From Wikipedia, the free encyclopedia
Kumi Koda
倖田 來未 |

Kumi Koda at the 2005 Kami Kaze
Convention
|
| Background information |
| Birth name |
神田 來未子 (Kōda Kumiko) |
| Also known as |
Kuu(-chan) |
| Born |
November 13, 1982 (1982-11-13) (age 27)
Kyoto, Kyoto
Prefecture, Japan |
| Genres |
Pop, R&B, rock, urban, dance, electropop |
| Occupations |
Singer-songwriter, actress, spokesperson, voice actress |
| Instruments |
Singing |
| Years active |
2000–Present |
| Labels |
Rhythm Zone
Japan
SM
Entertainment Korea
Orpheus Records USA |
| Associated acts |
BoA, Clench & Blistah,
Daisuke D.I. Imai, Exile, Fergie, Heartsdales, Jhett, Km-Markit, Lisa, M-Flo, Mr. Blistah, Misono, Peabo Bryson, Show Luo, SMAP, Soulhead, Tatsuya Ishii, TRF, Tohoshinki |
| Website |
rhythmzone.net/koda |
Kumiko Kōda (神田 來未子, Kōda Kumiko
?) (born November 13, 1982), better
known by her stage name Kumi Koda (倖田 來未, Kōda Kumi
?), is a Japanese singer and songwriter
from Kyoto, known for her urban and
R&B songs. Having debuted in
2000 with the single "Take
Back", Koda gained fame for her seventh single, "Real
Emotion / 1000 no Kotoba", the songs of which were used as
themes for the video game Final Fantasy X-2.[1][2] Her
popularity grew with the release of her fourth studio album Secret (2005), her
sixteenth single "Butterfly" (2005), and her
first greatest
hits album Best: First Things (2005), reaching the
number-three, number-two and number-one spot respectively.[3][4][5]
Though her early releases presented a conservative, quiet image,
since as early as 2003 Koda has adopted a sexier and more
provocative style.[6] Because
of this image, she has become a fashion leader among young women,
setting trends such as the ero-kakkoii style.[7]
She has also won many fashion awards such as, the "Best Jeanist
Award" and the title of "Nail Queen" three times since 2006. Since
the rise in her popularity, Koda has lent her face and songs to
many advertisements. In 2006 and 2007, Oricon awarded with Koda the
title of best-selling artist.[fn
1]
On January 31, 2008, a day after the release of her sixth studio
album, Kingdom, Koda became the
center of controversy due to a comment she made on Japanese radio
show, All
Night Nippon.
Life and
music career
Early life and music
interest
Koda was born into a family of musicians. Her grandfather was a
Shakuhachi master and
her mother was a Koto teacher;[10]
she is the older sister of Misono, current solo artist and former lead
singer of Day After Tomorrow. Inspired
by her mother, who performed in karaoke bars, Koda, from a young
age, had aspirations of becoming a singer.[10]
Her school years were unhappy; she described her junior and high
school years as "obscure times", as she was bullied due to her
"fatness", "shortness", "ugliness", and other factors related to
her appearance.[11][12][13]
During her second year of high school Koda auditioned in Avex’s
"Dream Audition", where she came in second out of
120,000 participants. She was then signed onto the Avex sub-label Rhythm Zone.[10]
Koda's first semi-biographical book, Koda-shiki
("Koda-style") was officially described as "a story about a girl
who was filled with inferiority complex pursuing her way".[14]
2000–2004:
Early career and image change
Koda debuted on December 6, 2000, with the single "Take Back"; it was followed
by "Trust Your
Love", "Color of
Soul" (both 2001), and "So into You" (2002). "Trust Your Love" and
"Color of Soul" were both Top 30 singles; the former reached #18 on
the chart and became Koda's first Top Twenty single.[15][16] Using
the stage name Koda, Koda recorded "Take Back" and
"Trust Your Love" in English and released the singles in the United
States under Orpheus Records. "Take Back" peaked at #18 on the Hot
Dance Music/Maxi-Singles Sales chart;[17]
"Trust Your Love" had more success, reaching the top spot on the
Hot Dance Music/Maxi-Singles Sales chart.[18] The
single also charted on the Hot Singles Sales chart and Hot Dance
Club Play chart, at #19 and #35, respectively.[19][20] After
the September
11, 2001 attacks, Koda recorded the charity single "The
Meaning of Peace" with Korean singer BoA as part of Avex's Song+Nation project to raise
funds for charity.[21][22] In
March 2002, Koda released her debut album Affection under Rhythm
Zone; it peaked at #12 on the Oricon album chart.[23]
After the release of Affection, Koda released three
singles. "Love Across the Ocean", "Maze" (both 2002), and "Real
Emotion / 1000 no Kotoba" (2003). "Love Across the Ocean" and
"Maze" peaked at #19 and #25 positions.[24][25] Koda
achieved minor success with "Real Emotion / 1000 no Kotoba", which
peaked at #3 after three weeks on the charts.[26] The
songs were used as the opening and ending themes, respectively, of
the video game Final Fantasy X-2; in addition,
Koda motion-acted the dance moves of one of
the characters and voiced the character Lenne in the
Japanese version of the game.[27][28] She
released her second album, Grow into One in March 2003. It
debuted at #11 on the charts,[29] and
peaked at #8 in the fourth week of its run.[30]
From then on, Koda continued a string of Top Twenty singles with
"Come with Me", "Gentle Words" (both
2003) and "Crazy 4 U"
(2004).[31][32][33] She
then released her third album Feel My Mind (February 2004), which
debuted at #7.[34] Koda
also covered the theme song of the anime series Cutie Honey originally by Yoko Maekawa
for the 2004 live-action film and Re: Cutie
Honey.[27]
The song, which shared the same name as the show, was included as a
bonus track on the album and became the title track of her eleventh
single "Love & Honey" (2004), after the album's
release. At the end of the year Koda released two more singles, "Chase" and "Kiseki". Though Koda had always
been known for her changing fashions in her music videos, the video
of "Kiseki" marked the beginning of her incorporation of her sexy
image into her music videos.[35]
2005–2006: Growing
popularity
Koda's first release of 2005 was her fourteenth single, "Hands" (January 19). Less than a
month later, she released her fourth album, Secret. Secret
debuted at #3 and became her first album to debut in the Top
Five.[3]
The album was certified double platinum by the RIAJ for selling
521,000 copies total.[36] Koda
then released her fifteenth single, "Hot Stuff", from the album.
Shortly afterwards, Koda released her first live DVD, Secret:
First Class Limited Live. In 2006, Oricon reported that
Secret: First Class Limited Live had set a new record on
the music DVD charts by remaining at the top of the Oricon DVD
charts for seven weeks in total.[37]
Koda then released her sixteenth single, "Butterfly". "Butterfly"
debuted at #2 on the Oricon chart, her first single to do so.[4]
"Butterfly" was followed by "Flower" and "Promise/Star"; both
peaked at #4 in the weekly chart.[38][39] In
September, Koda released her first greatest hits album, Best: First
Things. The album debuted at #2 on the chart in its first week
and rose to the top the following week, giving Koda her first
number-one album.[5][40]
Best: First Things sold over a million copies and was
certified million by the Recording Industry
Association of Japan.[41]
In December, Koda began the "12 Singles Project" in which for
twelve consecutive weeks, she released one single per week (nine of
which were labeled as limited editions).[42][43] The
first single of the 12 Singles Project, "You",
debuted at the top of the chart, giving Koda her first number-one
single.[44] Koda
then released "Birthday Eve", "D.D.D.", and "Shake It Up" before the
end of the year. Koda released the remaining eight singles in the
beginning of the new year. The first single was "Lies", followed by "Feel", "Candy", "No Regret",
"Ima Sugu
Hoshii", "Kamen", "Wind" and "Someday/Boys & Girls".
"Feel", the fifth single from the project, debuted atop the
charts.[45] "You"
remained in the Oricon Top Ten during the release of "Shake It Up"
and "Lies", making Koda the first female artist to have three
singles in the Top Ten of the Oricon Weekly Singles chart.[46]
Koda's fashion in this period, in which she wore skin-baring
clothes, started the ero-kakkoii trend in Japan.[47][48] "Get It On", the thirteenth
and last single of the "12 Singles Project",[fn
2] was Koda's first digital single; it was followed by her
second greatest hits album, Best: Second Session.[49] The
album featured all twelve singles along with two new tracks and was
released in three different formats: CD-only, CD+DVD, and CD+2DVD.
Best: Second Session debuted at the top of the chart with
983,000 copies sold in its first week, making Koda the first female
artist with the highest greatest hits album debut sales since Hikaru Utada's Utada Hikaru Single
Collection Vol. 1.[50] Like
Best: First Things, Best: Second Session was
certified million by the RIAJ.[51]
After Best: Second Session, Koda released "Koi no Tsubomi".
"Koi no Tsubomi" was released online one day before its physical
release and sold one million downloads.[52] The
single reached #2 in its debut week with 140,000 copies sold.[53] This
was the highest debut week sales for a female artist in 2006, until
Ayumi Hamasaki
surpassed it with her single "Blue Bird". On July 26, 2006, Koda
released her first photobook, Maroc; the book,
photographed by Leslie Kee, was tied with her thirty-second single
"4 Hot Wave", which
was released on the same day.[54] Koda
reclaimed the title of highest debut week sales for a female artist
in 2006 with "4 Hot Wave";[55] which
also ranked second behind the KinKi Kids.[56] "4
Hot Wave" is Koda's nineteenth consecutive single to debut in the
Top Ten since "Kiseki".[42]
Koda's next single, "Yume no Uta / Futari de..."
(2006), was a musical first for Koda, as she took full creative
control over the production of the single and music video; she wrote
the lyrics, chose the outfits, and produced the concepts for the
videos of both songs.[57]
Koda then recorded a cover of the Bubblegum Brothers' "Won't Be Long"
with label-mates Exile. "Cherry
Girl/Unmei" was the last single Koda released before releasing
her fifth album Black Cherry in
December. Black Cherry became the first female studio
album to stay atop the charts for four weeks since Ayumi Hamasaki's
album Duty.[58] At
the end of 2006, Oricon named her the best-selling artist of 2006
with ¥12,702,200,000 profit (approximately $136,465,304), and Yahoo! Japan declared her to be
the most-searched female artist and tenth most searched term
overall in 2006.[8][59][60]
2007–present:
Decline in sales and controversy
On March 14, 2007, Koda released her thirty-fifth single ("But/Aishō"), another
greatest hits album (Best: Bounce & Lovers), and a DVD
of her second tour Live Tour 2006–2007: Second Session.
Her second single of 2007, "Freaky", reached the top spot on the
Oricon, giving Koda her fourth number-one single. Koda performed at
the Japanese leg of Live Earth in Tokyo on
July 7, 2007, and attended Ap Bank Fes '07, an conservationist-themed concert, hosted
by Kazutoshi
Sakurai of Mr.
Children on July 15, 2007.[61][62] At
the end of 2007, Koda released two singles, "Ai no Uta" and "Last Angel", a
collaboration with Korean boy band TVXQ better known as Tohoshinki in Japan. "Last
Angel" was used as the theme song for the Japanese release for
Resident Evil: Extinction.[63] On
December 1, she held her first performance at Tokyo Dome for her third nationwide and
first arena tour. Koda became the seventh solo female singer to
perform at Tokyo Dome with an estimated audience of 45,000
people.[64]
Having sold more than 7.3 billion yen worth of CDs and DVDs, Koda
was again the best-selling artist of the year in Oricon's 2007
year-end rankings.[9]
Koda released her thirty-ninth single "Anytime" on January 23, 2008;
it was followed by her sixth studio album Kingdom, which was
released in the same format as her previous album. With a little
over 420,000 copies sold in its first week, Kingdom
debuted atop the Oricon.[65] On
January 31, Koda hosted All Night Nippon; discussing her
manager's recent marriage and plans on having children, Koda
remarked that "When women turn 35, their amniotic fluid goes rotten, so I'd like
them to have a child by 35".[66]
Because of the controversy instigated by the comment, Avex released
an apology stating that as a consolation, all promotion of
Kingdom would cease.[67]
Additionally, several of Koda's commercial endorsements were placed
on hiatus. Koda herself made a public apology on Fuji TV.[66][68][69][70]
Despite the controversy, Kingdom remained on top for a
second consecutive week.[71] Two
months after her controversial statement, Koda released Live
Tour 2007: Black Cherry Tour Special Final in Tokyo Dome, her
fourth live DVD. Her fourth nationwide tour Koda Kumi Live Tour
2008: Kingdom commenced on April 12, 2008.[72]
Koda's fortieth single "Moon" was released on June 11, 2008. Like
"Freaky", "Moon" contained four tracks. The single contained "Moon
Crying", used as the theme for Asahi Television drama Puzzle, and a
collaboration track with Black Eyed Peas' Fergie[73] Koda
again attended Avex's annual summer concert A-Nation '08. She
appeared at all eight shows in Japan and performed with other Avex
artists such as Every Little Thing, Ai Otsuka, Namie Amuro, Ayumi
Hamasaki, TVXQ, and Maki
Goto.[74] In
October, Koda released her forty-first single, "Taboo". With around 66,000 copies sold in
its first week, "Taboo" debuted at the number-one position and
became Koda's fifth single to reach the top.[75] Koda
released her forty-second single "Stay with Me" on Christmas Eve,
which debuted atop of the chart selling 58,000 copies.[76]
Koda's seventh studio album, Trick, was another number-one album
for the singer, selling 253,000 in its first week.[77] The
album stayed at the number-one spot for a second week selling
56,000 copies.[78]
Although the album debuted at the number-one position, this was her
lowest selling album since her fourth studio album,
Secret.[fn 3]
On March 25, Koda released two albums, Out Works &
Collaboration Best and Koda Kumi Driving Hit's
[sic]. The former is a
compilation of collaborations with other artists and the latter is
a remix album.[80]
Out Works & Collaboration Best and Koda Kumi
Driving Hit's debuted at #7 and #6 respectively.[81][82]
Koda's forty-third single, "It's All Love!", was released on March
31, 2009.[83]
The single, a collaboration with her younger sister Misono,[84]
debuted atop the Oricon, making the sisters the first siblings to
have a single top the chart in its initial week.[85] The
second song from the single, "Faraway", was used as the theme song
for the manga-based movie
Subaru.[83]
On July 8, 2009, Koda released her forty-fourth single, "3 Splash".[86] The
single debuted at #2 on the charts making it Koda's thirty-third
Top 10 single.[87]
Following the release of "3 Splash" was her forty-fifth single, "Alive/Physical Thing", which took
the number-one spot on the single charts.[88] On
January 20, 2010, Koda will release a new single titled, "Can We Go Back",
which is a cover of a bonus track on Kelly Clarkson's 2009 album All I Ever Wanted.[89] On
February 3, 2010, Koda will release a new best album, Best:
Third Universe and her eighth studio album, Universe,
which will be packaged together.[90]
Musical
style
Koda's musical style is mainly Japanese Urban and R&B;
however, it was only after Koda signed to Rhythm Zone that Japanese
Urban and R&B became her main musical styles.[10]
But throughout her career her musical style has spanned additional
styles such as rock,
hip-hop,
electropop and dance.[10][91][92][93][94]
Themes
Koda has even explored the themes of sexuality and taboos in her lyrics. While listening to the
music of "But", the first thing that came to Koda's mind was homosexuality.[95][96]
Regarding the theme of homosexuality, Koda said in a interview:
"I'm the type of person who thinks that [in a relationship] it
doesn't matter what sex the other person is. No matter who they
are, it doesn't change the 'I love this person' feeling, does
it?"[fn 4] The
video for "Taboo" portrayed homosexuality and other "taboo"
subjects to deliver Koda's message of "there really is no such
thing as a taboo".[97] She
also said of "Taboo"'s themes, "Instead of trying stuff out and
experiencing it, we put up a 'No' sign, we never try to break the
taboos" and "Sometimes we shouldn't retreat into safety, we should
have courage to do things. Those are the feelings in the song."[98] Such
themes are also present in her music videos: she has incorporated
her "sexy" image into her videos since "Kiseki" through
sexually-charged dances and skin-baring outfits. The video of "Ima Sugu
Hoshii" featured two males in sexual positions, and the video
of "Juicy", which also
featured sexual posturing, was censored in Taiwan.[99][100]
Lyrics
and composition
| Problems listening to these files?
See media help. |
Since the start of her career Koda has been writing the lyrics
to her songs.[fn
5] On her second studio album, Grow into
One, Koda wasn't as much involved with the writing of the
lyrics, as only four songs were written by her. Koda's control over
the writing of the lyrics grew with her thirty-third single "Yume
no Uta / Futari de... ". The single was originally intended to be a
single song about "happy love", however Koda felt the melody had
represented both the elements of happiness and sadness. She wrote
the lyrics for both songs to represent the sadness and the
happiness. In doing so Koda ended up creating two songs with the
same melody. She remarked, "It was a first time experiment for me,
but I was able to convey how happiness and sadness are two sides of
the same coin."[57][fn 6]
Koda lists Janet
Jackson, Christina Aguilera, and Beyoncé
Knowles as her inspirations; she has also stated that when she
produces, she "is like a different person"; thus, she refers to
herself in the third person and "looks at [herself]
objectively".[101]
Koda was not as involved concerning the composition of her
songs. "Milk Tea" (ミルクティー, Miruku
Tii
?), from Black Cherry, marked
the first time she composed a song.[102] Her
involvement in the composition stage grew during the production of
her seventh studio album Trick.[fn
5]
Image
Awards
Koda won her first award at the 47th Japan Record Awards for
Butterfly on January 1, 2006,[103] and
was awarded "Triple Crown" at the Japan Gold Disc Awards on March
10, 2006, for pocketing three awards: "Pop Artist of the Year",
"Pop Album of the Year", and "Music Video of the Year".[104] She
continued to win more awards for this song; on May 27, 2006, the
MTV VMAJ's awarded Koda with
"Best Female Video" and "Best Video of the Year" for "Butterfly", and "buzzASIA
from Japan" for "Trust You", a track from her album Secret.[105]
Later in 2006, her song "Yume no Uta" from her 33rd single, "Yume no Uta / Futari de...",
garnered Koda more awards. She was a Grand Prix winner at the 39th
Japan Usen Grand Prize.[106]
On May 26, 2007, Koda won three awards from MTV Video Music Awards
Japan for the second year in a row. "Yume No Uta" was nominated
in three categories and won "Best Female Video and "Best Video of
the Year". Koda herself won a special award known as "Best Stylish
Artist Award".[107] At
the 2007 Best Hit Kayōsai Koda's "Ai no Uta" earned her the Grand
Prix in the pop category, also winning one of the golden awards for
the 49th Nihon Record Taishō.[108][109]
Koda, while having success on Oricon charts with physical CD
sales, maintains success on online music sales as well. It is
reported that twenty-two of her music videos chart the top 100 most
downloaded videos, with four of her videos dominating the top five,
and having "Koi no
Tsubomi" top the Overall Downloads Chart, which thirteen of her
other songs chart.[110][111]
Fashion
Koda has been known for her "sexy" image. In 2003, she started a
cleavage-baring trend when she appeared in advertisements wearing a
metallic bra.[112] Her
2004 work with the anime movie Cutie Honey continued this
image,[113] and
in 2005, she began the "ero-kakkoi" or "ero-kawaii" trend in Japan
and was partially responsible for making the wearing of lingerie in
public more acceptable in Japan.[7][114]
Koda's image has inspired other artists: Korean singer Ayumi
Lee and American model-singer Leah Dizon, both known for their use of
sexuality in the image, are inspired in part by Koda.[115]
Singaporean newspaper The New Paper suggested that her
sexy image was responsible for her sales—she outsold "reigning
J-pop queen" Ayumi
Hamasaki in 2006 and 2007.[116][117] In
2006, Koda began winning awards for being a new trendsetter in
Japan, including the "Best Jeanist Award" on September 4, 2006,[118] and
the title of "Nail Queen" for her nail art on November 21, 2006, by
Japan Nail Expo.[119][120]
In 2006, when the popularity of Japanese singers was declining
in Singapore due to the rising popularity of the Korean wave, Koda's
sexy image garnered her popularity in the region and renewed
interest in J-pop.[121]
James Kang, marketing director for Warner Music in Asia,
noted that Koda's sexy image is popular not only with men but also
with women, even "Japanese aunties", because she
uses her image to "make a feminist statement [...] She's constantly
telling women to believe in themselves and do what they want to
do".[115]
In 2007, it was proposed that the term "ero-kakkoii" be added to
the Japanese Encyclopedia of Contemporary Words.[122]
Personal
life
In August 2007, it was rumored that Koda was dating SMAP leader Masahiro Nakai.[123] The
media questioned the artists' agencies on the matter, neither
agency had confirmed or denied the rumors.[124][125] In
September, during a variety show that Nakai was a semi-regular on,
socialite Dewi Sukarno was
discussing her ideal boyfriend mentioned that Nakai and Koda were
dating.[126]
It was also rumored that the two would get married before Koda's
25th birthday.[126]
In the December issue of Josei Seven, it was "confirmed"
that the two were dating.[127]
The couple has been dubbed as the "national couple", a nickname
last used in the early 1960s when actor Akira Kobayashi married enka singer Hibari Misora.[126]
However, some have denied that the relationship is real, claiming
that Johnny
Kitagawa orchestrated the relationship in order to move SMAP to
the Avex label; websites have claimed that Koda is just a cover up
for Nakai's real girlfriend.[126]
Discography
|
Studio albums
|
Compilation albums
Remix albums
|
Number-one singles
|
Filmography
- ^
She made ¥12,702,200,000 in profits, in 2006[8]
approximately $ 136,465,304 and ¥7.3 Billion in
2007[9]
- ^
Although "Get It On" is the thirteenth single from the project, the
cover art is marked with 00.
- ^
In its first week Secret sold 186,377 copies.[79]
- ^
Original text from Oricon Style:
私は相手が異性であろうと同性であろうと関係ないと思うタイプなんです。相手が誰であろうと“人を愛する気持ち”に変わりはないでしょ?[95]
- ^ a
b
Some of the lyrics are either co-written or written by others. Koda
co-composed "Bling Bling Bling", "Just the Way You Are", "That Ain't Cool" and
"This is Not a Love Song".
- ^ Original text:
「初めての試みでしたが、幸せと悲しみが表裏一体だってことが表現できた」
References
- ^
Brenner, Wayne Alan. "Sailor Scout and the
Chaperone". The Austin Chronicle (Austin
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2009.
- ^
Fahey, Rob (June 5, 2007). "Fiercely Burning Heart of
Love!". Eurogamer. Eurogamer Network. http://www.eurogamer.net/articles/osu-tatakae-ouendan-2-review?page=2. Retrieved January 23,
2009.
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“ストップ!いじめ”~倖田來未が実体験をもとに参加(Japanese)
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News
- ^
"Kodashiki - Kumi Koda Style Book -"'s "Girl's Talk" ISBN
4-8387-1756-3
- ^
倖田來未の「ストップ!いじめ」
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position". Oricon. http://www.oricon.co.jp/search/result.php?kbn=js&types=rnk&year=2001&month=10&week=3&submit4.x=13&submit4.y=14. Retrieved January 6,
2009.
- ^
"Take Back Hot Dance
Music/Maxi-Singles Sales chart". Billboard. June 16, 2001. http://www.billboard.com/bbcom/esearch/chart_display.jsp?cfi=360&cfgn=Singles&cfn=Hot+Dance+Music%2FMaxi-Singles+Sales&ci=3041881&cdi=7726790&cid=06%2F16%2F2001. Retrieved December 6,
2008.
- ^
"Trust Your Love Hot Dance
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(Registration
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External
links
|
Kumi Koda |
|
| Studio
Albums |
|
|
| Compilation
Albums |
|
|
| Remix
Album |
|
|
|
Singles |
|
|
| Other
singles |
|
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| Related
articles |
|
|
| Persondata |
| NAME |
Kumi, Koda |
| ALTERNATIVE
NAMES |
Kumiko, Koda |
| SHORT
DESCRIPTION |
Japanese singer |
| DATE OF BIRTH |
November 13, 1982 |
| PLACE OF
BIRTH |
Kyoto, Japan |
| DATE OF DEATH |
|
| PLACE OF
DEATH |
|