The Man in the Moon is an imaginary figure resembling a human face, head or body, that observers from some cultural backgrounds typically perceive in the bright disc of the full moon. The figure is composed of the dark areas (the lunar maria, or "seas") and lighter highlands of the lunar surface.
In one common Western perception of the face, the figure's eyes are Mare Imbrium and Mare Serenitatis, its nose is Sinus Aestuum, and its open mouth is Mare Nubium and Mare Cognitum. An older European tradition sees a figure of a man (Maria Serenitatis, Tranquilitatis, Foecunditatis and Nectaris) carrying a wide burden (Mare Vaporum and Lacus Somniorum) on his back. He is sometimes seen as accompanied by a small dog (Mare Crisium). Conventionalized illustrations of the Man in the Moon often seen in Western art show a very simple face in the full moon, or a human profile in the crescent moon, corresponding to no actual markings.
"The Man in the Moon" can also refer to a mythological character said to live on or in the moon, but who is not necessarily represented by the markings on the face of the moon. An example is Yue-Laou, from Chinese tradition.
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There are various explanations as to how there came to be a Man in the Moon.
A longstanding European tradition holds that the man was banished to the moon for some crime. Christian lore commonly held that he is the man caught gathering sticks on the sabbath and sentenced by God to death by stoning in the book of Numbers XV.32-36[1][1]. Some Germanic cultures thought he was a man caught stealing from a neighbor's hedgerow to repair his own. There is a Roman legend that he is a sheep-thief.
One medieval Christian tradition claims him as Cain, the Wanderer, forever doomed to circle the Earth. Dante's Inferno[2] alludes to this:
This is mentioned again in his Paradise[3]:
There is also a Talmudic tradition that the image of Jacob is engraved on the moon[4], although no such mention appears in the Torah[5][2].
John Lyly says in the prologue to his Endymion (1591), "There liveth none under the sunne, that knows what to make of the man in the moone."
In Norse mythology, Máni is the man who pulls the Moon across the sky. He is continually pursued by the Great Wolf Hati who catches them both at Ragnarok. The name Máni simply means "Moon", but sounds very similar to the Old Norse for "human" mannligr.
In Haida mythology, the figure represents a boy gathering wood, who was taken up from the earth as a punishment for disrespect.[6]
Plutarch, in his treatise, Of the Face appearing in the roundle of the Moone, cites the poet Agesinax as saying of that orb,[8]
In the renaissance, the man in the moon was known as Moonshine and carries a lantern as a traditional accessory.
A Midsummer Night's Dream (3.1.51-53)
There is a traditional Mother Goose nursery rhyme featuring the Man in the Moon:
The Traditional English verse reads
The Man in the Moon is an example of pareidolia. Other cultures perceive the silhouette of a woman, a hare/rabbit, a frog, a moose, a buffalo, or a dragon (with its head and mouth to the right and body and wings to the left) in the full moon. Alternatively, the vague shape of the overall dark and light regions resemble a Yin Yang symbol, on its side and backwards.
The Nepalese also have a tradition that the dead go to the Moon.
In Elizabethan England, the spots of the Moon were supposed to represent a witch carrying sticks of wood on her back, or an old man with a lantern (which was illustrated by Shakespeare in his comedy A Midsummer Night's Dream). A more recent Western image is the profile of a coiffed woman wearing a jeweled pendant, the jewel being the crater Tycho, which at full moon is very bright and has bright radiating lines (rays). In New Zealand Māori legend, the moon shows a woman with a local tree, the Ngaio. However, throughout Melanesia and Polynesia, the moon is seen to be a cook over a three-stone fire.
Many lunar deities are also female, e.g. Hecate, Selene and Diana in Greek Mythology. See Category:Lunar goddesses.
In Chinese Mythology, Chang'e (various spellings) lives on the moon. She was mentioned in the conversation between Houston Capcom and Apollo 11 crew just before the first moon landing:[9][10]
Houston: Among the large headlines concerning Apollo this morning there's one asking that you watch for a lovely girl with a big rabbit. An ancient legend says a beautiful Chinese girl called Chang-o has been living there for 4000 years. It seems she was banished to the moon because she stole the pill for immortality from her husband. You might also look for her companion, a large Chinese rabbit, who is easy to spot since he is only standing on his hind feet in the shade of a cinnamon tree. The name of the rabbit is not recorded.
Collins: Okay, we'll keep a close eye for the bunny girl.
NASA's 1994 Clementine mission produced hundreds of detailed images of the moon. There is a feature on the lunar south pole that resembles a skeleton.
"The toad was seen by Chinese Taoists as ... the moon, representing Chang-O, the transformed wife of Yi, the excellent archer. ... According to Robert M. DeGraaff, in some representations of the moon-toad, the ling chih fungus is shown growing out of the creature's forehead."[11]
In Chinese culture, the rabbit in the moon (a companion of Chang'e) is pounding medicine. Similarly, in Japan and Korea, popular culture sees a rabbit making mochi and tteok, respectively, in the moon. The mythology of Pre-Columbian Mesoamerica also featured a lunar rabbit, for example, Tecciztecatl, the Aztec moon god, was sometimes pictured as an anthropomorphic rabbit.
Shia Muslims believe that the name of Hazrat Ali Ibne-Abi Talib (Muhammad's son in law) is written on the moon. This interpretation has roots in several hadith by Muhammad where he compares Ali to the Moon and himself to the Sun. There are also other esoteric interpretations of this analogy in Islamic philosophy.
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