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Coordinates: 52°49′37″N 0°39′27″E / 52.82690°N 0.65760°E / 52.82690; 0.65760

For the building of a similar name in the East Riding of Yorkshire see Houghton Hall. For the ruined building in Bedfordshire see Houghton House.
The façade of Houghton Hall in 2007.

Houghton Hall (pronounced /ˈhaʊtən/ (HOW-tən))[1] is a country house in Norfolk, England. It was built for the de facto first British Prime Minister, Sir Robert Walpole, and it is a key building in the history of Palladian architecture in England. It is a Grade I listed building.[2]

Those who most influenced the initial development of plans and construction at Houghton were:

The house has a rectangular main block which consists of a rustic basement at ground level, with a piano nobile, bedroom floor and attics above. There are also two lower flanking wings joined to the main block by colonnades.

The façade of Houghton Hall from Colen Campbell's Vitruvius Britannicus. The corner towers were replaced with domes in the final design.

The exterior is both grand and restrained, contrived of fine-grained, silver-white stone the Gibbs-designed domes punctuate each corner. In line with the conventional taste preferences of that period, the interiors are much more colourful, exuberant and opulent than the exteriors.

The 1,000 acres of parkland surrounding Houghton was redesigned in the 18th-century by Charles Bridgeman.[3]

Contents

History

Chimneypiece to Hall, Houghton Hall, Norfolk The Plans, Elevations and Sections, Chimney-pieces and Cielings [sic] of Houghton in Norfolk, 1735 V&A Museum no. 13095

Sir Robert Walpole's daughter married George Cholmondeley, 3rd Earl of Cholmondeley and Houghton Hall was built, modified and maintained by the Cholmondeley family across a span of generations. The growth of Houghton's library illustrates this family history. For instance, Colonel Robert Walpole checked out a book about the Archbishop of Bremen from the library of Sidney Sussex College at Cambridge in 1667 or 1668. The overdue library book was discovered at Houghton in the mid-1950s; and it was promptly returned -- 288 years later.[4]

The house has remained largely untouched, having remained "unimproved" despite the Victorian passion for remodelling and redecorating. Houghton still belongs to the Marquess of Cholmondeley, and parts of the structure and grounds are opened to the public throughout the year.

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Art

Houghton once contained part of Sir Robert Walpole's great picture collection, which his descendants sold to Catherine the Great of Russia to pay off some of the family debts. Included in the current collection of paintings is Thomas Gainsborough's oil painting of his own family -- Thomas Gainsborough, with His Wife and Elder Daughter, Mary (circa 1751-1752).

Jean-Baptiste Oudry's The White Duck, which was stolen from Houghton Hall in 1990

Walpole's collection of marble Roman busts was also noteworthy.[5]

In the early 1990s, Hans Holbein's "Lady With a Squirrel and a Starling" (1528) was removed from the walls of Houghton where it had hung since 1780. It was put up for auction to raise money to pay inheritance taxes and for maintenance of the house and grounds;[6] and eventually, negotiations led to the painting's sale to the National Gallery for £17-million tax free because of special incentives in England for selling works of art that are considered national treasures.[7]

In the 21st century, art market inflation has placed enormous temptations in the way of the old families with substantial collections. In recent years, ownership of several pieces have been transferred in lieu of tax from the Cholmondeley's to the Victoria and Albert Museum . Some artwork, such as William Hogarth's portrait of the Cholmondeley family is unlikely to be let go, and it remains on view at Houghton; but the marquis admits that he is very aware that risk of theft is neither negligible nor negotiable.[8] Jean-Baptiste Oudry's White Duck, stolen from the Cholmondeley collection in 1990 is still missing.[9]

Parkland and gardens

Charles Bridgeman's landscaping plan for the parkland at Houghton remains intact. His "twisting wilderness paths" were cleared in the early 1700s; and they have been maintained since then.[10]

Bridgeman replaced the formal geometry of intersecting avenues with blocks of woodland and parkland which, as he saw it, was better able to compliment the Hall's compelling architectural statement.[11]

Cross-section of a sunken ha-ha barrier like the ones laid out by Charles Bridgeman at Houghton Hall.

The ha-ha barriers at Houghton was an innovative feature credited to Bridgeman. In his 1780 "Essay upon Modern Gardening," Walpole explained: "The contiguous ground of the park without the sunk fence was to be harmonized with the lawn within; and the garden in its turn was to be set free from its prim regularity, that it might assort with the wilder country without."[12]

Walpole constructed a watertower (1731-1732) with the appearance of an architectural folly. It was designed by Henry Herbert, 9th Earl of Pembroke. It was restored in 1982.[13]

In this well-established context, a number of contemporary outdoor sculptures have been commissioned in recent years by David Cholmondeley, 7th Marquess of Cholmondeley. To the east of the house is a circle of Cornish slate at the end of a path mown through the grass. This land art feature was designed by the British sculptor Richard Long.[14]

Two modern follies lie in a wooded area to the side of the west front. These and other contemporary works are uniquely labeled "artlandish" at Houghton.[15]

American artist James Turrell contrived "Skyspace" for Houghton. Turrell's construction presents itself from the exterior as an oak-clad building raised on stilts. From the inside of the structure, the viewer's point-of-view is focused upwards and inevitably lured into contemplating the sky as framed by the open roof.[3]

"The Sybil Hedge" is another folly in this vicinity.[15] It is based on the signature of the current marquis' grandmother, Sybil Sassoon. Scottish artist Anya Gallaccio has created a sarcophagus-like marble structure which is sited at the end of a path; and nearby is a copper-beech hedge which is planted in lines mirroring Sybil’s signature.[3]

A five-acre, walled kitchen garden lies beyond the stables. Over the course of time, the productive area was reduced in size, and the enclosure was mostly grassed over. In 1996, the fallow enclosure was redesigned and replanted. The effort was rewarded in 2008 when it was named Historic Houses Association and Christie’s Garden of the Year. Yew hedges divide the space into a formal grid of discrete areas or "rooms", each intending to provoke a different interest and mood. The hedges, some cut in swags, give height and form. The garden rooms include an Italian enclosure with box parterres; a formal rose garden laid out in a pattern based on one of the William Kent ceilings in the house; a French garden of pleached limes and plum trees which have been underplanted with spring bulbs; and a croquet lawn.[3]

Danish artist Jeppe Hein created a "Water Flame" sculpture/fountain for this garden.[16] In all seasons, this jet of water surmounted by a ball of flame illustrates a 21st century folly on a smaller scale than the contemporary pieces outside the garden walls.[3] The work is intended "to surprise viewers and make them question what they are seeing."[15] Hein wants to elicit

"... an incongruous dialogue between the art and the viewer and to use humour to broaden the limits of conceptual art. I want to show that the work isn’t anything on its own, it is only what the public informs it with. The viewers’ role brings the piece to the centre of attention."[15]

Directions

Houghton Hall is in West Norfolk, just north of the A148 King's Lynn to Cromer road. A brown tourist signpost on the left points out the road to the Hall at the village of Harpley.

See also

Notes

  1. ^ DiCamillo Companion to British & Irish Country Houses. "British pronunciation of country house names". http://www.dicamillocompanion.com/houses_Pronounce.asp. Retrieved 2009-12-05.  
  2. ^ Images of England: Houghton Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=221600, retrieved 24 February 2009  
  3. ^ a b c d e Donald, Caroline. "The new garden at Houghton Hall, King’s Lynn, Norfolk," The Times (London). May 11, 2008.
  4. ^ Vickroy, Donna. "Throwing the book at library scofflaws," Southtown Star (Chicago). February 1, 2009.
  5. ^ Michaelis, Adolph. (1882). Ancient Marbles in Great Britain, p. 324.
  6. ^ Vogel, Carol. "The Art Market," New York Times. February 21, 1992.
  7. ^ Vogel, Carol. "Inside Art," New York Times. March 4, 1994.
  8. ^ Bryant, Chris. "Heritage for sale," Times (London). July 17, 2007.
  9. ^ Lyall, Sarah. "A Titian Is No Longer at Large; Its Thief Is," New York Times. September 19, 2002.
  10. ^ Conan, Michael. (2005). Baroque Garden Cultures: Emulation, Sublimation, Subversion, p. 399.
  11. ^ Whyte, Ian D. (2002). Landscape and History since 1500, p. 81.
  12. ^ Walpole, Horace. (1780). Essay upon Modern Gardening; n.b., Walpole was unaware that the technical innovation had been presented in Dezallier d'Argenville's La theorie et la pratique du jardinage (1709), which had been translated into English by the architect John James in 1712.
  13. ^ Houghton Hall>Park, photo of Pembroke's watertower folly
  14. ^ Houghton Hall>Park, photo of Long's land art sculpture
  15. ^ a b c d McCarthy, Anna. "Focus on Jeffe Hein," Houghton Hall Education Newsletter, January 2009, p. 3.]
  16. ^ Houghton Hall>Garden, photo of Hein's sculpture/fountain

References

  • Conan, Michael. (2005). Baroque Garden Cultures: Emulation, Sublimation, Subversion. Washington, D.C.: Dumbarton Oaks Research Library and Collection. 10-ISBN 0884023044/13-ISBN 9780884023043; OCLC 185320499
  • Adolf Michaelis, Adolf. (1882). Ancient marbles in Great Britain. Cambridge: Cambridge University Press. OCLC 68091266
  • Moore, Andrew W. (1996). Houghton Hall: The Prime Minister, The Empress and The Heritage. London: Philip Wilson Publishers. 10-ISBN 0-856-67438-9; 13-ISBN 978-0-856-67438-9; OCLC 36167076
  • Whyte, Ian D. (2002). Landscape and History Since 1500. London : Reaktion Books. 10_ISBN 1-861-89138-5/13-ISBN 978-1-861-89138-9; OCLC 248507175

External links


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