A MacGuffin (sometimes McGuffin) is "a plot element that catches the viewers' attention or drives the plot of a work of fiction".[1]
Sometimes, the specific nature of the MacGuffin is not important to the plot such that anything that serves as a motivation serves its purpose. The MacGuffin can sometimes be ambiguous, completely undefined, generic or left open to interpretation.
The MacGuffin is common in films, especially thrillers. Commonly, though not always, the MacGuffin is the central focus of the film in the first act, and later declines in importance as the struggles and motivations of characters play out. Sometimes the MacGuffin is even forgotten by the end of the film.
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The director and producer Alfred Hitchcock popularized both the term "MacGuffin" and the technique. According to the Oxford English Dictionary, Hitchcock explained the term "McGuffin" in a 1939 lecture at Columbia University: "[We] have a name in the studio, and we call it the 'MacGuffin'. It is the mechanical element that usually crops up in any story. In crook stories it is almost always the necklace and in spy stories it is most always the papers".
Interviewed in 1966 by François Truffaut, Alfred Hitchcock illustrated the term "MacGuffin" with this story:[2]
Hitchcock related this anecdote in a television interview for Richard Schickel's documentary The Men Who Made the Movies. Hitchcock's verbal delivery made it clear that the second man has thought up the MacGuffin explanation as a roundabout method of telling the first man to mind his own business. According to author Ken Mogg, screenwriter Angus MacPhail, a friend of Hitchcock's, may have originally coined the term.[3]
On the commentary soundtrack to the 2004 DVD release of Star Wars, writer and director George Lucas describes R2-D2 as "the main driving force of the movie ... what you say in the movie business is the MacGuffin ... the object of everybody's search".[4] In TV interviews, Hitchcock defined a MacGuffin as the object around which the plot revolves, but, as to what that object specifically is, he declared, "the audience don't care".[5] Lucas, on the other hand, believes that the MacGuffin should be powerful and that "the audience should care about it almost as much as the dueling heroes and villains on-screen".[6]
The term has lent itself to at least one "in" joke: in Mel Brooks' film High Anxiety, which parodies many Hitchcock films, a minor plot point is advanced by a mysterious phone call from a "Mr. MacGuffin". Further, it has been adopted as the name of a game development studio as a reference to a design object which forces interactivity onto a narrative.[7]
MacGuffins in television include the Rambaldi device in Alias[25], the "orb" in The Adventures of Brisco County, Jr.[26].
Macguffins found in Literature include the TV set in Wu Ming's novel 54[27][28] and the container in William Gibson's Spook Country.[29]
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Used by Alfred Hitchcock.
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MacGuffin (plural MacGuffins)
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