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Marcel Marceau
Marcel Marceau in 2004
Born	Marcel Mangel 22 March 1923(1923-03-22) Strasbourg, France
Died	22 September 2007 (aged 84) Cahors, Lot, France
Occupation	Actor, mime artist
Spouse(s)	Anne Sicco (1975-2007) Ella Jaroszewicz (m. 1966) Huguette Mallette (div. 1958)

Marcel Marceau (22 March 1923 – 22 September 2007) A popular actor from France who has appeared in films and on television. Mainly associated to the dramatic tradition of mime and mime artistry.

Early years

Marcel Marceau (Marcel Mangel) was born in Strasbourg, France, to Ann Werzberg and Charles Mangel.^[1] When he was four, the family moved to Lille, but later returned to Strasbourg.^[2] When France entered World War II, Marceau, 16, fled with his family to Limoges.^[2] In 1944 his father, a kosher butcher, was captured and sent to Auschwitz concentration camp. Before being taken to the crematorium, his name was not registered. Marcel's mother survived.

Marcel and his older brother, Alain, adopted the last name "Marceau" during the German occupation; the name was chosen as a reference to François Séverin Marceau-Desgraviers, a general of the French Revolution.^[2][3] The two brothers joined the French Resistance in Limoges, where they saved numerous children from the race laws and concentration camps, and, after the liberation of Paris, joined the French army.^[2] Owing to Marcel's excellent command of the English language, he worked as a liaison officer with General Patton's army.^[2][4] Marcel started miming as way of keeping children quiet, as they were escaping.^[5]

Marceau was demobilized in 1946^[2]. He then enrolled as a student in Charles Dullin's School of Dramatic Art in the Sarah Bernhardt Theatre in Paris, where he studied with teachers like Joshua Smith and the great master, Étienne Decroux, who had also taught Jean-Louis Barrault. Marceau joined Barrault's company and was soon cast in the role of Arlequin in the pantomime, Baptiste - which Barrault himself had interpreted in the world-famous film Les Enfants du Paradis.^[6] Marceau's performance won him such acclaim that he was encouraged to present his first "mimodrama", called Praxitele and the Golden Fish, at the Bernhardt Theatre that same year. The acclaim was unanimous and Marceau's career as a mime was firmly established.

Before beginning his career as a mime, Marcel Marceau danced with Rina Shaham (née Rosalind Gologorsky); she ended their partnership to pursue a successful career in modern dance in Israel.^{[citation needed]}

Marceau was married and divorced two times, first to Huguette Mallet with whom he had two sons, Michel and Baptiste. Secondly, to Ella Jaroszewicz. His third wife was Anne Sicco. They had two daughters, Camille and Aurélia.^[7]

Career

Marcel Marceau, 1995

In 1947 Marceau created Bip the clown and was first played at the Theatre de Poche (Pocket Theatre) in Paris. In his appearance wore a striped pullover and a battered, beflowered silk opera hat mdash. The outfit signified life's fragility and Bip became his alter ego, just as the "Little Tramp" became Charlie Chaplin's. Bip's misadventures with everything from butterflies to lions, from ships and trains, to dance-halls or restaurants, were limitless. As a style of Pantomime, Marceau was acknowledged without peer. His silent mimed exercises, which included The Cage, Walking Against the Wind, The Mask Maker, and In The Park, all became classic displays. Satires on everything from sculptors to matadors, were described as works of genius. Of his summation of the ages of man in the famous Youth, Maturity, Old Age and Death, one critic said: "He accomplishes in less than two minutes what most novelists cannot do in volumes."

In 1949, following his receipt of the renowned Deburau Prize (established as a memorial to the 19th century mime master Jean-Gaspard Deburau) for his second mimodrama, Death before Dawn, Marceau founded Compagnie de Mime Marcel Marceau - the only company of pantomime in the world at the time. The ensemble played the leading Paris theaters - Le Théâtre des Champs-Élysées, Le Théâtre de la Renaissance, and the Sarah Bernhardt, as well as other playhouses throughout the world. From 1959 to 1960, a retrospective of his mimodramas, including the famous The Overcoat by Gogol, ran for a full year at the Amibigu Theatre in Paris. He has produced 15 other mimodramas, including Pierrot de Montmartre, The Three Wigs, The Pawn Shop , 14 July, The Wolf of Tsu Ku Mi, Paris Cries—Paris Laughs and Don Juan (adapted from the Spanish writer Tirso de Molina).

World recognition

With United States President Jimmy Carter, Rosalynn Carter, and Amy Carter, June 16, 1977

Marceau, as Bip the clown, 16 June 1977

Marceau performed all over the world in order to spread the "art of silence" (L'art du silence). It was the intellectual minority who knew of him until he first toured the United States in 1955 and 1956, close on the heels of his North American debut at the Stratford Festival of Canada. After his opening engagement at the Phoenix Theater in New York, which received rave reviews, he moved to the larger Barrymore Theater to accommodate the public demand. This first US tour ended with a record-breaking return to standing-room-only crowds in San Francisco, Chicago, Washington, D.C., Philadelphia, Los Angeles, and other major cities. His extensive transcontinental tours included South America, Africa, Australia, China, Japan, South East Asia, Russia, and Europe. His last world tour covered the United States in 2004, and returned to Europe in 2005 and Australia in 2006.

Marceau's art became familiar to millions through his many television appearances. His first television performance as a star performer on the Max Liebman Show of Shows won him an Emmy Award. He appeared on the BBC as Scrooge in A Christmas Carol in 1973. He was a favorite guest of Johnny Carson, Merv Griffin, Mike Douglas and Dinah Shore, and he also had his own one-man show entitled "Meet Marcel Marceau". He teamed with Red Skelton in three concerts of pantomimes.

Marceau also showed his versatility in motion pictures such as First Class, in which he played 17 roles, Shanks, where he combined his silent art, playing a deaf and mute puppeteer, and his speaking talent, as a mad scientist; as Professor Ping in Barbarella, and a cameo as himself in Mel Brooks' Silent Movie, in which, with purposeful irony, his character has the only audible speaking part, uttering the single word "Non!" when Brooks asks him (subtitled) if he would participate in the film. He also had a role in a low-budget film roughly based on his life story called Paint It White. The film was never completed because another actor in the movie, a life-long friend with whom he had attended school, died halfway through filming.

As an author, Marceau published two books for children, the Marcel Marceau Alphabet Book and the Marcel Marceau Counting Book, and poetry and illustrations, including La ballade de Paris et du Monde (The Ballad of Paris and of the World), an art book which he wrote in 1966, and The Story of Bip, written and illustrated by Marceau and published by Harper and Row. In 1982, Le Troisième Œil, (The Third Eye), his collection of ten original lithographs, was published in Paris with an accompanying text by Marceau. Belfond of Paris published Pimporello in 1987. In 2001, a new photo book for children titled Bip in a Book, published by Stewart, Tabori & Chang, appeared in the bookstores in the US, France and Australia.

In 1969, Marcel Marceau opened his first school, Ecole Internationale de Mime, in the Théàtre de la Musique in Paris. The school was open for two years with fencing, acrobatics, ballet and five teachers of Mime.

In 1978, Marceau established his own school, École Internationale de Mimodrame de Paris, Marcel Marceau (International School of Mimodrame of Paris, Marcel Marceau). In 1996, he established the Marceau Foundation to promote mime in the United States.

In 1995, singer, dancer, and choreographer Michael Jackson and Marceau conceived a concert for HBO, but the concert was cancelled because Jackson had collapsed due to a panic attack prior to the concert. In 2000, Marceau brought his full mime company to New York City for presentation of his new mimodrama, The Bowler Hat, previously seen in Paris, London, Tokyo, Taipei, Caracas, Santo Domingo, Valencia (Venezuela) and Munich. From 1999, when Marceau returned with his classic solo show to New York and San Francisco after 15-year absences for critically-acclaimed sold-out runs, his career in America enjoyed a remarkable renaissance with strong appeal to a third generation. He latterly appeared to overwhelming acclaim for extended engagements at such legendary American theaters as The Ford's Theatre in Washington, D.C., the American Repertory Theater in Cambridge, Massachusetts, and the Geffen Playhouse in Los Angeles, demonstrating the timeless appeal of the work and the mastery of this unique artist.

Marceau's new full company production Les Contes Fantastiques (Fantasy Tales) opened to great acclaim at the Théâtre Antoine in Paris.

Death

At the age of 84, Marcel Marceau died at his home in Cahors, France, on 22 September 2007. At his burial ceremony, the second movement of Mozart's Piano Concerto No. 21 (which Marceau long used as an accompaniment for an elegant mime routine) was played, as was the sarabande of Bach's Cello Suite No. 5. Marcel Marceau was interred in the Père Lachaise Cemetery in Paris.^[8]

Legacy and honors

Marceau was made a commander of the Ordre des Arts et des Lettres, an Officer of the Légion d'honneur, and in 1978 he received the Médaille Vermeil de la Ville de Paris.^[9] In November 1998, he was made by President Jacques Chirac a grand officer of the Ordre national du Mérite, and he was an elected member of the Academy of Fine Arts in Berlin, the Academy of Fine Arts Munich, the Académie des Beaux-Arts of the Institut de France. The City of Paris awarded him a grant, which enabled him to reopen his International School, which offered a three-year curriculum.

Marceau held honorary doctorates from The Ohio State University, Linfield College, Princeton University and the University of Michigan.

In 1999 New York City declared March 18 "Marcel Marceau Day".

He became the eleventh recipient of the Raoul Wallenberg Medal on April 30, 2001. The Auditorium was standing-room-only that night. “This year the person chosen to be the Wallenberg Medalist is unlike all previous medalists in that he is famous all over the world,” said University of Michigan professor emerita Irene Butter in her introduction. “Yet he is not widely known for his humanitarianism and acts of courage, for which we honor him tonight.”

Marceau accepted the honor and responsibilities of serving as Goodwill Ambassador for the United Nations Second World Assembly on Aging, which took place in Madrid, Spain, in April 2002.

In Pokemon Red and Blue a mime Pokemon is nicknamed Marcel.

In 2003, British stand-up comedian Eddie Izzard, who's known to employ mimes in his performances, referred to Marceau in his show "Sexie" in a imaginary phone call with the French mime artist about a redundant mime Izzard used during the show.

Bibliography

• Marceau wrote the preface to the French high wire artist Philippe Petit's 1985 book, On The High Wire. ISBN 039471573X
• Marceau wrote the foreword to Stefan Niedziałkowski's and Jonathan Winslow's 1993 book, Beyond the Word — the World of Mime. ISBN 1879094231.

Further reading

• Marcel Marceau: Master of Mime, by Ben Martin. Paddington Press(UK)Limited, 1978. ISBN 0-448-22680-4

References

External links

• Marcel Marceau at the Internet Broadway Database
• Marcel Marceau at the Internet Movie Database
• Obituary in The Times
• An Audio Remembrance by Rob Mermin former student of The Maestro.
• The World of Mime Theatre Library: Marcel Marceau
• Salon - Brilliant Careers
• MOVEO - centre for research, creation and training in physical theatre and corporeal mime

From Wikiquote

Mime makes the invisible, visible and the visible, invisible

Marcel Mangel (1923-03-22 – 2007-09-22), better known by his stage name Marcel Marceau, was a French entertainer, the world's most famous mime.

Sourced

• Do not the most moving moments of our lives find us all without words?
  • The Reader’s Digest (June 1958)

• I have designed my style pantomimes as white ink drawings on black backgrounds, so that man’s destiny appears as a thread lost in an endless labyrinth... I have tried to shed some gleams of light on the shadow of man startled by his anguish.
  • Wall Street Journal (19 November 1965)

• Non!
  • No!
  • Silent Movie (1976) The only spoken word in the entire Mel Brooks comedy film.

• Mime makes the invisible, visible and the visible, invisible.
  • As quoted in Core Media Collection for Elementary Schools (1978) by Lucy Gregor Brown; unsourced variant or misquotation: "A magician makes the visible invisible. A mime makes the invisible visible."

• Music conveys moods and images. Even in opera, where plots deal with the structure of destiny, it’s music, not words, that provides power.
  • US News & World Report (23 February 1987)

• Music and silence... combine strongly because music is done with silence, and silence is full of music.
  • US News & World Report (23 February 1987)

• In silence and movement you can show the reflection of people.
  • US News & World Report (23 February 1987)

• Never get a mime talking. He won’t stop.
  • US News & World Report (23 February 1987)

• To communicate through silence is a link between the thoughts of man.
  • US News & World Report (23 February 1987)

• I have spent more than half a lifetime trying to express the tragic moment.
  • The Guardian (London, 11 August 1988)

• Chaplin made me laugh and cry without saying a word. I had an instinct. I was touched by the soul of Chaplin — Mime is not an imitator but a creator.
  • Interview, The Lantern (5 April 2001)

• Fathers, I do not practice. I’m not religious in life, but when I perform "The Creation of the World" and when my soul is touched by the confrontation of "Good and Evil", then God enters in me.
  • Interview The Lantern (5 April 2001) Replying to two priests who, after a performance of his routines of "The Creation of The World" and "The Hands of Good and Evil", asked if he was religious.

• No art is superior to another one, but every art looks for expertise and perfection. This is life, which continues; this is why there is no death. There is continuation. There is no silence. There is a continuation of thought.
  • Interview The Lantern (5 April 2001)

• Silence is like a flame, you see?
  • Interview Charlie Rose (27 September 2000)

Unsourced

• It's good to shut up sometimes.

• What sculptors do is represent the essence of gesture. What is important in mime is attitude.

Quotes about Marceau

• He's garnered honorary degrees from prestigious universities across America. He's had three wives, four children, survived the Holocaust, joined the Resistance and marched in Patton's army. All this, and he has a wickedly weird and original sense of humor. "Do not meddle in the affairs of wizards," Marceau once said, "for you are crunchy and taste good with ketchup."
  Even when you don't quite get it, Marceau makes you think twice.
  • Leslie Crawford in "Brilliant Careers - Marcel Marceau" at Salon.com (27 July 1999)

• Perhaps true appreciation of Marceau requires a step back in time. Before Marceau broke out of an invisible box and stepped into millions of American's living rooms on Max Liebman's "Show of Shows" nearly 40 years ago, you could fit the number of people who knew or much less cared anything about the art of pantomime in a Citroen. What we know of mime -- the mute theatrics, the exaggerated body language, the requisite black-and-white get-up — was essentially minted by Marceau. ... When Marceau is gone, we won't say, "There goes one of the world's greatest mimes," but "There goes 'the' world's great mime."
  • Leslie Crawford in "Brilliant Careers - Marcel Marceau" at Salon.com (27 July 1999)

External links

Wikipedia has an article about:

Marcel Marceau

• The World of Mime Theatre Library: Marcel Marceau
• Marcel Marceau at the Internet Movie Database
• Salon - Brilliant Careers
• "World's Smallest Page of Movie Quotes"

Google video clips

• Performance of "Le Dompteur" ("The Lion Tamer") (1955)
• Newsclips of Marceau in Japan (1961)