1]. John Offord has recently republished John of the Green - The Cheshire Way, (ISBN 978-0-9556324-0-2) an extensive study of published and manuscript dance music in these forms from before 1750. This draws heavily on Thomas Marsden's Original Lancashire Hornpipes, Old and New, published by Henry Playford in 1705, as well as other sources. When they play hornpipe some people wear clogs. Hornpipe is a traditional song for sailors.
In 1798 the Reverend Warner Warner jouneyed through Wales. In describing a Welsh ball, he wrote, "The ball was concluded by a contest of agility between two brothers, who danced two distinct hornpipes with so much power and muscle, variety of step and inflexible perserverance, as exceeded everything we had seen.[2]
The triple-time hornpipe dance rhythm was often used by composers in England in the Baroque period. It is probably artificial to draw too rigid a distinction between the popular and art-music examples. Many country dance examples are found in The Dancing Master, such as "The Hole in the Wall", by Purcell, and there are also extant theatrical choreographies that use steps from French court ballet, but which characteristically have step-units going across the measure. Henry Purcell and George Frideric Handel composed hornpipes, and Handel occasionally gave "alla hornpipe" as a tempo indication (see Handel's Water Music). Today, the most well-known baroque hornpipe tune is probably Purcell's "Hornpipe Rondeau" from the incidental music to Abdelazer, (which was used by Benjamin Britten as the theme for his Young Person's Guide To The Orchestra) or the 'Alla Hornpipe' movement from the D major of Handel's Water Music suites.
Videos on YouTube (require Flash for playback):
Old 3/2-Hornpipes
Newer 4/4-Hornpipes:
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HORNPIPE, originally the name of an instrument no longer in existence, and now the name of an English national dance. The sailors' hornpipe, although the most common, is by no means the only form of the dance, for there is a pretty tune known as the "College Hornpipe," and other specimens of a similar kind might be cited. The composition of hornpipes flourished chiefly in the 18th century, and even Handel did not disdain to use the characteristic rhythm. The hornpipe may be written in 2 or in common time, and is always of a lively nature.
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