| La jetée | |
|---|---|
 Theatrical release poster |
|
| Directed by | Chris Marker |
| Produced by | Anatole Dauman |
| Written by | Chris Marker |
| Narrated by | Jean Négroni |
| Starring | Hélène Chatelain Davos Hanich Jacques Ledoux |
| Music by | Trevor Duncan |
| Cinematography | Chris Marker |
| Editing by | Jean Ravel |
| Release date(s) | 1962 |
| Running time | 28 minutes |
| Country | France |
| Language | French German |
La jetée (English: The Jetty or The Pier) (1962) is a 28-minute black and white science fiction film by Chris Marker. Constructed almost entirely from still photos, it tells the story of a post-nuclear war experiment in time travel.[1] The film won the Prix Jean Vigo for short film.
Contents |
The survivors of a destroyed, post-apocalyptic Paris in the aftermath of the Third World War live underground in the Palais de Chaillot galleries. They research time travel, hoping to send test subjects to different time periods "to call past and future to the rescue of the present". They have difficulty finding subjects who can mentally withstand the shock of time travel, but eventually settle upon a male prisoner whose vague but obsessive childhood memory of witnessing a woman (Hélène Chatelain) during a violent incident on the boarding platform ("The Jetty") at Orly Airport is the key to his journey back in time.
He is thrown back to the past again and again to a time before the war, when he had been a child. He repeatedly meets and speaks to the woman from his memory, who was present at the terminal. After his successful passages to the past, the experimenters attempt to send him into the far future. In a brief meeting with the technologically advanced people of the future, he is given a power unit sufficient to regenerate his own destroyed society. Upon his return, with his mission accomplished, he discerns that he is to be executed by his jailers. He is contacted by the people of the future, who offer to help him escape to their time, but he asks to be instead returned to the pre-war time of his childhood, hoping to again find the woman. He is returned and does find her, but an agent of his jailers has followed. The man finds that the violent incident he partially witnessed as a child was his own death as an adult at the hands of the agent.
La jetée has no dialogue aside from small sections of muttering in German. The story is told by a voice-over narrator. It is constructed almost entirely from optically printed photographs playing out as a photomontage of varying pace. It contains only one brief shot originating on a motion-picture camera. The stills were taken with a Pentax Spotmatic[2] and the motion-picture segment was shot with a 35mm Arriflex.[3] The music used stock music by Trevor Duncan. In Region 2, the film is available with English subtitles in the La jetée/Sans soleil digipack released by Arte Video. In Region 1, the Criterion Collection has released a La jetée/Sans soleil combination DVD, which features the option of hearing the English or French narration.
The scene in which the hero and the woman look at a cut-away trunk of a tree is a reference to Alfred Hitchcock's 1958 film Vertigo, which Marker also references in Sans soleil.[4]
Terry Gilliam's Twelve Monkeys (1995) was inspired by, and takes several concepts directly from, La jetée. In 1996, Zone Books released a book version of La jetée.[5] It reproduced the film's original images along with the script in both English and French and is now out of print,[6] though it was re-released in 2008 by Zone Books. The 2003 short film, La puppé, is both an homage to and a parody of La jetée.[7]
|
|||||||||||
|
|
Wikis
Quiz
Map
Search
