| Jean-Jacques Rousseau | |
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![]() Rousseau in 1753, by Maurice Quentin de La Tour |
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| Born | 28 June 1712 Geneva, Switzerland |
| Died | 2 July 1778 (aged 66) Ermenonville, France |
| Era | 18th century philosophy (Modern Philosophy) |
| Region | Western Philosophers |
| School | Social contract theory, Enlightenment |
| Main interests | Political philosophy, music, education, literature, autobiography |
| Notable ideas | General will, amour-propre, moral simplicity of humanity, child-centered learning, civil religion, popular sovereignty, positive liberty |
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Influenced
Kant, The French Revolution, Robespierre, Louis de Saint-Just, The Counter-Enlightenment, Fichte, Hegel, Goethe, Friedrich Nietzsche, Romanticism, Paine, Comte, Bolivar, Marx, Engels, Derrida, Paul de Man, Benedetto Croce, Galvano Della Volpe, Claude Lévi-Strauss, Leo Strauss, Émile Durkheim, Mikhail Bakunin, Maria Montessori, Leo Tolstoy, John Rawls, Juan José Castelli
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Jean-Jacques Rousseau (Geneva, 28 June 1712 – Ermenonville, 2 July 1778) was a major Genevois philosopher, writer, and composer of the 18th-century Enlightenment. His political philosophy influenced the French Revolution and the development of modern political and educational thought.
His novel, Emile: or, On Education, which he considered his most important work, is a seminal treatise on the education of the whole person for citizenship. His sentimental novel, Julie, ou la nouvelle Héloïse, was of great importance to the development of pre-Romanticism[1] and romanticism in fiction.[2] Rousseau's autobiographical writings: his Confessions, which initiated the modern autobiography, and his Reveries of a Solitary Walker were among the pre-eminent examples of the late 18th-century movement known as the "Age of Sensibility", featuring an increasing focus on subjectivity and introspection that has characterized the modern age.
Rousseau also wrote a play and two operas, and made important contributions to music as a theorist. During the period of the French Revolution, Rousseau was the most popular of the philosophes among members of the Jacobin Club. He was interred as a national hero in the Panthéon in Paris, in 1794, 16 years after his death.
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Rousseau was born in 1712 in Geneva, which, since 1536, was a Huguenot republic and the seat of Calvinism (now part of Switzerland). Rousseau was proud that his family, of the moyen (or middle-class) order, had voting rights in that city and throughout his life he described himself as a citizen of Geneva. In theory, Geneva was governed democratically by its male voting citizens (who were a minority of the population). In fact, a secretive executive committee, called the Little Council (made up of 25 members of its wealthiest families), ruled the city.
In 1707 a patriot called Pierre Fatio protested at this situation, and the Little Council had him shot. Jean-Jacques Rousseau's father Isaac was not in the city at this time, but Jean-Jacques's grandfather supported Fatio and was penalized for it.[3] Rousseau's father, Isaac Rousseau, was a watchmaker who, notwithstanding his artisan status, was well educated and a lover of music. "A Genevan watchmaker," Rousseau wrote, "is a man who can be introduced anywhere; a Parisian watchmaker is only fit to talk about watches."[4]
Rousseau's mother, Suzanne Bernard Rousseau, the daughter of a Calvinist preacher, died of puerperal fever nine days after his birth. He and his older brother François were brought up by their father and a paternal aunt, also named Suzanne.
Rousseau had no recollection of learning to read, but he remembered how when he was 5 or 6 his father encouraged his love of reading:
Every night, after supper, we read some part of a small collection of romances [i.e., adventure stories], which had been my mother's. My father's design was only to improve me in reading, and he thought these entertaining works were calculated to give me a fondness for it; but we soon found ourselves so interested in the adventures they contained, that we alternately read whole nights together and could not bear to give over until at the conclusion of a volume. Sometimes, in the morning, on hearing the swallows at our window, my father, quite ashamed of this weakness, would cry, "Come, come, let us go to bed; I am more a child than thou art." —Confessions, Book 1
Not long afterward, Rousseau abandoned his taste for escapist stories in favor of the antiquity of Plutarch's Lives of the Noble Greeks and Romans, which he would read to his father while he made watches.
When Rousseau was 10, his father, an avid hunter, got into a legal quarrel with a wealthy landowner on whose lands he had been caught trespassing. To avoid certain defeat in the courts, he moved away to Nyon in the territory of Bern, taking Rousseau's aunt Suzanne with him. He remarried, and from that point Jean-Jacques saw little of him.[5] Jean-Jacques was left with his maternal uncle, who packed him, along with his own son, Abraham Bernard, away to board for two years with a Calvinist minister in a hamlet outside Geneva. Here the boys picked up the elements of mathematics and drawing. Rousseau, who was always deeply moved by religious services, for a time even dreamed of becoming a Protestant minister.
Virtually all our information about Rousseau's first youth has come from his posthumously published Confessions, in which the chronology is somewhat confused, though recent scholars have combed the archives for confirming evidence to fill in the blanks. At age 13, Rousseau was apprenticed first to a notary and then to an engraver who beat him. At 15, he ran away from Geneva (on 14 March 1728) after returning to the city and finding the city gates locked due to the curfew. In adjoining Savoy he took shelter with a Roman Catholic priest, who introduced him to Françoise-Louise de Warens, age 29. She was a noblewoman of Protestant background who was separated from her husband. As professional lay proselytizer, she was paid by the King of Piedmont to help bring Protestants to Catholicism. They sent the boy to Turin, the capital of Savoy (which included Piedmont, in what is now Italy), to complete his conversion. This resulted in his having to give up his Genevan citizenship, although he would later revert to Calvinism in order to regain it.
In converting to Catholicism, both De Warens and Rousseau were likely reacting to the severity of Calvinism's insistence on the total depravity of man. Leo Damrosch writes, "an eighteenth-century Genevan liturgy still required believers to declare ‘that we are miserable sinners, born in corruption, inclined to evil, incapable by ourselves of doing good'."[6] De Warens, a deist by inclination, was attracted to Catholicism's doctrine of forgiveness of sins.
Finding himself on his own, since his father and uncle had more or less disowned him, the teenage Rousseau supported himself for a time as a servant, secretary, and tutor, wandering in Italy (Piedmont and Savoy) and France. During this time, he lived on and off with De Warens, whom he idolized and called his "maman". Flattered by his devotion, De Warens tried to get him started in a profession, and arranged formal music lessons for him. At one point, he briefly attended a seminary with the idea of becoming a priest. When Rousseau reached 20, De Warens took him as her lover, whilst intimate also with the steward of her house. The sexual aspect of their relationship (in fact a ménage à trois) confused Rousseau and made him uncomfortable, but he always considered De Warens the greatest love of his life. A rather profligate spender, she had a large library and loved to entertain and listen to music. She and her circle, comprising educated members of the Catholic clergy, introduced Rousseau to the world of letters and ideas. Rousseau had been an indifferent student, but during his 20s, which were marked by long bouts of hypochondria, he applied himself in earnest to the study of philosophy, mathematics, and music. At 25, he came into a small inheritance from his mother and used a portion of it to repay De Warens for her financial support of him. At 27, he took a job as a tutor in Lyon.
In 1742, Rousseau moved to Paris in order to present the Académie des Sciences with a new system of numbered musical notation he believed would make his fortune. His system, intended to be compatible with typography, is based on a single line, displaying numbers representing intervals between notes and dots and commas indicating rhythmic values. Believing the system was impractical, the Academy rejected it, though they praised his mastery of the subject, and urged him to try again.
From 1743 to 1744, Rousseau had an honorable but ill-paying post as a secretary to the Comte de Montaigue, the French ambassador to Venice. This awoke in him a lifelong love for Italian music, particularly opera:
I had brought with me from Paris the prejudice of that city against Italian music; but I had also received from nature a sensibility and niceness of distinction which prejudice cannot withstand. I soon contracted that passion for Italian music with which it inspires all those who are capable of feeling its excellence. In listening to barcaroles, I found I had not yet known what singing was... —Confessions
Rousseau's employer routinely received his stipend as much as a year late and paid his staff irregularly.[7] After 11 months, Rousseau quit, taking from the experience a profound distrust of government bureaucracy.
Returning to Paris, the penniless Rousseau befriended and became the lover of Thérèse Levasseur, a pretty seamstress who was the sole support of her termagant mother and numerous ne'er-do-well siblings. At first, they did not live together, though later Rousseau took Thérèse and her mother in to live with him as his servants, and himself assumed the burden of supporting her large family. According to his Confessions, before she moved in with him, Thérèse bore him a son and as many as four other children (there is no independent verification for this number[8]). Rousseau wrote that he persuaded Thérèse to give each of the newborns up to a foundling hospital, for the sake of her "honor". "Her mother, who feared the inconvenience of a brat, came to my aid, and she [Thérèse] allowed herself to be overcome" (Confessions). The foundling hospitals had been started as a reform to save the numerous infants who were being abandoned in the streets of Paris. Infant mortality at that date was extremely high — about 50 percent, in large part because families sent their infants to be wet nursed. The mortality rate in the foundling hospitals, which also sent the babies out to be wet nursed, proved worse, however, and most of the infants sent there likely perished. Ten years later, Rousseau made inquiries about the fate of his son, but no record could be found. When Rousseau subsequently became celebrated as a theorist of education and child-rearing, his abandonment of his children was used by his critics, including Voltaire and Edmund Burke, as the basis for ad hominem attacks. In an irony of fate, Rousseau's later injunction to women to breastfeed their own babies (as had previously been recommended by the French natural scientist Buffon), probably saved the lives of thousands of infants.
While in Paris, Rousseau became a close friend of French philosopher Diderot and, beginning with some articles on music in 1749,[9] contributed numerous articles to Diderot and D'Alembert's great Encyclopédie, the most famous of which was an article on political economy written in 1755.
Rousseau's ideas were the result of an almost obsessive dialogue with writers of the past, filtered in many cases through conversations with Diderot. His genius lay in his strikingly original way of putting things rather than in the originality, per se, of his thinking. In 1749, Rousseau was paying daily visits to Diderot, who had been thrown into the fortress of Vincennes under a lettre de cachet for opinions in his "Lettre sur les aveugles," that hinted at materialism, a belief in atoms, and natural selection. Rousseau had read about an essay competition sponsored by the Académie de Dijon to be published in the Mercure de France on the theme of whether the development of the arts and sciences had been morally beneficial. He wrote that while walking to Vincennes (about three miles from Paris), he had a revelation that the arts and sciences were responsible for the moral degeneration of mankind, who were basically good by nature. According to Diderot, writing much later, Rousseau had originally intended to answer this in the conventional way, but his discussions with Diderot convinced him to propose the paradoxical negative answer that catapulted him into the public eye. Whatever the case, it was the great French naturalist Buffon who had previously suggested that man's moral decline arose from his acquisition of property and culture. Both Rousseau and Diderot would have been aware of Buffon's speculations. Rousseau's 1750 "Discourse on the Arts and Sciences", in which he made that argument, was awarded the first prize and gained him significant fame.
Rousseau continued his interest in music, and his opera Le Devin du Village (The Village Soothsayer) was performed for King Louis XV in 1752. The king was so pleased by the work that he offered Rousseau a lifelong pension. To the exasperation of his friends, Rousseau turned down the great honor, bringing him notoriety as "the man who had refused a king's pension." He also turned down several other advantageous offers, sometimes with a brusqueness bordering on truculence that gave offense and caused him problems. The same year, the visit of a troupe of Italian musicians to Paris, and their performance of Giovanni Battista Pergolesi's La Serva Padrona, prompted the Querelle des Bouffons, which pitted protagonists of French music against supporters of the Italian style. Rousseau as noted above, was an enthusiastic supporter of the Italians against Jean-Philippe Rameau and others, making an important contribution with his Letter on French Music.
On returning to Geneva in 1754, Rousseau reconverted to Calvinism and regained his official Genevan citizenship. In 1755, Rousseau completed his second major work, the Discourse on the Origin and Basis of Inequality Among Men (the Discourse on Inequality), which elaborated on the arguments of the Discourse on the Arts and Sciences.
He also pursued an unconsummated romantic attachment with the 25-year-old Sophie d'Houdetot, which partly inspired his epistolary novel, Julie, ou la nouvelle Héloïse (also based on memories of his idyllic youthful relationship with Mme de Warens). Sophie was the cousin and houseguest of Rousseau's patroness and landlady Madame d'Epinay, whom he treated rather highhandedly. He resented being at Mme d'Epinay's beck and call and detested the insincere conversation and shallow atheism of the Encyclopedistes whom he met at her table. Wounded feelings gave rise to a bitter three-way quarrel between Rousseau and Madame d'Epinay; her lover, the philologist Grimm; and their mutual friend, Diderot, who took their side against Rousseau. Diderot later described Rousseau as being, "false, vain as Satan, ungrateful, cruel, hypocritical, and wicked ... He sucked ideas from me, used them himself, and then affected to despise me".[10]
Rousseau's break with the Encyclopedistes coincided with the composition of his three major works, in all of which he emphasized his fervent belief in a spiritual origin of man's soul and the universe, in contradistinction to the materialism of Diderot, La Mettrie, and d'Holbach. During this period Rousseau enjoyed the support and patronage of the Duc de Luxembourg, and the Prince de Conti, two of the richest and most powerful nobles in France. These men truly liked Rousseau and enjoyed his ability to converse on any subject, but they also used him as a way of getting back at Louis XV and the political faction surrounding his mistress, Mme de Pompadour. Even with them, however, Rousseau went too far, courting rejection when he criticized the practice of tax farming, in which some of them engaged.[11]
Rousseau's 800-page novel of sentiment, Julie, ou la nouvelle Héloïse, was published in 1761 to immense success. The book's rhapsodic descriptions of the natural beauty of the Swiss countryside struck a chord in the public and may have helped spark the subsequent nineteenth century craze for Alpine scenery. In 1762, Rousseau published Du Contrat Social, Principes du droit politique (in English, literally Of the Social Contract, Principles of Political Right) in April and then Emile: or, On Education in May. The final section of Émile, "The Profession of Faith of a Savoyard Vicar," was intended to be a defense of religious belief. Rousseau's choice of a Catholic vicar of humble peasant background (plausibly based on a kindly prelate he had met as a teenager) as a spokesman for the defense of religion was in itself a daring innovation for the time. The vicar's creed was that of Socinianism (or Unitarianism as it is called today). Because it rejected original sin and divine Revelation, both Protestant and Catholic authorities took offense. Moreover, Rousseau advocated the opinion that, insofar as they lead people to virtue, all religions are equally worthy, and that people should therefore conform to the religion in which they have been brought up. This religious indifferentism caused Rousseau and his books to be banned from France and Geneva. He was condemned from the pulpit by the Archbishop of Paris, his books were burned, and warrants were issued for his arrest.[12]
A sympathetic observer, British philosopher David Hume, "professed no surprise when he learned that Rousseau's books were banned in Geneva and elsewhere." Rousseau, he wrote, "has not had the precaution to throw any veil over his sentiments; and, as he scorns to dissemble his contempt for established opinions, he could not wonder that all the zealots were in arms against him. The liberty of the press is not so secured in any country … as not to render such an open attack on popular prejudice somewhat dangerous.'"[13] Rousseau, who thought he had been defending religion, was crushed. Forced to flee arrest he made his way, with the help of the Duc of Luxembourg and Prince de Conti, to Neuchâtel, a Canton of the Swiss Confederation that was a protectorate of the Prussian crown. His powerful protectors discreetly assisted him in his flight and they helped to get his banned books (published in Holland) distributed in France disguised as other works using false covers and title pages. In the town of Môtiers, he sought and found protection under Lord Keith, who was the local representative of the free-thinking Frederick the Great of Prussia. While in Môtiers, Rousseau wrote the Constitutional Project for Corsica (Projet de Constitution pour la Corse, 1765).
After his house in Môtiers was stoned on the night of 6 September 1765, Rousseau took refuge in Great Britain with Hume, who found lodgings for him at a friend's country estate in Wootton in Staffordshire. Neither Thérèse nor Rousseau was able to learn English or make friends. Isolated, Rousseau, never emotionally very stable, suffered a serious decline in his mental health and began to experience paranoid fantasies about plots against him involving Hume and others. “He is plainly mad, after having long been maddish”, Hume wrote to a friend.[14] Rousseau's letter to Hume, in which he articulates the perceived misconduct, sparked an exchange which was published in and received with great interest in contemporary Paris.
Although officially barred from entering France before 1770, Rousseau returned in 1767 under a false name. In 1768 he went through a marriage of sorts to Thérèse (marriages between Catholics and Protestants were illegal), whom he had always hitherto referred to as his "housekeeper". Though she was illiterate, she had become a remarkably good cook, a hobby her husband shared. In 1770 they were allowed to return to Paris. As a condition of his return he was not allowed to publish any books, but after completing his Confessions, Rousseau began private readings in 1771. At the request of Madame d'Epinay, who was anxious to protect her privacy, however, the police ordered him to stop, and the Confessions was only partially published in 1782, four years after his death. All his subsequent works were to appear posthumously.
In 1772, Rousseau was invited to present recommendations for a new constitution for the Polish-Lithuanian Commonwealth, resulting in the Considerations on the Government of Poland, which was to be his last major political work. In 1776, he completed Dialogues: Rousseau Judge of Jean-Jacques and began work on the Reveries of the Solitary Walker. In order to support himself, he returned to copying music, spending his leisure time in the study of botany.
Although a celebrity, Rousseau's mental health did not permit him to enjoy his fame. His final years were largely spent in deliberate withdrawal. However, he did respond favorably to an approach from the composer Gluck, whom he met in 1774. One of Rousseau's last pieces of writing was a critical yet enthusiastic analysis of Gluck's opera Alceste. While taking a morning walk on the estate of the marquis René Louis de Girardin at Ermenonville (28 miles northeast of Paris), Rousseau suffered a hemorrhage and died on 2 July 1778. He was 66.
Rousseau was initially buried at Ermenonville on the Ile des Peupliers, which became a place of pilgrimage for his many admirers. Sixteen years after his death, his remains were moved to the Panthéon in Paris in 1794, where they are located directly across from those of his contemporary, Voltaire. His tomb, in the shape of a rustic temple, on which, in bas relief an arm reaches out, bearing the torch of liberty, evokes Rousseau's deep love of nature and of classical antiquity. In 1834, the Genevan government somewhat reluctantly erected a statue in his honor on the tiny Île Rousseau in Lake Geneva. Today he is proudly claimed as their most celebrated native son. In 2002, the Espace Rousseau was established at 40 Grand-Rue, Geneva, Rousseau's birthplace.
| “ | The first man who, having fenced in a piece of land, said "This is mine," and found people naïve enough to believe him, that man was the true founder of civil society. From how many crimes, wars, and murders, from how many horrors and misfortunes might not any one have saved mankind, by pulling up the stakes, or filling up the ditch, and crying to his fellows: Beware of listening to this impostor; you are undone if you once forget that the fruits of the earth belong to us all, and the earth itself to nobody. | ” |
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— Jean-Jacques Rousseau, Discourse on Inequality, 1754
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In common with other philosophers of the day, Rousseau looked to a hypothetical State of Nature as a normative guide.
Rousseau deplored Hobbes for asserting that since man in the "state of nature . . . has no idea of goodness he must be naturally wicked; that he is vicious because he does not know virtue". On the contrary, Rousseau holds that "uncorrupted morals" prevail in the "state of nature" and he especially praised the admirable moderation of the Caribbeans in expressing the sexual urge[15] despite the fact that they live in a hot climate, which "always seems to inflame the passions".[16] This has led Anglophone critics to erroneously attribute to Rousseau the invention of the idea of the noble savage, an oxymoronic expression that was never used in France[17] and which grossly misrepresents Rousseau's thought.[18] (The expression, "the noble savage" was first used in 1672 by British poet John Dryden in his play The Conquest of Granada. The French word "sauvage" means "wild", as in "a wild flower", and does not have the connotations of fierceness or brutality that the word "savage" does in English, though in the 18th century the English word was closer in connotation to the French one.[citation needed]) Rousseau did deny that morality is a construct or creation of society. He considered it as "natural" in the sense of "innate", an outgrowth of man's instinctive disinclination to witness suffering, from which arise the emotions of compassion or empathy, sentiments whose existence even Hobbes acknowledged, and which are shared with animals.[19]
Contrary to what his many detractors have claimed, Rousseau never suggests that humans in the state of nature act morally; in fact, terms such as "justice" or "wickedness" are inapplicable to prepolitical society as Rousseau understands it. Morality proper, i.e., self restraint, can only develop through careful education in a civil state. Humans "in a state of Nature" may act with all of the ferocity of an animal. They are good only in a negative sense, insofar as they are self-sufficient and thus not subject to the vices of political society. In fact, Rousseau's natural man is virtually identical to a solitary chimpanzee or other ape, such as the orangutan as described by Buffon; and the "natural" goodness of humanity is thus the goodness of an animal, which is neither good nor bad. Rousseau, a deteriorationist, proposed that, except perhaps for brief moments of balance, at or near its inception, when a relative equality among men prevailed, human civilization has always been artificial, creating inequality, envy, and unnatural desires.[citation needed]
In Rousseau's philosophy, society's negative influence on men centers on its transformation of amour de soi, a positive self-love, into amour-propre, or pride. Amour de soi represents the instinctive human desire for self-preservation, combined with the human power of reason. In contrast, amour-propre is artificial and encourages man to compare himself to others, thus creating unwarranted fear and allowing men to take pleasure in the pain or weakness of others.[citation needed] Rousseau was not the first to make this distinction. It had been invoked by, Vauvenargues, among others.
In Discourse on the Arts and Sciences Rousseau argues that the arts and sciences have not been beneficial to humankind, because they arose not from authentic human needs but rather as a result of pride and vanity. Moreover, the opportunities they create for idleness and luxury have contributed to the corruption of man. He proposed that the progress of knowledge had made governments more powerful and had crushed individual liberty; and he concluded that material progress had actually undermined the possibility of true friendship by replacing it with jealousy, fear, and suspicion.
In contrast to the optimistic view of other Enlightenment figures, for Rousseau, progress has been inimical to the well-being of humanity, that is, unless it can be counteracted by the cultivation of civic morality and duty.
Only in civil society, can man be ennobled—through the use of reason:
The passage from the state of nature to the civil state produces a very remarkable change in man, by substituting justice for instinct in his conduct, and giving his actions the morality they had formerly lacked. Then only, when the voice of duty takes the place of physical impulses and right of appetite, does man, who so far had considered only himself, find that he is forced to act on different principles, and to consult his reason before listening to his inclinations. Although, in this state, he deprives himself of some advantages which he got from nature, he gains in return others so great, his faculties are so stimulated and developed, his ideas so extended, his feelings so ennobled, and his whole soul so uplifted, that, did not the abuses of this new condition often degrade him below that which he left, he would be bound to bless continually the happy moment which took him from it for ever, and, instead of a stupid and unimaginative animal, made him an intelligent being and a man.[20]
Society corrupts men only insofar as the Social Contract has not de facto succeeded, as we see in contemporary society as described in the Discourse on Inequality (1754).
In this essay, which elaborates on the ideas introduced in the Discourse on the Arts and Sciences, Rousseau traces man's social evolution from a primitive state of nature to modern society. The earliest solitary humans possessed a basic drive for self preservation and a natural disposition to compassion or pity. They differed from animals, however, in their capacity for free will and their potential perfectibility. As they began to live in groups and form clans they also began to experience family love, which Rousseau saw as the source of the greatest happiness known to humanity. As long as differences in wealth and status among families were minimal, the first coming together in groups was accompanied by a fleeting golden age of human flourishing. The development of agriculture, metallurgy, private property, and the division of labour and resulting dependency on one another, however, led to economic inequality and conflict. As population pressures forced them to associate more and more closely, they underwent a psychological transformation: They began to see themselves through the eyes of others and came to value the good opinion of others as essential to their self esteem. Rousseau posits that the original, deeply flawed Social Contract (i.e., that of Hobbes), which led to the modern state, was made at the suggestion of the rich and powerful, who tricked the general population into surrendering their liberties to them and instituted inequality as a fundamental feature of human society. Rousseau's own conception of the Social Contract can be understood as an alternative to this fraudulent form of association. At the end of the Discourse on Inequality, Rousseau explains how the desire to have value in the eyes of others comes to undermine personal integrity and authenticity in a society marked by interdependence, and hierarchy. In the last chapter of the Social Contract, Rousseau would ask "What is to be done?" He answers that now all men can do is to cultivate virtue in themselves and submit to their lawful rulers. To his readers, however, the inescapable conclusion was that a new and more equitable Social Contract was needed.
Perhaps Rousseau's most important work is The Social Contract, which outlines the basis for a legitimate political order within a framework of classical republicanism. Published in 1762, it became one of the most influential works of political philosophy in the Western tradition. It developed some of the ideas mentioned in an earlier work, the article Economie Politique (Discourse on Political Economy), featured in Diderot's Encyclopédie. The treatise begins with the dramatic opening lines, "Man was born free, and he is everywhere in chains. One man thinks himself the master of others, but remains more of a slave than they."
Rousseau claimed that the state of nature was a primitive condition without law or morality, which human beings left for the benefits and necessity of cooperation. As society developed, division of labor and private property required the human race to adopt institutions of law. In the degenerate phase of society, man is prone to be in frequent competition with his fellow men while also becoming increasingly dependent on them. This double pressure threatens both his survival and his freedom. According to Rousseau, by joining together into civil society through the social contract and abandoning their claims of natural right, individuals can both preserve themselves and remain free. This is because submission to the authority of the general will of the people as a whole guarantees individuals against being subordinated to the wills of others and also ensures that they obey themselves because they are, collectively, the authors of the law.
Although Rousseau argues that sovereignty (or the power to make the laws) should be in the hands of the people, he also makes a sharp distinction between the sovereign and the government. The government is composed of magistrates, charged with implementing and enforcing the general will. The "sovereign" is the rule of law, ideally decided on by direct democracy in an assembly. Under a monarchy, however, the real sovereign is still the law. Rousseau was opposed to the idea that the people should exercise sovereignty via a representative assembly (Book III, Chapter XV). The kind of republican government of which Rousseau approved was that of the city state, of which Geneva, was a model, or would have been, if renewed on Rousseau's principles. France could not meet Rousseau's criterion of an ideal state because it was too big. Much subsequent controversy about Rousseau's work has hinged on disagreements concerning his claims that citizens constrained to obey the general will are thereby rendered free:
The notion of the general will is wholly central to Rousseau's theory of political legitimacy. ... It is, however, an unfortunately obscure and controversial notion. Some commentators see it as no more than the dictatorship of the proletariat or the tyranny of the urban poor (such as may perhaps be seen in the French Revolution). Such was not Rousseau's meaning. This is clear from the Discourse on Political Economy, where Rousseau emphasizes that the general will exists to protect individuals against the mass, not to require them to be sacrificed to it. He is, of course, sharply aware that men have selfish and sectional interests which will lead them to try to oppress others. It is for this reason that loyalty to the good of all alike must be a supreme (although not exclusive) commitment by everyone, not only if a truly general will is to be heeded but also if it is to be formulated successfully in the first place".[21]
| “ | ‘The noblest work in education is to make a reasoning man, and we expect to train a young child by making him reason! This beginning at the end; this is making an instrument of a result. If children understood how to reason they would not need to be educated.” –Rousseau, Emile. | ” |
Rousseau’s philosophy of education is not concerned with particular techniques of imparting information and concepts, but rather with developing the pupil’s character and moral sense, so that he may learn to practice self-mastery and remain virtuous even in the unnatural and imperfect society in which will have to live. The hypothetical boy, Émile, is to be raised in the countryside, which, Rousseau believes, is a more natural and healthy environment than the city, under the guardianship of a tutor who will guide him through various learning experiences arranged by the tutor. Today we would call this the disciplinary method of "logical consequences", since like modern psychologists, Rousseau felt that children learn right and wrong through experiencing the consequences of their acts rather than through physical punishment. The tutor will make sure that no harm results to Émile through his learning experiences.
Rousseau was one of the first to advocate developmentally appropriate education; and his description of the stages of child development mirrors his conception of the evolution of culture. He divides childhood into stages: the first is to the age of about 12, when children are guided by their emotions and impulses. During the second stage, from 12 to about 16, reason starts to develop; and finally the third stage, from the age of 16 onwards, when the child develops into an adult. Rousseau recommends that the young adult should learn a manual skill such as carpentry, which requires creativity and thought, will keep him out of trouble, and will supply a fallback means of making a living in the event of a change of fortune. (The most illustrious aristocratic youth to have been educated this way may have been Louis XVI, whose parents had him learn the skill of locksmithing, though he was beheaded before he had a chance to use it.[citation needed]) The sixteen-year old is also ready to have a companion of the opposite sex.
Although his ideas foreshadowed modern ones in many ways, in one way they do not: Rousseau was a believer in the moral superiority of the patriarchal family on the antique Roman model. Sophie, the young woman Émile is destined to marry, as a representative of ideal womanhood, is educated to be governed by her husband while Émile, as representative of the ideal man, is educated to be self-governing. This is not an accidental feature of Rousseau's educational and political philosophy; it is essential to his account of the distinction between private, personal relations and the public world of political relations. The private sphere as Rousseau imagines it depends on the subordination of women, in order for both it and the public political sphere (upon which it depends) to function as Rousseau imagines it could and should. Rousseau anticipated the modern idea of the bourgeois nuclear family, with the mother at home taking responsibility for the household and for childcare and early education.
Feminists, beginning in the late 18th century with Mary Wollstonecraft in 1792[22] have criticized Rousseau for his confinement of women to the domestic sphere—unless women were domesticated and constrained by modesty and shame, he feared[23] "men would be tyrannized by women... For, given the ease with which women arouse men's senses... men would finally be their victims...."[24] His contemporaries saw it differently because Rousseau thought that mothers should breastfeed their children.[25] Marmontel wrote that his wife thought, "One must forgive something," she said, "in one who has taught us to be mothers."[26]
Rousseau's detractors have blamed him for everything they do not like in what they call modern "child-centered" education. John Darling's 1994 book Child-Centered Education and its Critics argues that the history of modern educational theory is a series of footnotes to Rousseau, a development he regards as bad. Good or bad, the theories of educators such as Rousseau's near contemporaries Pestalozzi, Mme de Genliss, and later, Maria Montessori, and Dewey, which have directly influenced modern educational practices do have significant points in common with those of Rousseau.
Having converted to Roman Catholicism early in life and returned to the austere Calvinism of his native Geneva as part of his period of moral reform, Rousseau maintained a profession of that religious philosophy and of Jean Calvin as a modern lawgiver throughout the remainder of his life.[27] His views on religion presented in his works of philosophy, however, may strike some as discordant with the doctrines of both Catholicism and Calvinism.
At the time, however, Rousseau's strong endorsement of religious toleration, as expounded by the Savoyard vicar in Émile, was interpreted as advocating indifferentism, a heresy, and led to the condemnation of the book in both Calvinist Geneva and Catholic Paris. His assertion in the Social Contract that true followers of Jesus would not make good citizens may have been another reason for Rousseau's condemnation in Geneva.
Unlike many of the more radical Enlightenment philosophers, Rousseau affirmed the necessity of religion. But he repudiated the doctrine of original sin, which plays so large a part in Calvinism (in Émile, Rousseau writes "there is no original perversity in the human heart").[28]
In the 18th century, many deists viewed God merely an abstract and impersonal creator of the universe, which they likened to a giant machine. Rousseau's deism differed from the usual kind in its intense emotionality. He saw the presence of God in his creation, including mankind, which, apart from the harmful influence of society, is good, because God is good. Rousseau's attribution of a spiritual value to the beauty of nature anticipates the attitudes of 19th-century Romanticism towards nature and religion.
Rousseau was upset that his deistic views were so forcefully condemned, while those of the more frankly atheistic philosophes were ignored. He defended himself against critics of his religious views in his "Letter to Christophe de Beaumont, the Archbishop of Paris.".[29]
Rousseau's idea of the volonté générale ("general will") was not original with him but rather belonged to a well-established technical vocabulary of juridical and theological writings in use at the time. The phrase was used by Diderot and also by Montesquieu (and by his teacher, the Oratorian friar Nicolas Malebranche). It served to designate the common interest embodied in legal tradition, as distinct from and transcending people's private and particular interests at any particular time. The concept was also an important aspect of the more radical 17th-century republican tradition of Spinoza, from whom Rousseau differed in important respects, but not in his insistence on the importance of equality. This emphasis on equality is Rousseau's most important and consequential legacy, causing him to be both reviled and applauded:
While Rousseau's notion of the progressive moral degeneration of mankind from the moment civil society established itself diverges markedly from Spinoza's claim that human nature is always and everywhere the same ... for both philosophers the pristine equality of the state of nature is our ultimate goal and criterion ... in shaping the "common good", volonté générale, or Spinoza's mens una, which alone can ensure stability and political salvation. Without the supreme criterion of equality, the general will would indeed be meaningless. ... When in the depths of the French Revolution the Jacobin clubs all over France regularly deployed Rousseau when demanding radical reforms. and especially anything -- such as land redistribution -- designed to enhance equality, they were at the same time, albeit unconsciously, invoking a radical tradition which reached back to the late seventeenth century.[30]
The cult that grew up around Rousseau after his death, and particularly the radicalized versions of Rousseau's ideas that were adopted by Robespierre and Saint Just during the Reign of Terror, caused him to become identified with the most extreme aspects of the French Revolution.[31] The revolutionaries were also inspired by Rousseau to introduce Deism as the new official civil religion of France, scandalizing traditionalists:
Ceremonial and symbolic occurrences of the more radical phases of the Revolution invoked Rousseau and his core ideas. Thus the ceremony held at the site of the demolished Bastille, organized by the foremost artistic director of the Revolution, Jacques-Louis David, in August 1793 to mark the inauguration of the new republican constitution, an event coming shortly after the final abolition of all forms of feudal privilege, featured a cantata based on Rousseau's democratic pantheistic deism as expounded in the celebrated "Profession de foi d'un vicaire savoyard" in Book Four of Émile.[32]
Opponents of the Revolution and defenders of religion, most influentially the Irish essayist Edmund Burke, therefore placed the blame for the excesses of the French Revolution directly on the revolutionaries' misplaced (as he considered it) adulation of Rousseau. Burke's "Letter to a Member of the National Assembly", published in February 1791, was a diatribe against Rousseau, whom he considered the paramount influence on French Revolution (his ad hominem attack did not really engage with Rousseau's political writings). Burke maintained that the excesses of the Revolution were not accidents but were designed from the beginning and were rooted in Rousseau's personal vanity, arrogance, and other moral failings. He recalled Rousseau's visit to Britain in 1766, saying: "I had good opportunities of knowing his proceedings almost from day to day and he left no doubt in my mind that he entertained no principle either to influence his heart or to guide his understanding, but vanity". Conceding his gift of eloquence, Burke deplored Rousseau's lack of the good taste and finer feelings that would have been imparted by the education of a gentleman:
Taste and elegance ... are of no mean importance in the regulation of life. A moral taste ... infinitely abates the evils of vice. Rousseau, a writer of great force and vivacity, is totally destitute of taste in any sense of the word. Your masters [i.e., the leaders of the Revolution], who are his scholars, conceive that all refinement has an aristocratic character. The last age had exhausted all its powers in giving a grace and nobleness to our mutual appetites, and in raising them into a higher class and order than seemed justly to belong to them. Through Rousseau, your masters are resolved to destroy these aristocratic prejudices.[33]
In America, where there was no such cult, the direct influence of Rousseau was arguably less. The American founders did share Rousseau's enthusiastic admiration for the austere virtues described by Livy and in Plutarch's portrayals the great men of ancient Sparta and the classical republicanism of early Rome, but so did most other enlightenment figures. Rousseau’s praise of Switzerland and Corsica’s economies of isolated and self-sufficient independent homesteads, and his endorsement of a well-regulated citizen militia, such as Switzerland’s, recall the ideals of Jeffersonian democracy. To Rousseau we owe the invention of the concept of a "civil religion", one of whose key tenets is religious toleration. Yet despite their mutual insistence on the self evidence that "all men are created equal", their insistence that the citizens of a republic be educated at public expense, and the evident parallel between the concepts of the "general welfare" and Rousseau's "general will", some scholars maintain there is little to suggest that Rousseau had that much effect on Thomas Jefferson and other founding fathers.[34] They argue that the American constitution owes as much or more to the English Liberal philosopher John Locke's emphasis on the rights of property and to Montesquieu's theories of the separation of powers.[35] Rousseau's writings had an indirect influence on American literature through the writings of Wordsworth and Kant, whose works were important to the New England Transcendentalists Ralph Waldo Emerson, and his disciple Henry David Thoreau, as well as on such Unitarians as theologian William Ellery Channing. American novelist James Fennimore Cooper's Last of the Mohicans and other novels reflect republican and egalitarian ideals present alike in Rousseau, Tom Paine, and also in English Romantic primitivism[36] Another American admirer was lexicographer Noah Webster.[37]
The first to criticize Rousseau were his fellow Philosophes, above all, Voltaire. According to Jacques Barzun:
Voltaire, who had felt annoyed by the first essay [On the Arts and Sciences], was outraged by the second, [Discourse on the Origin of Inequality Among Men], declaring that Rousseau wanted us to “walk on all fours” like animals and behave like savages, believing them creatures of perfection. From these interpretations, plausible but inexact, spring the clichés Noble Savage and Back to Nature.[38]
Barzun states that, contrary to myth, Rousseau was no primitivist, for him:
The model man is the independent farmer, free of superiors and self-governing. This was cause enough for the philosophes' hatred of their former friend. Rousseau’s unforgivable crime was his rejection of the graces and luxuries of civilized existence. Voltaire had sung “The superfluous, that most necessary thing." For the high bourgeois standard of living Rousseau would substitute the middling peasant’s. It was the country versus the city – an exasperating idea for them, as was the amazing fact that every new work of Rousseau’s was a huge success, whether the subject was politics, theater, education, religion, or a novel about love.”[39]
Following the French Revolution, other commentators fingered a potential danger of Rousseau’s project of realizing an “antique” conception of virtue amongst the citizenry in a modern world (e.g. through education, physical exercise, a citizen militia, public holidays, and the like). Taken too far, as under the Jacobins, such social engineering could result in tyranny. As early as 1819, in his famous speech “On Ancient and Modern Liberty,” the political philosopher Benjamin Constant, a proponent of constitutional monarchy and representative democracy, criticized Rousseau, or rather his more radical followers (specifically the Abbé de Mably), for allegedly believing that "everything should give way to collective will, and that all restrictions on individual rights would be amply compensated by participation in social power.”
Common also were attacks by defenders of social hierarchy on Rousseau's "romantic" belief in equality. In 1860, shortly after the Sepoy Rebellion in India, two British white supremacists, John Crawfurd and James Hunt, mounted a defense of British imperialism based on “scientific racism".[40] Crawfurd, in alliance with Hunt, took over the presidency of the British Anthropological Society, which had been founded with the mission to defend indigenous peoples against slavery and colonial exploitation. Invoking "science" and "realism", the two men derided their "philanthropic" predecessors for believing in human equality and for not recognizing that mankind was divided into superior and inferior races. Crawfurd, who opposed Darwinian evolution, "denied any unity to mankind, insisting on immutable, hereditary, and timeless differences in racial character, principal amongst which was the 'very great' difference in 'intellectual capacity.'" For Crawfurd, the races had been created separately and were different species. Since Crawfurd was Scots, he thought the Scots "race" superior and all others inferior; whilst Hunt, on the other hand, believed in the supremacy of the Anglo-Saxon "race". Crawfurd and Hunt routinely accused those who disagreed with them of believing in "Rousseau’s Noble Savage". (The pair ultimately quarreled because Hunt believed in slavery and Crawfurd did not). "As Ter Ellinson demonstrates, Crawfurd was responsible for re-introducing the Pre-Rousseauian concept of 'the Noble Savage' to modern anthropology, attributing it wrongly and quite deliberately to Rousseau.”[41]
In 1919 Irving Babbitt, founder of a movement called the "New Humanism", wrote a critique of what he called "sentimental humanitarianism", for which he blamed Rousseau.[42] Babbitt's depiction of Rousseau was countered in a celebrated and much reprinted essay by A. O. Lovejoy in 1923.[43] In France, fascist theorist and anti-Semite Charles Maurras, founder of Action Française, “had no compunctions in laying the blame for both Romantisme et Révolution firmly on Rousseau in 1922." [44]
During the Cold War, some liberals, among them Karl Popper, criticized Rousseau for his association with nationalism and its attendant abuses. This came to be known among scholars as the "totalitarian thesis". An example is J. L. Talmon's, The Origins of Totalitarian Democracy (1952).[45] Political scientist J. S. Moloy states that “the twentieth century added Nazism and Stalinism to Jacobinism on the list of horrors for which Rousseau could be blamed. ... Rousseau was considered to have advocated just the sort of invasive tampering with human nature which the totalitarian regimes of mid-century had tried to instantiate." But Moloy adds that "The totalitarian thesis in Rousseau studies has, by now, been discredited as an attribution of real historical influence.” [46] Arthur Melzer, however, while conceding that Rousseau would not have approved of modern nationalism, observes that his theories do contain the "seeds of nationalism", insofar as they set forth the "politics of identification", which are rooted in sympathetic emotion. Melzer also believes that in admitting that people's talents are unequal, Rousseau therefore tacitly condones the tyranny of the few over the many.[47] For Stephen T. Engel, on the other hand, Rousseau's nationalism anticipated modern theories of "imagined communities" that transcend social and religious divisions within states.[48]
American conservative author Jonah Goldberg of National Review echoed Talmon's thesis in his book Liberal Fascism, calling Rousseau as the "father of modern fascism".[49]
On similar grounds, one of Rousseau's strongest critics during the second half of the 20th century was political philosopher Hannah Arendt. Using Rousseau's thought as an example, Arendt identified the notion of sovereignty with that of the general will. According to her, it was this desire to establish a single, unified will based on the stifling of opinion in favor of public passion that contributed to the excesses of the French Revolution.
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Jean-Jacques Rousseau (June 28, 1712 – July 2, 1778) was a Franco-Swiss philosopher of Enlightenment whose political ideas influenced the French Revolution, the development of socialist theory, and the growth of nationalism.
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JEAN JACQUES ROUSSEAU (1712-1778), French philosopher, was born at Geneva on the 28th June 1712. His family had established themselves in that city at the time of the religious wars, but they were of pure French origin. Rousseau's father Isaac was a watchmaker; his mother, Suzanne Bernard, was the daughter of a minister; she died in childbirth, and Rousseau, who was the second son, was brought up in a haphazard fashion, his father being dissipated, violenttempered and foolish. But he early taught his son to read, and seems to have laid the foundation of the flighty sentimentalism in morals and politics which Rousseau afterwards illustrated with his genius. When the boy was ten years old his father got entangled in a dispute with a fellow-citizen, and being condemned to a short term of imprisonment abandoned Geneva and took refuge at Lyons. The father and son henceforth rarely met. Rousseau was taken charge of by his mother's relations and was committed to the tutorship of M. Lambercier, pastor at Boissy. In 1724 he was removed from this school and taken into the house of his uncle Bernard, by whom he was shortly afterwards apprenticed to a notary. His master, however, found or thought him incapable and sent him back. After a short time (April 25, 1725) he was apprenticed afresh, this time to an engraver. He did not dislike the work, but was or thought himself cruelly treated. In 1728 he ran away, the truancy being by his own account unintentional in the first instance, and due to the fact of the city gates being shut earlier than usual. Then began an extraordinary series of wanderings and adventures, for much of which there is no authority but his own Confessions. He first fell in with some proselytizers of the Roman faith at Confignon in Savoy, and by them he was sent to Madame de Warens at Annecy, a young and pretty widow who was herself a convert. Her influence, however, which was to be so great, was not immediately exercised, and he was passed on to Turin, where there was an institution specially devoted to the reception of neophytes. His experiences here were unsatisfactory, but he abjured duly and was rewarded by being presented with twenty francs and sent about his business. He wandered about in Turin for some time, and at last established himself as footman to a Madame de Vercellis. Here occurred the famous incident of the theft of a ribbon, of which he accused a girl fellow-servant. But, though he kept his place by this piece of cowardice, Madame de Vercellis died not long afterwards and he was turned off. He found another place with the Comte de Gouvon, but lost this also through coxcombry. Then he resolved to return to Madame de Warens at Annecy. The chronology of all these events, as narrated by himself, is somewhat obscure, but they seem to have occupied about three years.
Even then Rousseau did not settle at once in the anomalous but to him charming position of domestic lover to this lady, who, nominally a converted Protestant, was in reality, as many women of her time were, a kind of deist, with a theory of noble sentiment and a practice of libertinism tempered by good nature. It used to be held that in her conjugal relations she was more sinned against than sinning. But modern investigations seem to show that M. de Vuarrens (which is said to be the correct spelling of the name) was an unfortunate husband, and was deserted and robbed by his wife. However, she welcomed Rousseau kindly, thought it necessary to complete his education, and he was sent to the seminarists of St Lazare to be improved in classics, and also to a music master. In one of his incomprehensible freaks he set off for Lyons, and, after abandoning his companion in an epileptic fit, returned to Annecy to find Madame de Warens gone. Then for some months he relapsed into the life of vagabondage, varied by improbable adventures, which (according to his own statement) he so often pursued. Hardly knowing anything of music, he attempted to give lessons and a concert at Lausanne; and he actually taught at Neuchatel. Then he became, or says he became, secretary to a Greek archimandrite who was travelling in Switzerland to collect subscriptions for the rebuilding of the Holy Sepulchre; then he went to Paris, and, with recommendations from the French ambassador at Soleure, saw something of good society; then he returned on foot through Lyons to Savoy, hearing that Madame de Warens was at Chambery. This was in 1732, and Rousseau, who for a time had unimportant employments in the service of the Sardinian crown, was shortly in- stalled by Madame de Warens, whom he still called Maman, as amant en titre in her singular household, wherein she diverted herself with him, with music and with chemistry. In 1736 Madame de Warens, partly for Rousseau's health, took a country house, Les Charmettes, a, short distance from Chambery. Here in summer, and in the town during winter, Rousseau led a delightful life, which he has delightfully described. In a desultory way he did a good deal of reading, but in 1738 his health again became bad, and he was recommended to go to Montpellier. By his own account this journey to Montpellier was in reality a voyage a Cythere in company with a certain Madame de Larnage. This being so, he could hardly complain when on returning he found that his official position in Madame de Warens's household had been taken by a person named Vintzenried. He was, however, less likely than most men to endure the position of second in command, and in 1740 he became tutor at Lyons to the children of M. de Mably, not the well-known writer of that name, but his and Condillac's elder brother. But Rousseau did not like teaching and was a bad teacher, and after a visit to Les Charmettes, finding that his place there was finally occupied, he once more went to Paris in 1741. He was not without recommendations. But a new system of musical notation which he thought he had discovered was unfavourably received by the Academie des sciences, where it was read in August 1742, and he was unable to obtain pupils. Madame Dupin, however, to whose house he had obtained the entry, procured him the honourable if not very lucrative post of secretary to M. de Montaigu, ambassador at Venice. With him he stayed for about eighteen months, and has as usual infinite complaints to make of his employer and some strange stories to tell. At length he threw up his situation and returned to Paris (1745).
Up to this time - that is to say, till his thirty-third year - Rousseau's life, though continuously described by himself, was of the kind called subterranean, and the account of it must be taken with considerable allowances. From this time, however, he is more or less in view; and, though at least two events of his life - his quarrel with Diderot and his death - are subjects of dispute, its general history can be checked and followed with reasonable confidence. On his return to Paris he renewed his relations with the Dupin family and with the literary group of Diderot, to which he had already been introduced by M. de Mably's letters. He had an opera, Les Muses galantes, privately represented; he copied music for money, and received from Madame Dupin and her son-in-law M. de Francueil a small but regular salary as secretary. He lived at the Hotel St Quentin for a time, and once more arranged for himself an equivocal domestic establishment. His mistress, whom towards the close of his life he married after a fashion, was Therese le Vasseur, a servant at the inn, whom he first met in 1743. She had little beauty, no education or understanding, and few charms that his friends could discover, besides which she had a detestable mother, who was the bane of Rousseau's life. But he made himself happy with her, and (according to Rousseau's account, the accuracy of which has been questioned) five children were born to them, who were all consigned to the foundling hospital. This disregard of responsibility was partly punished by the use his critics made of it when he became celebrated as a writer on education and a preacher of the domestic affections.' Diderot, with whom from 1741 onwards he became more and more familiar, admitted him as a contributor to the Encyclopedie. He formed new musical projects, and he was introduced by degrees to many people of rank and influence, among them Madame d'Epinay (q.v.), to whom in 1747 he was introduced by her lover M. de Francueil. It was not, however, till 1749 that Rousseau made his mark as a writer. The academy of Dijon offered a prize for an essay on the effect of the progress of civilization on morals. Rousseau took up the subject, developed his famous paradox of the superiority of the savage state, won the prize, and, publishing his essay (Discours sur les arts et sciences) next year, became famous. The anecdotage as to the origin of this famous essay is voluminous. It is agreed that the idea was suggested when Rousseau went to pay a visit to Diderot, who was in prison at Vincennes for his Lettre sur les aveugles. Rousseau says he thought of the paradox on his way down; Morellet and others say that he thought of treating the subject in the ordinary fashion and was laughed at by Diderot, who showed him the advantages of the less obvious treatment. Diderot himself, who in such matters is almost absolutely trustworthy, does not claim the suggestion, but uses words which imply that it was at least partly his. It is very like him. The essay, however, took the artificial and crotchety society of the day by storm. Francueil gave Rousseau a valuable post as cashier in the receiver-general's office. But he resigned it either from conscientiousness, or crotchet, or nervousness at responsibility, or indolence, or more probably from a mixture of all four. He went back to his music-copying, but the salons of the day were determined to have his society, and for a time they had it. In 1752 he brought out at Fontainebleau an operetta, the Devin du village, which was successful. He received a hundred louis for it, and he was ordered to come to court next day. This meant the certainty of a pension. But Rousseau's shyness or his perversity (as before, probably both) made him disobey the command. His comedy Narcisse, written long before, was also acted, but unsuccessfully. In the same year, however, a letter Sur la musique francaise again had a great vogue. 2 Finally, for this was an important year 1 Apart from the fact that there were probably no children at all, the whole bearing of the belief of Rousseau that they were sent by him to the Enfants trouves has been falsified by hostile writers. He was a penniless man of letters, with theories as to state maintenance of children; and Therese was a consenting party. Rousseau, however, never saw any of the alleged children; and Mrs Macdonald has shown good cause for believing that their existence was a myth, an imposition on Rousseau's credulity, invented by Therese and her mother to make the tie more binding. (H. C11.) Rousseau's influence on French music was greater than might have been expected from his very imperfect education; in truth, he was a musician by natural instinct only, but his feeling for art was very strong, and, though capricious, based upon true perceptions of the good and beautiful. The system of notation (by figures) concerning which he read a paper before the Academie des Sciences, August 22, 1742, was ingenious, but practically worse than useless, and failed to attract attention, though the paper was published in 1 743 under the title of Dissertation sur la musique moderne. In the famous "guerre des buffons," he took the part of the "buffonists," so named in consequence of their attachment to the Italian "opera buffa," as opposed to the true French opera; and, in his Lettre sur la musique francaise, published in 1753, he indulged in a violent tirade against French music, which he declared to be so contemptible as to lead to the conclusion "that the French neither have, nor ever will have, any music of their own, or at least that, if they ever do have any, it will be so much the worse for them." This silly libel so enraged the performers at the Opera that they hanged and burned with him, the Dijon academy, which had founded his fame, announced the subject of "The Origin of Inequality," on which he wrote a discourse which was unsuccessful, but at least equal to the former in merit. During a visit to Geneva in 1754 Rousseau saw his old friend and love Madame de Warens (now reduced in circumstances and having lost all her charms), while after abjuring his abjuration of Protestantism he was enabled to take up his freedom as citizen of Geneva, to which his birth entitled him and of which he was proud. Shortly afterwards, returning to Paris, he accepted a cottage near Montmorency (the celebrated Hermitage) which Madame d'Epinay had fitted up for him, and established himself there in April 1756. He spent little more than a year there, but it was an important year. Here he wrote La Nouvelle Heloise; here he indulged in the passion which that novel partly represents, his love for Madame d'Huodetot, sister-in-law of Madame d'Epinay, a lady young and amiable, but plain, who had a husband and a lover (St Lambert), and whom Rousseau's devotion seems to have partly pleased and partly annoyed. Here too arose the obscure triangular quarrel between Diderot, Rousseau and Frederick Melchior Grimm, which ended Rousseau's sojourn at the Hermitage. The supposition least favourable to Rousseau is that it was due to one of his numerous fits of half-insane petulance and indignation at the obligations which he was nevertheless always ready to incur. That most favourable to him is that he was expected to lend himself in a more or less complaisant manner to assist and cover Madame d'Epinay's adulterous affection for Grimm. At any rate, Rousseau quitted the Hermitage in the winter of 1757-58, and established himself at Montlouis in the neighbourhood.
Hitherto Rousseau's behaviour had frequently made him enemies, but his writings had for the most part made him friends. The quarrel with Madame d'Epinay, with Diderot, and through them with the philosophe party reversed this. In 1758 appeared his Lettre a d'Alembert contre les spectacles, written in the winter of the previous year at Montlouis. This was at once an attack on Voltaire, who was giving theatrical representations at Les Delices, on D'Alembert, who had condemned the prejudice against the stage in the Encyclopedic, and on one of the favourite amusements of the society of the day. Voltaire's strong point was not forgiveness, and, though Rousseau no doubt exaggerated the efforts of his "enemies," he was certainly henceforward as obnoxious to the philosophe coterie as to the orthodox party. He still, however, had no lack of patrons - he never had - though his perversity made him quarrel with all in turn. The amiable duke and duchess of Luxembourg, who were his neighbours at Montlouis, made his acquaintance, or rather forced theirs upon him, and he was industrious in his literary work - indeed, most of his best books were produced during his stay in the neighbourhood of its author in effigy. Rousseau revenged himself by printing his clever satire entitled Lettre d'un symphoniste de l'Academie Royale de Musique a ses camarades de l'orchestre. His Lettre a M. Burney is of a very different type, and does full justice to the genius of Gluck. His articles on music in the Encyclopedic deal very superficially with the subject; and his Dictionnaire de musique (Geneva, 1767), though admirably written, is not trustworthy, either as a record of facts or as a collection of critical essays. In all these works the imperfection of his musical education is painfully apparent, and his compositions betray an equal lack of knowledge, though his refined taste is as clearly displayed there as is his literary power in the Letters and Dictionary. His first opera, Les Muses galantes, privately prepared at the house of La Popeliniere, attracted very little attention; but Le Devin du village, given at Fontainebleau in 1752, and at the Academie in 1753, achieved a great and well-deserved success. Though very unequal, and exceedingly simple both in style and construction, it contains some charming melodies, and is written throughout in the most refined taste. His Pygmalion (1775) is a melodrama without singing. Some posthumous fragments of another opera, Daphnis et Chloe, were printed in 1780; and in 1781 appeared Les Consolations des miseres de ma vie, a collection of about one hundred songs and other fugitive pieces of very unequal merit. The popular air known as "Rousseau's Dream" is not contained in this collection, and cannot be traced back farther than J. B. Cramer's celebrated "Variations." M. Castil-Blaze has accused Rousseau of extensive plagiarisms (or worse) in Le Devin du village and Pygmalion, but apparently without sufficient cause. (W. S. R.) Montmorency. A letter to Voltaire on his poem about the Lisbon earthquake embittered the dislike between the two, being surreptitiously published. La Nouvelle Heloise appeared in the same year (1760), and it was immensely popular. In 1762 appeared the Contrat social at Amsterdam, and Emile, which was published both in the Low Countries and at Paris. For the latter the author received 6000 livres, for the Contrat 1000.
Julie, ou La Nouvelle Heloise, is a novel written in letters describing the loves of a man of low position and a girl of rank, her subsequent marriage to a respectable freethinker of her own station, the mental agonies of her lover, and the partial appeasing of the distresses of the lovers by the influence of noble sentiment and the good offices of a philanthropic Englishman. It is too long, the sentiment is overstrained, and severe moralists have accused it of a certain complaisance in dealing with amatory errors; but it is full of pathos and knowledge of the human heart. The Contrat social, as its title implies, endeavours to base all government on the consent, direct or implied, of the governed, and indulges in much ingenious argument to get rid of the practical inconveniences of such a suggestion. Emile, the second title of which is De l'Education, is much more of a treatise than of a novel, though a certain amount of narrative interest is kept up throughout.
Rousseau's reputation was now higher than ever, but the term of the comparative prosperity which he had enjoyed for nearly ten years was at hand. The Contrat social was obviously anti-monarchic; the Nouvelle Heloise was said to be immoral; the sentimental deism of the "Profession du vicaire Savoyard" in Emile irritated equally the philosophe party and the church. On June r 1, 1762, Emile was condemned by the parlement of Paris, and two days previously Madame de Luxembourg and the prince de Conti gave the author information that he would be arrested if he did not fly. They also furnished him with means of flight, and he made for Yverdun in the territory of Bern, whence he transferred himself to Motiers in Neuchatel, which then belonged to Prussia. Frederick II. was not indisposed to protect the persecuted when it cost him nothing and might bring him fame, and in Marshal Keith, the governor of Neuchatel,. Rousseau found a true and firm friend. He was, however, unable to be quiet or to practise any of those more or less pious frauds which were customary at the time with the unorthodox. The archbishop of Paris had published a pastoral against him, and Rousseau did not let the year pass without a Lettre a M. de Beaumont. The council of Geneva had joined in the condemnation of Emile, and Rousseau first solemnly renounced his citizenship, and then, in the Lettres de la montagne (1763), attacked the council and the Genevan constitution unsparingly. All this excited public opinion against him, and gradually he grew unpopular in his own neighbourhood. This unpopularity is said on uncertain authority to have culminated in a nocturnal attack on his house. At any rate he thought he was menaced if he was not, and migrated to the Ile St Pierre in the Lake of Bienne, where he once more for a short, and the last, time enjoyed that idyllic existence which he loved. But the Bernese government ordered him to quit its territory. He was for some time uncertain where to go, and thought of Corsica (to join Paoli) and Berlin. But finally David Hume offered him, late in 1765, an asylum in England, and he accepted. He passed through Paris, where his presence was tolerated for a time, and landed in England on January 13, 1766. Therese travelled separately, and was entrusted to the charge of James Boswell, who had already made Rousseau's acquaintance. Here he had once more a chance of settling peaceably. Severe English moralists like Johnson thought but ill of him, but the public generally was not unwilling to testify against French intolerance, and regarded his sentimentalism with favour. He was lionized in London to his heart's content and discontent, for it may truly be said of Rousseau that he was equally indignant at neglect and intolerant of attention. When, after not a few displays of his strange humour, he professed himself tired of the capital, 23 Hume procured him a country abode in the house of Mr Davenport at Wootton in Derbyshire. Here, though the place was bleak and lonely, he might have been happy enough, and he actually employed himself in writing the greater part of his Confessions. But his habit of self-tormenting and tormenting others never left him. His own caprices interposed some delay in the conferring of a pension which George III. was induced to grant him, and he took this as a crime of Hume's. The publication of a spiteful letter (really by Horace Walpole, one of whose worst deeds it was) in the name of the king of Prussia made Rousseau believe that plots of the most terrible kind were on foot against him. Finally he quarrelled with Hume because the latter would not acknowledge all his own friends and Rousseau's supposed enemies of the philosophe circle to be rascals. He remained, however, at Wootton during the year and through the winter. In May 1767 he fled to France, addressing letters to the lord chancellor and to General Conway, which can only be described as the letters of a lunatic. He was received in France by the marquis de Mirabeau (father of the great Mirabeau), of whom he soon had enough, then by the prince de Conti at Trye. From this place he again fled and wandered about for some time in a wretched fashion, still writing the Confessions, constantly receiving generous help, and always quarrelling with, or at least suspecting, the helpers. In the summer of 1770 he returned to Paris, resumed music-copying, and was on the whole happier than he had been since he had to leave Montlouis. He had by this time married Therese le Vasseur, or had at least gone through some form of marriage with her.
Many of the best-known stories of Rousseau's life date from this last time, when he was tolerably accessible to visitors, though clearly half-insane. He finished his Confessions, wrote his Dialogues (the interest of which is not quite equal to the promise of their curious sub-title, Rousseau juge de Jean Jacques), and began his Reveries du promeneur solitaire, intended as a sequel and complement to the Confessions, and one of the best of all his books. It should be said that besides these, which complete the list of his principal works, he has left a very large number of minor works and a considerable correspondence. During this time he lived in the Rue Platiere, which is now named after him. But his suspicions of secret enemies grew stronger rather than weaker, and at the beginning of 1778 he was glad to accept the offer of M. de Girardin, a rich financier, and occupy a cottage at Ermenonville. The country was beautiful; but his old terrors revived, and his woes were complicated by the alleged inclination of Therese for one of M. de Girardin's stable-boys. On July 2nd he died in a manner which has been much discussed, suspicions of suicide being circulated at the time by Grimm and others.' There is little doubt that for the last ten or fifteen years of his life, if, not from the time of his quarrel with Diderot and Madame d'Epinay, Rousseau was not wholly sane - the combined influence of late and unexpected literary fame and of constant solitude and discomfort acting upon his excitable temperament so as to overthrow the balance, never very stable, of his fine and acute but unrobust intellect. He was by no means the only man of letters of his time who had to submit to something like persecution. Freron on the orthodox side had his share of it, as well as Voltaire, Helvetius, Diderot and Montesquieu on that of the innovators. But Rousseau had not, like Montesquieu, a position which guaranteed him from serious danger; he was not wealthy like Helvetius; he had not the wonderful suppleness and trickiness which even without his wealth would probably have defended Voltaire himself; and he lacked entirely the "bottom" of Freron and Diderot. When he was molested he could only shriek at his ' The local inquiry into the death, on the following day, resulted in a certificate that he died of apoplexy; but the story that he shot himself persisted. In December 1897 Rousseau's coffin in the Pantheon was opened, and M. Berthelot, who examined the skull, found no trace of injury by a bullet; and on the whole there is no reason to doubt the verdict of the original inquiry at Ermenonville.
(H. CH.) XXIII. 25 a enemies and suspect his friends. His moral character was undoubtedly weak in other ways than this, but it is fair to remember that but for his astounding Confessions the more disgusting parts of it would not have been known, and that these Confessions were written, if not under hallucination, at any rate in circumstances entitling the self-condemned criminal to the benefit of considerable doubt. If Rousseau had held his tongue, he might have stood lower as a man of letters; he would pretty certainly have stood higher as a man. He was, moreover, really sinned against, if still more sinning. The conduct of Grimm to him was certainly bad; and, though Walpole was not his personal friend, a worse action than his famous letter, considering the well-known idiosyncrasy of the subject, would be difficult to find. It was his own fault that he saddled himself with the Le Vasseurs, but their conduct was probably, if not certainly, ungrateful in the extreme. Only excuses can be made for him; but the excuses for a man born, as Hume after the quarrel said of him, "without a skin" are numerous and strong.
His peculiar reputation increased after his death. During his life his personal peculiarities and the fact that his opinions were nearly as obnoxious to the oneparty as to the other worked against him, but it was not so after his death. The men of the Revolution regarded him with something like idolatry, and his literary merits conciliated many who were far from idolizing him as a revolutionist. His style was taken up by Bernardin de Saint Pierre and by Chateaubriand. It was employed for purposes quite different from those to which he had himself applied it, and the reaction triumphed by the very arms which had been most powerful in the hands of the Revolution. Byron's fervid panegyric enlisted on his side all who admired Byron - that is to say, the majority of the younger men and women of Europe between 1820 and 1850 - and thus different sides of his tradition were continued for a full century after the publication of his chief books. His religious unorthodoxy was condoned because he never scoffed; his political heresies, after their first effect was over, seemed harmless from the very want of logic and practical spirit in them, while part at least of his literary secret was the common property of almost every one who attempted literature.
In religion Rousseau was undoubtedly what he has been called above - a sentimental deist; but no one who reads him with the smallest attention can fail to see that sentimentalism was the essence, deism the accident of his creed. In his time orthodoxy at once generous and intelligent hardly existed in France. There were ignorant persons who were sincerely orthodox; there were intelligent persons who pretended to be so. But between the time of Massillon and D'Aguesseau and the time of Lamennais and Joseph de Maistre the class of men of whom in England Berkeley, Butler and Johnson were representatives did not exist in France. Little inclined by nature to any but the emotional side of religion, and utterly undisciplined in any other by education, course of life, or the general tendency of public opinion, Rousseau naturally took refuge in the nebulous kind of natural religion° which was at once fashionable and convenient. If his practice fell far short even of his own arbitrary standard of morality, as much may be said of persons far more dogmatically orthodox.
In politics, on the other hand, Rousseau was a sincere and, as far as in him lay, a convinced republican. He had no great tincture of learning, he was by no means a profound logician, and he was impulsive and emotional in the extreme - characteristics which in political matters predispose the subject to the preference of equality above all political requisites. He saw that under the French monarchy the actual result was the greatest misery of the greatest number, and] he did not look much further. The Contrat social is for the political student one of the most curious and interesting books existing. Historically it is null; logically it is full of gaping flaws, practically its manipulations of the volonte de tous and the volonte generale are clearly insufficient to obviate anarchy. But its mixture of real eloquence and apparent cogency is exactly such as always carries a multitude with it, if only for a time. Moreover, in some minor branches of politics and economics Rousseau was a real reformer. Visionary as his educational schemes (chiefly promulgated in Emile) are in parts, they are admirable in others, and his protest against mothers refusing to nurse their children hit a blot in French life which is not removed yet, and has always been a source of weakness to the nation.
But it is as a literary man pure and simple - that is to say, as an exponent rather than as an originator of ideas - that Rousseau is most noteworthy, and that he has exercised most influence. The first thing noticeable about him is that he defies all customary and mechanical classification. He is not a dramatist - his work as such is insignificant - nor a novelist, for, though his two chief works except the Confessions are called novels, Emile is one only in name, and La Nouvelle Helotise is as a story diffuse, prosy and awkward to a degree. He was without command of poetic form, and he could only be called a philosopher in an age when the term was used with such meaningless laxity as was customary in the 18th century. If he must be classed, he was before all things a describer - a describer of the passions of the human heart and of the beauties of nature. In the first part of his vocation the novelists of his own youth, such as Marivaux, Richardson and Prevost, may be said to have shown him the way, though he improved greatly upon them; in the second he was almost a creator. In combining the two and expressing the effect of nature on the feelings and of the feelings on the aspect of nature he was absolutely without a forerunner or ` a model. And, as literature since his time has been chiefly differentiated from literature before it by the colour and tone resulting from this combination, Rousseau may be said to hold, as an influence, a place almost unrivalled in literary history. The defects of all sentimental writing are noticeable in him, but they are palliated by his wonderful feeling, and by the passionate sincerity even of his insincere passages. Some cavils have been made against his French, but none of much weight or importance. And in such passages as the famous "Voila de la pervenche" of the Confessions, as the description of the isle of St Pierre in the Reveries, as some of the letters in the Nouvelle Helotise and others, he had achieved absolute perfection in doing what he intended to do. The reader, as it has been said, may think he might have done something else with advantage, but he can hardly think that he could have done this thing better.
(G. SA.) BIBLIOGRAPHY. - The dates of most of Rousseau's works published during his lifetime have been given above. The Confessions and Reveries, which, read in private, had given much umbrage to persons concerned, and which the author did not intend to be published until the end of the century, appeared in Geneva in 1782. In the same year and the following appeared a complete edition in forty-seven small volumes. There have been many since, the most important of them being that of Musset-Pathay (Paris, 1823). Some unpublished works, chiefly letters, were added by Bosscha (Paris, 1858) and Streckeisen Moulton (Paris, 1861). See also the latter's Rousseau et ses amis (1865). Works on Rousseau are innumerable. The chief biographies are: in French that of Saint Marc Girardin (1874), in English the Life by Viscount Morley. But the materials for his biography are so controversial and so personal - his own Confessions and the memoirs of associates whose accuracy and honesty are disputed - that the correct historical view can hardly be said yet to be standardized. Mrs Frederika Macdonald, in her Jean Jacques Rousseau (1906), makes out a good case for regarding Mme. d'Epinay's Memoirs as coloured, if not actually dictated, by the malevolent attitude of Grimm and Diderot; and her study of the documents undoubtedly qualifies a good many of the assumptions that have been made on the strength of evidence which is at least tainted by contemporary prejudice, and leaves the way open for an interpretation of the facts which would reconcile Rousseau's character as a writer with his actions as a man. Unfortunately for the consistency of historical writing, the view taken of Rousseau's biography affects those of Grimm, Diderot, Mme. d'Epinay and others, and while Mrs Macdonald's researches have done much to suggest a rehabilitation of Rousseau's veracity they have not definitely been accepted to an extent which would justify the rewriting of these other lives in her sense. See also E. Ritter, Famille et jeunesse de Rousseau (1896); A. Houssaye, Les Charmettes (2nd ed., 1864); J. Grand-Carteret, Rousseau juge par les Francais d'aujourd'hui (1890); L. Ducros, Rousseau de Geneve a l'Hermitage, 1712-57 (1908). (H. Cu.)
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