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Lorraine Hansberry

Born May 19, 1930(1930-05-19)
Chicago, Illinois
Died January 12, 1965 (aged 34)
New York City
Occupation playwright, author
Nationality United States

Lorraine Hansberry (May 19, 1930[1] – January 12, 1965) was an African American playwright and author of political speeches, letters, and essays.[2] Her best known work, A Raisin in the Sun, was inspired by her family's legal battle against racially segregated housing laws in the Washington Park Subdivision of the South Side of Chicago during her childhood.[3]

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Contents

Career

Hansberry attended the University of Wisconsin–Madison, but found college to be uninspiring and left in 1950 to pursue her career as a writer in New York City, where she attended The New School.[4] She worked on the staff of the Black newspaper Freedom under the auspices of Paul Robeson, and also worked with W. E. B. DuBois, whose office was in the same building.[5] A Raisin in the Sun was written at this time, and was a huge success. It was the first play written by an African-American woman to be produced on Broadway. At 29 years, she became the youngest American playwright and only the 5th woman to receive the New York Drama Critics Circle Award for Best Play.[6] While many of her other writings were published in her lifetime - essays, articles, and the text for the SNCC book The Movement, the only other play given a contemporary production was The Sign in Sidney Brustein's Window.[7]

Death

After a long battle with cancer, she died on January 12, 1965 at the age of 34.[8] According to James Baldwin, Hansberry was prescient about many of the increasingly troubling conditions in the world, and worked to remedy them with literature. Baldwin believed "it is not at all farfetched to suspect that what she saw contributed to the strain which killed her, for the effort to which Lorraine was dedicated is more than enough to kill a man."[9]

Other works

The Sign in Sidney Brustein's Window ran for 110 performances on Broadway[10] and closed the night she died. Her ex-husband Robert Nemiroff became the executor for several unfinished manuscripts.[8] He added minor changes to complete the play Les Blancs, which Julius Lester termed her best work, and he adapted many of her writings into the play, To Be Young, Gifted and Black, which was the longest-running Off-Broadway play of the 1968-1969 season.[11] It appeared in book form the following year under the title, To Be Young, Gifted and Black: Lorraine Hansberry in Her Own Words.

She left behind an unfinished novel and several other plays, including The Drinking Gourd and What Use Are Flowers?, with a range of content, from slavery to a post apocalyptic future.[8]

Raisin, a musical based on A Raisin in the Sun, opened in New York in 1973, winning the Tony Award for Best Musical, with the book by Nemiroff, music by Judd Woldin, and lyrics by Robert Britten.

A Raisin in the Sun was revived on Broadway in 2004 and received a Tony Award nomination for Best Revival of a Play. The cast included Sean "P Diddy" Combs as Walter Lee Younger Jr., Phylicia Rashad (Tony Award winner for Best Actress) and Audra McDonald (Tony Award winner for Best Featured Actress).[12] It was produced for television in 2008 with the same cast; the production garnered two NAACP Image awards.

Legacy

Hansberry contributed to the understanding of abortion, discrimination, and Africa. Less well known is the fact Hansberry was a closeted black lesbian. She joined the Daughters of Bilitis and contributed letters to their magazine, The Ladder, in 1957 that addressed feminism and homophobia.

In San Francisco, The Lorraine Hansberry Theatre, which specializes in original stagings and revivals of African-American theatre, is named in her honor. Singer and pianist Nina Simone, who was a close friend of Hansberry, used the title of her unfinished play to write a civil rights-themed song "To Be Young, Gifted and Black" together with Weldon Irvine. The single reached the top 10 of the R&B charts.[13] A studio recording by Simone was released as a single and the first live recording on October 26, 1969 was captured on Black Gold (1970).

Her grandniece is actress Taye Hansberry. Her cousin is the flautist, percussionist and composer Aldridge Hansberry. Lincoln University's first-year female dormitory is named Lorraine Hansberry Hall.[14] There is a school in the Bronx called Lorraine Hansberry Academy and an elementary school in St. Albans, New York named after the famous author and playwright.

In 2002, scholar Molefi Kete Asante listed Lorraine Hansberry on his list of 100 Greatest African Americans.[15]

Both A Raisin in the Sun and A Sign in Sidney Brustein's Window are staples of high school English classrooms. A Raisin in the Sun famously opens with Langston Hughes' poem "Harlem".

Works

  • A Raisin in the Sun (1959)
  • A Raisin in the Sun (film), screenplay (1961)
    • A Raisin in the Sun (TV film), produced (2008)
  • On Summer (Essay) (19??)
  • The Drinking Gourd (1960)
  • The Movement: Documentary of a Struggle for Equality (1964)
  • The Sign in Sidney Brustein's Window (1965)
  • To Be Young, Gifted and Black: Lorraine Hansberry in Her Own Words (1969)
  • Les Blancs: The Collected Last Plays / by Lorraine Hansberry Edited by Robert Nemiroff (1994)

Bibliography

  • James, Rosetta. Cliff Notes on Hansberry’s A Raisin in the Sun. Lincoln, Nebraska: Cliff Notes Inc., 1992
  • Toussaint - This fragment from a work in progress, unfinished at the time of Ms. Hansberry's untimely death, deals with a Haitian plantation owner and his wife whose lives are soon to change drastically as a result of the revolution of Toussaint L'Ouverture. (From the Samuel French, Inc. catalogue of plays)

See also

Notes

  1. ^ Carter 1980, p40.
  2. ^ Lipari, Lisbeth. "Queering the borders: Lorraine Hansberry’s 1957 Letters to The Ladder" Paper presented at the annual meeting of the International Communication Association, Marriott Hotel, San Diego, CA, May 27, 2003 Online <.PDF>. 2008-06-28 <http://www.allacademic.com/meta/p112109_index.html>
  3. ^ Carter, Stephen R., Commitment Amid Complexity: Lorraine Hansberry's Life in Action, MELUS (The Society for the Study of the Multi-Ethnic Literature of the United States), Vol. 7, Issue 3, at 39,40-41 (Autumn 1980), available at <http://www.jstor.org/stable/467027> (subscription required).
  4. ^ Cite error: Invalid <ref> tag; no text was provided for refs named Carter_1980.2C_p._41; see Help:Cite error.
  5. ^ Carter 1980, p. 41
  6. ^ Carter 1980, p42
  7. ^ Carter 1980, p43
  8. ^ a b c Carter 1980, p. 43.
  9. ^ Baldwin, James, Sweet Lorraine, introduction to Hansberry, Lorraine, To Be Young, Gifted and Black: An Informal Autobiography (Signet Paperback 1970), pxiv, ISBN 0451159527.
  10. ^ Internet Broadway Database: The Sign in Sidney Brustein's Window Production Creditsibdb.com
  11. ^ Les Blancs: The Collected Last Plays of Lorraine Hansberry, Introduction
  12. ^ [1]raisinonbroadway.com
  13. ^ The Nina Simone Web, "To Be Young, Gifted and Black" (1969)
  14. ^ Lincoln University website
  15. ^ Asante, Molefi Kete (2002). 100 Greatest African Americans: A Biographical Encyclopedia. Amherst, New York. Prometheus Books. ISBN 1-57392-963-8.

References

External links


Quotes

Up to date as of January 14, 2010

From Wikiquote

Children see things very well sometimes — and idealists even better.
I wish to live because life has within it that which is good, that which is beautiful and that which is love.

Lorraine Hansberry (19 May 1930 – 12 January 1965) was an American playwright.

Contents

Sourced

  • A woman who is willing to be herself and pursue her own potential runs not so much the risk of loneliness as the challenge of exposure to more interesting men — and people in general.
    • As quoted in Wild Women Talk Back : Audacious Advice for the Bedroom, Boardroom, and Beyond (2004) by Autumn Stephens, p. 15

A Raisin in the Sun (1959)

  • I look at you and I see the final triumph of stupidity in the world!
    • Beneatha to Walter, Act III
  • Children see things very well sometimes — and idealists even better.
    • Asagai to Beneatha, Act III
  • Don't get up. Just sit a while and think. Never be afraid to sit a while and think.
    • Asagai to Beneatha, Act III
  • There is always something left to love. And if you ain't learned that, you ain't learned nothing. Have you cried for that boy today? I don't mean for yourself and for the family 'cause we lost the money. I mean for him; what he's been through and what it done to him. Child, when do you think is the time to love somebody the most; when they done good and made things easy for everybody? Well then, you ain't through learning — because that ain't the time at all. It's when he's at his lowest and can't believe in hisself 'cause the world done whipped him so. When you starts measuring somebody, measure him right child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.
    • Mama, Act III

To Be Young, Gifted and Black (1969)

To Be Young, Gifted and Black : Lorraine Hansberry in Her Own Words (1969)
  • I wish to live because life has within it that which is good, that which is beautiful and that which is love. Therefore, since I have known all of these things, I have found them to be reason enough and — I wish to live. Moreover, because this is so, I wish others to live for generations and generations and generations.
    • p. 100
  • Eventually it comes to you: the thing that makes you exceptional, if you are at all, is inevitably that which must also make you lonely.
    • p. 137

External links

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