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Kingdom of Heaven
Directed by Ridley Scott
Produced by Ridley Scott
Written by William Monahan
Starring Orlando Bloom
Eva Green
Jeremy Irons
David Thewlis
Brendan Gleeson
Marton Csokas
Liam Neeson
Edward Norton
Ghassan Massoud
Music by Harry Gregson-Williams
Jerry Goldsmith (uncredited)
Cinematography John Mathieson
Editing by Dody Dorn
Chisako Yokoyama (director's cut)
Distributed by 20th Century Fox
Scott Free
Release date(s) May 6, 2005
Running time Theatrical cut:
144 minutes
Director's cut (roadshow):
194 minutes
Director's cut (Blu Ray):
189 minutes
Country  United Kingdom
 United States
Language English
Budget $147 million
Gross revenue $211,652,051

Kingdom of Heaven is a 2005 epic film, directed by Ridley Scott and written by William Monahan. It stars Orlando Bloom, Eva Green, Jeremy Irons, David Thewlis, Marton Csokas, Brendan Gleeson, Kevin McKidd, Alexander Siddig, Ghassan Massoud, Edward Norton, Jon Finch, Michael Sheen and Liam Neeson.

The story is set during the Crusades of the 12th century. A French village blacksmith goes to aid the city of Jerusalem in its defense against the Muslim leader Saladin, who is battling to reclaim the city from the Christians. The film script is a heavily fictionalized portrayal of Balian of Ibelin.

Hamid Dabashi, a professor who specializes in a number of fields including Iranian and Islamic Studies as well as Comparative Literature[1] at Columbia University, was the film's chief academic consultant regarding the Crusades.

Most filming took place in Ouarzazate in Morocco, where Scott had filmed Gladiator and Black Hawk Down. A replica of the ancient city of Jerusalem was constructed in the desert. Filming also took place in Spain, at the Loarre Castle, Segovia, Ávila, Palma del Río and Casa de Pilatos in Sevilla.[2]



In a remote village in France, Balian (Orlando Bloom), a blacksmith, is haunted by his wife's (Nathalie Cox) recent suicide. A group of Crusaders arrive at the small village and one of them approaches Balian, introducing himself as his out-of-wedlock father, Baron Godfrey of Ibelin (Liam Neeson). Godfrey, having learned of Balian's recent losses, attempts to persuade Balian to join him as they travel to Jerusalem, in the hope he will eventually take his place as Godfrey's heir. Balian quickly refuses and the Crusaders ride on. Shortly afterwards, the corrupt town priest (Michael Sheen) reveals that his wife's body was beheaded before burial (a customary practice in those times for people who committed suicide) and he has taken the crucifix she wore. Enraged at these insults, Balian slays him and takes the crucifix necklace his dead wife once wore. Balian quickly decides to follow his father after all, in the hope of gaining redemption and forgiveness for both his wife and himself. Shortly after he catches up to his father, soldiers led by Godfrey's nephew arrive to arrest Balian. Godfrey refuses to hand him over and, though they win the ensuing fight, most of Godfrey's band is killed. Godfrey himself is wounded,and it becomes clear as their journey continues that he will soon die.

In Messina, Godfrey knights Balian and orders him to serve the King of Jerusalem and protect the helpless, before finally succumbing to his injuries. On Balian's subsequent journey to Jerusalem, his ship is hit by a storm, leaving Balian and a horse as the sole survivors of the wreck. However, the horse then runs away as Balian attempts to mount it. Tracking the horse into the desert, Balian soon finds himself confronting a Muslim cavalier, and his servant, over possession of the horse. Balian slays the horseman in single combat, but spares the servant, asking him to guide him to Jerusalem. Upon their arrival in Jerusalem, Balian releases his prisoner who then tells him his slain master was an important knight amongst the Saracens. Balian goes to Golgotha, where Christ was crucified hoping to hear what God wishes of him. After a night of waiting Balian buries his wife's necklace. After being accepted as the new Lord of Ibelin by Godfrey's retainers, Balian soon becomes acquainted with the main players in Jerusalem's political arena: King Baldwin IV, stricken by leprosy yet nevertheless a wise and most sensible ruler, Tiberias, the noble but cynical Marshall of Jerusalem, Princess Sibylla, King Baldwin IV's sister, and Guy de Lusignan, Sibylla's scheming and intolerant husband, who supports the anti-Muslim activities. Guy is determined to rule after Baldwin's inevitable early death and seeks to precipitate a war that will allow him to dispose of the Muslims and claim the Kingdom for Christians alone. He is also threatened by Balian, who he sees as a rival, especially after he learns Balian and Sibylla are having an affair.

Guy and his co-conspirator Raynald of Châtillon massacre a Muslim trade caravan with the aid of the Templars. Saladin, leader of the Muslim forces seeking to retake Jerusalem, attacks Kerak, Raynald's castle, to bring him to account for his crime. Balian decides to defend Kerak Castle from Saladin's cavalry, in order to protect the innocent villagers surrounding the castle. Though outnumbered, Balian and his knights charge Saladin's cavalry, allowing the villagers time to flee to the castle; Balian's cavalry is soon routed resulting in the capture of him and his men. In captivity, Balian encounters the 'servant' he freed, Imad ad-Din, learning he is actually Saladin's Chancellor, who then returns the favor, freeing Balian to Kerak as Saladin arrives with his infantry to besiege Kerak. King Baldwin IV then arrives with his main army, successfully negotiates a Muslim retreat with Saladin and averts a potential bloodbath. Baldwin beats Raynald and orders his arrest, but the stress of the events causes him to collapse, and his physicians discover he will die shortly.

Balian (Orlando Bloom) at the Battle of Kerak.

Baldwin asks Balian to marry Sybilla (Eva Green), knowing that the pair have affection for each other, but Balian does not accept as he refuses to be associated with the necessary murder of Guy; such political intrigue being counter to Balian's morality. After Baldwin finally dies, Sibylla's son Baldwin V a child of six years becomes King of Jerusalem. It is soon realized that Baldwin is stricken like his uncle with leprosy; crushed by the knowledge of this, Sibylla euthanizes her son, preventing him from suffering. Sibylla succeeds her son and therefore names Guy as her King Consort of Jerusalem. Guy, now free to do as he pleases, releases Raynald, and has Raynald and his Templar lackeys provoke Saladin to war by murdering innocent Saracens, among them Saladin's sister. When Saladin sends an emissary to demand the return of his sister's body, the heads of those responsible, and the surrender of Jerusalem, Guy answers by cutting the emissary's throat. As the emissary's body is towed away, Guy orders Jerusalem's army to be assembled for war.

Subsequently, in their arrogance, they march to the desert without adequate food and water to fight Saladin, leaving Jerusalem unguarded except for Balian, his personal knights, and the townspeople. Saladin's army ambushes Guy and Raynald, and the Crusader army is annihilated. Guy and Raynald themselves are captured; Saladin executes Raynald, and then marches on Jerusalem, sparing Guy out of tradition but stating that he is not worthy of this. Balian prepares the defences, challenging the Patriarch's advice to flee, and then makes a symbolic gesture by knighting a number of men-at-arms to raise morale. Knowing full well they cannot defeat the Saracens, the defenders' only hope is to delay their enemies long enough for them to negotiate.

Saladin's forces besiege the walls of Jerusalem.

Saladin's siege of Jerusalem is three days of battle wherein, having proven their resolve, Saladin offers terms: Balian surrenders Jerusalem to Saladin when Saladin offers the inhabitants safe passage to Christian lands. Balian points out that when the Crusaders conquered Jerusalem a hundred years previously, they massacred the Muslim inhabitants, but Saladin assures him that he is a man of honor, and, keeping his word, allows Balian and his people to leave .Balian encounters a freed Guy who fights Balian but loses. Facing a defeated Guy, Balian tells him "When you rise again, if you rise again, rise a knight."

In the marching column of citizens, he finds Sibylla, and convinces her to come with him. Saladin's forces destroy many of the Christian books and removed the cross placed on the dome of the rock, returning the crescent that was removed by the crusaders.

Later, Balian has returned to his village in France. A column of English knights rides through, led by King Richard I of England, who tells Balian that they are commencing a new Crusade to retake Jerusalem from Saladin. King Richard states that he is looking for Balian who refuses to go with them, and Richard and his knights ride off. Balian is met by Sybilla, and after a brief stop at the grave of Balian's wife, they ride off into the sunset.

An epilogue states that "nearly a thousand years later, peace in the Kingdom of Heaven remains elusive."



A sweeping landscape in Kingdom of Heaven characteristic of Ridley Scott's cinematographic style.

The visual style of Kingdom of Heaven emphasizes set design and impressive cinematography in almost every scene. It is notable for its "visually stunning cinematography and haunting music".[3] Cinematographer John Mathieson created many large, sweeping landscapes,[4] where the cinematography, supporting performances, and battle sequences are meticulously mounted.[5] The cinematography and scenes of set-pieces have been described as "ballets of light and color" (as in films by Akira Kurosawa).[6] Director Ridley Scott's visual acumen was described as the main draw of Kingdom of Heaven with the stellar, stunning cinematography and "jaw-dropping combat sequences" based on the production design of Arthur Max.[7][8]


The music to the movie is quite different in style and content from the soundtrack of Ridley Scott's earlier 2000 film Gladiator[9] and many other subsequent films depicting historical events.[10] A composition of classical listings, rousing chorales, juxtaposing Muslim sacred chants, and subtle implementation of contemporary rock/pop influences,[9][10] the soundtrack is largely the result of British film-score composer Harry Gregson-Williams. During the climactic final battle scene, a piece of Jerry Goldsmith's "Valhalla" theme from The 13th Warrior is used. "Vide Cor Meum" sung by Katherine Jenkins is also used during the funeral of the King.

Cast and characters

Many of the characters in the movie are fictionalized versions of historical figures:

Critical response

Edward Norton received acclaim for his portrayal of King Baldwin IV.

Upon its release, the film was met with mixed opinions. Critics such as Roger Ebert, however, found the film's message to be deeper than Scott's previous Gladiator.[11]

Several actors/actresses were praised for their performances. The unanimously praised performance was that of actor Edward Norton, who played the leper king of Jerusalem, Baldwin IV. Critics have described his acting as near "phenomenal", "eerie", and "so far removed from anything that he has ever done that we see the true complexities of his talent".[12] The Syrian actor Ghassan Massoud was also praised for his portrayal of Saladin, described by The New York Times as "cool as a tall glass of water".[13] Also commended were Eva Green, who plays Princess Sibylla, "with a measure of cool that defies her surroundings",[4] and Jeremy Irons.[14]

However, lead actor Orlando Bloom's performance generally elicited a lukewarm reception from American critics, with the Boston Globe stating Bloom was "not actively bad as Balian of Ibelin", but nevertheless "seems like a man holding the fort for a genuine star who never arrives".[15] Although the medieval character of Balian of Ibelin is not well known to U.S. culture, many critics had strong notions of how Balian should be acted, as an "epic hero" with a strong presence. One critic conceded that Balian was more of a "brave and principled thinker-warrior"[4] rather than a large, strong commander, and Balian used brains-over-brawn to gain advantage in battle.

Bloom had gained 20 pounds for the part,[4] and the Extended Director's Cut (detailed below) of Kingdom of Heaven reveals even more complex facets of Bloom's role, involving connections with unknown relatives. Despite the criticism, Bloom won two awards for his performance.

Online, general criticism has been also divided, but leaning towards the positive. As of early 2006, the Yahoo! Movies rating for Kingdom of Heaven was a "B" from the critics (based on 15 Reviews). This rating equates to "good" according to Yahoo! Movie's rating system. On Rotten Tomatoes, only 39 percent of critics gave the film a positive review; however, the aggregate review site Metacritic scored the movie as a 63, which means the film received "generally favorable reviews" according to the website's weighted average system.

Academic criticism has focused on the supposed peaceful relationship between Christians and Muslims in Jerusalem and other cities depicted. Crusader historians such as Jonathan Riley-Smith, quoted by The Daily Telegraph, called the film "dangerous to Arab relations", claiming the movie was Osama bin Laden's version of the Crusades and would "fuel the Islamic fundamentalists". Riley-Smith further commented against the historical accuracy stating "nonsense like this will only reinforce existing myths", arguing that the film "relied on the romanticized view of the Crusades propagated by Sir Walter Scott in his book The Talisman, published in 1825 and now discredited by academics."[16][17][18] Fellow Crusade historian Jonathan Phillips also spoke against the film. Paul Halsall defended Scott, claiming that "historians can't criticize filmmakers for having to make the decisions they have to make... [Scott is] not writing a history textbook".[19]

Thomas F. Madden, Director of Saint Louis University's Center for Medieval and Renaissance Studies, commented against the film's presentation of the Crusades:

Given events in the modern world it is lamentable that there is so large a gulf between what professional historians know about the Crusades and what the general population believes. This movie only widens that gulf. The shame of it is that dozens of distinguished historians across the globe would have been only too happy to help Scott and Monahan get it right.[20]

Scott himself defended this depiction of the Muslim-Christian relationship in footage on the DVD version of the movie's extra features. Scott sees this portrayal as being a contemporary look at the history. He argued that peace and brutality are concepts relative to one's own experience, and since our society today is so far removed from the brutal times in which the movie takes place, he told the story in a way that he felt was true to the source material yet was more accessible to a modern audience. In other words, the "peace" that existed was exaggerated to fit our ideas of what such a peace would be. At the time, it was merely a lull in Muslim-Christian violence compared to the standards of the period. The recurring use of "Assalamu Alaikum", the traditional Arabic greeting meaning "Peace be with you", is spoken both in Arabic and English several times.

The "Director's Cut" of the film is a four-disc set, two of which are dedicated to a feature-length documentary called "The Path to Redemption." This feature contains an additional featurette on historical accuracy called "Creative Accuracy: The Scholars Speak", where a number of academics support the film's contemporary relevance and historical accuracy. Among these historians is Dr. Nancy Caciola, who said that despite the various inaccuracies and fictionalized/dramatized details considered the film a "responsible depiction of the period."[21]

Screenwriter William Monahan, who is a long-term enthusiast of the period, has said "If it isn't in, it doesn't mean we didn't know it... What you use, in drama, is what plays. Shakespeare did the same."[22]

Caciola agreed with the fictionalization of characters on the grounds that "crafting a character who is someone the audience can identify with" is necessary in a film. She said that "I, as a professional, have spent much time with medieval people, so to speak, in the texts that I read; and quite honestly there are very few of them that if I met in the flesh I feel that I would be very fond of." This appears to echo the sentiments of Scott himself. However, the DVD does not feature historians expressing more negative reactions.

The historical content and the religious and political messages present have received praise and condemnation, sentiments and perceptions. John Harlow of the Times Online wrote that Christianity is portrayed in an unfavorable light and the value of Christian belief is diminished, especially in the portrayal of Patriarch Heraclius of Jerusalem.[23] In several screenings in Beirut, Robert Fisk reported that Muslim audiences rose to their feet and applauded wildly during a scene in the film in which Saladin respectfully places a fallen cross back on top of a table after it had fallen during the three-day siege of the city.[24]

The movie was a box office flop in the U.S. and Canada, earning $47 million against a budget of around $130 million, but was successful in Europe and the rest of the world, with the worldwide box office earnings totaling at $211,643,158.[25] It was also a big success in Arabic-speaking countries, especially Egypt, mainly because of the Egyptian actor Khaled El Nabawy. Scott insinuated that the U.S. disaster of the film was the result of bad advertising, which presented the film as an adventure with a love story rather than as an examination of religious conflict.[26] It's also been noted that the film was altered from its original version to be shorter and follow a simpler plot line. This "less sophisticated" version is what hit theaters, although Scott and some of his crew felt it was watered down, explaining that by editing, "You've gone in there and taken little bits from everything".[27]

Like some other Scott films, Kingdom of Heaven found success on DVD in the U.S., and the release of the Director's Cut has reinvigorated interest in the film. Nearly all reviews of the 2006 Director's Cut have been positive, including a four-star review in Britain's Total Film magazine (five star being the publication's highest rating) and a perfect ten out of ten from IGN DVD[28][29][30].


European Film Awards:

  • Audience Award - Best Actor (Orlando Bloom)

Satellite Awards:

  • Outstanding Original Score (Harry Gregson-Williams)

VES Awards:

  • Outstanding Supporting Visual Effects in a Motion Picture (Wes Sewell, Victoria Alonso, Tom Wood, Gary Brozenich)


Satellite Awards:

  • Outstanding Actor in a Supporting Role, Drama (Edward Norton)
  • Outstanding Art Direction & Production Design (Arthur Max)
  • Outstanding Costume Design (Janty Yates)
  • Outstanding Visual Effects (Tom Wood)

Teen Choice Awards:

  • Choice Movie: Action/Adventure
  • Choice Movie Actor: Action/Adventure/Thriller (Orlando Bloom)
  • Choice Movie Liplock (Eva Green and Orlando Bloom)
  • Choice Movie Love Scene (Eva Green and Orlando Bloom - Balian and Sibylla kiss)

Historical accuracy

The historical origin of Orlando Bloom's character, Balian of Ibelin, was a close ally of Raymond; however, he was a mature gentleman, just a year or two younger than Raymond, and one of the most important nobles in the kingdom, not a French blacksmith. His father Barisan (which was originally his own name, modified into French as 'Balian') founded the Ibelin family in the east, and probably came from Italy. Balian and Sibylla were indeed united in the defense of Jerusalem; however, no romantic relationship existed between the two. Balian married Sibylla's stepmother Maria Comnena, Dowager Queen of Jerusalem and Lady of Nablus. The Old French Continuation of William of Tyre (the so-called Chronicle of Ernoul) claimed that Sibylla had been infatuated with Balian's older brother Baldwin of Ibelin, a widower over twice her age, but this is doubtful; instead, it seems that Raymond of Tripoli attempted a coup to marry her off to him to strengthen the position of his faction; however, this legend seems to have been behind the film's creation of a love-relationship between Sibylla and a member of the Ibelin family.[31]

William of Tyre discovers Baldwin IV's leprosy; his accounts form the historical basis for much of the film.

The events of the siege of Jerusalem are based on the Old French Continuation of William of Tyre, a favorable account partly written by Ernoul, one of Balian's officers, and other contemporary documents. Saladin did besiege Jerusalem for almost a month, and was able to knock down a portion of the wall. In the film, Balian knighted everyone who could carry a sword, but historical accounts say he only knighted some burgesses. The exact number varies in different accounts, but it is probably less than one hundred in a city which had tens of thousands of male inhabitants and refugees. Balian personally negotiated the surrender of the city with Saladin, after threatening to destroy every building and kill the 3000-5000 Muslim inhabitants of the city. Saladin allowed Balian and his family to leave in peace, along with everyone else who could arrange to pay a ransom.

King Baldwin IV of Jerusalem, who reigned from 1174 to 1185, was a leper, and his sister Sibylla did marry Guy of Lusignan. Also, Baldwin IV had a falling out with Guy before his death, and so Guy did not succeed Baldwin IV immediately. Baldwin crowned Sibylla's son from her previous marriage to William of Montferrat, five-year-old Baldwin V co-king in his own lifetime, in 1183.[32] The little boy reigned as sole king for one year, dying in 1186 at nine years of age. After her son's death, Sibylla and Guy (to whom she was devoted) garrisoned the city, and she claimed the throne. The coronation scene in the movie was, in real life, more of a shock: Sibylla had been forced to promise to divorce Guy before becoming queen, with the assurance that she would be permitted to pick her own consort. After being crowned by Patriarch Heraclius of Jerusalem (who is unnamed in the movie), she chose to crown Guy as her consort. Raymond III of Tripoli, the film's Tiberias, was not present, but was in Nablus attempting a coup, with Balian of Ibelin, to raise her half-sister (Balian's stepdaughter), princess Isabella of Jerusalem, to the throne; however, Isabella's husband, Humphrey IV of Toron, refusing to precipitate a civil war, swore allegiance to Guy.[33]

Raymond of Tripoli was a cousin of Amalric I of Jerusalem, and one of the Kingdom's most powerful nobles, as well as sometime regent. He had a claim to the throne himself, but, being childless, instead tried to advance his allies the Ibelin family. He was often in conflict with Guy and Raynald, who had risen to their positions by marrying wealthy heiresses and through the king's favor. Guy and Raynald did harass Saladin's caravans, and the claim that Raynald captured Saladin's sister is based on the account given in the Old French Continuation of William of Tyre. This claim is not supported by any other accounts, and is generally believed to be false. In actuality, after Raynald's attack on one caravan, Saladin made sure that the next one, in which his sister was traveling, was properly guarded: the lady came to no harm.[31]

The discord between the rival factions in the kingdom gave Saladin the opportunity to pursue his long-term goal of conquering it. The kingdom's army was defeated at the Battle of Hattin, partly due to the conflict between Guy and Raymond. As already stated, the battle itself is not shown in the movie, but its aftermath is depicted. The Muslims captured Guy and Raynald, and according to al-Safadi in al-Wafi bi'l-wafayat, executed Raynald after he drank from the goblet offered to Guy, as the sultan had once made a promise never to give anything to Raynald. Guy was imprisoned, but later freed. He attempted to retain the kingship even after the deaths of Sibylla and their daughters during his siege of Acre in 1190, but lost in an election to Conrad of Montferrat in 1192. Richard I of England, his only supporter, sold him the lordship of Cyprus, where he died c. 1194.

There was a Haute Cour, a "high court", a sort of medieval parliament, in which Jeremy Irons' character Tiberias is seen arguing with Guy for or against war, in front of Baldwin IV as the final judge.

The movie alludes to the Battle of Montgisard in 1177, in which 16-year-old Baldwin IV defeated Saladin, with Saladin narrowly escaping.

The Knights Hospitaller and Knights Templar were the most enthusiastic about fighting Saladin and the Muslims. They were monastic military orders, committed to celibacy. Neither Guy nor Raynald was a Templar, as the movie implies by costuming them both in Templar surcoats: they were secular nobles with wives and families, simply supported by the Templars.

During one scene in the movie, shortly before Hattin, three soldiers referred to as "Templars" attack Balian; however, they clearly wear the white surcoats with black crosses of Teutonic Knights, rather than the white and red of the Knights Templar.

The "uneasy truce" referred to in the closing scene refers to the Treaty of Ramla, negotiated, with Balian's help, at the end of the Third Crusade. The Third Crusade is alluded to at the end of the movie, when Richard I of England visits Balian in France. Balian, of course, was not from France and did not return there with Sibylla; she and her two daughters died of fever in camp during the siege of Acre. Conrad of Montferrat had denied her and Guy entry to the remaining stronghold of Tyre, and thus Guy was attempting to take another city for himself.

Balian's relations with Richard were far from amicable, because he supported Conrad against Richard's vassal Guy. He and his wife Maria arranged her daughter Isabella's forcible divorce from Humphrey of Toron so she could marry Conrad. Ambroise, who wrote a poetic account of the crusade, called Balian "more false than a goblin" and said he "should be hunted with dogs".[34] The anonymous author of the Itinerarium Peregrinorum et Gesta Regis Ricardi wrote that Balian was a member of a "council of consummate iniquity", and described him as cruel, fickle, and faithless, and accused him of taking bribes from Conrad.

The young Balian of the movie thus did not exist in reality. The historical Balian had descendants by Maria Comnena. Thanks to their close relationship to Sibylla's half-sister and successor, Maria's daughter Queen Isabella (not shown in the movie), the Ibelins became the most powerful noble family in the rump Kingdom of Jerusalem as well as in Cyprus in the thirteenth century. Most notably, Maria and Balian's son John, the Lord of Beirut, was a dominant force in the politics of Outremer for the first third of the thirteenth century.

Near the end of the film and after Saladin has entered the city; he is seen watching as a crescent ornament is being raised on top of a building presumably a mosque. This is historically incorrect as at that time mosques did not bear any kind of symbols on the minarets. The crescent was introduced many centuries later when the Turkish Ottoman empire invaded eastern Europe and adopted the crescent as an Islamic symbol from traditional Greek symbols which was widely used in the city of Byzantium.

An episode of The History Channel's series History vs. Hollywood analyzed the historical accuracy of the film. This program and a Movie Real (a series by A&E Network) episode about Kingdom of Heaven were both included on the DVD version of the movie.

Extended director's cut

Sibylla of Jerusalem (Eva Green) has a much more significant role in the director's cut.

An extended director's cut of the movie was released on December 23, 2005, at the Laemmle Fairfax Theatre in Los Angeles, unsupported by advertising from 20th Century Fox. This version has been widely praised[citation needed]; at approximately 45 minutes longer than the original theatrical cut, it is purportedly the version Ridley Scott originally wanted released to theaters[citation needed]. The DVD of the extended Director's Cut was released on May 23, 2006. It comprises a four-disc box set with a runtime of 194 minutes, and is shown as a road show presentation with an overture, intermission and entr'acte; the Blu-ray release omits the roadshow elements, running for 189 minutes. Scott gave an interview to STV on the occasion of the extended edition's UK release, when he discussed the motives and thinking behind the new version[35].

After the pitching of this film, studio marketing executives took it to be an action-adventure hybrid rather than what Ridley Scott and William Monahan intended it to be: a historical epic examining religious conflict. 20th Century Fox promoted the film as an action movie with heavy elements of romance and, in their advertising campaign, made much of the "From the Director of Gladiator" slogan. When Scott presented the 194 minute version of the film to the studio, they balked at the length. Studio head Tom Rothman ordered the film to be trimmed down to only two hours, as he did not believe that a modern audience would go to see a three hour and fifteen minute movie. Ultimately, Rothman's decision backfired as the film gained mixed reviews (with many commenting that the film seemed "incomplete") and severely under-performed at the US box office.

The Director's Cut (DC) has received a distinctly more positive reception from film critics than the theatrical release, with some reviewers suggesting that it is the most substantial Director's Cut of all time[36] and a title to equal any of Scott's other works.[37], offering a much greater insight into the motivations of individual characters. Scott and his crew have all stated that they consider the Director's Cut to be the true version of the film and the theatrical cut more of an action movie trailer for the real film[citation needed]. Alexander Siddig, the Sudanese-born actor who played Imad ad-Din al-Isfahani, in particular agitated for the release of an extended cut[citation needed].

As well as including more shots depicting violence and bloodshed[citation needed], the later director's cut provides several details not present in the original theatrical release:

  • The village priest who taunts Balian and is killed by him is revealed to be his half-brother (his mother's son by her lawful husband). The animosity between them is shown as originating from the priest's coveting of the firstborn Balian's meager inheritance.
  • Godfrey is not only the father of Balian but the younger brother of the village lord who believes that Godfrey is looking for his own son to be Godfrey's heir in Ibelin. It is this lord's son and heir who organizes the attack on Godfrey's party in the forest and is subsequently killed. Both this plot point and the one above hinge on the firstborn son's right to exclusive inheritance: this is what apparently drove Godfrey to the Holy Land and the priest to begin his scheming against Balian.
  • A dying Baldwin IV is shown refusing the last sacrament from Patriarch Heraclius.
  • The character of Baldwin V, shown in some of original trailers but lacking in the theatrical release, is the re-inserted into film. He is the son of Sibylla by her first husband; not named in the film, the father is William of Montferrat. The boy is crowned King after Baldwin IV's death, but is then discovered to have leprosy, like his uncle. His death is depicted as an act of euthanasia by his mother, who administers poison via the child's ear. As in the theatrical version, Sibylla is then crowned queen.
  • Balian fights a climactic duel with Guy near the end of the film, after Jerusalem is surrendered and Guy has been released by Saladin (an act intended to humiliate Guy in the eyes of his former subjects). Guy is humiliated furthermore by challenging Balian to a duel, being defeated, and then spared by Balian.
  • A scene with Balian discussing his situation with the Hospitaller in the desert, which included the line "I go to pray" (featured in most trailers) is re-inserted.
  • It is made clear that Guy de Lusignan knows that Sibylla is having an affair with Balian; however, his interest in her is primarily political, rather than emotional.
  • It is revealed that Balian has fought in several battles in the past, is a skilled strategist, and is well-known for building siege engines.
  • Saladin decapitates Raynald de Châtillon instead of only cutting his throat; this is generally believed to be more historically accurate.
  • Sibylla is portrayed much more as a corrupt princess and unpredictable as she herself stated[citation needed].


  1. ^ "Teaching". Hamid Dabashi. Retrieved 2009-08-21. 
  2. ^ "Kingdom of Heaven- Production Notes" web:
  3. ^ Richard J. Radcliff, "Movie Review: Kingdom of Heaven" May 29, 2005,, web: BlogCritics-KoH: noted "visually and sonically beautiful; visually stunning cinematography and haunting music."
  4. ^ a b c d Stephanie Zacharek, "Kingdom of Heaven - Salon" (review), May 6, 2005,, web: Salon-KoH: noted "Cinematographer John Mathieson gives us lots of great, sweeping landscapes."
  5. ^ Carrie Rickey, "Epic 'Kingdom' has a weak link" (review), Philadelphia Inquirer, May 6, 2005, web: Philly-KoH: noted "cinematography, supporting performances and battle sequences are so meticulously mounted."
  6. ^ Uncut, Review of Kingdom of Heaven, Uncut, 2005-07-01, page 129, web: BuyCom-Uncut: noted "Where Scott scores is in the cinematography and set-pieces, with vast armies surging across sun-baked sand in almost Kurosawa-like ballets of light and color."
  7. ^ Nix, "Kingdom of Heaven (2005)" (review),, web: BeyondHwood-KoH: noted "Scott's visual acumen is the main draw of Kingdom of Heaven" and "stunning cinematography and jaw-dropping combat sequences" or "stellar cinematography."
  8. ^ Roger Ebert, "Kingdom of Heaven" (review), Chicago Sun Times,, May 5, 2005, webpage: Ebert-KoH: Ebert noted "What's more interesting is Ridley Scott's visual style, assisted by John Mathieson's cinematography and the production design of Arthur Max. A vast set of ancient Jerusalem was constructed to provide realistic foregrounds and locations, which were then enhanced by CGI backgrounds, additional horses and troops, and so on."
  9. ^ a b Filmtracks - Kingdom of Heaven
  10. ^ a b SoundtrackNet - Kingdom of Heaven
  11. ^ Roger Ebert, "Kingdom of Heaven" reviews for the Chicago Sun Times
  12. ^ Jack Moore, Kingdom of Heaven: Director's Cut DVD Review
  13. ^ Manolha Dargis, New York Times review of Kingdom of Heaven
  14. ^ James Berardinelli,
  15. ^ Ty Burr, "Kingdom of Heaven Movie Review: Historically and heroically challenged 'Kingdom' fails to conquer"
  16. ^ Charlotte Edwardes, " Ridley Scott's new Crusades film 'panders to Osama bin Laden'" The Daily Telegraph January 17, 2004
  17. ^ Andrew Holt (2005-05-05). "Truth is the First Victim- Jonathan Riley-Smith". Retrieved 2009-08-21. 
  18. ^ "Kingdom of Heaven info page". Retrieved 2009-08-21. 
  19. ^ CNN "Kingdom of Heaven" Transcript web:
  20. ^ "Thomas F. Madden on ''Kingdom of Heaven'' on National Review Online". 2005-05-27. Retrieved 2009-08-21. 
  21. ^ Creative Accuracy: The Scholars Speak
  22. ^ Bob Thompson (2005-05-01). "Hollywood on Crusade: With His Historical Epic, Ridley Scott Hurtles Into Vexing, Volatile Territory". Washington Post. Retrieved 2007-01-08. 
  23. ^ John Harlow, "Christian right goes to war with Ridley's crusaders" web:
  24. ^ Robert Fisk, "Kingdom of Heaven:Why Ridley Scott's Story Of The Crusades Struck Such A Chord In A Lebanese Cinema" web:
  25. ^ "Kingdom of Heaven- Box Office Data, Movie News, Cast Information" web:
  26. ^ "Kingdom of Heaven Trivia" web:
  27. ^ Garth Franklin, "Interview: Ridley Scott's Kingdom of Heaven" web:
  28. ^
  29. ^
  30. ^
  31. ^ a b "Making the Crusades Relevant in KINGDOM OF HEAVEN" by Cathy Schultz
  32. ^ Depicted in the director's cut.
  33. ^ Christopher Tyerman, God's War: A New History of the Crusades. Penguin, 2006.
  34. ^ [1]
  35. ^ Ridley Scott interview
  36. ^ "Kingdom of Heaven: 4-Disc Director's Cut DVD Review". Retrieved 2009-08-21. 
  37. ^ Berardinelli, James. "Kingdom of Heaven Director's Cut Review". 


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