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Kaija Saariaho (Finnish pronunciation: [ˈkɑijɑ ˈsɑːri.ɑho]) (née Laakkonen, born October 14, 1952) is a Finnish composer.

Kaija Saariaho studied composition in Helsinki, Freiburg and Paris, where she has lived since 1982. Her studies and research at IRCAM have had a major influence on her music and her characteristically luxuriant and mysterious textures are often created by combining live music and electronics. Although much of her catalogue comprises chamber works, from the mid-nineties she has turned increasingly to larger forces and broader structures, such as the opera L’amour de loin, premiered at the 2000 Salzburg Festival (with a US premiere at the Santa Fe Opera in 2002), and Oltra mar for chorus and orchestra, commissioned by the New York Philharmonic. Her second opera, Adriana Mater, was commissioned for the Opéra National de Paris’ 2006 season. Her second string quartet, Terra Memoria, was commissioned for the Emerson Quartet by Carnegie Hall for a June 2007 premiere. The third opera, Émilie, has the life and death of Émilie du Châtelet as its topic. The librettist of all of the three operas is Amin Maalouf.

Contents

Life and work

Kaija Saariaho was born in Helsinki and studied music at the Sibelius Academy there. She later studied in Freiburg (under Brian Ferneyhough and Klaus Huber) and at IRCAM in Paris. Most critics, however, cite spectral music composers Gerard Grisey and Tristan Murail as her largest influences. Her work in the 1980s and 1990s is marked by its emphasis on timbre and use of electronics alongside traditional instruments; Nymphéa (Jardin secret III) (1987), for example, is for string quartet and live electronics. It contains an additional vocal element: the musicians whispering the words to a poem by Tarkovsky. In the late 1990s Saariaho began to expand beyond electronics, often writing strictly acoustic pieces, focussing increasingly on melody.

Saariaho was influenced by post-serialism, but she grew to find it too restrictive: "You were not allowed to have pulse, or tonally oriented harmonies, or melodies. I don't want to write music through negations. Everything is permissible as long as it's done in good taste."

She has won the Prix Italia and, in 1989, the Prix Ars Electronica; received commissions from Lincoln Center for the Kronos Quartet and from IRCAM for the Ensemble Intercontemporain; and has been the subject of a pan-European collaborative project to produce a CD-ROM Prisma about her work.

In 2000 she won the Nordic Council Music Prize for the work Lonh for soprano and electronics.

She was awarded the title Musician of the Year 2008 (announced by Musical America, the US publishing company for performing arts), for being "among the few contemporary composers to achieve public acclaim as well as universal critical respect"

Career highlights

Key works

  • Verblendungen (1984; orchestra)
  • Nymphéa (1987; string quartet, electronics)
  • Petals (1988; cello, electronics)
  • Du cristal... (1989; orchestra, live electronics)
  • ...à la Fumée (1990; solo alto flute and cello, orchestra)
  • Graal théâtre (1994; violin, orchestra)
  • L’amour de loin (2000; opera)
  • Orion (2002; orchestra)
  • Adriana Mater (2005; opera)
  • La Passion de Simone (2006; oratorio/opera)
  • Notes on Light (2007; cello concerto)
  • Terra Memoria (2007; string quartet)
  • Laterna Magica, 2008
  • Émilie (2010; opera)

Recordings

External links








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