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Jim Morrison

Performing with The Doors, Frankfurt am Main, Germany, 1968
Background information
Birth name James Douglas Morrison
Born December 8, 1943(1943-12-08)
Melbourne, Florida, U.S.
Died July 3, 1971 (aged 27)
Paris, France
Genres Psychedelic rock, acid rock, blues-rock, hard rock
Occupations Musician, Songwriter, Poet, Filmmaker
Years active 1963—1971
Labels Elektra, Columbia
Associated acts The Doors, Rick & the Ravens

James Douglas "Jim" Morrison (December 8, 1943 – July 3, 1971)was an American singer, songwriter, poet, writer and filmmaker. He was best known as the lead singer and lyricist of The Doors and is widely considered to be one of the most charismatic frontmen in rock music history.[1] He was also the author of several books of poetry[1] and the director of a documentary and short film. Although Morrison was known for his baritone vocals, many fans, scholars, and journalists have discussed his theatrical stage persona, his self-destructiveness, and his work as a poet.[2] He was ranked number 47 on Rolling Stone's "100 Greatest Singers of All Time".[3]


Early years

Morrison was born in Melbourne, Florida, to future Admiral George Stephen Morrison and Clara Clarke Morrison. Morrison had a sister, Anne Robin, who was born in 1947 in Albuquerque, New Mexico, and a brother, Andrew Lee Morrison, who was born in 1948 in Los Altos, California. He was of Irish, Scottish, and English descent.[4] He reportedly had an I.Q. of 149.[5][6]

In 1947, Morrison, then four years old, allegedly witnessed a car accident in the desert, where a family of Native Americans were injured and possibly killed. He referred to this incident in a spoken word performance on the song "Dawn's Highway" from the album An American Prayer, and again in the songs "Peace Frog" and "Ghost Song".

Morrison believed the incident to be the most formative event in his life[citation needed] and made repeated references to it in the imagery in his songs, poems, and interviews. Interestingly, his family does not recall this incident happening in the way he told it. According to the Morrison biography No One Here Gets Out Alive, Morrison's family did drive past a car accident on an Indian reservation when he was a child, and he was very upset by it. However, the book The Doors written by the remaining members of The Doors, explains how different Morrison's account of the incident was from the account of his father. This book quotes his father as saying, "We went by several Indians. It did make an impression on him [the young James]. He always thought about that crying Indian." This is contrasted sharply with Morrison's tale of "Indians scattered all over the highway, bleeding to death". In the same book, his sister is quoted as saying, "He enjoyed telling that story and exaggerating it. He said he saw a dead Indian by the side of the road, and I don't even know if that's true."

With his father in the United States Navy, Morrison's family moved often. He spent part of his childhood in San Diego, California. In 1958, Morrison attended Alameda High School in Alameda, California. However, he graduated from George Washington High School (now George Washington Middle School) in Alexandria, Virginia in June 1961. His father was also stationed at Mayport Naval Air Station in Jacksonville, Florida.

Morrison went to live with his paternal grandparents in Clearwater, Florida where he attended classes at St. Petersburg Junior College. In 1962, he transferred to Florida State University (FSU) in Tallahassee where he appeared in a school recruitment film.[7] While attending FSU Morrison was arrested for a prank, following a home football game.[8]

In January 1964, Morrison moved to Los Angeles, California. He completed his undergraduate degree in UCLA's film school, the Theater Arts department of the College of Fine Arts in 1965. He made two films while attending UCLA. First Love, the first of these films, was released to the public when it appeared in a documentary about the film Obscura. During these years, while living in Venice Beach, he became friends with writers at the Los Angeles Free Press. Morrison was an advocate of the underground newspaper until his death in 1971.[9]

The Doors

In 1965, after graduating from UCLA, Morrison led a Bohemian lifestyle in Venice Beach. Morrison and fellow UCLA student Ray Manzarek were the first two members of The Doors. Shortly thereafter, drummer John Densmore and guitarist Robby Krieger joined. Krieger auditioned at Densmore's recommendation and was then added to the lineup.

The Doors took their name from the title of Aldous Huxley's The Doors of Perception (a reference to the 'unlocking' of 'doors' of perception through psychedelic drug use), Huxley's own title was a quotation from William Blake's The Marriage of Heaven and Hell, in which Blake wrote that "If the doors of perception were cleansed everything would appear to man as it is, infinite."

Although Morrison is known as the lyricist for the group, Krieger also made significant lyrical contributions, writing or co-writing some of the group's biggest hits, including "Light My Fire", "Love Me Two Times", "Love Her Madly" and "Touch Me".[10]

In June 1966, Morrison and The Doors were the opening act at the Whisky a Go Go on the last week of the residency of Van Morrison's band Them.[11] Van's influence on Jim's developing stage performance was later noted by John Densmore in his book Riders On The Storm: "Jim Morrison learned quickly from his near-namesake's stagecraft, his apparent recklessness, his air of subdued menace, the way he would improvise poetry to a rock beat, even his habit of crouching down by the bass drum during instrumental breaks."[12] On the final night, the two Morrisons and the two bands jammed together on "Gloria".[13][14][15]

The Doors achieved national recognition after signing with Elektra Records in 1967.[16] The single "Light My Fire" eventually reached number one on the Billboard Pop Singles chart.[17] Later, The Doors appeared on the The Ed Sullivan Show, a popular Sunday night variety series that had introduced The Beatles and a young, wriggling Elvis Presley to the nation. Ed Sullivan requested two songs from The Doors for the show, "People Are Strange", and "Light My Fire". The censors insisted that they change the lyrics of "Light My Fire" from "Girl we couldn't get much higher" to "Girl we couldn't get much better". This was reportedly due to what could be perceived as a reference to drugs in the original lyric. Giving assurances of compliance to Sullivan, Morrison then proceeded to sing the song with the original lyrics anyway. He later said that he had simply forgotten to make the change. This so infuriated Sullivan that he refused to shake their hands after their performance. They were never invited back.[18]

In 1967, Morrison and The Doors produced a promotional film for "Break On Through (To the Other Side)", which was their first single release. The video featured the four members of the group playing the song on a darkened set with alternating views and close-ups of the performers while Morrison lip-synched the lyrics. Morrison and The Doors continued to make music videos, including "The Unknown Soldier", "Moonlight Drive", and "People Are Strange".

By the release of their second album, Strange Days, The Doors had become one of the most popular rock bands in the United States. Their blend of blues and rock tinged with psychedelia included a number of original songs and distinctive cover versions, such as the memorable rendition of "Alabama Song", from Bertolt Brecht and Kurt Weill's operetta, Rise and Fall of the City of Mahagonny. The band also performed a number of extended concept works, including the songs "The End", "When the Music's Over", and "Celebration of the Lizard".

In 1967, photographer Joel Brodsky took a series of black-and-white photos of Morrison, in a photo shoot known as "The Young Lion" photo session. These photographs are considered among the most iconic images of Jim Morrison and are frequently used as covers for compilation albums, books, and other memorabilia of the Doors and Morrison.[19] In 1968, The Doors released their third studio LP, Waiting for the Sun. Their fourth LP, The Soft Parade, was released in 1969. It was the first album where the individual band members were given credit on the inner sleeve for the songs they had written.

After this, Morrison started to show up for recording sessions inebriated. He was also frequently late for live performances. As a result, the band would play instrumental music or force Manzarek to take on the singing duties.

By 1969, the formerly svelte singer gained weight, grew a beard, and began dressing more casually - abandoning the leather pants and concho belts for slacks, jeans and T-shirts.

During a 1969 concert at the Dinner Key Auditorium in Miami, Morrison attempted to spark a riot in the audience. He failed, but a warrant for his arrest was issued by the Dade County Police department three days later for indecent exposure. Consequently, many of The Doors' scheduled concerts were canceled.[20] In the years following the incident, Morrison has been exonerated. In 2007 Florida Governor Charlie Crist suggested the possibility of a posthumous pardon for Morrison.[21]

Following The Soft Parade, The Doors released the Morrison Hotel LP. After a lengthy break the group reconvened in October 1970 to record their last LP with Morrison, L.A. Woman. Shortly after the recording sessions for the album began, producer Paul A. Rothchild — who had overseen all their previous recordings — left the project. Engineer Bruce Botnick took over as producer.

Solo: poetry and film

Morrison began writing in adolescence. In college, he studied the related fields of theater, film, and cinematography.[22]

He self-published two volumes of his poetry in 1969, The Lords / Notes on Vision and The New Creatures. The Lords consists primarily of brief descriptions of places, people, events and Morrison's thoughts on cinema. The New Creatures verses are more poetic in structure, feel and appearance. These two books were later combined into a single volume titled The Lords and The New Creatures. These were the only writings published during Morrison's lifetime.

Morrison befriended Beat Poet Michael McClure, who wrote the afterword for Danny Sugerman's biography of Morrison, No One Here Gets Out Alive. McClure and Morrison reportedly collaborated on a number of unmade film projects to include a film version of McClure's infamous play The Beard in which Morrison would have played Billy the Kid.[23]

After his death, two volumes of Morrison's poetry were published. The contents of the books were selected and arranged by Morrison's friend, photographer Frank Lisciandro, and girlfriend Pamela Courson's parents, who owned the rights to his poetry. The Lost Writings of Jim Morrison Volume 1 is titled Wilderness, and, upon its release in 1988, became an instant New York Times best seller. Volume 2, The American Night, released in 1990, was also a success.

Morrison recorded his own poetry in a professional sound studio on two separate occasions. The first was in March 1969 in Los Angeles and the second was on December 8, 1970. The latter recording session was attended by Morrison's personal friends and included a variety of sketch pieces. Some of the segments from the 1969 session were issued on the bootleg album The Lost Paris Tapes and were later used as part of the Doors' An American Prayer album, released in 1978. The album reached number 54 on the music charts. The poetry recorded from the December 1970 session remains unreleased to this day and is in the possession of the Courson family.

Morrison's best-known but seldom seen cinematic endeavor is HWY: An American Pastoral, a project he started in 1969. Morrison financed the venture and formed his own production company in order to maintain complete control of the project. Paul Ferrara, Frank Lisciandro and Babe Hill assisted with the project. Morrison played the main character, a hitchhiker turned killer/car thief. Morrison asked his friend, composer/pianist Fred Myrow, to select the soundtrack for the film.[24][25]

Personal life

Morrison's family

Morrison's early life was a nomadic existence typical of military families.[26] Jerry Hopkins recorded Morrison's brother, Andy, explaining that his parents had determined never to use corporal punishment on their children. They instead instilled discipline and levied punishment by the military tradition known as "dressing down". This consisted of yelling at and berating the children until they were reduced to tears and acknowledged their failings.

Once Morrison graduated from UCLA, he broke off most of his family contact. By the time Morrison's music ascended to the top of the charts in 1967 he had not been in communication with his family for more than a year and falsely claimed that his parents and siblings were dead (or claiming, as it has been widely misreported, that he was an only child). This misinformation was published as part of the materials distributed with The Doors' self-titled debut album.

In a letter to the Florida Probation and Parole Commission District Office dated October 2, 1970, Morrison's father acknowledged the breakdown in family communications as the result of an argument over his assessment of his son's musical talents. He said he could not blame his son for being reluctant to initiate contact and that he was proud of him nonetheless.[27]

Women in his life

Morrison met his long-term companion,[28] Pamela Courson, well before he gained any fame or fortune,[29] and she encouraged him to develop his poetry. At times, Courson used the surname "Morrison" with his apparent consent or at least lack of concern. After Courson's death in 1974 the probate court in California decided that she and Morrison had what qualified as a common law marriage (see below, under "Estate Controversy").

Courson and Morrison's relationship was a stormy one, however, with frequent loud arguments and periods of separation. Biographer Danny Sugerman surmised that part of their difficulties may have stemmed from a conflict between their respective commitments to an open relationship and the consequences of living in such a relationship.

In 1970, Morrison participated in a Celtic Pagan handfasting ceremony with rock critic and science fiction/fantasy author Patricia Kennealy. Before witnesses, one of them a Presbyterian minister,[30] the couple signed a document declaring themselves wedded;[31] however, none of the necessary paperwork for a legal marriage was filed with the state. Kennealy discussed her experiences with Morrison in her autobiography Strange Days: My Life With and Without Jim Morrison and in an interview reported in the book Rock Wives.

Morrison also regularly had sex with fans and had numerous short flings with women who were celebrities, including Nico, the singer associated with The Velvet Underground, a one night stand with singer Grace Slick of Jefferson Airplane, an on-again-off-again relationship with 16 Magazine's editor in chief Gloria Stavers and an alleged alcohol-fueled encounter with Janis Joplin. Judy Huddleston also recalls her relationship with Morrison in Living and Dying with Jim Morrison. At the time of his death there were reportedly as many as 20 paternity actions pending against him, although no claims were made against his estate by any of the putative paternity claimants, and the only person making a public claim to being Morrison's son was shown to be a fraud.


Morrison flew to Paris in March 1971, took up residence in a rented apartment, and went for long walks through the city,[32] admiring the city's architecture. During that time, Morrison grew a beard.[33]

It was in Paris that Morrison made his last studio recording with two American street musicians — a session dismissed by Manzarek as "drunken gibberish".[34] The session included a version of a song-in-progress, "Orange County Suite", which can be heard on the bootleg The Lost Paris Tapes.

Morrison died on July 3, 1971. In the official account of his death, he was found in a Paris apartment bathtub by Courson. Pursuant to French law, no autopsy was performed because the medical examiner claimed to have found no evidence of foul play. The absence of an official autopsy has left many questions regarding Morrison's cause of death.

In Wonderland Avenue, Danny Sugerman discussed his encounter with Courson after she returned to the U.S. According to Sugerman's account, Courson stated that Morrison had died of a heroin overdose, having insufflated what Morrison believed to be cocaine. Sugerman added that Courson had given numerous contradictory versions of Morrison's death, at times saying that she had killed Morrison, or that his death was her fault. Courson's story of Morrison's unintentional ingestion of heroin, followed by accidental overdose, is supported by the confession of Alain Ronay, who has written that Morrison died of a hemorrhage after snorting Courson's heroin, and that Courson nodded off, leaving Morrison bleeding to death instead of phoning for medical help.[35]

Ronay confessed in an article in Paris-Match that he then helped cover up the circumstances of Morrison's death.[36] In the epilogue of No One Here Gets Out Alive, Hopkins and Sugerman write that Ronay and Agnès Varda say Courson lied to the police who responded at the death scene, and later in her deposition, telling them Morrison never took drugs.

In the epilogue to No One Here Gets Out Alive, Hopkins says that 20 years after Morrison's death Ronay and Varda broke silence and gave this account: They arrived at the house shortly after Morrison's death and Courson said that she and Morrison had taken heroin after a night of drinking in bars. Morrison had been coughing badly, had gone to take a bath, and vomited blood. Courson said that he appeared to recover and that she then went to sleep. When she awoke sometime later Morrison was unresponsive and so she called for medical assistance.

Courson herself died of a heroin overdose three years later. Like Morrison, she was 27 years old at the time of her death.

However, in the epilogue of No One Here Gets Out Alive, Hopkins and Sugerman also claim that Morrison had asthma and was suffering from a respiratory condition involving a chronic cough and throwing up blood on the night of his death. This theory is partially supported in The Doors (written by the remaining members of the band) in which they claim Morrison had been coughing up blood for nearly two months in Paris. However, none of the members of the Doors were in Paris with Morrison in the months before his death.

In the first version of No One Here Gets Out Alive published in 1980, Sugerman and Hopkins gave some credence to the rumour that Morrison may not have died at all, calling the fake death theory “not as far-fetched as it might seem”.[37] This theory led to considerable distress for Morrison's loved ones over the years, notably when fans would stalk them, searching for evidence of Morrison's whereabouts.[38][39] In 1995 a new epilogue was added to Sugerman and Hopkins' book, giving new facts about Morrison's death and discounting the fake death theory, saying “As time passed, some of Jim and Pamela [Courson]'s friends began to talk about what they knew, and although everything they said pointed irrefutably to Jim's demise, there remained and probably always will be those who refuse to believe that Jim is dead and those who will not allow him to rest in peace.”[40]

Jim Morrison's grave at Père-Lachaise.

In a July 2007 newspaper interview, a self-described close friend of Morrison's, Sam Bernett, resurrected an old rumor and announced that Morrison actually died of a heroin overdose in the Rock 'n' Roll Circus nightclub, on the Left Bank in Paris. Bernett claims that Morrison came to the club to buy heroin for Courson then did some himself and died in the bathroom. Bernett alleges that Morrison was then moved back to the rue Beautreillis apartment and dumped in the bathtub by the same two drug dealers from whom Morrison had purchased the heroin. Bernett says those who saw Morrison that night were sworn to secrecy in order to prevent a scandal for the famous club,[41] and that some of the witnesses immediately left the country. However, this is just the latest of many in a long line of old rumours and conspiracy theories surrounding the death of Morrison[42][43] and is less supported by witnesses than are the accounts of Ronay and Courson (cited above).[44]

Grave site

Morrison is buried in the Père Lachaise Cemetery in eastern Paris, one of the city's most visited tourist attractions. The grave had no official marker until French officials placed a shield over it, which was stolen in 1973. In 1981, Croatian sculptor Mladen Mikulin placed a bust of Morrison and the new gravestone with Morrison's name at the grave to commemorate the 10th anniversary of his death;[45] the bust was defaced through the years by cemetery vandals and later stolen in 1988.[46] In the 1990s Morrison's father, George Stephen Morrison, placed a flat stone on the grave. The stone bears the Greek inscription: ΚΑΤΑ ΤΟΝ ΔΑΙΜΟΝΑ ΕΑΥΤΟΥ, literally meaning "according to his own daimōn" and usually interpreted as "true to his own spirit".[47][48][49] Mikulin later made two more Morrison portraits in bronze but is awaiting the license to place a new sculpture on the tomb.

Estate controversy

In his will, made in Los Angeles County on February 12, 1969, Morrison (who described himself as "an unmarried person") bequeathed his entire estate to Courson, also naming her co-executor with his attorney, Max Fink; she thus inherited everything upon Morrison’s death in 1971.

When Courson died in 1974, a battle ensued between Morrison’s and Courson’s parents over who had legal claim to Morrison’s estate. Since Morrison left a will, the question was effectively moot. Upon his death, his property became Courson’s, and on her death her property passed to her next heirs at law, her parents. Morrison's parents contested the will under which Courson and now her parents had inherited their son’s property.

To bolster their position, Courson’s parents presented a document they claimed she had acquired in Colorado, apparently an application for a declaration that she and Morrison had contracted a common-law marriage under the laws of that state. The ability to contract a common-law marriage was abolished in California in 1896, but the state's conflict of laws rules provided for recognition of common-law marriages lawfully contracted in foreign jurisdictions — and Colorado was one of the eleven U.S. jurisdictions that still recognized common-law marriage.

Artistic roots

As a naval family the Morrisons relocated frequently. Consequently Morrison's early education was routinely disrupted as he moved from school to school. Nonetheless he proved to be an intelligent and capable student drawn to the study of literature, poetry, religion, philosophy and psychology, among other fields.

Biographers have consistently pointed to a number of writers and philosophers who influenced Morrison's thinking and, perhaps, behavior. While still in his teens Morrison discovered the works of philosopher Friedrich Nietzsche. He was also drawn to the poetry of William Blake, Charles Baudelaire and Arthur Rimbaud. Beat Generation writers such as Jack Kerouac also had a strong influence on Morrison's outlook and manner of expression; Morrison was eager to experience the life described in Kerouac's On the Road. He was similarly drawn to the works of the French writer Louis-Ferdinand Céline. Céline's book, Voyage au Bout de la Nuit (Journey to the End of the Night) and Blake's Auguries of Innocence both echo through one of Morrison's early songs, "End of the Night". Morrison later met and befriended Michael McClure, a well known beat poet. McClure had enjoyed Morrison's lyrics but was even more impressed by his poetry and encouraged him to further develop his craft.

Morrison's vision of performance was colored by the works of 20th century French playwright Antonin Artaud (author of Theater and its Double) and by Julian Beck's Living Theater.

Other works relating to religion, mysticism, ancient myth and symbolism were of lasting interest, particularly Joseph Campbell's The Hero with a Thousand Faces. James Frazer's The Golden Bough also became a source of inspiration and is reflected in the title and lyrics of the song "Not to Touch the Earth".

Morrison was particularly attracted to the myths and religions of Native American cultures.[50] While he was still in school, his family moved to New Mexico where he got to see some of the places and artifacts important to the Southwest Indigenous cultures. These interests appear to be the source of many references to creatures and places such as lizards, snakes, deserts and "ancient lakes" that appear in his songs and poetry. His interpretation of the practices of a Native American "shaman" were worked into parts of Morrison's stage routine, notably in his interpretation of the Ghost Dance, and a song on his later poetry album, The Ghost Song.


Morrison remains one of the most popular and influential singers/writers in rock history as The Doors' catalog has become a staple of classic rock radio stations. To this day he is widely regarded as the prototypical rock star: surly, sexy, scandalous and mysterious. The leather pants he was fond of wearing both on stage and off have since become stereotyped as rock star apparel.

Iggy and the Stooges are said to have formed after lead singer Iggy Pop was inspired by Morrison while attending a Doors concert in Ann Arbor, Michigan.[51] One of Pop's most popular songs, "The Passenger", is said to be based on one of Morrison's poems.[52] After Morrison's death, Pop was considered as a replacement lead singer for The Doors; the surviving Doors gave him some of Morrison's belongings and hired him as a vocalist for a series of shows.

Wallace Fowlie, professor emeritus of French literature at Duke University, wrote Rimbaud and Jim Morrison, subtitled "The Rebel as Poet – A Memoir". In this book, Fowlie recounts his surprise at receiving a fan letter from Morrison who, in 1968, thanked him for his latest translation of Arthur Rimbaud's verse into English. "I don't read French easily", he wrote, "...your book travels around with me." Fowlie went on to give lectures on numerous campuses comparing the lives, philosophies and poetry of Morrison and Rimbaud.

Scott Weiland, the vocalist of Stone Temple Pilots and Velvet Revolver, as well as Scott Stapp of Creed, claim Morrison to be their biggest influence and inspiration. Stone Temple Pilots and Velvet Revolver have both covered "Roadhouse Blues" by the Doors. Weiland also filled in for Morrison to perform "Break On Through" with the rest of the Doors. Stapp filled in for Morrison for "Light My Fire", "Riders on the Storm" and "Roadhouse Blues" on VH1 Storytellers. Creed performed their version of "Riders on the Storm" with Robbie Krieger for the 1999 Woodstock Festival.

The book The Doors by the remaining Doors quotes Morrison's close friend Frank Lisciandro as saying that too many people took a remark of Morrison's that he was interested in revolt, disorder, and chaos “to mean that he was an anarchist, a revolutionary, or, worse yet, a nihilist. Hardly anyone noticed that Jim was restating Rimbaud and the Surreal poets.”[53]


By Jim Morrison

  • The Lords and the New Creatures (1969). 1985 edition: ISBN 0-7119-0552-5
  • An American Prayer (1970) privately printed by Western Lithographers. (Unauthorized edition also published in 1983, Zeppelin Publishing Company, ISBN 0-915628-46-5. The authenticity of the unauthorized edition has been disputed.)
  • Wilderness: The Lost Writings Of Jim Morrison (1988). 1990 edition: ISBN 0-14-011910-8
  • The American Night: The Writings of Jim Morrison (1990). 1991 edition: ISBN 0-670-83772-5

About Jim Morrison

  • Linda Ashcroft, Wild Child: Life with Jim Morrison, (1997) ISBN 1-56025-249-9
  • Lester Bangs, "Jim Morrison: Bozo Dionysus a Decade Later" in Main Lines, Blood Feasts, and Bad Taste: A Lester Bangs Reader, John Morthland, ed. Anchor Press (2003) ISBN 0-375-71367-0
  • Patricia Butler, Angels Dance and Angels Die: The Tragic Romance of Pamela and Jim Morrison, (1998) ISBN 0-8256-7341-0
  • Stephen Davis, Jim Morrison: Life, Death, Legend, (2004) ISBN 1-59240-064-7
  • John Densmore, Riders on the Storm: My Life With Jim Morrison and the Doors (1991) ISBN 0-385-30447-1
  • Dave DiMartino, Moonlight Drive (1995) ISBN 1-886894-21-3
  • Wallace Fowlie, Rimbaud and Jim Morrison (1994) ISBN 0-8223-1442-8
  • Jerry Hopkins, The Lizard King: The Essential Jim Morrison (1995) ISBN 0-684-81866-3
  • Jerry Hopkins and Danny Sugerman, No One Here Gets Out Alive (1980) ISBN 0-85965-138-X
  • Patricia Kennealy, Strange Days: My Life With and Without Jim Morrison (1992) ISBN 0-525-93419-7
  • Frank Lisciandro, Morrison — A Feast of Friends (1991) ISBN 0-446-39276-6
  • Frank Lisciandro, Jim Morrison — An Hour For Magic (A Photojournal) ISBN 0-85965-246-7
  • Ray Manzarek, Light My Fire (1998) ISBN 0-446-60228-0L. First by Jerry Hopkins and Danny Sugerman (1981)
  • Peter Jan Margry, The Pilgrimage to Jim Morrison's Grave at Père Lachaise Cemetery: The Social Construction of Sacred Space. In idem (ed.), Shrines and Pilgrimage in the Modern World. New Itineraries into the Sacred. Amsterdam University Press, 2008, p. 145-173.
  • Thanasis Michos, The Poetry of James Douglas Morrison (2001) ISBN 960-7748-23-9 (Greek)
  • Mark Opsasnick, The Lizard King Was Here: The Life and Times of Jim Morrison in Alexandria, Virginia (2006) ISBN 1-4257-1330-0
  • James Riordan & Jerry Prochnicky, Break on through : The Life and Death of Jim Morrison (1991) ISBN 0-688-11915-8
  • Adriana Rubio, Jim Morrison: Ceremony...Exploring the Shaman Possession (2005) ISBN 0-9766590-0-X
  • The Doors (remaining members Ray Manzarek, Robby Krieger, John Densmore) with Ben Fong-Torres, The Doors (2006) ISBN 1-4013-0303-X


By Jim Morrison

Documentaries featuring Jim Morrison

  • The Doors Are Open (1968)
  • Live in Europe (1968)
  • Live at the Hollywood Bowl (1968)
  • Feast of Friends (1969)
  • The Doors: A Tribute to Jim Morrison (1981)
  • The Doors: Dance on Fire (1985)
  • The Soft Parade, a Retrospective (1991)
  • Final 24: Jim Morrison (2007), The Biography Channel[54]
  • When You're Strange (2009)

Films about Jim Morrison

  • The Doors (1991), A fictional film by director Oliver Stone, starring Val Kilmer as Morrison and with cameos by Krieger and Densmore. Kilmer's performance was praised by some critics. Members of the group, however, criticized Stone's portrayal of Morrison, and noted that numerous events depicted in the movie were pure fiction.[55]


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  3. ^ "100 Greatest Singers of All Time". Rolling Stone. Retrieved 2009-06-15. 
  4. ^ "Dead Famous: Jim Morrison", The Biography Channel. (Retrieved Dec. 2, 2007).
  5. ^ Riordan, James (1992). Break on Through: The Life and Death of Jim Morrison. HarperCollins. pp. 32. ISBN 0688119158. "In school, Morrison was tested as having a genius I.Q. of 149." 
  6. ^ Walters, Glenn D. (2006). Lifestyle theory: Past, Present And Future. Nova Publishers. pp. 78. ISBN 1600210333. 
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  8. ^ "FSU Arrest". Retrieved 2008-06-24. 
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  11. ^ Paul Lawrence (2002). "The Doors and Them: twin Morrisons of different mothers". Retrieved 2008-07-07. 
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  14. ^ "Glossary entry for The Doors". Archived from the original on 2007-03-10.  from Van Morrison website. Photo of both Morrisons on stage. Access date 2007-05-26.
  15. ^ "Doors 1966 - June 1966". Retrieved 2008-10-13. 
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  18. ^ When the Doors went on Sullivan,, retrieved 2007-09-09 
  19. ^ Photographer Joel Brodsky Dies
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  30. ^ Kennealy, Patricia (1992). Strange Days: My Life With And Without Jim Morrison. New York: Dutton/Penguin. pp. 63. ISBN 0-525-93419-7. 
  31. ^ Kennealy (1992) plate 7, p.175
  32. ^ Kennealy (1992) pp.314-16
  33. ^ Davis, Steven (2004) "The Last Days of Jim Morrison" in Rolling Stone. Retrieved 25 December 2007
  34. ^ "Ask Ray Manzarek Transcript." Talk. BBC, 10 April 2002.
  35. ^ Ronay, Alain (2002) "Jim and I - Friends Until Death". Originally published in KING. Retrieved 25 December 2007
  36. ^ Kennealy (1992) pp: 385-92 quotes from Ronay's interview in Paris-Match
  37. ^ Jerry Hopkins and Danny Sugerman, No One Here Gets Out Alive page 373
  38. ^ Hopkins, Jerry; and Danny Sugerman (1980) No One Here Gets Out Alive ISBN 0-85965-138-X
  39. ^ Kennealy (1992) pp.344-6
  40. ^ Jerry Hopkins and Danny Sugarman, No One Here Gets Out Alive page 375, also see copyright in front of book on new material added in 1995
  41. ^ Walt, Vivienne, How Jim Morrison Died,,8599,1643884,00.html, retrieved 2008-08-24 
  42. ^ "The shocking truth about Jim Morrison's death surfaces". story, July 8, 2007.
  43. ^ "The shocking truth about how my pal Jim Morrison REALLY died". Accessed July 13, 2007. 
  44. ^ Doland, Angela, Morrison Bathtub Death Story Questioned,, retrieved 2008-08-24 
  45. ^ Mladen Mikulin - Sculptor
  46. ^ photo of defaced bust on Morrison's grave before it was stolen.
  47. ^ Steve Liewer. George 'Steve' Morrison; rear admiral flew combat missions in lengthy career. November 28, 2008
  48. ^ Davis, Stephen (2005), Jim Morrison: Life, Death, Legend, Gotham, p. 472, ISBN 978-1592400997 .
  49. ^ Olsen, Brad (2007), Sacred Places Europe: 108 Destinations, CCC Publishing, p. 105, ISBN 978-1888729122 .
  50. ^ Jim Morrison,, retrieved 2008-08-24 
  51. ^ The Stooges: Biography: Rolling Stone,, retrieved 2008-08-24 
  52. ^ Webb, Robert, ROCK & POP: STORY OF THE SONG - 'THE PASSENGER' Iggy Pop (1977),, retrieved 2008-08-24 
  53. ^ The Doors (remaining members Ray Manzarek, Robby Krieger, John Densmore) with Ben Fong-Torres), The Doors, page 104
  54. ^ Biography Channel documentary
  55. ^ The Doors (1991)


  • Hinton, Brian (1997). Celtic Crossroads: The Art of Van Morrison, Sanctuary, ISBN 1-86074-169-X

External links


Up to date as of January 14, 2010

From Wikiquote

People are strange when you're a stranger...

James Douglas Morrison (8 December 19433 July 1971) was an American singer, songwriter, musician, poet and founding member of The Doors.



  • You know the day destroys the night,
    Night divides the day,
    Tried to run —
    Tried to hide —
    Break on through to the other side!
  • We chased our pleasures here,
    Dug our treasures there,
    But can you still recall
    The time we cried?
    Break on through to the other side.
    • "Break on Through (To The Other Side)" from The Doors
  • It hurts to set you free, but you’ll never follow me.
    • "The End" from The Doors (1967)
  • People are strange when you're a stranger
    Faces look ugly when you're alone

    Women seem wicked when you're unwanted
    Streets are uneven when you're down.
At first flash of eden, we race down to the sea. Standing there on freedom’s shore. Waiting for the sun...
  • When you're strange
    Faces come out of the rain
    When you're strange
    No one remembers your name
    When you're strange.
    • "People Are Strange" on the album Strange Days (1967)
  • Five to one, baby
    One in five
    No one here gets out alive
    , now
    You get yours, baby
    I'll get mine
    Gonna make it, baby
    If we try.
  • The old get older
    And the young get stronger
    May take a week
    And it may take longer
    They got the guns
    But we got the numbers
    Gonna win, yeah
    We're takin' over
    Come on!
    • "Five to One" on the album Waiting for the Sun (1968)
  • At first flash of Eden, We race down to the sea.
    Standing there on Freedom's shore.
    Waiting for the sun...
  • This is the strangest life I’ve ever known.
    • "Waiting for the Sun" on the album Morrison Hotel (1970)
  • Killer on the road
    His brain is squirming like a toad.
    • "Riders on the Storm" from the album L.A. Woman (1971).
  • Listen to this, and I'll tell you 'bout the heartache
    I'll tell you 'bout the heartache and the loss of God.
  • I'll tell you this —
    No eternal reward will forgive us now for wasting the dawn.
    • "The Wasp (Texas Radio And The Big Beat)" on the albums L. A. Woman (1971) and An American Prayer (1978)
  • Mute nostril agony.
    • "Horse Latitudes"
  • Don't let me die in an automobile
    I wanna lie in an open field
    Want the snakes to suck my skin
    Want the worms to be my friends
    Want the birds to eat my eyes
    As here I lie
    The clouds fly by
    • "The End; Live in New York" (1970), "The End; Live at The Hollywood Bowl" (1968)

The Lords and the New Creatures: Poems (1969)

The Lords: Notes on Vision

The Lords have secret entrances and they know disguises. But they give themselves away in minor ways. Too much glint of light in the eye. A wrong gesture. Too long and curious a glance...
  • Yoga powers.
    To make oneself invisible or small.
    To become gigantic and reach to the farthest things.
    To change the course of nature.
    To place oneself anywhere in space or time.
    To summon the dead.
    To exalt senses and perceive inaccessible images, of events on other worlds,
    in one's deepest inner mind, or in the minds of others.
  • (Windows work two ways, mirrors one way.)
    You never walk through mirrors or swim through windows.
  • The world becomes an apparently infinite,
    yet possibly finite, card game.
    Image combinations,
    comprise the world game.
  • Cinema has evolved in two paths. One is spectacle. Like the phantasmagoria, its goal is the creation of a total substitute sensory world. The other is peep show, which claims for its realm both the erotic and the untampered observance of real life, and imitates the keyhole or voyeur's window without need of color, noise, grandeur.
  • The subject says "I see first lots of things which dance — then everything becomes gradually connected".
  • Few would defend a small view of Alchemy as "Mother of Chemistry", and confuse its true goal with those external metal arts. Alchemy is an erotic science, involved in buried aspects of reality, aimed at purifying and transforming all being and matter. Not to suggest that material operations are ever abandoned. The adept holds to both the mystical and physical work.
  • They can picture love affairs of chemicals and stars, a romance of stones, or the fertility of fire. Strange, fertile correspondences the alchemists sensed in unlikely orders of being. Between men and planets, plants and gestures, words and weather.
  • Cinema returns us to anima, religion of matter, which gives each thing its special divinity and sees gods in all things and beings. Cinema, heir of alchemy, last of an erotic science.
  • The Lords. Events take place beyond our knowledge or control. Our lives are lived for us. We can only try to enslave others. But gradually, special perceptions are being developed. The idea of the "Lords" is beginning to form in some minds. We should enlist them into bands of perceivers to tour the labyrinth during their mysterious nocturnal appearances. The Lords have secret entrances and they know disguises. But they give themselves away in minor ways. Too much glint of light in the eye. A wrong gesture. Too long and curious a glance.
  • More or less, we're all afflicted with the psychology of the voyeur. Not in a strictly clinical or criminal sense, but in our whole physical and emotional stance before the world. Whenever we seek to break this spell of passivity, our actions are cruel and awkward and generally obscene, like an invalid who has forgotten to walk.

The New Creatures

  • I can't believe this is happening
    I can't believe all these people
    are sniffing each other
    & backing away
    teeth grinning
    hair raised, growling, here in
    the slaughtered wind
  • Do you dare
    deny my
    my kindness
    or forgiveness?
  • Camel caravans bear
    witness guns to Caesar.
    Hordes crawl and seep inside
    the walls. The streets
    flow stone. Life goes
    on absorbing war. Violence
    kills the temple of no sex.
  • Cool pools
    from a tired land
    sink now
    in the peace of evening
    Clouds weaken
    and die.
    The sun, an orange skull,
    whispers quietly, becomes an
    island, & is gone.

    There they are
    us everything
    will be dark.
    The light changed.
    We were aware
    knee-deep in the fluttering air
    as the ships move on
    trains in their wake.

  • This is it
    no more fun
    the death of all joy
    has come.

An American Prayer (1978)

resident mockery
give us an hour for magic
  • Indians scattered on dawn's highway bleeding
    Ghosts crowd the young child's fragile eggshell mind.

    Me and my mother and father, and a grandmother and a grandfather. were driving through the desert, at dawn, and a truck load of Indian workers had either hit another car, or just — I don't know what happened — but there were Indians scattered all over the highway, bleeding to death.
    So the car pulls up and stops. That was the first time I tasted fear. I musta' been about four — like a child is like a flower, his head is just floating in the breeze, man. The reaction I get now thinking about it, looking back — is that the souls of the ghosts of those dead Indians... maybe one or two of 'em... were just running around freaking out, and just leaped into my soul. And they're still there.

  • Do you know the warm progress under the stars?
    Do you know we exist?
    Have you forgotten the keys to the kingdom?
    Have you been born yet
    & are you alive?
  • Let's reinvent the gods, all the myths of the ages
    Celebrate symbols from deep elder forests
  • Now listen to this...

Ill tell you about texas radio and the big beat
Soft driven, slow and mad Like some new language
Reaching your head with the cold, sudden fury of a divine messenger
Let me tell you about heartache and the loss of god
Wandering, wandering in hopeless night
Out here in the perimeter there are no stars...
Out here we is stoned...

  • O great creator of being
    grant us one more hour to
    perform our art
    and perfect our lives

    The moths & atheists are doubly divine
    & dying
    We live, we die
    and death not ends it

  • I touched her thigh
    and death smiled
  • We have assembled inside this ancient
    & insane theatre
    To propagate our lust for life
    & flee the swarming wisdom
    of the streets
  • Resident mockery
    give us an hour for magic
  • I'm sick of dour faces
    Staring at me from the T.V.
    I want roses in
    my garden bower; dig?
  • Death makes angels of us all
    and gives us wings
    where we had shoulders
    smooth as raven's
  • I will not go
    Prefer a
    feast of Friends
    To the Giant family
  • The program for this evening
    is not new. You have seen
    This entertainment through and through.
    You've seen your birth, your
    life and death; you might recall
    all of the rest — (did you
    have a good world when you
    died?) — enough to base
    a movie on?
  • They're making a joke of our universe
  • Let's swim to the moon, uh huh
    Let's climb through the tide
    Penetrate the evenin'
    that the City sleeps to hide
  • Do you know freedom exists in a school book
    Did you know madmen are running our prisons
    Within a jail
    Within a gaol
    Within a white free protestant maelstrom
    We're perched headlong on the edge of boredom
    We're reaching for death on the end of a candle
    We're trying for something that's already found us.
  • Always a playground instructor, never a Killer
  • Her cunt gripped him like a warm friendly hand.


  • Take an Indian home to lunch.
    • When asked how the USA should celebrate the Bicentennial, as quoted in Avant Garde Magazine (March 1968)


  • You know that it would be untrue
    You know that I would be a liar
    If I was to say to you
    Girl, we couldn't get much higher.
    Come on baby, light my fire —
    Come on baby, light my fire —
    Try to set the night on fire.
    • "Light My Fire" (1967). Because Jim Morrison sang this as a breakthrough hit for The Doors and was the group's primary songwriter, this is often mistakenly thought to have been written by him. It was actually written by guitarist Robby Krieger, as were some other songs including "Love Her Madly," "You're Lost Little Girl" and "Touch Me" (as well as some other songs on the Soft Parade album). The second verse of the song, however, was written by Morrison.
  • There are things known and there are things unknown, and in between are the doors of perception.

External links

Wikipedia has an article about:

Simple English

Jim Morrison
Birth name James Douglas Morrison
Also known as The Lizard King, Mr. Mojo Risin', The American Poet
Born December 8, 1943
Melbourne, Florida, USA
Died July 3, 1971 (age 27)
Paris, France
Genres Psychedelic rock, blues-rock, hard rock
Occupations Musician, songwriter, poet
Years active 1965 – 1971
Labels Elektra
Associated acts The Doors

James Douglas (Jim) Morrison (December 8 1943 - July 3 1971) was the lead singer of the rock band The Doors.


Early years

Morrison's father was officer for the United States Navy. This meant that he moved around very often. Morrison did not have many friends and read many books. When he went to high school in 1962, his teacher was amazed by his culture. In 1964 he went to the University of California, Los Angeles (UCLA).

The Doors of Perception

One day in Venice Beach, Morrison saw Ray Manzarek. Manzarek had also gone to UCLA. Morrison sang some verses of Moonlight Drive. Manzarek liked the intensity of the words to the song and asked Morrison to form a rock band with him. Morrison agreed and came up with the name "The Doors". The name was a reference of the Aldous Huxley book The Doors of Perception whose name came from a verse of the famous poet William Blake; "If the doors of perception were cleansed everything would appear to man as it is, infinite."). The Doors was formed by Jim Morrison, Ray Manzarek, John Densmore and Robby Krieger. In the beginning, Morrison would sing without looking the audience. After a while, he learned the play with them instead. He would jump and fall at stage with screams and jokes, inspired by the Gustave Le Bon book : Psychologie Des Foules.

The Lizard King

Morrison became very famous all over the world as a poet, singer and sex symbol. Morrison had a problem with alcohol. He drank a lot and later albums were not as good as the first one. He wrote more poems and thought about stopping his career with The Doors. He took some drugs (mainly LSD) and become an addict. In 1969, in Miami, it was said that he was drunk and "exposed" himself.

My only friend, the end

The last album, L.A. Woman was released in 1971. It is thought to be one of the band's best albums. That year Morrison decided to take a break and go to Paris. The July 3rd, he was found dead in his bathroom. The cause of his death is still not clear. Some believe that his heart failed or it was an overdose. Other people think it could have been a murder. His grave is at the Père-Lachaise, at the same place as Oscar Wilde, Molière or many other great poets and authors.

Other websites

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