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Max Bruch

Max Christian Friedrich Bruch (6 January 1838 – 2 October 1920), also known as Max Karl August Bruch, was a German Romantic composer and conductor who wrote over 200 works, including three violin concertos, one of which is a staple of the violin repertoire.

Contents

Life

Bruch was born in Cologne, Rhine Province, where he received his early musical training under the composer and pianist Ferdinand Hiller, to whom Robert Schumann dedicated his piano concerto. Ignaz Moscheles recognized his aptitude. He had a long career as a teacher, conductor and composer, moving among musical posts in Germany: Mannheim (1862-1864), Koblenz (1865-1867), Sondershausen, (1867-1870), Berlin (1870-1872), and Bonn, where he spent 1873-78 working privately. At the height of his reputation he spent three seasons as conductor of the Liverpool Philharmonic Society (1880-83). He taught composition at the Berlin Hochschule für Musik from 1890 until his retirement in 1910. Bruch died in his house in Berlin-Friedenau.

Works

His conservatively structured works, in the German romantic musical tradition, placed him in the camp of Romantic classicism exemplified by Johannes Brahms, rather than the opposing "New Music" of Franz Liszt and Richard Wagner. In his time, he was known primarily as a choral composer.

His Violin Concerto No. 1 in G minor, Op. 26 (1866) is one of the most popular Romantic violin concertos. It uses several techniques from Felix Mendelssohn's Violin Concerto in E minor. These include the linking of movements, and a departure from the customary orchestral exposition and rigid form of earlier concertos. It is a singularly melodic composition which many critics have said represents the apex of the romantic tradition.

Other pieces which are also well-known and widely played include the Scottish Fantasy for violin and orchestra which includes an arrangement of the tune "Hey Tuttie Tatie", best known for its use of the song Scots Wha Hae by Robert Burns. Bruch also wrote Kol Nidrei, Op. 47, a popular work for cello and orchestra (its subtitle is "Adagio on Hebrew Melodies for Violoncello and Orchestra"). This piece was based on Hebrew melodies, principally the melody of the Kol Nidre incantation from the Jewish Yom Kippur service, which gives the piece its name.

The success of this work has made many assume that Bruch himself had Jewish ancestry - indeed, under the National Socialist Party his music ceased to be programmed because of the possibility of his being a Jew; as a result of this, his music was completely forgotten in German speaking countries - but there is no evidence for his being Jewish.

He wrote the Concerto in A flat minor for Two Pianos and Orchestra, Op. 88a, in 1912 for the American duo-pianists Rose and Ottilie Sutro, but they never played the original version; they only ever played the work twice, in two different versions of their own. The score was withdrawn in 1917 and discovered only after Ottilie Sutro's death in 1970. The Sutro sisters also had a major part to play in the fate of the manuscript of the Violin Concerto No. 1. Bruch sent it to them to be sold in the United States, but they kept it and sold it for profit themselves.

Other works include two other concerti for violin and orchestra (which Bruch himself regarded as at least as fine as the famous first); and a Concerto for Viola, Clarinet and Orchestra. There are also 3 symphonies, which, while not displaying any originality in form or structure, nevertheless show Bruch at his best as a composer of fine melodic talent and a gift for orchestration, firmly in the tradition of the Romantics. He wrote a number of chamber works, including a set of eight pieces for piano, clarinet, and viola; and a string octet.

The violinists Joseph Joachim and Willy Hess advised Bruch on composing for strings, and Hess performed the premieres of a number of works by Bruch, including the Concert Piece for Violin and Orchestra, Op. 84, which was composed for him.

References

External links

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1911 encyclopedia

Up to date as of January 14, 2010

From LoveToKnow 1911

MAX BRUCH (1838-), German musical composer, son of a city official and grandson of the famous Evangelical cleric, Dr Christian Bruch, was born at Cologne on the 6th of January 1838. From his mother (née Almenrader), a well-known musician of her time, he learnt the elements of music, but under Breidenstein he made his first serious effort at composition at the age of fourteen by the production of a symphony. In 1853 Bruch gained the Mozart Stipendium of 400 gulden per annum for four years at Frankfort-on-Main, and for the following few years studied under Hiller, Reinecke and Breunung. Subsequently he lived from 1858 to 1861 as pianoforte teacher at Cologne, in which city his first opera (in one act), Scherz, List and Rache, was produced in 1858. On his father's death in 1861, Bruch began a tour of study at Berlin, Leipzig, Vienna, Munich, Dresden and Mannheim, where his opera Lorelei was brought out in 1863. At Mannheim he lived till 1864, and there he wrote some of his best-known works, including the beautiful Frithjof. After a further period of travel he became musical-director at Coblenz (1865-1867), Hofkapellmeister at Sondershausen (1867-1870), and lived in Berlin (1871-1873), where he wrote his Odysseus, his first violin concerto and two symphonies being composed at Sondershausen. After five years at Bonn (1873-1878), during which he made two visits to England, Bruch, in 1878, became conductor of the Stern Choral Union; and in 1880 of the Liverpool Philharmonic. In 1892 he was appointed director of the Berlin Hochschule. In 1893 he was given the honorary degree of Mus. Doc. by Cambridge University. Max Bruch has written in almost every conceivable musical form, invariably with straightforward honest simplicity of design. He has a gift of refined melody beyond the common, his melodies being broad and suave and often exceptionally beautiful.


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Simple English


Max Christian Friedrich Bruch (January 6, 1838October 2, 1920) also known as Max Karl August Bruch, was a German Romantic composer and conductor who wrote over 200 works, including three violin concertos, one of which is a staple of the violin repertoire.

He had a long career as a teacher, conductor and composer, moving among musical posts in Germany: Mannheim (1862-1864), Koblenz (1865-1867), Sondershausen, (1867-1870) Berlin (1870-1872), Bonn, where he spent 1873 -1878 working privately. At the height of his reputation he spent three seasons as conductor of the Royal Liverpool Philharmonic Society (1880-83). He taught composition at the Berlin Hochschule für Musik (the Berlin Conservatoire) from 1890 until his retirement in 1910.

His conservatively structured works, in the German romantic musical tradition, placed him in the camp of Romantic classicism exemplified by Johannes Brahms, rather than the opposing "New Music" of Franz Liszt and Richard Wagner. In his time, he was known primarily as a choral composer.

His Violin Concerto No. 1 in G minor, Op. 26 (1868) is one of the most popular Romantic violin concertos. It uses several techniques from Felix Mendelssohn's Violin Concerto in E minor.

References

  • Fifield, Christopher (1988). Max Bruch His Life and Works. George Braziller. ISBN 0-8076-1204-9. 

Other websites

Wikisource has original 1911 Encyclopædia Britannica text related to:


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