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Mary Poppins
The first four Mary Poppins books
Mary Poppins
Mary Poppins Comes Back
Mary Poppins Opens the Door
Mary Poppins in the Park
Mary Poppins From A to Z
Mary Poppins in the Kitchen
Mary Poppins in Cherry Tree Lane
Mary Poppins and the House Next Door
Author P. L. Travers
Illustrator Mary Shepard
Genre Children's literature
Publisher HarperCollins, London
Harcourt, Brace, New York
Published 19341988

Mary Poppins is a series of children's books written by P.L. Travers and originally illustrated by Mary Shepard. The books centre on a mysterious, vain and acerbic magical English nanny, Mary Poppins. She is blown by the East wind to Number Seventeen Cherry Tree Lane, London and into the Banks' household to care for their children. Encounters with chimney sweeps, shopkeepers and various adventures follow until Mary Poppins abruptly leaves, i.e., 'pops-out'. The adventures take place over a total of eight books. However, only the first three books feature Mary Poppins arriving and leaving. The later five books recount previously unrecorded adventures from her original three visits. As P.L. Travers explains in her introduction to Mary Poppins in the Park, 'She cannot forever arrive and depart.'

The books were adapted in 1964 into a musical Disney film starring Julie Andrews and Dick Van Dyke. In 2004, Disney Theatrical produced a stage musical adaptation in the West End theatre. The stage musical was transferred to Broadway in 2006. It is still running there to this day, to sold out crowds. It has been highly successful, as was the classic 1964 film.



Mary Poppins, published 1934

The first book introduces the Banks family, consisting of Mr. Banks and Mrs. Banks and their children Jane, Michael, and baby twins John and barbra. When the children's nanny, Katie Nana, storms out in a huff, Mary Poppins arrives at their home, complete with her traveling carpetbag, blown in by a very strong wind. She accepts the job, and the children soon learn that their nanny, though she is stern, vain, and almost always cross, has a magical touch that makes her wonderful. Among the things Jane and Michael experience are a tea party on a ceiling with Mr. Wigg, a trip around the world with a compass, the purchase of gingerbread stars from the extremely old Mrs. Corry, a meeting with the Bird Woman, a birthday party at the zoo among the animals, and a Christmas shopping trip with a star named Maia from the Pleiades cluster of the Taurus constellation. In the end, Mary Poppins is satisfied with the work she has done with the Banks family, and the West Wind carries her away.

Original and Revised Versions of the Bad Tuesday Chapter

The original 1934 printing of Mary Poppins contained a version of the chapter Bad Tuesday in which Mary and the children use a compass to visit places all over the world in a remarkably short period of time. Because it contained a variety of cultural and racial stereotypes of Chinese, Inuit, Africans, and Native Americans, Travers responded to criticism by revising the chapter in 1981 to include animal representatives instead of people. At the same time, original illustrator Mary Shepard altered the accompanying drawing of the compass to show a Polar Bear at the north, a Macaw at the south, a Panda at the east, and a Dolphin at the west.

Mary Poppins Comes Back, published 1935

Nothing has been right since Mary Poppins left Number Seventeen Cherry Tree Lane. One day, when Mrs. Banks sends the children out to the park, Michael flies his kite up into the clouds. Everyone is surprised when it comes down bringing Mary Poppins as a passenger, who returns to the Banks home and takes charge of the children once again. This time, Jane and Michael meet the fearsome Ms. Andrew, experience an upside-down tea party, and visit a circus in the sky. There is also a new addition to the Banks family with little Annabel. As in Mary Poppins, Mary leaves at the end, but this time with a "return ticket, just in case" she needs to return.

Mary Poppins Opens the Door, published 1943

When Mary last left the Banks children in Cherry Tree Lane, she took a "return ticket, just in case." In the third book, she returns to the park in front of Cherry Tree Lane the way she came, falling with fireworks. Once again she takes up nanny duties in the Banks household and leads Jane, Michael, John, and Barbara on various adventures. This time, they visit her uncle Mr. Twigley, befriend a statue that has come to life, go riding on peppermint horses, and experience a garden party under the sea.

Mary Poppins in the Park, published 1952

This fourth book contains six adventures of the Banks children with Mary Poppins during their outings into the park along Cherry Tree Lane. Chronologically the events in this book occurred during the second or third book (Mary Poppins Comes Back and Mary Poppins Opens the Door respectively). Among the adventures they experience are a tea party with the people who live under the dandelions, a visit to cats on a different planet, and a Halloween dance party with their shadows.

Mary Poppins From A to Z, published 1962

Twenty-six vignettes—one for each letter of the alphabet—weave unexpected tales of Mary Poppins, the Banks children, and other characters from Travers's previous novels. Each vignette is filled with fun and unusual words that start with the featured letter.

Mary Poppins in the Kitchen, published 1975

Mary Poppins comes to the rescue when the Banks' family cook has to go on an unexpected leave, teaching the young Banks children the basics of cooking in the process. The book includes recipes.

Mary Poppins in Cherry Tree Lane, published 1982

Mary Poppins takes the Banks children on yet another memorable adventure, this time on the magical Midsummer's Eve. All kinds of strange things can happen, and even mythical figures can descend from the heavens. At the back of the book is a list of the herbs that are mentioned in the story, with their botanical, local and Latin names.

Mary Poppins and the House Next Door, published 1988

The residents of Cherry Tree Lane are distressed to learn that their beloved Number Eighteen, an empty house for which each tenant has created an imaginary, wished-for tenant, is about to be occupied by Mr. Banks's childhood governess, Miss Andrew—otherwise known as the Holy Terror. Her dreaded arrival brings a pleasant surprise as well, for Luti, a boy from the South Seas, has accompanied her as both servant and student. Delighted by the prospect of a new friend, Jane and Michael are frustrated by the restrictions that the hypochondriacal Miss Andrew has placed on Luti, who grows more and more homesick for his family and tropical surroundings. When the call in his heart to return home becomes more than he can bear, it is Mary Poppins who makes the trip possible by means of a visit to the Man in the Moon.


1964 film

Mary Poppins was made into a film based on the series of children's books by Walt Disney Productions in 1964. According to the 40th anniversary DVD release of the film in 2004, Walt Disney first attempted to purchase the film rights to Mary Poppins from P.L. Travers as early as 1938 but was rebuffed because Travers did not believe a film version of her books would do justice to her creation and did not want an animated cartoon based on it. Disney finally succeeded in 1961, although Travers demanded and got script approval rights.

The relationship between Travers and Disney is detailed in Mary Poppins She Wrote, a biography of Travers, by Valerie Lawson, published by Aurum Press in the United Kingdom. The biography is the basis for two documentaries on Travers, The Real Mary Poppins and The Shadow of Mary Poppins.

The process of planning the film and composing the songs took about two years. Songs in the film are by the Sherman Brothers. Mary Poppins is played by Julie Andrews. Disney cast Dick Van Dyke in the key supporting role of Bert. The Banks children were played by Karen Dotrice and Matthew Garber. Mr and Mrs Banks were played by David Tomlinson and Glynis Johns respectively. The film is rated G by the MPAA. In the film, Mary is noticeably kinder than characterized in Travers' novels. The film features adventures and episodes from all of the novels. Walt Disney and his associates added many adventures, also. The film does not include John, Barbara or Annabel Banks.

1983 film

In 1983, the story was adapted by the Soviet Union's Mosfilm studios into the Russian-language TV musical film Мэри Поппинс, до свидания (Mary Poppins, Goodbye), starring Natalya Andreychenko (acting) and Tatyana Voronina (singing) as Mary Poppins, Albert Filozov as George Banks and Oleg Tabakov as Miss Andrew.[1]


In December 2004, a musical version of Mary Poppins, based on both the Disney film and the books, opened at the Prince Edward Theatre, London, after previewing in Bristol. It received critical acclaim and was nominated for nine 2005 Olivier Awards. It won two awards, Best Actress in a Musical, for Laura Michelle Kelly, and Best Theatre Choreography, for Matthew Bourne and Stephen Mear. The musical has original music and lyrics by Richard M. Sherman and Robert B. Sherman, book by Julian Fellowes, and a few new songs and additional music and lyrics by George Stiles and Anthony Drewe.

In November 2006 a Broadway production opened at the New Amsterdam Theatre, New York. It received mixed reviews but was a box office success and nominated for 7 Tony Awards. It won one award, Best Scenic Design of a Musical, for Bob Crowley.

A number of tour productions are planned for 2008 and onwards, among them a National UK tour and a National US tour.

In the musical version, Mary continues her characterization as moderately friendly and helpful from the Disney film; however, she is also noticeably vainer than her film portrayal, in keeping with the books. The Banks children, Michael and Jane, however, are shown as less kind and 'brattier'. It does not feature the other Banks' children John, Barbara or Annabel.

Main characters

Mary Poppins

Mary Poppins is the main character of the books, a magical nanny who sweeps into the Banks home of Cherry Tree Lane and takes charge of the two Banks children. She never openly acknowledges her strange and magical powers, and feigns insult when one of the children refers to her previous adventures. She flies in on an umbrella, and departs when the children have learned enough lessons that they need her no longer.

Mr. Banks

George Banks is Mary Poppins' employer. He works at the Bank in the City of London, and lives at 17 Cherry Tree Lane with his wife and their children. In the books he is rarely present but is gruffly loving of his wife and children. In the film he has a more prominent role as a cross, coldhearted man who wants order and largely ignores his children and wife, but later on his attitude changes for the better. His role in the stage musical is similar to the film, but he has an additional back-story drawn from the original books, in which he was tormented by a cruel nanny during his childhood.

Mrs. Banks

Mrs. Winifred Banks is the wife of George Banks and mother of Jane and Michael. In the books she is the struggling mistress of the Banks household, and is easily intimidated by Mary, who treats her with thinly-veiled contempt. In the film she is a valiant and fervent suffragette and feminist, albeit one who is treated somewhat satirically. In the stage musical she is a former actress who is under constant pressure from her husband as she struggles to enter his social circle.

The Banks' children

In the books there are five Banks children: Jane, Michael, John, Barbara and Annabel. Jane and Michael are the eldest and go on most of the magical adventures with Mary Poppins. John and Barbara are toddler twins who only start going on adventures in the second book. Annabel is the youngest and joins the family midway through the second book. Only Jane and Michael appear in the film and stage musical.


Bert is one of Mary Poppins' few friends. He normally draws life-like pictures on the pavement with chalk (and so is a screever), but when it rains he instead sells matches and is thus known as the Matchman. Mary sometimes goes on outings with Bert on her Second Tuesday off. In the film Bert is a combination of the Matchman and the Sweep and has a more prominent role in the children's adventures, including taking care of Mary's Uncle Albert. In the stage musical he acts as a narrator and far-away friend of Mary and the Banks children.

Miss Lark

Miss Lark lives next door to Number Seventeen Cherry Tree Lane. She is the owner of two dogs: Andrew and Willoughby. Originally she only had Andrew, who is pure-bred, but the mongrel Willoughby joined the family at Andrew's request. She constantly appears throughout the books and is usually appalled by the magical antics of Mary Poppins. She appears in the film and stage musical as a minor role.

Admiral Boom

Admiral Boom also lives along Cherry Tree Lane. He is a former Naval Officer but now lives in a house shaped like a ship with his wife Mrs. Boom and his assistant Binnacle, who is a former pirate. Admiral Boom often appears in the Banks children's adventures, but he is never fazed by the unusual happenings that surround Mary Poppins. He is remarkable for his use of colourful sailor's language, although, as the books are intended for children, he never actually swears; his favourite interjection is Blast my gizzard! In the film he is a neighbour of the Banks family who fires his cannon to mark the time; this version of the Admiral is far less salty and more of a proper, "Shipshape and Bristol fashion" kind of sailor, insistent on order and punctuality.



Up to date as of January 14, 2010
(Redirected to Mary Poppins (film) article)

From Wikiquote

First of all I would like to make one thing quite clear. … I never explain anything.
Storm signals are up at number 17. Bit of heavy weather brewing there.

Mary Poppins is a 1964 animated film about a magic nanny, played by Julie Andrews, who comes to work for a cold banker's unhappy family.

Directed by Robert Stevenson. Written by Bill Walsh and Don DaGradi, based on the novel by P. L. Travers.
It's supercalifragilisticexpialidocious!


Mary Poppins

Perhaps it's a witch!
  • [reading her own tape measure] As I expected. "Mary Poppins, practically perfect in every way."
  • In every job that must be done, there is an element of fun. You find the fun and snap! [snaps her fingers] The job's a game.
  • Close your mouth please, Michael, we are not a codfish.
  • [after Bert's failed attempt to jump into a chalk drawing] Why do you always complicate things that are really quite simple?
  • You know, you can say it backwards, which is docious-ali-expi-listic-fragi-cali-repus, but that's taking it a bit too far, don't you think?

Mr. George Banks

Kindly do not attempt to cloud the issue with facts.
  • [singing] It's grand to be an Englishman in 1910
    King Edward's on the throne; it's the age of men.
  • [singing] It's 6:03 and the heirs to my dominion are scrubbed and tubbed, and adequately fed. And so I'll pat them on the head, and send them off to bed. Ah, lordly is the life I lead.
  • [singing] A man has dreams of walking with giants
    To carve his niche in the edifice of time
    Before the mortar of his zeal
    Has a chance to congeal
    The cup is dashed from his lips
    The flame is snuffed a-borning
    He's brought to wrack and ruin in his prime.
  • [singing] A British bank is run with precision
    A British home requires nothing less
    Tradition, discipline and rules
    Must be the tools
    Without them: disorder, catastrophe, anarchy
    In short, you have a ghastly mess!
  • Kindly do not attempt to cloud the issue with facts.

Mrs. Banks

  • Oh, George, you didn't jump into the river. How sensible of you!
  • [singing] Our daughters' daughters will adore us and they'll sing in grateful chorus, "Well done, sister suffragettes."
  • [singing] Though we adore men individually, we agree that as a group they're rather stupid.


Winds from the east... Mist comin' in... Like something's a brewin', about to begin... Can't put me finger on what lies in store... But I feel what's to 'appen, all 'appened before...
  • [singing] You've got to grind, grind, grind, at that grindstone
    Though childhood slips like sand through a sieve
    And all too soon they've up and grown
    And then they've flown
    And it's too late for you to give.
  • [singing] Winds from the east... Mist comin' in... Like something's a brewin', about to begin... Can't put me finger on what lies in store... But I feel what's to 'appen, all 'appened before...!
  • [about his chalk drawings] Not Royal Academy, I suppose. Still better than a finger in the eye, ain't they?
  • Here we are, 17 Cherry Tree Lane. Home of George Banks, Esq. [hears yelling inside] Hello, hello, hello. Admiral's right, heavy weather brewing at number 17 and no mistake.
  • What did I tell ya? There's the whole world at your feet. And who gets to see it? But the birds, the stars, and the chimney sweeps.
  • [last lines] Goodbye, Mary Poppins, don't stay away too long.


  • Jane: [singing] If you don't scold and dominate us, we will never give you cause to hate us, we won't hide your spectacles so you can't see, put toads in your bed or pepper in your tea.
  • Admiral Boom: [observing the long queue of want-to-be nannies] Ghastly looking crew, I must say!
  • Mr. Dawes: While stand the banks of England, England stands — whoa, whoa...! [Mr. Dawes stumbles over his own cane] When fall the banks of England... ENGLAND FALLS! [Mr. Dawes falls backward and the rest of the Board of Directors have to catch him]
  • Uncle Albert: A friend of mine went to buy some long underwear. The shopkeeper asked him, 'How long do you want it?' And my friend said, 'Well, from about September to March'.
  • Old Crone: Come with me, my dears. Granny'll hide you!


You know, you can say it backwards, which is
but that's going a bit too far, don't you think?
Just that spoonful of sugar to 'elp the medicine go down
Admiral Boom: Time Gun ready?
Mr. Binnacle: Ready and charged, Sir.
Admiral Boom: Three minutes and six seconds.
Mr. Binnacle: Aye, aye, sir.
Bert: [to the audience] What he's famous for is punctuality. The whole world takes it's time from Greenwich. But Greenwich they say, takes it's time from Admiral Boom. [calling up to the admiral] What cheer, Admiral?
Admiral Boom: Good afternoon to you, young man. Where are you bound?
Bert: Number 17. Got some parties who want to see it.
Admiral Boom: Enter that in the log.
Mr. Binnacle: Aye, aye, sir.
Admiral Boom: A word of advice, young man. Storm signals are up at number 17. Bit of heavy weather brewing there.
Bert: Thank you sir! Keep an eye skinned.

[Mrs. and Mr. Banks are talking about their previous nanny]
Mrs. Banks: She seemed so solemn and cross.
George Banks: Never confuse efficiency with a liver complaint.

Jane: [reading the ad she and Michael wrote] Wanted: a nanny for two adorable children.
George Banks: Adorable — well that's highly debatable, I must say.
[Jane continues reading while singing alone.]
Jane: If you want this choice position, have a cheery disposition. Rosy cheeks, no warts...
Michael: That's the part I put in!
Jane: Play games all sorts. You must be kind, you must be witty; very sweet and fairly pretty...
George Banks: Jane, of all the ridiculous... [Mrs. Banks silences him.]
Jane: Take us on outings, give us treats. Sing songs, bring sweets. Never be cross or cruel, never feed us castor oil, or gruel. Love us as a son and daughter, and never smell of barley water...
Michael: I put that in too!
Jane: If you won't scold and dominate us, we will never give you cause to hate us. We won't hide your spectacles so you can't see, put toads in your bed, or pepper in your tea. Hurry, Nanny! Many thanks! Sincerely...
Michael and Jane: Jane and Michael Banks.

[Watching Mary Poppins's first arrival as she's floating down from the sky.]
Michael: Perhaps it's a witch!
Jane: Of course not! Witches have brooms.

[As George puts his head down in the fireplace, to look for his children's ad, which he ripped up, and is now mended in Mary Poppins' hand.]
Mary Poppins: I beg your pardon, are you ill?
George Banks: I hope not.
Bert, what utter nonsense. Why do you always complicate things that are really quite simple?

Bert: I'll do it myself.
Mary Poppins: Do what?
Bert: A bit of magic.
Michael: A bit of magic?
Bert: It's easy. You think. You wink. You do a double blink. You close your eyes...And jump.
[Nothing happens]
Jane: Is something supposed to happen?
Mary Poppins: Bert, what utter nonsense. Why do you always complicate things that are really quite simple? [sighs] Give me your hand please, Michael. Don't slouch. One, two...
[They jump into the sidewalk drawing.]

[After they get into the painting and their clothes have magically transformed.]
Bert: Mary Poppins, you look beeeeautiful.
Mary Poppins: Do you really think so?
Bert: I cross my heart you do, like the day I met ya.
Mary Poppins: You look fine too, Bert.
But cream of the crop, tip of the top.
It's Mary Poppins, and there we stop.

Bert: [singing] It's true that Mavis and Sybil have ways that are winning
And Prudence and Gwendolyn set your heart spinning
Phoebe's delightful, Maude is disarming.
Penguins: Janice, Felicia, and Lydia.
Bert: [singing] Charming!
Cynthia's dashing
Vivian's sweet
Stephanie's smashing
Priscilla a treat.
Penguins: Veronica, Millicent, Agnes, and Jane.
Bert: [singing] Convivial company, time and again
Dorcas and Phyllis and Glynis are sorts
I'll agree are three jolly good sports
But cream of the crop, tip of the top.
Bert and the Penguins: It's Mary Poppins, and there we stop.

Horseman: View hallo!
Horse: Oh, yes, definitely. A view hallo.
Fox: View hallo?
[The horseman blows a trumpet, causing his dogs to go charge at the Fox.]
Fox: Faith and begora, it's them redcoats again!

Gentleman: There probably aren't words to describe your emotions.
Mary Poppins: On the contrary, there's a very good word. [to Bert] Am I right Bert?
Bert: Tell 'em what is it.
Mary Poppins: Right. Iiiiit's Supercalifragilisticexpialidocious.

Mary Poppins: You know, you can say it backwards, which is dociousaliexpilisticfragicalirupus, but that's going a bit too far, don't you think?
Bert: Indubitably.
As a matter of fact, since you hired Mary Poppins, the most extraordinary things seem to have come over the household

Mary Poppins: [singing] So if the cat has got your tongue, there's no need for dismay
Just summon up this word and then you've got a lot to say
But better use it carefully or it could change your life...
Busker: For example...
Mary Poppins: Yes?
Busker: One night I said it to me girl, and now me girl's me wife.
[Wife hits him with tambourine]
Busker: Ow! And a lovely thing she is, too.

Mrs. Banks: As a matter of fact, since you hired Mary Poppins, the most extraordinary things seem to have come over the household.
Mr. Banks: Is that so?
Mrs. Banks: Take Ellen for instance. She hasn't broken a dish all morning.
Mr. Banks: [uninterested] Really. Well, that is extraordinary.

George Banks: Shut the window. That bird is giving me a headache.
Ellen: [to the bird] Quiet! You're giving the master a headache.
[The bird chirps one last time and Ellen shuts the window.]

Jane: Good morning, father. Mary Poppins taught us the most wonderful word.
Michael: Supercalifragilisticexpialidocious!
George Banks: What on Earth are you talking about? Superca — Super — or whatever the infernal thing is.
Jane: It's something to say when you don't know what to say.
George Banks: Yes, well, I always know what to say.

George Banks: Have this piano repaired. When I sit down to an instrument, I like to have it in tune.
Mrs. Banks: But George, you don't play.
George Banks: Madam, that is entirely beside the point!

Bert: Reminds me of me brother. Got a nice cushy job in a watch factory.
Uncle Albert: In a watch factory? What does he do?
Bert: He stands about all day and makes faces.
Uncle Albert: [laughs] He makes faces in a watch factory!

Bert: Speaking of names, I know a man with a wooden leg named Smith.
Uncle Albert: What's the name of his other leg?
Everyone: [laughs]

Bert: Uncle Albert, I got a jolly joke I save for just such an occasion. Would you like to hear it?
Uncle Albert: I'd be so grateful.
Bert: Well it's about me granddad, see, and one night he had a nightmare. So bad, he chewed his pillow to bits. To bits. The next morning, I says, "How do you feel, Granddad?" He says, "Oh not bad, a little down in the mouth." [laughs] I always say there's nothing like a good joke.
Uncle Albert: And that was nothing like a good joke.

George Banks: [As they arrive at the bank where George works] We must be on our best behavior.
Michael: But I thought it was your bank.
George Banks: Well, I'm one of the younger officers, so in a sense it is. Sort of.

Michael: I want it (my money) to feed the birds.
Mr. Dawes Sr: Fiddlesticks, boy. Feed the birds and what have you got? Fat birds.

Bert: Bert will look after you. Like I was your own father. Now who's after you?
Jane: Father is.
Bert: What?

[Jane and Michael have just told Bert that the run on the bank is their fault.]
Bert: You know, begging you pardon, but the one who my heart goes out for is your father. There he is in that cold, heartless bank day after day, hemmed in by mounds of cold, heartless money. I don't like to see any living thing caged up.
Jane: [sadly] Father? In a cage?
Bert: They makes cages in all sizes and shapes, you know. Bank-shaped some of 'em, carpets and all.

Mary Poppins: [singing] Chim Chiminy, Chim Chiminy, Chim Chim Cher-ee
When you're with a 'sweep, you're in glad company.
Bert: [singing] Never was there a more happier crew
Than them what sings Chim Chim Chiree Chim Chiroo! Chim Chim Chiminy Chim Chim Chiree Chim Chiroo...

Mr. Banks: Just a moment, Mary Poppins. What is the meaning of this outrage?
Mary Poppins: I beg your pardon?
Mr. Banks: Will you be good enough to explain all this?
Mary Poppins: First of all I would like to make one thing quite clear.
Mr. Banks: Yes?
Mary Poppins: I never explain anything.

Bert: [singing] You're a man of high position, esteemed by your peers. And when your little tykes are crying, you haven't time to dry their tears...And see their thankful little faces smiling up at you...'Cause their dad, he always knows just what to do...
George Banks: [caught off guard by this new knowledge] ...Well, look — I...
Bert: Say no more, Gov'ner. [singing] You've got to grind, grind, grind at that grindstone...Though childhood slips like sand through a sieve...And all too soon they've up and grown, and then they've flown...And it's too late for you to give — just that spoonful of sugar to 'elp the medicine go down — medicine go down — medicine go down. [speaking again] Well, so long, Gov'ner. Sorry to have troubled you.
[Bert exits, whistling "A Spoon Full of Sugar"]

Mr. Dawes Jr: In 1773, an official on this bank unwisely loaned a large sum of money to finance a shipment of tea to the American colonies. Do you know what happened?
George Banks: Yes, sir, I think I do. As the ship lay in Boston Harbor, a party of the colonists dressed as red Indians boarded the vessel, behaved very rudely, and threw all the tea overboard, making the tea unsuitable for drinking. [jokingly] Even for Americans.
Mr. Dawes Jr: Precisely. The loan was defaulted. Panic ensued within these walls. There was a run on the bank.
Mr. Dawes Sr.: From that time to this, sir, there has not been a run on this bank... UNTIL TODAY. A run, sir, caused by the disgraceful conduct of your son, do you deny it?

[George Banks has just been discharged]
Mr. Dawes Sr.: Well, Banks — have you anything to say for yourself?
George Banks: Well, sir, they say that when you have nothing to say, all you can say is...
(He feels something in his pocket, takes it out, and looks at it: Michael's tuppence. He starts to laugh.)
Mr. Dawes Sr.: Confound it, Banks! I said do you have anything to say!
George Banks: Only one thing, sir...
Mr. Dawes Sr.: Eh?
George Banks: Supercalifragilisticexpialidocious!

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