| 8th | Top British painters |
| John William Waterhouse | |
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| John William Waterhouse, working on "Lamia", circa 1908-09. | |
| Born | 6 April 1849 Rome, Italy |
| Died | 10 February 1917 (aged 67) London, England |
| Nationality | British |
| Field | Painter |
| Training | Royal Academy |
| Movement | Pre-Raphaelite |
| Works | Hylas and the Nymphs The Lady of Shalott Ophelia |
| Influenced by | Lawrence Alma-Tadema Frederic Leighton |
John William Waterhouse (6 April 1849 — 10 February 1917) was an English Pre-Raphaelite painter who is most famous for his paintings of female characters from Greek and Arthurian mythology.
Waterhouse was one of the final Pre-Raphaelite artists, being most productive in the latter decades of the 19th century and early decades of the 20th, long after the era of the Pre-Raphaelite Brotherhood. Because of this, he has been referred to as "the modern Pre-Raphaelite", and incorporated techniques borrowed from the French Impressionists into his work.[1]
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Waterhouse was born in the city of Rome to the British painters William and Isabella Waterhouse in 1849, in the same year that the members of the Pre-Raphaelite Brotherhood, including Dante Rossetti, John Millais and William Holman Hunt, were first causing a stir in the London art scene.[2] The exact date of his birth is unknown, though he was baptised on 6 April, and the later scholar of Waterhouse's work, Peter Trippi, believed that he was born between 1 and 23 January.[3] His early life in Italy has been cited as one of the reasons why many of his later paintings were set in ancient Rome or based upon scenes taken from Roman mythology.
In 1854, the Waterhouses returned to England and moved to a newly-built house in South Kensington, London, which was near to the newly founded Victoria and Albert Museum. Waterhouse, or 'Nino' as he was nicknamed, coming from an artistic family, was encouraged to get involved in drawing, and often sketched artworks that he found in the British Museum and the National Gallery.[4] In 1871 he entered the Royal Academy of Art school, initially to study sculpture, before moving on to painting.
Waterhouse's early works were not Pre-Raphaelite in nature, but were of classical themes in the spirit of Alma-Tadema and Frederic Leighton. These early works were exhibited at the Dudley Gallery, and the Society of British Artists, and in 1874 his painting Sleep and His Half Brother Death was exhibited at the Royal Academy summer exhibition.[5] The painting was a success and Waterhouse would exhibit at the annual exhibition every year until 1916, with the exception of 1890 and 1915. He then went from strength to strength in the London art scene, with his 1876 piece After the Dance being given the prime position in that year's summer exhibition. Perhaps due to his success, his paintings typically became larger and larger in size.[6]
In 1883 he married Esther Kenworthy, the daughter of an art schoolmaster from Ealing who had exhibited her own flower-paintings at the Royal Academy and elsewhere. They did not have any children. In 1895 Waterhouse was elected to the status of full Academician. He taught at the St. John's Wood Art School, joined the St John's Wood Arts Club, and served on the Royal Academy Council.
One of Waterhouse's most famous paintings is The Lady of Shalott, a study of Elaine of Astolat, who dies of grief when Lancelot will not love her. He actually painted three different versions of this character, in 1888, 1894, and 1916. Another of Waterhouse's favorite subjects was Ophelia; the most famous of his paintings of Ophelia depicts her just before her death, putting flowers in her hair as she sits on a tree branch leaning over a lake. Like The Lady of Shalott and other Waterhouse paintings, it deals with a woman dying in or near water. He also may have been inspired by paintings of Ophelia by Dante Gabriel Rossetti and Millais. He submitted his Ophelia painting of 1888 in order to receive his diploma from the Royal Academy. (He had originally wanted to submit a painting titled "A Mermaid", but it was not completed in time.) After this, the painting was lost until the 20th century, and is now displayed in the collection of Lord Lloyd-Webber. Waterhouse would paint Ophelia again in 1894 and 1909 or 1910, and planned another painting in the series, called "Ophelia in the Churchyard".
Waterhouse could not finish the series of Ophelia paintings because he was gravely ill with cancer by 1915. He died two years later, and his grave can be found at Kensal Green Cemetery in London.
![]() Undine |
![]() Gone, But Not Forgotten |
![]() The Unwelcome Companion--A Street Scene in Cairo |
![]() La Fileuse |
![]() In the Peristyle |
![]() Miranda |
![]() A Sick Child brought into the Temple of
Aesculapius |
![]() The Remorse of the Emperor Nero after the Murder of his
Mother |
![]() Dolce far Niente |
![]() Diogenes |
![]() The Favorites of the Emperor Honorius |
![]() Consulting the Oracle |
![]() Saint Eulalia |
![]() Magic
Circle |
![]() The Lady of
Shalott |
![]() Cleopatra |
![]() Ophelia |
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A Roman Offering |
![]() Circe Offering the Cup to Odysseus |
![]() Ulysses and the Sirens |
![]() Danaë |
![]() Circe Invidiosa |
![]() A Naiad or Hylas with a Nymph |
![]() La Belle Dame sans Merci |
![]() A Female Study |
![]() The Lady of Shalott Looking at Lancelot |
![]() Ophelia |
![]() The Shrine |
![]() Saint Cecilia |
![]() Pandora |
![]() Hylas and the Nymphs |
![]() Juliet |
![]() The Siren |
![]() Destiny |
![]() The Lady Clare |
![]() Nymphs Finding the Head of Orpheus |
![]() The Mermaid |
![]() The Crystal Ball |
![]() The Missal |
![]() Windflowers |
![]() Boreas |
![]() Psyche Opening the Golden Box |
![]() Psyche Opening the Door into Cupid's Garden |
![]() Lamia |
![]() Jason and Medea |
![]() The Bouquet |
![]() Gather Ye Rosebuds or Ophelia (a study) |
![]() Gather Ye Rosebuds While Ye May... |
![]() The Soul of the Rose or My Sweet Rose |
![]() Gather Ye Rosebuds While Ye May |
![]() Lamia |
![]() Thisbe |
![]() Ophelia |
![]() Spring Spreads One Green Lap of Flowers |
![]() The Charmer |
![]() Penelope and the Suitors |
![]() The Annunciation |
![]() Beatrice |
![]() Dante and Beatrice |
![]() I am half-sick of shadows, said the Lady of
Shalott |
![]() A Tale from the Decameron |
![]() Miranda -- The Tempest |
![]() Tristan and Isolde |
JOHN WILLIAM WATERHOUSE (1847-), English painter, was the son of an artist, by whom he was mainly trained. As a figure-painter he shows in his work much imaginative power and a very personal style, and his pictures are for the most part illustrations of classic myths treated with attractive fantasy. An able draughtsman and a fine colourist, he must be ranked among the best artists of the British school. He was elected an associate of the Royal Academy in 1885 and academician in 1895. Four of his paintings, "Consulting the Oracle," "St Eulalia," "The Lady of Shalott" and "The Magic Circle," are in the National Gallery of British Art.
See "J. W. Waterhouse and his Work," by A. L. Baldry, Studio, vol. iv.
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Categories: WAP-WAT | British painters
John William Waterhouse (6 April 1849 – 10 February 1917) was an English painter. He is most famous for his paintings of female characters from mythology and literature.
John William Waterhouse -
Undine,1872 |
Juliet
Juliet, 1889 |
Ophelia
Ophelia, 1910 |
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