| Hotel for Dogs | |
|---|---|
 Theatrical release poster |
|
| Directed by | Thor Freudenthal |
| Produced by | Lauren Shuler Donner Ivan Reitman Sharan Kapoor |
| Written by | Novel Lois Duncan Screenplay Jeff Lowell Mark McCorkle Bob Schooley |
| Starring | Emma Roberts Jake T. Austin Troy Gentile Kyla Pratt Johnny Simmons Lisa Kudrow Kevin Dillon Don Cheadle |
| Music by | John Debney |
| Cinematography | Michael Grady |
| Editing by | Sheldon Kahn |
| Studio | DreamWorks Pictures Nickelodeon Movies |
| Distributed by | Paramount Pictures |
| Release date(s) | January 16, 2009 |
| Running time | 100 min. |
| Country | United States |
| Language | English |
| Budget | $35 million |
| Gross revenue | $116,982,512 (Worldwide) |
Hotel for Dogs is a 2009 American children's comedy film based on the 1971 Lois Duncan novel of the same name. The film, directed by Thor Freudenthal and adapted by Jeff Lowell, Bob Schooley, and Mark McCorkle, stars Emma Roberts, Jake T. Austin, Lisa Kudrow, Kevin Dillon, Kyla Pratt, and Don Cheadle. It tells the story of two orphans, Andi and Bruce (played by Roberts and Austin), who attempt to hide their dog at an abandoned hotel after their strict new guardians tell them that pets are forbidden at their home.
The film is Nickelodeon's second film to be produced by DreamWorks Pictures[1] after Lemony Snicket's A Series of Unfortunate Events. Shooting began in November 2007 and filming took place entirely in the cities of Los Angeles and Universal City, California[2]. The dogs in the film were trained for several months before shooting. Nearly 80 boys auditioned for the role of Bruce before Austin was ultimately selected.[3]
The film was released in the United States on January 16, 2009, and grossed approximately $17 million in its opening weekend in 3,271 theaters. It eventually went on to gross $117 million worldwide.[4] Reception to the film was mixed. Reviewers both criticized and praised the film's strong appeal to children and, in the opinion of some, its lack of appeal to older audiences. According to the film review aggregate website Rotten Tomatoes, 45% of critics gave Hotel a positive review.[5]
Contents |
The movie begins in Central City. Siblings Andi and Bruce are shown defrauding a pawn shop owner to raise money to feed their dog, Friday. Soon afterwards, the pawn shop owner approaches them with a police officer, pointing Andi out as the culprit. As she tries to talk her way out of trouble, Bruce's backpack falls and its contents spill out, revealing his scamming supplies. They are arrested and taken to the local police station, where their social worker, Bernie, meets them. He scolds them and says that because they have changed foster homes so many times, they may be separated the next time they do so. Bernie then takes them home to their foster parents, aspiring rock stars Lois and Carl Scudder. The two are angry that the children have missed dinner (and delayed band practice) and Bernie takes responsibility. Andi and Bruce are sent to their room for the night, where they have hidden Friday from their guardians.
In the morning, Friday wanders out of the room into the apartment and is almost seen by Lois. The kids attempt to get him back into their room, trying to hide what they are doing, and eventually do so without Lois realizing what is going on. Once back in the room, however, Friday uses a homemade elevator, designed and built by Bruce, to leave the apartment through the window and is picked up by animal control. Andi and Bruce are desperate to find Friday and scour the area looking for him. They enter a pet store and ask the manager, Dave, and employee Heather, whether they have seen Friday. Neither of them has, but they suggest visiting the local pound to see if he is there. At the pound, Andi and Bruce discover Friday is indeed there, but must bribe one of the officers to get him released. On the way home, they encounter a burglary in progress at a store and as the police arrive they flee to a nearby abandoned hotel to avoid being fingered as the culprits. Friday again gets away from them and they search the building to find him. As they do, they hear strange noises – which they discover to be two dogs that have taken up shelter. With them is Friday, and Andi and Bruce decide to leave him in the hotel for the night and return home.
The next day, the two kids steal from the refrigerator to take to the hungry dogs. At the hotel, they find that one of the dogs howling because the shades had been drawn. The kids return to the pet store to get more food, and lie to Dave, claiming that their parents are dog rescuers. Heather follows them back to the hotel and announces that she wants to help. They are later joined by another kid, Mark. Bruce builds a number of contraptions to keep the dogs fed and entertained while they are alone in the hotel. They decide to take in all the stray dogs they can find.
Andi is invited to a party. She sneaks out of the apartment and shows up. However, she is recognized by someone who tells Dave and Heather that she is actually a foster child. Upset, she runs from the party to the hotel, where the dogs are running wild. The police storm the hotel, arrest the kids and round up the dogs. Bernie and his wife, Carol, tell them that there is nothing more they can do. The dogs are scheduled to be euthanized and Andi and Bruce are sent to separate foster homes. Dave soon shows up to Andi's house with Mark, Heather, and Friday with a plan to rescue all of the dogs. They pick up Bruce, sneak into the pound, and release the dogs, which they attempt to lead across county lines. As they pass the hotel, however, the dogs run inside and a standoff ensues with the police. Bernie gives an emotional speech and tells Andi and Bruce that he and Carol are adopting them. Pressured by the media at the scene, the police are persuaded to allow the dogs to remain at the hotel, which is eventually restored as a full-fledged canine retreat.
| "It draws an interesting parallel between the kids and the dogs. Although I was aware that it was a risk to jump into directing my first feature working with both kids and animals, I recognized the importance and relevance of the story and thought it was worth it" |
| —Thor Freudenthal [17] |
The film rights to Lois Duncan's novel were acquired by Dreamworks in June 2005.[18] According to Thor Freudenthal, Dreamworks first approached him about working on the film after a short film which he had worked on played at the Sundance Film Festival. Freudenthal said that Dreamworks "really embraced and responded to" the film and sent him an early version of the script. He was initially hesitant to sign onto the project, balking at the seemingly shallow title. However, he stated that after reading the script that he "realized you don’t think much about the logistics involved" and saw deeper messages and more complex aspects of the film.[19] Freudenthal was attracted to the "urban fairytale aspect" of the film, noting in an interview:
"It’s basically these unwanted children, these unwanted animals coming together and making their own place in their own home. That’s what I liked. It wasn’t the fact that it was Fox Terriers and things like that. So that sort of made me sign on and be ready for it."[19]
A producer of the film, Lauren Shuler Donner, is also an activist and dog lover, and was convinced that the book's message about the importance of family "made the novel an ideal property to bring to the big screen"[17] Shuler Donner insisted that the movie "stand out from other family movies visually" and it was Freudenthal's background in animation that gave him an edge over other directors. According to her, "It was the way he framed shots, the way he moved the camera, the use of color, the use of light. He’s very visually savvy and very specific."[17]
Emma Roberts was cast in August 2007 to play teenage older sister Andi. Freudenthal began his search for a young actress "who could carry a whole movie" and settled on then-16 year old Roberts. Ewan Leslie, a producer of the film, said in an interview of Roberts that she "is one of those young actors whose face just lights up the screen and she has the ability to play a wide range of emotions without any dialogue."[17]
Filmmakers conducted a nationwide search for an actor to play Bruce, Andi's whimsical and inventive younger brother. Jake T. Austin auditioned late, after nearly 80 other boys had tried out for the part. Jason Clark, another producer of the film, stated that Austin "was amazing on every level. He played the emotional beats very well, felt the role and also understood timing."[17]
The rest of the roles were cast in the following months. Don Cheadle, who plays Andi and Bruce's protective social worker, joined the film in September 2007. Lisa Kudrow was cast as the siblings' foster mother in October, and Johnny Simmons was cast that same month as Dave. Kyla Pratt was chosen to play Heather soon after.[17]
The dogs were carefully cast as well. Filmmakers wanted a variety of breeds with different colors and facial structures "so that their look suggested their personality."[17] Freudenthal said that he deliberately chose both very small and very large dogs to create a contrast similar to the characters of Lenny and George in the John Steinbeck novella Of Mice And Men. The majority of the dogs cast were rescues. The lead dog, who plays Friday, was rescued about six months before shooting began. Crew members also helped to find adoptive homes for the abandoned dogs and several adopted dogs themselves.[17]
A Hollywood animal trainer, Mark Forbes, was hired to prepare the dogs before shooting began. Forbes and his team began working with the dogs about four months before shooting. Those dogs with no prior training were first taught basic commands, such as "sit" and "roll over." They were then trained to respond to more complex commands and learned to retrieve objects and to wave.
The next phase of training involved using the dogs' body language to express emotions: sadness, for example, was conveyed when a dog tucked its tail between its legs. Finally, the dogs were taken to public places to review the commands that they had learned. The purpose of this was to ensure that the dogs would perform in any location. According to Forbes, "You want the dogs to sense that everything is fine and they’ll still get their treat regardless of the location. The set becomes just another place for them to go."[17] The trainers worked with the human actors as well to "familiarize them with how the dogs behave and create a comfort level between the human and the dog actors."[17] The dogs were also trained to interact with the various gadgets in the film with early prototypes built by the special effects team.
Special effects supervisor Michael Lantieri enlisted to create the various contraptions invented by Bruce throughout the film to keep the dogs fed. One such gadget is a device which can be operated by the dogs to throw a ball to be fetched.
"The first was a simple spring-loaded device that throws a ball and spoon down hallways, while the second device was a bit more sophisticated. 'This fetching machine uses a bicycle and a hand from a mannequin. It is timed so that the wheels turn, and the ball is magnetic so it sticks in the hand, which comes round and launches the object so the dog can chase it,' explains Lantieri. 'Things can seem simple when you read them, but making it work on screen has to do with timing, the weight of the ball and how the ball stays in the hand until you want it to move.'"[17]
Other devices built for the film include a feeding machine that drops food into each of the dogs' bowls on a timed schedule, a vending machine filled with shoes and other chew toys, a room filled with doors whose doorbells go off on their own, and another containing a replica of a car surrounded by fans which simulates for the dogs the experience of placing their heads through an open car window while driving.
All of the contraptions were created using objects that might actually be found in an abandoned hotel, and in such a way that they looked like they had been created by a gifted 11 year old boy.
Hotel for Dogs was released in Puerto Rico on January 15, 2009, and in the United States on January 16, 2009, to 3,271 theaters. It earned $17,012,212 in its opening weekend, the 5th-highest grossing film of that weekend behind Paul Blart: Mall Cop, Gran Torino, and others. It remained in release for 19 weeks and earned a total of $116,983,275 worldwide.[4]
Upon its release, the film received mixed reviews. According to Rotten Tomatoes, a website which aggregates film reviews, 45% of critics gave Hotel a positive review.[5] Noted film critic Roger Ebert gave the film a 2½ stars and summed up his review by saying, "What I thought instead was, Marley has a lot he could learn from these dogs." Kent Turner writing for School Library Journal, stated that while the book is “utterly realistic", the film is "fantastic" and thus fundamentally different.[20] Stephen Holden, writing for the New York Times, wrote that the film "is loaded with enough stupid pet and human tricks to satisfy David Letterman for years to come."[21]
The film opened at #5 for the January 16-19 weekend with $17,707,000 and is estimated to have earned $22,500,000 total over the four day weekend. Eugene Novikov finds the latter number fairly fortunate for a lower profile family film, considering the specific circumstances.[22] As of April 30, 2009 the film has a reported box office gross of $73,034,460 for the United States making it a box-office success by most standards.
The film was released to DVD on April 28, 2009. It sold 773,000 units in the first week, bringing in $13,584,527 in revenue. As per the latest figures, 1,778,736 DVD units have been sold, translating to more than $30 million in revenue.[23] This does not include Blu-ray sales.
The score to Hotel for Dogs was composed by John Debney, who recorded his score at the Eastwood Scoring Stage at Warner Brothers.[24] Promo trailers for "Hotel For Dogs" contain songs such as "Run" by The Naked Brothers Band and "(Let's Get Movin') Into Action" by Tim Armstrong featuring Skye Sweetnam.
A game for the Nintendo Wii was released around the same time as the film. The game was given 12% by the Official Nintendo Magazine UK, saying anyone who buys this should be put down.
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  | John Debney scores ''Hotel for Dogs'' - Scott Clausen and Christopher Lee score "Happy Hour" for FOX - ScoringSessions.com |
| | Hotel for Dogs > Overview - Hotel for Dogs > Overview - AllMovie |
| | Hotel for Dogs (2009) - Hotel for Dogs (2009) |
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