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Maria Edgeworth

Born 1 January 1767(1767-01-01)
Black Bourton, Oxfordshire
Died 22 May 1849 (aged 82)
Edgeworthstown, County Longford, Ireland
Occupation Novelist
Nationality Anglo-Irish

Maria Edgeworth (1 January 1767 – 22 May 1849) was an Anglo-Irish novelist and children's writer. She was one of the first realist writers in children's literature.[1]

Contents

Biography

Maria Edgeworth was born at Black Bourton, Oxfordshire, the second child of Richard Lovell Edgeworth and Anna Maria Edgeworth née Elers and thus an aunt of Francis Ysidro Edgeworth. On her father's second marriage in 1773, she went with him to Ireland, where she eventually was to settle on his estate, Edgeworthstown, in County Longford. There, she mixed with the Anglo-Irish gentry, particularly Kitty Pakenham (later the wife of Arthur Wellesley, 1st Duke of Wellington), Lady Moira, and her aunt Margaret Ruston of Black Castle.[2]

She acted as manager of her father's estate, later drawing on this experience for her novels about the Irish. Edgeworth's early literary efforts were melodramatic rather than realistic. One of her schoolgirl novels features a villain who wore a mask made from the skin of a dead man's face. Maria's first published work was Letters for Literary Ladies in 1795, followed in 1796 by her first children's book, The Parent's Assistant (which included the story The Purple Jar), and in 1800 by her first novel Castle Rackrent, which was an immediate success.[2]

Mr. Edgeworth, a well-known author and inventor, encouraged his daughter's career, and has been criticized for his insistence on approving and editing her work. The tales in The Parent's Assistant were approved by her father before he would allow them to be read to her younger siblings (he had four wives and 22 children). Castle Rackrent was written and submitted for anonymous publication without his knowledge.

In 1802 the Edgeworth family went abroad, first to Brussels and then to Consulate France (during the Peace of Amiens, a brief lull in the Napoleonic Wars). They met all the notables, and Maria received a marriage proposal from a Swedish courtier, Count Edelcrantz. Her letter on the subject seems very cool, but her stepmother assures us in the Augustus Hare Life and Letters that Maria loved him very much and did not get over the affair quickly. They came home to Ireland in 1803 on the eve of the resumption of the wars and Maria returned to writing. Tales of Fashionable Life, The Absentee and Ormond are novels of Irish life.[2]

On a visit to London in 1813 Maria met Lord Byron and Humphry Davy. She entered into a long correspondence with Sir Walter Scott after the publication of Waverley in 1814. She visited him in Scotland at Abbotsford House in 1823 and they formed a lasting friendship.[2]

After her father's death in 1817 she edited his memoirs, and extended them with her biographical comments. She was an active writer to the last, and worked strenuously for the relief of the famine-stricken Irish peasants during the Irish Potato Famine (1845-1849). She died in Edgeworthstown in 1849.

Partial list of published works

  • Letters for Literary Ladies - 1795
  • The Parent's Assistant - 1796
  • Practical Education - 1798 (2 vols; collaborated with her father, Richard Lovell Edgeworth)
  • Castle Rackrent (1800) (novel)
  • Early Lessons - 1801
  • Belinda - (1801) (novel)
  • Essay on Irish Bulls - 1802 (political, collaborated with her father)
  • Popular Tales - 1804
  • The Modern Griselda - 1804
  • Moral Tales for Young People - 1805 (6 vols)
  • Leonora - 1806 (written during the French excursion)
  • Tales of Fashionable Life - 1809 (first in a series, includes The Absentee)
  • Ennui - 1809 (novel)
  • The Absentee - 1812 (novel)
  • Patronage - 1814 (novel)
  • Harrington - 1817 (novel)
  • Ormond - 1817 (novel)
  • Comic Dramas - 1817
  • Memoirs - 1820 (edited her father's memoirs)
  • Early Lessons - 1822 (sequels to some of the tales)
  • Helen - 1834 (novel)

Notes

  1. ^ "Maria Edgeworth". Encyclopedia Britannica Online. 19 December 2009.
  2. ^ a b c d Boylan, Henry (1998). A Dictionary of Irish Biography, 3rd Edition. Dublin: Gill and MacMillan. p. 120. ISBN 0-7171-2945-4.  

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Quotes

Up to date as of January 14, 2010

From Wikiquote

Surely it is much more generous to forgive and remember, than to forgive and forget.

Maria Edgeworth (1768-01-011849-05-22) was a popular and influential Anglo-Irish novelist, short-story writer and educationalist.

Sourced

Quotations are cited from Maria Edgeworth Tales and Novels (New York: J. and J. Harper, 1834), 20 vols.

  • Man is to be held only by the slightest chains; with the idea that he can break them at pleasure, he submits to them in sport.
    • Letters for Literary Ladies (1795), "Julia and Caroline", Letter 1; Tales and Novels, vol. 13, p. 225.
  • Obtain power, then, by all means; power is the law of man; make it yours.
    • "An Essay on the Noble Science of Self-Justification" (1795); Tales and Novels, vol. 1, p. 206.
  • Surely it is much more generous to forgive and remember, than to forgive and forget.
    • "An Essay on the Noble Science of Self-Justification"; Tales and Novels, vol. 1, p. 213.
  • We cannot judge either of the feelings or of the characters of men with perfect accuracy from their actions or their appearance in public; it is from their careless conversations, their half-finished sentences, that we may hope with the greatest probability of success to discover their real characters.
  • A love-match was the only thing for happiness, where the parties could any way afford it.
    • Castle Rackrent, "Continuation of the Memoirs of the Rackrent Family"; Tales and Novels, vol. 1, p. 46.
  • Our Irish blunders are never blunders of the heart.
  • To our unhappy sex genius and sensibility are the most treacherous gifts of Heaven. Why should we cultivate talents merely to gratify the caprice of tyrants? Why seek for knowledge, which can prove only that our wretchedness is irremediable? If a ray of light break in upon us, it is but to make darkness more visible; to show us the narrow limits, the Gothic structure, the impenetrable barriers of our prison.
    • Leonora (1806), Letter 1; Tales and Novels, vol. 13, p. 5.
  • My mother took too much, a great deal too much, care of me; she over-educated, over-instructed, over-dosed me with premature lessons of prudence: she was so afraid that I should ever do a foolish thing, or not say a wise one, that she prompted my every word, and guided my every action. So I grew up, seeing with her eyes, hearing with her ears, and judging with her understanding, till, at length, it was found out that I had not eyes, ears or understanding of my own.
    • Vivian (1812), ch. 1; Tales and Novels, vol. 8, p. 8.
  • A man who sells his conscience for his interest will sell it for his pleasure. A man who will betray his country will betray his friend.
    • Vivian, ch. 7; Tales and Novels, vol. 8, p. 80.
  • Alarmed successively by every fashionable medical terror of the day, she dosed her children with every specific which was publicly advertised or privately recommended…The consequence was, that the dangers, which had at first been imaginary, became real: these little victims of domestic medicine never had a day's health: they looked, and were, more dead than alive.
    • Patronage (1814), ch. 20; Tales and Novels, vol. 14, p. 245.
  • It is unjust and absurd of those advancing in years, to expect of the young that confidence should come all and only on their side: the human heart, at whatever age, opens only to the heart that opens in return.
    • Helen (1834), ch. 7; Tales and Novels, vol. 19, p. 62.

Criticism

  • I have made up my mind to like no novels really, but Miss Edgeworth's, yours and my own.
    • Jane Austen, letter to her niece, Anna Lefroy, 1814; cited from Valerie Grosvenor Myer Jane Austen, Obstinate Heart (New York: Arcade, 1997) p. 196.
  • That is the great clue to bourgeois psychology: the reward business. It is screamingly obvious in Maria Edgeworth's tales, which must have done unspeakable damage to ordinary people. – Be good, and you'll have money. Be wicked, and you'll be utterly penniless at last, and the good ones will have to offer you a little charity.
    • D. H. Lawrence Introduction to These Paintings; cited from James Boulton (ed.) Late Essays and Articles (Cambridge: Cambridge University Press, 2004) pp. 192-3.

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Simple English

Maria Edgeworth
File:Maria Edgeworth, by Richard
Born 1 January 1767(1767-01-01)
Black Bourton, Oxfordshire
Died May 22, 1849 (aged 82)
Edgeworthstown, County Longford, Ireland
Nationality Anglo-Irish

Maria Edgeworth was a novelist in the early nineteenth century.

Life

Maria Edgeworth was born in Oxfordshire in 1767 or 1768. She was the daughter of Richard Lovell Edgeworth and Anna Maria Edgeworth. When her father married again to his second wife, she went with him to Ireland. There, she helped her father and managed her father's land. Because of this, she became friends with lots of fashionable people and Irish peasantry. This knowledge was very useful to her later in writing her novels. At first she used to write for children, but in 1800 she published her first adults' novel, Castle Rackrent. Lots of people liked Castle Rackrent, which was an instant success.

In 1798 her father married his fourth wife. For fifty-one years Maria had a very good friend in her stepmother.
In 1802 their family traveled abroad. First they went to Brussels, then to a part of France. There Maria met a man named Count Edelcrantz. Maria's stepmother wrote in the book Life and Letters, that Maria loved him very much. They came back home to Ireland in 1803 when the war began again, and Maria started writing again. Her father helped her with her writing, and corrected her books a lot. Maria published Castle Rackrent secretly.

Maria Edgeworth helped Irish peasantry very much. She was short, and is said to be cheerful and lively. After she was ill for a few years she died at Edgeworthstone, in the arms of her stepmother, in 1849.

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