Ingeborg Bachmann (June 25, 1926 – October 17, 1973) was an Austrian poet and author.
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Bachmann was born in Klagenfurt, Austria. She studied philosophy, psychology, German philology, and law at the universities of Innsbruck, Graz, and Vienna. In 1949, she received her Doctor of Philosophy from the University of Vienna with her dissertation titled "The Critical Reception of the Existential Philosophy of Martin Heidegger."[1]
After graduating, Bachmann worked as a scriptwriter and editor at the Austrian radio station Rot-Weiss-Rot, a job that enabled her to obtain an overview of contemporary literature and also supplied her with a decent income, making possible proper literary work. Furthermore, her first radio dramas were published by the station. Her literary career was enhanced by contact with Hans Weigel (littérateur and sponsor of young post-war literature) and the legendary literary circle known as Gruppe 47, whose members also included Ilse Aichinger, Paul Celan, Heinrich Böll, Marcel Reich-Ranicki and Günter Grass.
In 1953, she moved to Rome, Italy, where she spent the large part of the following years working on poems, essays, opera libretti and short stories which soon brought with them international fame and numerous awards. Her relationship with Max Frisch (Swiss author, 1911–1991) took her to Switzerland and bestowed the role of the second protagonist in Frisch's Mein Name sei Gantenbein upon her.
Bachmann's work primarily focuses on themes like personal boundaries, establishment of the truth, and philosophy of language, the latter in the tradition of Austrian philosopher Ludwig Wittgenstein. Her doctoral dissertation expresses her growing disillusionment with Heidegerrian Existentialism, which was in part resolved through her growing interest in Wittgenstein, whose Tractatus Logico-Philosophicus significantly influenced her relationship to language.
Ingeborg Bachmann died in a Roman hospital three weeks after a fire in her bedroom, on October 17, 1973. The real cause of her death remains unknown. Rumors have persisted that she did not succumb to the burns but to her long habit of compulsive pill-taking, which was prevented by the stay in hospital.
The prestigious Ingeborg Bachmann Prize, awarded annually in Klagenfurt, is named after her.
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