| John Debney | |
|---|---|
| Born | August 18, 1956 Glendale, California, USA |
| Genres | Film scores, Soundtracks |
| Occupations | Composer, conductor |
| Years active | 1982 - present |
| Website | http://www.johndebney.com/ |
John C. Debney (born August 18, 1956) is an American film composer. He received an Academy Award nomination for his score for Mel Gibson's The Passion of the Christ. He also composed the score for Cutthroat Island, which has been celebrated by music critics as a notable example of swashbuckling film music.[1][2][3][4]
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The son of Disney Studios producer Louis Debney (Zorro, The Mickey Mouse Club), John was born and raised in nearby Glendale, California, where he began guitar lessons at age six and played in rock bands in college. Debney earned his B.A. degree in Music Composition from the California Institute of Arts in 1979. After college, Debney's professional entry into the business came from television composer Mike Post. Debney furthered his hands-on training by working with Hanna-Barbera composer Hoyt Curtin. After this, Debney went on to score television projects as diverse as Star Trek: The Next Generation, A Pup Named Scooby-Doo, Dink, the Little Dinosaur, and seaQuest DSV for which he won an Emmy for Best Main Title. In the early 1990s, Debney began to score indie films and Disneyland attractions. In 1991, Debney composed the music for Phantom Manor in Disneyland Paris. In 1993, he scored his first studio feature, the Disney comedy Hocus Pocus starring Bette Midler.
Debney has since gone on to have a career composing scores for many films including: The Passion of the Christ, Bruce Almighty, Elf, Sin City, Chicken Little, Liar Liar, Spy Kids, The Emperor's New Groove, The Scorpion King, The Princess Diaries and Predators.[5]
| Year | Award | Result |
|---|---|---|
| 2005 | Academy Award – Best Achievement in Music Written for Motion Pictures, Original Score for The Passion of the Christ (2004) | Nomination |
| 1997 | Emmy Award – Outstanding Main Title Theme Music for: The Cape (1996) | Nomination |
| 1997 | Emmy Award – Outstanding Music Composition for a Series (Dramatic Underscore) for: The Cape (1996) | Win |
| 1994 | Emmy Award – Outstanding Individual Achievement in Main Title Theme Music for: SeaQuest DSV (1993) | Win |
| 1991 | Emmy Award – Outstanding Achievement in Music Composition for a Series (Dramatic Underscore) for: The Young Riders (1989) | Win |
| 1990 | Emmy Award – Outstanding Achievement in Main Title Theme Music for: The Young Riders (1989) | Nomination |
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