Major Barbara is a three act play by George Bernard Shaw, written and premiered in 1905 and first published in 1907. Major Barbara has been called the most controversial of Shaw's works. His seeming criticism of Christianity and The Salvation Army caused some to accuse him of blasphemy, while others defended what they saw as his realistic presentation of religion.
An Officer of The Salvation Army, Major Barbara Undershaft, becomes disillusioned when her Christian denomination accepts money from an armaments manufacturer (her father) and a whisky distiller. She eventually decides that bringing a message of salvation to people who have plenty will be more fulfilling and genuine than converting the starving in return for bread.
Although Barbara initially regards the Salvation Army's acceptance of Undershaft's money as hypocrisy, Shaw did not intend that it should be thought so by the audience. Shaw wrote a preface for the play's publication, in which he derided the idea that charities should only take money from "morally pure" sources. He points out that donations can always be used for good, whatever their provenance, and he quotes a Salvation Army officer, "they would take money from the devil himself and be only too glad to get it out of his hands and into God's".
Lady Britomart, the daughter of a British earl, and her son Stephen discuss a source of income for her grown daughters Sarah, who is engaged to Charles Lomax, and Barbara, who is engaged to Adolphus Cusins (a scholar of Greek literature). Lady Britomart leads Stephen to accept her decision that they must ask her estranged husband, Andrew Undershaft, for financial help. Mr. Undershaft is a successful and wealthy businessman who has made millions of pounds from his munitions factory, which manufactures the world famous Undershaft guns, cannons, torpedoes, submarines and aerial battleships.
When their children were still small, the Undershafts separated; now grown up, the children have not seen their father since, and Lady Britomart has raised them by herself. During their reunion, Undershaft learns that Barbara is a Major in The Salvation Army who works at their shelter in West Ham, east London. Barbara and Mr. Undershaft agree that he will visit Barbara's Army shelter, if she will then visit his munitions factory.
When he visits the shelter, Mr. Undershaft is impressed with Barbara's handling of the various people who seek social services from the Salvation Army: she treats them with patience, firmness, and sincerity. Undershaft and Cusins discuss the question of Barbara's commitment to The Salvation Army, and Undershaft decides he must overcome Barbara's moral horror of his occupation. He declares that he will therefore "buy" the Salvation Army. He makes a sizeable donation, matching another donation from a whisky distiller. Barbara wants the Salvation Army to refuse the money because it comes from the armaments and alcohol industries, but her supervising officer eagerly accepts it. Barbara sadly leaves the shelter in disillusionment.
According to tradition, the heir to the Undershaft fortune must be an orphan who can be groomed to run the factory. Lady Britomart tries to convince Undershaft to bequeath the business to his son Stephen, but he will not. He says that the best way to keep the factory in the family is to find a foundling and marry him to Barbara. Later, Barbara and the rest of her family accompany her father to his munitions factory. They are all impressed by its size and organisation. Cusins declares that he is a foundling, and is thus eligible to inherit the business. Undershaft eventually overcomes Cusins' moral scruples about the nature of the business. Cusins' acceptance makes Barbara more content to marry him, not less, because bringing a message of salvation to the factory workers, rather than to London slum-dwellers, will bring her more fulfilment.
The play was first produced at the Royal Court Theatre in London in 1905 by J.E. Vedrenne and Harley Granville-Barker. Barker also played Cusins, alongside Clare Greet, Edmund Gwenn and Annie Russell.
In the summer of 1988, the Chichester Festival Theatre presented a production with Sir Donald Sinden as Andrew Undershaft, Anna Carteret as Barbara and Marc Sinden as Stephen Undershaft, directed by Christopher Morahan.
A production from 26 February to 3 July 2008 at the National Theatre featured Simon Russell Beale as Andrew Undershaft, Hayley Atwell as Barbara, Clare Higgins as Lady Britomart and Paul Ready as Cusins.
The play first opened on Broadway at the Playhouse Theatre December 9, 1915. There have been four Broadway revivals, 1928 at the Guild Theatre, 1956 at the Martin Beck Theatre and then the Morosco Theatre, 1980 at the Circle in the Square Theatre, and 2001 at the American Airlines Theatre.
The 1956 revival received the Tony Award for Best Stage Technician (Howard McDonald). It was nominated for Best Scenic Design (Donald Oenslager) and Best Costume Design (Dorothy Jenkins).
The 1980 revival received a Tony nomination for Reproduction (Play or Musical). (Theodore Mann: Artistic Director; Paul Libin: Managing Director).
Lady Britomart Undershaft was modelled on Rosalind Howard, Countess of Carlisle, the mother-in-law of Gilbert Murray, who with his wife Lady Mary served as inspiration for Adolphus Cusins and Barbara Undershaft.
Andrew Undershaft was loosely inspired by a number of figures, most notably the arms dealer Basil Zaharoff, and German armanents tycoon Siegfried Krupp. Undershaft's unscrupulous sale of weapons to any and all bidders, as well as his government influence and more pertinently his company's method of succession (to a foundling rather than a son), tie him especially to Krupp. Undershaft's sense of morality can be compared to the philosophy of Friedrich Nietzsche as well.
|Written 1905, Performed 1905, Published 1907.|
|This work is in the public domain in the United States because it was published before January 1, 1923. It may be copyrighted outside the U.S. (see Help:Public domain).|