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Kiki's Delivery Service 魔女の宅急便
Japanese theatrical poster illustrated by Hayao Miyazaki.
Directed by	Hayao Miyazaki
Produced by	Hayao Miyazaki Toru Hara
Written by	Hayao Miyazaki (original script) Based on the book by Eiko Kadono
Starring	Minami Takayama Rei Sakuma Kappei Yamaguchi
Music by	Joe Hisaishi
Cinematography	Shigeo Sugimura
Editing by	Takeshi Seyama
Distributed by	Toei Company
Release date(s)	July 29, 1989
Running time	102 minutes
Country	Japan
Language	Japanese
Budget	¥800,000,000 (estimated) $6,927,244.46

Kiki's Delivery Service (魔女の宅急便, Majo no Takkyūbin^?, translated "Witch's Delivery Service") is a 1989 Japanese animated fantasy film produced, written, and directed by Hayao Miyazaki and the fifth Studio Ghibli anime film. It was the fourth theatrically released film from the studio, and was also the second feature film that Miyazaki directed but did not originally write himself. The film won the Animage Anime Grand Prix prize in 1989. [2] Kiki's Delivery Service is based on Eiko Kadono's novel of the same name, which is the first in a series originally published by Fukuinkan Shoten in 1985. The film adaptation includes only some of the episodes in the book; it ends at the end of summer while the book covers an entire calendar year. The movie depicts the gulf that exists between independence and reliance in the hopes and spirit of ordinary Japanese teenage girls.^[1]

It was the first Studio Ghibli movie released under the Disney/Studio Ghibli partnership; Disney recorded an English dub in 1997, which theatrical premiered in the United States at the Seattle International Film Festival^[2] May 23, 1998. It was released on home video in the U.S. on September 1, 1998.^[3]

Plot

Kiki is a 13-year-old witch-in-training, living in a small rural village where her mother is the resident herbalist. The film opens at the time traditional for Kiki to leave her home to spend a year alone in a new town to establish herself as a full witch. Kiki therefore flies off on her mother's broom with her closest companion, Jiji, a loquacious black cat. At her departure from home, she has trouble controlling her newly inherited broom, and ricochets off of the trees in her front yard.

Soon after leaving, Kiki asks Jiji to turn on the radio. He flips to a lively pop song and the beginning credits roll. After the credits and song finish, Kiki and Jiji meet another witch in training. After giving some advice about inner skills, this newcomer flies down to the town where she is staying. Seconds after she leaves, Kiki and Jiji are caught in a thunderstorm, from which they take overnight refuge in a train - specifically, in a cattle transport wagon. The next morning, Kiki is awakened by the cows licking on her left foot, it fell through the hay. After apologizing for sleeping in their 'breakfast', she has a look off the roof of the train towards the ocean, she discovers a small island floating on the waves. Getting her hope up, she and Jiji leave to find a place to settle in.

Kiki and Jiji (sitting on Kiki's back) flying by the clock tower in Koriko just after arriving. It has been noted that the "vibrant" Stockholm-inspired city gives a sense of safety as well as independence.^[4]

Kiki settles in the beautiful seaside European city of Koriko, and, after initially finding it difficult to adjust to the city's pace of life, finds friends and a new home with a baker and her husband, and starts a delivery service that takes advantage of her ability to fly. Kiki experiences several setbacks, such as slow business, misplaced merchandise, rude customers, and illness. She also must contend with her loneliness, worries, and homesickness. Having caught the eye of Tombo, a local boy about her age who has an interest in aviation and in Kiki herself, she at first rebuffs him, though she slowly begins to warm up to him. Jiji simultaneously courts a local cat named Lily, who had earlier snubbed him.

Because of slowly growing insecurity that finally comes to a head, Kiki's powers diminish and ultimately disappear, to her great shame. She also learns that, because of her loss of powers, Jiji has lost the ability to speak to her. Kiki learns about overcoming such obstacles with the help of a newfound friend, a young artist named Ursula, who gives Kiki advice regarding inspiration that she needs in order to regain her magical abilities.

In a moment of deadly crisis, Tombo is accidentally lifted into the air when some strong summer winds blow the dirigible into town. When she is his only hope of rescue, Kiki finds the inspiration to regain her flying ability. Improvising with a street-sweeper's push broom, Kiki manages to rescue Tombo with considerable difficulty. At that adventure's conclusion, Jiji rejoins her.

The story continues through the end titles, as Kiki, suddenly famous, flies in formation with Tombo on his human-powered aircraft. Later, she is on the street of her town and notices a little girl walking past, because the little girl has her hair and clothing styled like Kiki's and is even carrying a small deck broom like the one Kiki flew to save Tombo - an indication of her having become a local celebrity. Jiji and Lily are also shown, with several kittens in tow. Kiki sends a letter to her parents, saying that things are going well for her.

Cast

• Minami Takayama (Lisa Michelson in the Streamline Picures adaption and Kirsten Dunst in the Walt Disney Company adaption) as Kiki,^[5] a 13-year-old apprentice witch who leaves her home village to spend a year on her own, as is tradition in order to train to become a full-fledged witch. She has no visible magical abilities other than those of communicating with her cat and broom flying (at which she is still a novice). She is excitable, innocent, and may turn eager and shy. Some of the earlier concept drawings of Kiki closely resembled the original longer hair illustrations by Akiko Hayashi. It was eventually decided to cut her hair short to ease the animators' workload.^[6]
  • Takayama also voices Ursula (voiced by Edie Mirman in the Streamline Pictures adaption and Janeane Garofalo in the Walt Disney Company adaption),^[5] an artist in her late teens who lives during summer in a one-room cabin in a wooded area outside of Koriko. She takes an "older-sister" role to Kiki, explaining Kiki's temporary inability to fly in terms of "artist's block", and telling her that gifts — including the ability to paint, to be a witch, or to bake bread — must be used, not rejected.
• Rei Sakuma (Kerrigan Mahan in the Streamline Pictures adaption and Phil Hartman in the Walt Disney Company adaption) as Jiji,^[5] Kiki's black cat. Jiji and Kiki are able to talk to each other. He is very cautious, especially in comparison to her innocent eagerness, and possesses a somewhat sarcastic wit. This was one of Hartman's last film roles before his death, next to Small Soldiers.
• Keiko Toda (Alexandra Kenworthy in the Streamline Pictures adaption and Tress MacNeille in the Walt Disney Company adaption) as Osono,^[5] the proprietress of a small bakery in Koriko. She is heavily pregnant throughout the film, and ready to give birth after watching Kiki save Tombo. Her husband can be seen feeding her baby in the end credits while they're on a picnic. She is one of the first people in Koriko to treat Kiki with kindness and respect. She also acts like a mother to Kiki. It is under Osono that Kiki first works as a messenger.
• Kappei Yamaguchi (Eddie Frierson in the Streamline Pictures adaption and Matthew Lawrence in the Walt Disney Company adaption) as Tombo,^[5] a 13-year-old boy in Koriko, the city where Kiki settles. He is obsessed with aviation, is a member of a club building a human-powered aircraft, and is at first intrigued only by Kiki's ability to fly, later becoming her friend.
• Kōichi Yamadera as:
  • Fukuo (Greg Snegoff in the Streamline Pictures adaption), Osono's husband. He is tall, strongly built, and almost entirely silent. Kiki is intimidated by him at first, but warms to him after he makes a gift for her: an advertising wreath for her delivery service. He has two lines in the film ("Hey, look at that!" and "Oh my! Owowowow!").
  • The Policeman (Steve Kramer in the Streamline Pictures adaption and Matt K. Miller in the Walt Disney Company adaption)
  • The Announcer (Carl Macek in the Streamline Pictures adaption and Corey Burton in the Walt Disney Company adaption)
• Mieko Nobusawa (Barbara Goodson in the Streamline Pictures adaption and Kath Soucie in the Walt Disney Company adaption) as Kokiri,^[5] Kiki's mother, a witch and town herbalist. She worries that Kiki is not equipped to spend a year on her own. The success of Kokiri's potions appears to be dependent on her concentration; interruptions inevitably cause them to instantly spoil.
• Kōichi Miura (John Dantona in the Streamline Pictures adaption and Jeff Bennett in the Walt Disney Company adaption) as Okino,^[5] Kiki's father. He has no magic lineage, but met Kiki's mother when they were both young, when she came to his town on her traditional witch-training year. According to character designer Katsuya Kondo, he based Okino's appearance on actors David McCallum and Akira Terao.^[7]
• Haruko Katō (Melanie MacQueen in the Streamline Pictures adaption and Debbie Reynolds in the Walt Disney Company adaption) as the Old Woman,^[5] one of Kiki's customers. She is elderly and aristocratic, but warmhearted and kindly, and hobbled with arthritis.
• Hiroko Seki (Edie Mirman in the Streamline Pictures adaption and Edie McClurg in the Walt Disney Company adaption) as Bertha,^[5] the Old Woman's housekeeper and friend.
• Yūko Kobayashi (Wendee Lee in the Streamline Pictures adaption and Debi Derryberry in the Walt Disney Company adaption) as the Senior Witch, a 14-year-old witch who is provisioned in fortune telling and tells fortunes of love.
• Kikuko Inoue as Maki
• Yuriko Fuchizaki (Lara Cody in the Streamline Pictures adaption and Pamela Adlon in the Walt Disney Company adaption) as Ket
• Mika Doi (Diana Mitchell in the Streamline Pictures adaption and Julia Fletcher in the Walt Disney Company adaption) as Ket's Mother
• Takaya Hashi as Ket's Father
• Yoshiko Asai (Julia Fletcher in the Walt Disney Company adaption) as Ket's Grandmother
• Shō Saitō (Diana Mitchell in the Streamline Pictures adaption) as Dora
• Tomomichi Nishimura (Greg Snegoff in the Streamline Pictures adaption) as the Clock Tower Guard
• Michihiro Ikemizu as the Truck Driver
• Shinpachi Tsuji (Doug Stone in the Streamline Pictures adaption and Matt K. Miller in the Walt Disney Company adaption) as the Hotel Frontman
• Akio Ōtsuka (Dave Mallow in the Streamline Pictures adaption and John Hostetter in the Walt Disney Company adaption) as the Blimp Captain
• Chika Sakamoto as the Baby
• Takashi Taguchi (Steve Kramer in the Streamline Pictures adaption) as the Deck Brusher
• Keiko Kagimoto (Sherry Lynn in the Walt Disney Company adaption) as the Pie Delivery Girl, the Old Woman's granddaughter.
• Yūko Tsuga and Yoshiko Kamei as the Pie Delivery Girl's friends
• Hiroko Maruyama provides additional voices

Production

The Kiki’s Delivery Service project started in spring of 1987,^[8] when Group Fudosha asked the publishers of Eiko Kadono’s book if they could adapt it into a featured film directed by Hayao Miyazaki or Isao Takahata of Studio Ghibli. Due to the approval of Miyazaki’s film My Neighbor Totoro^[9] and Takahata’s film Grave of the Fireflies for production, neither Miyazaki nor Takahata was available to take up the direction of the project at the moment.

Osono and Kiki serving customers at Guchokipanya Bakery. The name of the bakery was a joke by Eiko Kadono, making reference to Guchokipa, an alternate name for jankenpon, or Rock, Paper, Scissors.^[10]

Miyazaki took up the role as producer of the film while the position of director was still unfilled.^[11] During the start of the project and the nearing of Totoro's completion, members of Studio Ghibli were being recruited for senior staff for the Kiki’s Delivery Service project. The character design position was given to Katsuya Kondo, who was working with Miyazaki on Totoro. Hiroshi Ohno, who would later work on projects such as Jin-Roh, was hired as art director, partly because he was requested by Kazuo Oga, who was part of Miyazaki's Totoro team as well.

Although many positions had been filled, the project still lacked a director. Miyazaki, busy with Totoro, looked at many directors himself, but found none he thought fit to articulate the project. Ghibli hired an anonymous screenwriter, but Miyazaki was disappointed by the first draft, finding it dry and too divergent from his own vision of the film. Studio Ghibli rejected this draft of the screenplay after Miyazaki voiced his disapproval.^[8]

Finally, when Totoro was finished and released, Miyazaki began to look more closely at Kiki’s Delivery Service. He started by writing a screenplay himself, and since Majo no Takkyūbin was based in a fictional country in northern Europe, he and the senior staff went to research landscapes and other elements of the setting. Their main stops were Stockholm, Adelaide, South Australia and the Swedish island of Gotland.^[12] Miyazaki noted that the town of Visby in Gotland is the main visual inspiration for the city, though elements of many other locations were blended in^[13]. The city's architecture also owes debts to Ireland, Paris and Tokyo's Ginza district.^[14]

The time setting for Kiki's Delivery Service was a subject for discussion among the movie's fans for some time: Kiki carries a transistor radio apparently of 1950s vintage, and some characters are seen watching black-and-white television sets, but the cars and some of the aircraft seem to be from an earlier period. Specifically, a plane resembling the Handley Page H.P.42 is seen during the opening credits, although all eight of the H.P.42 aircraft had been decommissioned or destroyed by 1941. The controversy was settled when Miyazaki said the story took place in the 1950s of an alternative universe in which both World Wars never took place.

Kiki and Jiji illustrated by Akiko Hayashi from Majo no Takkyūbin. For the film, Kiki's hair was cut short to make the workload easier for the animators.^[6]

Upon their return to Japan, Miyazaki and the creative team worked on conceptual art and character designs. Miyazaki began significantly modifying the story, creating new ideas and changing existing ones.^[14] Majo no Takkyūbin, the original children's book by Eiko Kadono that the movie was based on, is very different from Miyazaki's finished film. Kadono's novel is more episodic, consisting of small stories about various people and incidents Kiki encounters while making deliveries. Many of the more dramatic elements, such as Kiki losing her powers or the blimp incident at the film's climax, were not present in the original story. Miyazaki made these changes to give the film more of a story, and make the film about the hardships that Kiki faces while growing up; he remarked, "As movies always create a more realistic feeling, Kiki will suffer stronger setbacks and loneliness than in the original".^[1]

As a result, Kadono was unhappy with the changes that were made between the book and film, to the point that the project was in danger of being shelved at the screenplay stage. Miyazaki and Toshio Suzuki, the producer of Ghibli, went to the author's home and invited her to the film's studio. After her visit to the studio, Kadono decided to let the project continue.^[15] Miyazaki finished the rough draft of the screenplay on June 18, 1988, and then presented it on July 8, 1988. It was at this time that Miyazaki revealed that he had decided to direct the film, because he had influenced the project so much.^[14]

The word takkyūbin (宅急便, literally home-fast-mail) in the Japanese title is a trademark of Yamato Transport, though it is used today as a synonym for takuhaibin (宅配便, literally home-delivery-mail). The company not only approved the use of its trademark — though its permission was not required under Japanese trademark laws^[16] — but also enthusiastically sponsored the film, as the company uses a stylized depiction of a black mother cat carrying her kitten as its corporate logo.^[17]

Kiki's Delivery Service was originally intended to be a 60-minute special, but expanded into a feature film running 102 minutes after Miyazaki completed storyboarding and scripting it.^[18]

Releases

The first official English dub of Kiki's Delivery Service was produced by Carl Macek of Streamline Pictures at the request of Tokuma Shoten for Japan Airlines' international flights.^[19] Kiki was portrayed by the late voice actress Lisa Michelson.^[20] This dub is only available in the Ghibli Laserdisc Box Set.^[21]

Kirsten Dunst voiced Kiki in the 1998 English dub. The English dub was also Phil Hartman's last voice-acting performance (as Jiji) before his death.^[22] There is a tribute to Phil Hartman after the Japanese credits and Kiki's letter to home, dedicating the film to his memory. The dub received mixed reviews—although it was mostly showered with praise, other critics and fans jumped on it for its minor alterations. Despite this, the dub has proven popular, selling over one million copies on video.

In Spain, Kiki was re-christened "Nicky", and the film re-titled "Nicky la aprendiz de bruja" (Nicky the Apprentice Witch), because in Castilian Spanish, the phonetically similar quiqui is commonly used on a slang expression: echar un quiqui which means to have an intercourse" .

A live-action movie version based on the original books has been set for a 2011 release.^[23][24]. The film itself has yet to appear on Blu-ray.

Differences between versions

Although the plot and much of the story were translated as exactly as possible, Disney's English dub of Kiki's Delivery Service contained some changes, which have been described as "pragmatic".^[25] There were occasional additions and embellishments to the musical score overlaying some of the previously silent sequences. The extra pieces of music (provided by Paul Chihara) ranged from soft piano music to a string-plucked rendition of Edvard Grieg's In the Hall of the Mountain King.^[26] In addition, the original opening and ending theme songs were replaced. The new songs, "Soaring" and "I'm Gonna Fly", were written and performed by Sydney Forest.

The character of the cat Jiji changed slightly. In the Japanese version, Jiji is voiced by a female performer, while in the American version Jiji has a more distinct male voice (that of Saturday Night Live alumnus Phil Hartman) — possibly for fear audiences would think he is female prior to his developing a romantic interest in the white Persian cat living nearby — and also has more of a wisecracking demeanor. In Japanese culture, cats are usually depicted with feminine voices, whereas in American culture their voices are more gender-specific.^[27]

In the original Japanese script, Jiji loses his ability to communicate with Kiki permanently, but in the American version a line is added that implies he is able to speak (or she to understand him) again.^[28] Miyazaki has said that Jiji is the immature side of Kiki,^[29] and this implies that Kiki, by the end of the original Japanese version, has matured beyond talking to her cat.

More minor changes, to appeal to the different demographics, include Kiki drinking hot chocolate instead of coffee and referring to "cute boys" instead of to "the disco".^[30] All changes were approved by Miyazaki and Studio Ghibli.

The English subtitled script used for the original VHS subbed release and the later DVD release, is also not accurate, but can more accurately be described as a combination of dubbing and subtitle. It is based on the original Streamline dub, and has resulted in several additions from that dub to migrate into the script regardless of whether they are present or not (such as Herbert Morrison's "Oh the humanity!" line during the blimp sequence). This came about because Tokuma gave Disney the script for the original dub, thinking it was an accurate translation, leaving this as the script that Disney worked on.^[31]

Kiki's Delivery Service received a new Region 1 DVD on March 2, 2010, the same day Miyazaki's Ponyo became available on American home video. On this release, the songs in the English dub were changed to match the Japanese version, and the line that implied Jiji could talk again by the end of the movie was removed. ^[32]

Reception

Kiki's Delivery Service opened on July 29, 1989 in Japanese theaters; the total box office receipts were ¥2,170,000,000^[33] ($18,172,849.38), proving to be quite a financial success and the highest grossing film in Japan of 1989.^[34] The Japanese DVD was the best selling anime DVD for June 2001.^[35]

Upon the release of the English dub of Kiki's Delivery Service by Disney which theatrical premiered at the Seattle International Film Festival on May 23, 1998. In September 1, 1998, it was released to VHS video, becoming the 8th-most-rented title at Blockbuster stores during the first week of its availability.^[36] This video release also sold over a million copies.^[37] A few weeks later, Disney released another VHS of the movie, this time with the original Japanese soundtrack and with both English and Japanese subtitles. A Laserdisc version of the English dub was also available at this time. The Region 1 DVD was released on April 15, 2003, alongside Spirited Away and Castle in the Sky. It was again reissued on Region 1 DVD in March 2010 along with My Neighbor Totoro and Castle in Sky as a tribute to the home release of Ponyo. The version of this 2010 release was slightly editted to match the orginal Japanese version.

The conservative Christian group Concerned Women for America boycotted Kiki’s Delivery Service screenings^[38] and released a press release on May 28, 1998 titled “Disney Reverts to Witchcraft in Japanese Animation”.^[39] Calling for a boycott of The Disney Company, the group said the company “is still not family friendly, but continues to have a darker agenda”.^[40]

On September 4, 1998, Entertainment Weekly rated it as Video of the Year, and on September 12, 1998, it was the first video release to be reviewed as a normal film on Siskel and Ebert rather than on the "Video Pick of the Week" section.^[36] Siskel and Ebert gave it “two thumbs up”^[34][41] and Roger Ebert went on to rank it as one of the best animated films of 1998.^[42]

Other reviews were very positive as well. On Rotten Tomatoes, Kiki’s Delivery Service scores a "fresh" rating of 100% approval, out of a total of fifteen reviews.^[43]

• 44th Mainichi Film Competition
  • Best Animated Film
• Kinema Junpo (Prestigious Japanese film magazine)
  • Best Japanese Film of the Year (Voted by Readers)
• Japan Academy Award
  • Special Award
• 7th Annual Golden Gross Award
  • Gold, Japanese Film
• The Movie's Day
  • Special Achievement Award
• The Erandole Award
  • Special Award
• Japan Cinema Association Award
  • Best Film and Best Director
• Japanese Agency of Cultural Affairs (a government agency under the Ministry of Education)
  • Excellent Movie
• 12th Annual Anime Grand Prix
  • Best Anime
• Other awards
  • Tokyo Metropolitan Cultural Honor
  • 7th Annual Money Making Director's Award

^[44]

Musical

In 1993, a musical version of the story was produced. Yukio Ninagawa wrote the script and Kensuke Yokouchi directed the show. The role of Kiki was originated by Youki Kudoh and the role of Tombo was originated by Akira Akasaka. Akasaka was replaced by Katsuyuki Mori (of SMAP fame) within the year. There was a cast recording produced by the original cast, and the show was revived in 1995 and 1996.^{[citation needed]}

Notes and references

External links

• Kiki's Delivery Service page at Nausicaa.net
• 琪琪之家 page at bowknot.net
• Kiki's Delivery Service at Rotten Tomatoes
• Kiki's Delivery Service
  魔女の宅急便 at the Internet Movie Database
• Kiki's Delivery Service
  魔女の宅急便 at Allmovie

From Wikiquote

Kiki's Delivery Service (魔女の宅急便, Majo no Takkyūbin, trans. "Witch's Delivery Service") is a 1989 Studio Ghibli anime film, produced, written and directed by Hayao Miyazaki though based on the book Majo no Takkyūbin by Eiko Kadono. It tells a tale of a 13 year old witch in training named Kiki, and her black cat named Jiji setting out by tradition to a new town for one year for Kiki to become a full witch.

Dialogue from the film

Japanese Version

Osono: I'm sorry, folks. But could you wait just a minute? I'll be right back.
Kiki: Excuse me. But would you like me to deliver it for you?

Kiki: I mean, my customers. Jiji, if nobody comes in, I'm gonna have to eat pancakes forever and be fat, fat, fat! And what am I supposed to do about that?

English Version

Kiki: If I lose my magic, that means I've lost absolutely everything.

Jiji: You'd think they'd never seen a girl and a cat on a broom before.

Jiji: Okay, first: don't panic. Second: don't panic. And third: did I mention not to panic?

Jiji: They're calling you an egg stealer, and you don't wanna know what else!

Kiki's Mother Just follow your heart and keep smiling!

Quotes about Kiki's Delivery Service

• "The animation of Miyazaki is only now becoming familiar in this country, but he is the equal, I think, of the Disney animators at their best. In the pipeline is Miyazaki's Princess Mononoke which until 'Titanic' was the highest grossing movie in Japanese history. 'Kiki Delivery Service' is direct-to-video, it's in stores right now, and I loved it." Roger Ebert on Siskel and Ebert Septemer 13, 1998.[1]

External links

Wikipedia has an article about:

Kiki's Delivery Service

• Kiki's Delivery Service page at Nausicaa.net
• Kiki's Delivery Service page at OnlineGhibli.com
• Review at THEM Anime
• Kiki's Delivery Service quotes at the Internet Movie Database