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Loreena McKennitt

Background information
Birth name Loreena Isabel Irene McKennitt
Born 17 February 1957 (1957-02-17) (age 53)
Morden, Manitoba, Canada
Genres Celtic, World, New Age
Occupations Musician, Songwriter, Producer
Instruments Voice, Piano, Harp, Accordion
Years active 1985 - Present
Labels Quinlan Road
Warner Bros. Records
Verve Forecast/Universal Records

Loreena Isabel Irene McKennitt, CM, OM, (born February 17, 1957) is a Canadian singer, composer, harpist and pianist most famous for writing, recording and performing world music with Celtic and Middle Eastern themes. McKennitt is known for her refined, warbling soprano vocals.[1] She has sold more than 13 million records worldwide.[2]

Contents

Early life

McKennitt was born in Morden, Manitoba of Irish and Scottish descent to parents Jack and Irene McKennitt (a livestock dealer and a nurse, respectively). She moved to Stratford, Ontario in 1981, where she currently resides.

When Loreena was young she wanted to become a veterinarian but she found that music chose her rather than she it.[3] Developing a passion for Celtic music, she learned to play the Celtic harp and began busking at various places, one well known place being St. Lawrence Market in Toronto in order to earn money needed for publishing her first album.[4]

Career

Her first album, Elemental, was released in 1985, followed by To Drive the Cold Winter Away (1987), Parallel Dreams (1989), The Visit (1991), The Mask and Mirror (1994), A Winter Garden (1995), The Book of Secrets (1997), An Ancient Muse (2006) and A Midwinter Night’s Dream (2008). All of her work is released under her own label, Quinlan Road.

In 1993, her music became known to a wider audience when she toured Europe supporting Mike Oldfield. In 1995, her version of the traditional Irish song "Bonny Portmore" was prominently featured in the Highlander series, causing a large increase of album sales among fans of the films[citation needed]. McKennitt's single "The Mummers' Dance" was a widespread success, receiving considerable airplay in North American markets during the spring of 1997, and was used as the theme song for the short-lived TV series, Legacy.

Her music appeared in the movies The Santa Clause, Soldier, Jade, Holy Man, The Mists of Avalon, Tinkerbell, and in the television series Roar and Due South and Full Circle (Women and Spirituality).

Personal life

In 1998, McKennitt's fiancé, Ronald Rees; his brother Richard (not the British actor); and their close friend Gregory Cook, drowned during a boating incident on Georgian Bay. She was deeply affected by the event and subsequently founded the Cook-Rees Memorial Fund for Water Search and Safety in the same year.

At the time of the incident, she was working on an album of two live performances called Live in Paris and Toronto. The proceeds from the sales of that album were donated to the newly created fund, totaling some three million dollars.[5] After the release of the live album, McKennitt decided to substantially reduce the number of public performances and did not release any new recordings until the studio album An Ancient Muse in 2006.

Honors

Genre and work

McKennitt's music has generally been classified as World / Celtic music even though it contains aspects and characteristics of music from around the globe and is sometimes classified as Folk music in record stores.[citation needed]

Before McKennitt composes any music, she engages in considerable research on a specific subject which then forms the general concept of the album.[citation needed] Before creating Elemental and Parallel Dreams, she traveled to Ireland for inspiration from the country's history, folklore, geography and culture. The album The Mask and Mirror was preceded by research in Spain where she engaged in studying Galicia, a Celtic section of Spain, along with its abundant Arabic roots.[citation needed] The result was an album including elements of Celtic and Arabic music. According to the notes of her latest album, An Ancient Muse was inspired primarily by travels among and reading about the various cultures along the Silk Road.

McKennitt is compared to Enya[citation needed], but McKennitt's music is more grounded in traditional and classical invocations[citation needed], using literary works as sources of lyrics and springboards for interpretation such as "The Lady of Shalott" by Lord Tennyson, "Prospero's Speech" (the final soliloquy in William Shakespeare's The Tempest), "Snow" by Archibald Lampman, "Dark Night of the Soul" by St. John of the Cross, Dante's Prayer, William Blake's "Lullaby", Yeats' "The Stolen Child", and "The Highwayman" by Alfred Noyes.

Court case

In 2005, McKennitt was involved in an acrimonious court case in England when her former friend and employee, Niema Ash, published a book which contained intimate details of their friendship. McKennitt argued that much of the book contained confidential personal information, which Ash had no right to publish. The English courts found that there had indeed been a breach of confidence and a misuse of McKennitt's private information, and the case is likely to set important precedents in English law on the privacy of celebrities.[6] The House of Lords affirmed the lower court's decisions in 2007.

2006 and since

In September 2006, McKennitt performed live at the Alhambra. The performance premiered on PBS and in August 2007 was released on a three-disc DVD/CD set entitled Nights from the Alhambra.

In 2008, McKennitt composed the song entitled To The Fairies They Draw Near as the theme song for Disney's direct to video animated film Tinker Bell. The film makers were so impressed with her, that they asked her to do the narration for the film.[7]

In the Spring of that same year, she returned to Peter Gabriel's Real World Studios to record A Midwinter Night’s Dream, an extended version of A Winter Garden (1995). The album was released on October 28.[8]

Since the release of An Ancient Muse Loreena has toured consistently, with a European and North American tour in the Spring of 2007, an extensive cross Canada and United States tour in the fall of 2007, a summer tour of Europe in 2008 and a Mediterranean tour in the summer of 2009, with stops in Greece (concerts were postponed, but finally held in late June)[9], Turkey, Cyprus, Lebanon, Hungary and Italy.

On September 17, 2009, through her facebook and website, Loreena announced that in the fall of 2009, she will be releasing a Two Disc set entitled "A Mediterranean Odyssey"

The first CD, From Istanbul to Athens, consists of ten new live recordings made during Loreena’s 2009 Mediterranean Tour, including songs that have never before been recorded in concert. It will also include a twenty-four-page, lavishly illustrated booklet featuring on-location photographs captured during the 2009 Tour.

The second CD, The Olive and the Cedar, has a Mediterranean theme curated by Loreena herself. It contains previously released studio recordings created between the years of 1994 and 2006.

Documentaries

McKennitt created No Journey's End, a half-hour documentary, for American television. In it, she discusses the influences behind her music. No Journey's End contains excerpts from several songs from the albums Parallel Dreams, The Visit, and The Mask and Mirror. It also shows live performances of the songs "The Lady of Shalott", "Santiago", and "The Dark Night of the Soul". It was later released as both a DVD and VHS, the former also containing music videos for "The Mummers' Dance" and "The Bonny Swans". A bonus copy of the DVD was included with the 2004 remastered versions of McKennitt's CDs.

In 2008, Loreena released A Moveable Musical Feast, a unique souvenir of Loreena McKennitt’s 2007 An Ancient Muse tour with a rare backstage look. The DVD includes interviews with Loreena, her band, crew, fans and professional colleagues from the Canadian music industry. Loreena and her fellow travellers describe their stories of how her show ‘goes up’, discuss the joys and challenges of their nomadic life when ‘on the road’ and share their thoughts on the creative relationships they have with each other, the music and the audience.

Discography

Albums

Live Albums

Compilations

  • The Best of Loreena McKennitt (1997)
  • A Mummers' Dance Through Ireland (2009)
  • A Mediterranean Odyssey (2009)

EPs

Singles

Videos

  • The Mummers' Dance (1997)
  • The Bonny Swans
  • Loreena McKennitt: Nights from the Alhambra (2007, Live concert in Spain premiered on PBS)[11]
  • A Moveable Musical Feast (2008, A tour documentary from Loreena's 2007 North American Tour)[12]

Other

References

External links


Quotes

Up to date as of January 14, 2010

From Wikiquote

To be a catalyst is one of my life’s objectives.

Loreena McKennitt (born 17 February 1957) is a Canadian composer, songwriter, singer, harpist and pianist.

Contents

Sourced

  • May, 1993 - Stratford... have been reading through the poetry of 15th century Spain, and I find myself drawn to one by the mystic writer and visionary St. John of the Cross; the untitled work is an exquisite, richly metaphoric love poem between himself and his god. It could pass as a love poem between any two at any time ... His approach seems more akin to early Islamic or Judaic works in its more direct route to communication to his god... I have gone over three different translations of the poem, and am struck by how much a translation can alter our interpretation. I am reminded that most holy scriptures come to us in translation, resulting in a diversity of views.
    • Notes from McKennitt's journals in the CD booklet for The Mask and Mirror '
  • I have come to use the pan-Celtic history, which spans from 500 BC to the present, as a creative springboard. The music I am creating is a result of traveling down that road and picking up all manner of themes and influences, which may or may not be overtly Celtic in nature.

The Visit (1991)

All Souls Night

Music sample from Quinlan Road
Candles and lanterns are dancing, dancing
A waltz on All Souls Night.
The wind is full of a thousand voices
They pass by the bridge and me.
  • I can see lights in the distance
    Trembling in the dark cloak of night
    Candles and lanterns are dancing, dancing
    A waltz on All Souls Night.
  • Bonfires dot the rolling hillsides
    Figures dance around and around
    To drums that pulse out echoes of darkness
    And moving to the pagan sound.
  • Standing on the bridge that crosses
    The river that goes out to the sea
    The wind is full of a thousand voices
    They pass by the bridge and me.

The Old Ways

Music sample from Quinlan Road
A vision came o'er me
Of thundering hooves and beating wings
In clouds above.
  • The thundering waves are calling me home to you
    The pounding sea is calling me home to you
  • Suddenly I knew that you'd have to go
    Your world was not mine, your eyes told me so
    Yet it was there I felt the crossroads of time
    And I wondered why.
  • As we cast our gaze on the tumbling sea
    A vision came o'er me
    Of thundering hooves and beating wings
    In clouds above.
  • As you turned to go I heard you call my name,
    You were like a bird in a cage spreading its wings to fly
    "The old ways are lost," you sang as you flew
    And I wondered why.

The Mask and Mirror (1994)

The Mystic's Dream

Music sample from Quinlan Road
Where the heart moves the stones
It's there that my heart is calling
All for the love of you
  • A clouded dream on an earthly night
    Hangs upon the crescent moon
    A voiceless song in an ageless light
    Sings at the coming dawn
    Birds in flight are calling there
    Where the heart moves the stones
    It's there that my heart is calling
    All for the love of you
  • A painting hangs on an ivy wall
    Nestled in the emerald moss
    The eyes declare a truce of trust
    And then it draws me far away
    Where deep in the desert twilight
    Sand melts in pools of the sky
    When darkness lays her crimson cloak
    Your lamps will call me home
  • And so it's there my homage's due
    Clutched by the still of the night
    And now I feel you move
    Every breath is full
    So it's there my homage's due
    Clutched by the still of the night
    Even the distance feels so near
    All for the love of you.

The Dark Night of The Soul

An adaptation by McKennitt of the untitled mystic poem by St. John of the Cross which is usually known by this name. Music sample from Quinlan Road
  • Upon a darkened night the flame of love was burning in my breast
    And by a lantern bright I fled my house while all in quiet rest.

    Shrouded by the night and by the secret stair I quickly fled.
    The veil concealed my eyes while all within lay quiet as the dead.
  • Oh night thou was my guide
    Oh night more loving than the rising sun
    Oh night that joined the lover to the beloved one
    transforming each of them into the other.
  • Upon that misty night in secrecy, beyond such mortal sight
    Without a guide or light than that which burned so deeply in my heart
    That fire t'was led me on and shone more bright than of the midday sun
    To where he waited still it was a place where no one else could come.
  • Within my pounding heart which kept itself entirely for him
    He fell into his sleep beneath the cedars all my love I gave
    From o'er the fortress walls the wind would his hair against his brow
    And with its smoothest hand caressed my every sense it would allow.
  • I lost myself to him and laid my face upon my lover's breast
    And care and grief grew dim as in the morning's mist became the light
    There they dimmed amongst the lilies fair.

Celtic Women in Music interview (1999)

Interview in Celtic Women in Music : A Celebration of Beauty and Sovereignty (1999) by Mairéid Sullivan
  • There is a wonderful old Chinese proverb that I love, "A good traveler has no fixed plans and is not intent on arriving". I think about my personal approach to musical projects much like a travel writer might approach the preparation for a book. You latch on to a certain theme or historical event and follow that into the unknown, while, at the same time, expanding on those themes.
  • Until the early nineties, I was under the impression that the Celts were this mad collection of anarchists from Ireland, Scotland and Wales. When I saw an exhibition in Venice, I discovered they were a vast collection of tribes originating from Middle and Eastern Europe as far back as 500 BC, and that over the centuries they migrated and integrated with people all over the world. So I've used this cultural history as a creative muse. With The Book Of Secrets in particular, I was interested in beginning with their earlier and more Eastern history
  • One of the most wonderful and engaging things I've learned is that we are the culmination and extension of each other's histories and there is more that binds us together than separates us, and in discovering this, perhaps our needs are timeless and universal.
    I have a very deep interest in religion and spirituality. I like the Sufi perspective, which suggests that it is better to participate in the world than to become detached from the world.

External links

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