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Madame Sul-Te-Wan
Born	Nellie Crawford March 7, 1873(1873-03-07) Louisville, Kentucky, U.S.
Died	February 1, 1959 (aged 85) Woodland Hills, Los Angeles, California, U.S.
Other name(s)	Sul-Te-Wan Madame Sultewan Madame Wan
Occupation	Actress
Years active	1915–1958

Madame Sul-Te-Wan (March 7, 1873 – February 1, 1959) was an American actress. The daughter of freed slaves, she began her career in entertainment touring the east coast with various theatrical companies and moved to California to become a member of the fledgling film community. She became known as a character actress, appeared in high profile films such as Birth of a Nation (1915) and Intolerance (1916), and easily navigated the transition to the "talkies".

In an age when film roles for African Americans were limited, Madame was consistently employed in the industry as stereotypical slaves, mammies, and native witch women. She appeared in King Kong (1933) as the native handmaiden and was critically praised for her performance as Tituba in Maid of Salem (1937). Her appearance in Carmen Jones (1954) excited the rumor she was star Dorothy Dandridge's grandmother. Her last role was the charm vendor in The Buccaneer (1958).

Madame Sul-Te-Wan was married twice and the mother of three sons. She died of a stroke in February 1959 and was buried in Valhalla Memorial Park Cemetery in North Hollywood. Her career spanned over five decades, and, in 1986, she was inducted into the the Black Filmmakers Hall of Fame. Sul-Te-Wan was the first African American actor, male or female, to sign a film contract and be a featured performer.^[1]

Early life

Born Nellie Crawford^[2] in Louisville, Kentucky, USA, her parents were freed slaves. Her father, Silas Crawford, left the family early in Sul-Te-Wan's life and her mother, Cleo De Londa, became a laundress who found employment working for Louisville stage actresses.^[3] The young Nellie became enchanted by watching the young actresses rehearse when she delivered laundry for her mother. Nellie moved to Cincinnati, Ohio, and joined a theatrical company called Three Black Cloaks, and began billing herself as Creole Nell. She also formed her own theatrical companies and toured the East Coast. After moving to California, Madame Sul-Te-Wan began her acting career in uncredited roles in director D.W. Griffith's controversial 1915 drama Birth of a Nation and the colossal 1916 epic Intolerance. Sul-Te-Wan had allegedly written Griffith a letter of introduction after hearing that Griffith was shooting a film in her hometown in Kentucky.

Sul-Te-Wan married Robert Reed Conley during the early 1900s and had three sons. Conley, however, abandoned the family soon after the birth of their third son.^[4] Her sons, Odel Conley and Onest Conley, would become actors and appear in several films during their careers, occasionally in films featuring their mother.

Early film career

Following her roles for Griffith, Madame Sul-Te-Wan followed up in 1916 with a role in the Anita Loos penned drama The Children Pay with the young actress Lillian Gish and in 1917 with Gish's sister Dorothy in the Edward Morrissey-directed drama Stage Struck.

Throughout the 1910s and 1920s, Madame Sul-Te-Wan would establish herself as a rather publicly recognizable character actress, most often appearing in "Mammy" roles alongside such popular actors of the silent film era as: Tom Mix, Leatrice Joy, Matt Moore, Mildred Harris, Harry Carey, Robert Harron and Mae Marsh. Some of her most memorable roles of the era were in the 1927 James W. Horne-directed Buster Keaton comedy College, and in the 1929 Erich von Stroheim-directed drama Queen Kelly, starring Gloria Swanson.

Madame Sul-Te-Wan transitioned into the talkie era with relative ease and continued to appear in high profile films alongside such prominent film actors as: Conrad Nagel, Barbara Stanwyck, Fay Wray, Richard Barthelmess, Jane Wyman, Luise Rainer, Melvyn Douglas, Lucille Ball, Veronica Lake and Claudette Colbert. However, as a black woman in the era of segregation, she was consistently limited to appearing in roles as minor characters who were usually convicts, "native women", or domestic servants, such as her role as a "Native Handmaiden" in the 1933 box-office hit King Kong. Despite the motion picture industry's limitations for African-American performers, Sul-Te-Wan worked consistently throughout the 1930s and 1940s.

In 1937, Sul-Te-Wan was cast in the memorable role of 'Tituba' in the film Maid of Salem, a dramatic retelling of the events surrounding of the Salem Witch Trials of 1692. The film starred Claudette Colbert, Fred MacMurray, Gale Sondergaard, Pedro de Cordoba and Louise Dresser and was rather financially successful and Sul-Te-Wan's performance garnered critical praise.

Later career

In 1954, Madame Sul-Te-Wan appeared in the Otto Preminger directed and nearly entirely African-American cast musical drama Carmen Jones opposite Dorothy Dandridge, Harry Belafonte, Diahann Carroll and Pearl Bailey as Dandridge's grandmother. The film marked a departure for Sul-Te-Wan, who after appearing onscreen for over four decades, was finally able to act in a role that was atypical of her usual "Mammy" roles. The pairing of Dandridge and Sul-Te-Wan in Carmen Jones spawned a still widely believed but erroneous rumor - that Sul-Te-Wan was Dandridge's actual grandmother (some allege that she is Dandridge's great-grandmother). However, there is no merit to the claim and the two women are unrelated.^[2]>

At age 77, Sul-Te-Wan married for the second time to French interior designer Antone Ebenthur. The marriage lasted three years.^[5] During the 1950s (Sul-Te-Wan now in her 80s), she continued to appear onscreen in a number of well-received films, albeit now mostly in smaller bit parts and often uncredited. Her last screen appearance came in the 1958 Anthony Quinn-directed adventure film The Buccaneer, starring Yul Brynner and Charlton Heston.

Death

Madame Sul-Te-Wan died after suffering a stroke at the age of 85 at the Motion Picture Actors' Home in Woodland Hills, California.^[6] She was interred at the Pierce Brothers' Valhalla Memorial Park Cemetery in North Hollywood, Los Angeles County, California.

Legacy and honors

Sul-Te-Wan was inducted in the the Black Filmmakers Hall of Fame in 1986.^[1]

Quotes

• "We never did discover the origin of her name. No one was bold enough to ask." - Lillian Gish.^[7]

Filmography

References

Sources

• The Ghost Walks: A Chronological History of Blacks in Show Business 1865-1910 by Henry T. Sampson, Scarecrow Press (Metuchen, NJ., 1988)
• Black Women in America An Historical Encyclopedia. Volumes 1 and 2. Edited by Darlene Clark Hine. Copyright 1993, Carlson Publishing Inc., Brooklyn, New York ISBN 0-926019-61-9

External links

• Madame Sul-Te-Wan at the Internet Movie Database
• Madame Sul-Te-Wan at the African American Registry
• NPR: Black Hollywood, Then and Now
• Madame Sul-Te-Wan at Find a Grave