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First Little Orphan Annie Sunday page (November 2, 1924)

Little Orphan Annie is a daily American comic strip, created by Harold Gray (1894–1968), that first appeared on August 5, 1924. The title, suggested by an editor at the Chicago Tribune Syndicate, was inspired by James Whitcomb Riley's popular 1885 poem "Little Orphant Annie" which begins:

Little Orphant Annie's come to our house to stay,
An' wash the cups an' saucers up, an' brush the crumbs away . . .

It was eight years after Riley's death when Gray created his comic strip Little Orphan Otto (1924), and the Chicago Tribune's Joseph Patterson changed the title to Little Orphan Annie. Three years later, King Features came up with their own waif, Little Annie Rooney.

Contents

Characters and story

In Gray's storyline, Annie was an orphan whose only friends were her doll Emily Marie and, later, her dog Sandy. Her main physical characteristics are a mop of red, curly hair, a red dress and vacant circles for eyes. Her catch phrases are "Gee whiskers" and "Leapin' lizards!" Annie attributed her lasting youthfulness to the fact that she was born on Leap Day, February 29, and so only aged one year in appearance for every four years that passed.

She escaped from a Dickensian orphanage and made her way in the world by pluck, hard work and a cheery disposition. In 1925, she met Oliver Warbucks, an idealized capitalist who, at that time, resembled Jiggs of Bringing Up Father. Although Annie had been taken on trial by Warbuck's wife, it was he who showed her the most affection, insisting on their first meeting that she call him "Daddy".

However, Annie did not get on with Mrs. Warbucks and, feeling that she simply caused misery, ran away from home.[1] (Later, Mrs. Warbucks reformed her spoiled ways and still later disappeared from the strip, never to be mentioned again.) Annie would be separated from Daddy Warbucks on many occasions but they would always be reunited eventually.

Harold Gray

The name "War-bucks" appears to describe how Oliver made his fortune. After Annie (and maybe Sandy) he is the most important character in the strip. He earned his money by hard work and hates snobbery. He is tough but fair and pays his workers well. His servants love him. Warbucks is bald-headed, wears a tuxedo and a diamond stickpin in the middle of his white shirt.

Other major characters, introduced later in the strip, include Warbucks' right-hand men, Punjab, an eight-foot native of India, introduced in 1935, and the Asp, an inscrutably generalized East Asian, who first appeared in 1937. There was also the mysterious Mister Am, a friend of Warbuck's who wore a Santa Claus-like beard and was of a jovial personality. He claimed to have lived for millions of years and even had supernatural powers. Some strips hinted that he may even be God.

At first, the comic was humorous, aimed at children. Through the 1920s, the stories became more adventurous. By 1931, the strip was being read by many adults, and became more political. Story lines included one where Daddy Warbucks lost all his money, then lost his eyesight, then was thrown into prison. Annie had to fare for herself in a cold, cruel world.

Warbucks was able to bounce back, but subsequent stories would devise various ways to separate Annie from Daddy, leaving her to fend for herself. Then Annie would hit the road until Daddy showed up again. Often she was taken in by a poor but honest family.

After Gray's death in 1968, the strip continued under other cartoonists (including Gray's assistant Tex Blaisdell and David Lettick) but was replaced with reruns in 1974. Following the success of the Broadway musical Annie, the strip was resurrected in 1979 as Annie by Leonard Starr, creator of Mary Perkins, On Stage, and the only one besides Gray to achieve notable success with the strip.[2]

In 1995, Little Orphan Annie was one of 20 American comic strips included in the Comic Strip Classics series of commemorative U.S. postage stamps.

Upon Starr's retirement in 2000, he was succeeded by New York Daily News writer Jay Maeder and artist Andrew Pepoy, beginning Monday, June 5, 2000. Pepoy was eventually succeeded by Alan Kupperberg (2002–2004) and Ted Slampyak (2004-).

Controversy

Cupples & Leon strip collection (1933)

By the 1930s, the strip had taken on a more adult and adventurous feel with Annie coming across killers, gangsters, spies and saboteurs.

It was also about this time that Gray, whose politics seem to have been either conservative or libertarian with a decided populist streak, introduced some of his more controversial storylines. He would look into the darker aspects of human nature, such as greed and treachery. The gap between rich and poor was an important theme. The strip (and Gray, in interviews) glorified the American business ethic of an honest day's work for an honest day's pay. His hatred of labor unions was dramatized in the 1935 story "Eonite". Other targets were the New Deal and communism. Despite the strip's pro-capitalist slant, corrupt businessmen often appeared as villains.

Gray was especially critical of the justice system, which he saw as not doing enough to deal with criminals. Thus, some of his storylines featured people taking the law into their own hands. This happened as early as 1927 in an adventure named "The Haunted House". In it, Annie is kidnapped by a gangster called Mister Mack. Warbucks rescues her and takes Mack and his gang into custody. He then contacts a local senator who owes him a favor. Warbucks persuades the politician to use his influence with the judge and make sure that the trial goes their way and that Mack and his men get their just deserts. Even Annie questions the use of such methods but concludes, "With all th' crooks usin' pull an' money to get off, I guess 'bout th' only way to get 'em punished is for honest police like Daddy to use pull an' money an' gun-men, too, an' beat them at their own game."

Warbucks became much more ruthless in later years. After catching yet another gang of Annie kidnappers he announced that he "wouldn't think of troubling the police with you boys", implying that while he and Annie celebrated their reunion, the Asp and his men took the kidnappers away to be lynched. In another Sunday strip, published during the Second World War, a war-profiteer expresses the hope that the conflict would last another 20 years. An outraged member of the public physically assaults the man for his opinion, claiming revenge for his two sons who have already been killed in the fighting. When a passing policeman is about to intervene, Annie talks him out of it, suggesting, "It's better some times to let folks settle some questions by what you might call democratic processes."

Some writers and editors took issue with this strip's criticisms of FDR's New Deal and 1930s labor unionism. The New Republic described Annie as "Hooverism in the Funnies", arguing that Gray's strip was defending utility company bosses then being investigated by the government.[3] The Herald Dispatch of Huntington, West Virginia stopped running Little Orphan Annie, printing a front page editorial rebuking Gray's politics.[4] A subsequent New Republic editorial praised the paper's move,[5] and The Nation likewise voiced its support.[6]

Junior Commandos

When the US entered World War II, Annie played her part by blowing up a German u-boat and scow. She later provided a more realistic helping-hand by setting up the Junior Commandos which were groups of children organized to collect tons of newspapers, scrap metal and other recyclable materials for the war effort. Annie herself wore an armband with "JC" on it and took on the title "Colonel" Annie.

In real-life the idea caught on and schools and parents were encouraged to set up similar groups. It is claimed that Boston alone had 20,000 Junior Commandos by late 1942.[7]

Editor & Publisher commented:

Harold Gray, Little Orphan Annie creator, has done one of the biggest jobs to date for the scrap drive. His "Junior Commando" project which he inaugurated some months ago, has caught on all around the country and tons of scrap have been collected and contributed to the campaign. The kids sell the scrap, and the proceeds are turned into stamps and bonds.

Radio

Beginning when she was ten years old, Chicago actress Shirley Bell Cole (born 1920) starred on radio's Little Orphan Annie from 1930 to 1940. In 2007, she continued to make personal appearances talking about her experiences on the radio show. Her memoir, Acting Her Age: My Ten Years as a Ten-Year-Old (2005), won two awards at the Chicago Book Clinic's Book and Media Show.

From 1931 to 1933, the radio show had two different casts, one in Chicago and one in San Francisco, daily performing the same scripts, many written by Ferrin Fraser. Floy Hughes portrayed Annie in the West Coast version.

Little Orphan Annie began in 1930 in Chicago on WGN (720), and on April 6, 1931, with Ovaltine as the sponsor, the 15-minute series graduated to the Blue Network. Airing six days a week at 5:45 pm, it was the first late-afternoon children's radio serial, and as such, it created a sensation with its youthful listeners, continuing until October 30, 1936. During a contract dispute with Shirley Bell, Annie was briefly played by Bobbe Dean in 1934–35. Pierre Andre (1899–1962) was the show's announcer. Other actors on the series were Finney Briggs (1891–1978) and Andrew Stanton. Allan Baruck (and later Mel Torme) portrayed Joe Corntassel. The program's organist was Leonard Salvo (1898–1985), who also provided the music for The Cisco Kid and The Billie Burke Show.[8]

The show opened with a theme song sung by Pierre Andre (as Uncle Andy). This song took on a popularity of its own with its oft-quoted lyrics:

In this posed publicity photo for radio's Little Orphan Annie, Joe Corntassel (Allan Baruck) watches as Annie (Shirley Bell) embraces her dog Sandy.
Who's that little chatter box?
The one with pretty auburn locks?
Whom do you see?
It's Little Orphan Annie.
She and Sandy make a pair,
They never seem to have a care!
Cute little she,
It's Little Orphan Annie.
Bright eyes, cheeks a rosy glow,
There's a store of healthiness handy.
Mite-size, always on the go,
If you want to know - "Arf", says Sandy.
Always wears a sunny smile,
Now, wouldn't it be worth a while,
If you could be,
Like Little Orphan Annie?

The song led to the catch phrase, "Arf says Sandy," sometimes given as "Arf goes Sandy." With Ovaltine still on board as sponsor, NBC carried the show from November 2, 1936 until January 19, 1940, and concurrent broadcasts were also carried at 5:30 pm on Mutual in 1937-38. In 1940, Ovaltine dropped sponsorship of the show to pick up Captain Midnight, an aviation oriented show more in tune with the increasing international tensions as World War II started in Europe and the Orient. The announcer Pierre Andre had a strong identification with the sponsor's product and thus continued as the announcer of Captain Midnight.

Sponsored by Quaker Puffed Wheat Sparkies, the show moved to Mutual for its final run from January 22, 1940 to April 26, 1942. Janice Gilbert portrayed Annie from 1940 to 1942. A new character, dashing aviator Captain Sparks, was introduced, and Annie became his sidekick. Despite the program's popularity, few episodes have survived.

The radio program and the Ovaltine sponsorship were directly referenced in Jean Shepherd's novel In God We Trust, All Others Pay Cash and companion movie A Christmas Story, which used an actual 1940 Orphan Annie decoder badge as a prop.

Broadway and films

Producer David O. Selznick made the first film adaptation of the strip with RKO's Little Orphan Annie (1932), starring Mitzi Green as Annie and Edgar Kennedy as Warbucks. Ann Gillis had the title role in Paramount's Little Orphan Annie (1938), scripted by Budd Schulberg and others.

In 1977, Little Orphan Annie became a Broadway musical, Annie, with music by Charles Strouse, lyrics by Martin Charnin and book by Thomas Meehan. The original production ran from April 21, 1977 to January 2, 1983. There have been other international productions, and the musical has been filmed several times, notably the 1982 version directed by John Huston and starring Albert Finney as Warbucks, Aileen Quinn as Annie, Ann Reinking as Grace Farrell (Warbucks's secretary) and Carol Burnett as Miss Hannigan, matron of the orphanage. The story took considerable liberties from the strips, such as having Oliver Warbucks visit Franklin D. Roosevelt (and wife Eleanor, in the 1982 film) at the White House and reluctantly support his New Deal. Harold Gray deeply loathed Roosevelt and at one point killed the Warbucks character, declaring that he could not live in the current climate. Upon Roosevelt's death he suddenly brought Warbucks back, proclaiming that the air had changed. In 1999, Annie was turned into a musical-comedy TV movie, Annie, for The Wonderful World of Disney.

The Broadway Annies were Andrea McArdle, Shelley Bruce, Sarah Jessica Parker, Allison Smith and Alyson Kirk. Notable actresses who portrayed Miss Hannigan are Dorothy Loudon, Alice Ghostley, Betty Hutton, Ruth Kobart, Marcia Lewis, June Havoc, Nell Carter and Sally Struthers. Famous songs from the musical include "Tomorrow" and "It's the Hard Knock Life."

There is also the children's version of Annie, Annie jr.

Parodies and cultural citations

The strip lent itself easily to parody, which was taken up by both Walt Kelly in Pogo (as "Little Arf 'n Nonnie", and later, "Lulu Arfin' Nanny" ) and by Al Capp in Li'l Abner, where Punjab became Punjbag, an oleaginous slob. Harvey Kurtzman and Wally Wood satirized the strip in Mad as "Little Orphan Melvin", and later Kurtzman produced a long-running series for Playboy Magazine called Little Annie Fanny in which the lead character is a busty, voluptuous waif who continually loses her clothes and falls into strange sexual situations. Children's television host Chuck McCann became well-known in the New York/New Jersey market for his imitations of cartoon characters; McCann put blank white circles over his eyeballs during his over-the-top impression of Annie.

The 1980s children's television program You Can't Do That on Television in its later banned "Adoption" episode, parodied the character as "Little Orphan Andrea". Andrea, like Annie, sported curly red hair and a red dress but unlike her, was a very naughty orphan who had a habit of beating up other kids. A less well-known (or rather, notorious) example was the 'Daddy Fleshbucks' side-story from American Flagg!. The title was parodied in The Simpsons' episode Little Orphan Millie. In the early 1970s, a flavored ice treat for children called Otter Pops (with cartoon otters as flavored mascots such as "Alexander the Grape") featured a character dubbed "Little Orphan Orange."

Jay-Z has referenced Little Orphan Annie in at least two of his songs.[9][10]

Pathology eponym

"Orphan Annie eye" (empty or "ground glass") nuclei are a characteristic histological finding in papillary carcinoma of the thyroid gland.

Archives and legacy

Harold Gray's work is in the Special Collections Dept. at the Boston University Library. The Gray collection includes artwork, printed material, correspondence, manuscripts and photographs. Gray’s original pen and ink drawings for Little Orphan Annie daily strips date from 1924 to 1968. The Sunday strips date from 1924 to 1964. Printed material in the collection includes numerous proofs of Little Orphan Annie daily and Sunday strips (1925-68). Most of these are in bound volumes. There are proofsheets of daily strips of Little Orphan Annie from the Chicago Tribune-NewYork Times Syndicate, Inc. for the dates 1943, 1959-61 and 1965-68, as well as originals and photocopies of the printed versions of Little Orphan Annie, both daily and Sunday strips. [11]

Little Orphan Annie inspired a British imitation, Belinda, which ran from 1936 to 1959. It was published in the UK newspaper Daily Mirror.

Episode guide

Leonard Starr's Little Orphan Annie
  • 1924: From Rags to Riches (and Back Again); Just a Couple of Hurried Bites
  • 1925: The Silos; Count De Tour
  • 1926: School of Hard Knocks; Under the Big Top; Will Tomorrow Never Come?
  • 1927: The Blue Bell of Happiness; Haunted House; Other People's Troubles
  • 1928: Sherlock, Jr.; Mush and Milk; Just Before the Dawn
  • 1929: Farm Relief; Girl Next Door; One Blunder After Another
  • 1930: Seven Year Itch; The Frame, the Farm & the Flood; Shipwrecked
  • 1931: Busted!; Good Neighbor Policy; Down, But Not Out; And a Blind Man Shall Lead Them; Distant Relations; A Hundred to One
  • 1932: Don't Mess with Cupid; They Call Her Big Mama; A House Divided; Cosmic City
  • 1933: Pinching Pennies; Retribution; Dan Ballad
  • 1934: The Bleeks; Prison!
  • 1935: Eonite; Hollywood
  • 1936: Jack Boot; Ginger
  • 1937: Boris Sirob; Mr. Am
  • 1938: The Brittlewits; Rose Chance
  • 1939: The Buckles, Axel's Captive

Reprints

  • Between 1926–34, Cupples & Leon published nine collections of Annie strips:
  1. Little Orphan Annie (1925 strips, reprinted by Dover and Pacific Comics Club)
  2. In the Circus (1926 strips, reprinted by Pacific Comics Club)
  3. Haunted House (1927 strips, reprinted by Pacific Comics Club)
  4. Bucks the World (1928 strips, reprinted by Pacific Comics Club and in Nemo #8)
  5. Never Say Die (1929 strips, reprinted by Pacific Comics Club)
  6. Shipwrecked (1930 strips, reprinted by Pacific Comics Club)
  7. A Willing Helper (1931 strips, reprinted by Pacific Comics Club)
  8. In Cosmic City (1932 strips, reprinted by Dover)
  9. Uncle Dan (1933 strips, reprinted by Pacific Comics Club)
  • Arf: The Life and Hard Times of Little Orphan Annie (1970): reprints approximately half the daily strips from 1935-1945. However, many of the storylines are edited and shortened, with gaps of several months between some strips.
  • Dover Publications reprinted two of the Cupples & Leon books and an original collection Little Orphan Annie in the Great Depression which contains all the daily strips from January to September, 1931.
  • Pacific Comics Club has reprinted eight of the Cupples & Leon books. They have also published a new series of reprints, with complete runs of daily strip, in the same format at the C&L books, covering some of the daily strips from 1925 to 29:
  1. The Sentence, 1925 strips
  2. The Dreamer, strips from January 22 1926 to April 30, 1926
  3. Daddy, strips from September 6, 1926 to December 4, 1926.
  4. The Hobo, strips from December 6, 1926 to March 5, 1927.
  5. Rich Man, Poor Man, strips from March 7, 1927 to May 7, 1927.
  6. The Little Worker, strips from October 8, 1927 to December 21, 1927.
  7. The Business of Giving, strips from November 23, 1928 to March 2, 1929.
  8. This Surprising World, strips from March 4, 1929 to June 11, 1929.
  9. The Pro and the Con, strips from June 12, 1929 to September 19, 1929.
  10. The Man of Mystery, strips from September 20, 1929 to December 31, 1929.

Considering both Cupples & Leon and Pacific Comics Club, the biggest gap is in 1928.

  • All of the daily and Sunday strips from 1931-1935 have been reprinted by Fantagraphics in the 1990s:
  1. 1931
  2. 1932
  3. 1933
  4. 1934
  5. 1935
  • Picking up where Fantagraphics left off, Comics Revue magazine began reprinting both daily and Sunday strips starting in Comics Revue #167. (As of 2009, reprinting 1940.)
  • Pacific Comics Club reprinted approximately the first six months of the strips from Comics Reuve, under the title Home at Last, December 29, 1935 to April 5, 5, 1936.
  • Dragon Lady Press reprinted daily and Sunday strips from September 3, 1945 to February 9, 1946.
  • In 2008, IDW Publishing started a new reprint series The Complete Little Orphan Annie, under their imprint "The Library of American Comics". [2]
  1. Will Tomorrow Ever Come? (daily strips, August 1924 - October 1927) [3]
  2. Darkest Hour is Just before the Dawn (daily strips, October 1927 - December 1929; Sundays 1928)
  3. And a Blind Man Shall Lead Them (daily strips, December 1929 - December 1931; Sundays April, 1930 - December 1931)
  4. A House Divided (or Does Fate Trick Trixie?) (dailies and Sundays, January 1932 - July 1933)
  5. The One-way Road to Justice (dailies and Sundays, July 1933 - February 1935) April 2010

Audio

Footnotes

  1. ^ Little Orphan Annie Sunday page, 1925
  2. ^ Starr, Leonard. Annie (week of December 3, 1979)
  3. ^ Neuberger, Richard L., The New Republic July 11, 1934, p. 23)
  4. ^ Clendenin, James. Herald Dispatch, date?, p.1
  5. ^ "Fascism in the Funnies", The New Republic, September 18, 1935, p. 147
  6. ^ "Little Orphan Annie", The Nation, October 23, 1935
  7. ^ Little Orphan Annie: The War Years, 1939-1945 or Heroism on the Home Front by Susan Houston [1]
  8. ^ Salomonson, Terry. "Juvenile Radio Programs"
  9. ^ "Brooklyn (Go Hard)"
  10. ^ "Dirt off Your Shoulder"
  11. ^ Boston University: Howard Gotlieb Archive Research Center: Harold Gray Collection

References

External links


Quotes

Up to date as of January 14, 2010

From Wikiquote

Little Orphan Annie is a comic strip by Harold Gray that ran from 1924 to 1968.

1948

Annie: But he hates you...don't you hate him?
Daddy Warbucks: Hate? Oh, no, Annie...it's not that I'm a Pollyanna, or so good I can't hate...But I guess I'm just too busy to have time for hate...Anyway, I've noticed that people who spend a lot of time hating seldom amount to much...I'm always aimed to amount to something...
March 20th, 1948
Daddy Warbucks: Money? It's the easiest thing in the world to get if you're sure that's what you really want...I'm sure! For only with money can we get the real things that count...So what's wrong with making money? Happy, prosperous people never start wars...but they win them...
March 21st, 1948
Punjab: But Sahib! Give Axel a trial! You can prove he is an evil man...
Daddy Warbucks: Oh, sure...set ourselves up as judges of what is sin and what is virtue...
Punjab: But what is right is right, Sahib...
Daddy Warbucks: That's the way Atilla the Hun figured...He was right...All his enemies wrong...So he murdered millions...In the name of justice, of course...
March 24th, 1948
Daddy Warbucks: Well Axel...do you still refuse to play ball with me, to help your people to the same living level that my people enjoy...
Axel: Bah! Who cares for the "great gray mass" of the stupid pee-pul?
Daddy Warbucks: Eh? But don't you preach the great equality?
Axel: Preach it? Of course! But live it? Do you think me a fool? If so, you are the great fool, Warbucks! Ha! You are the April Fool!
Daddy Warbucks: I am? Well, well, well....If I am, I'm doing OK....How are you doing, Axel?
April 1st, 1948
Annie: "Armistice Day"...Gee...The end of "The war to end all wars"...Way back in 1918...What a gag...But not th' kind o' gag yuh feel like laughin' about...I hear they used to celebrate "Armistice Day"...Big parades! Well, we had lots bigger parades later on...Millions and millions o' men...Marchin' to war...A bigger war...Maybe some day the world will have peace that'll last...Maybe some day people will quit tryin' to beat their ideas into other people's heads...Maybe...That'd be a nice switch...
November 11th, 1948







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