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From Wikipedia, the free encyclopedia

A maze is a complex tour puzzle in the form of a complex branching passage through which the solver must find a route. In everyday speech, both maze and labyrinth denote a complex and confusing series of pathways, but technically the maze is distinguished from the labyrinth. The labyrinth has a single through-route with twists and turns but without branches; it is not designed to be as difficult to navigate as a maze is [1]. The pathways and walls in a maze or labyrinth are fixed (pre-determined). Maze-type puzzles where the given walls and paths may change during the game are covered under the main puzzle category of tour puzzles. The Cretan maze is the oldest.[2]


Maze construction

Mazes have been built with walls and rooms, with hedges, turf, corn stalks, hay bales, books or with paving stones of contrasting colors or designs, or in fields of crops such as corn or, indeed, maize. Maize mazes can be very large; they are usually only kept for one growing season, so they can be different every year, and are promoted as seasonal tourist attractions. Indoors, Mirror Mazes are another form of maze, where many of the apparent pathways are imaginary routes seen through multiple reflections in mirrors. Another type of maze consists of a set of rooms linked by doors (so a passageway is just another room in this definition). Players enter at one spot, and exit at another, or the idea may be to reach a certain spot in the maze. Mazes can also be printed or drawn on paper to be followed by a pencil or fingertip.

Generating mazes

Maze generation is the act of designing the layout of passages and walls within a maze. There are many different approaches to generating mazes, where various maze generation algorithms exist for building them, either by hand or automatically by computer.

There are two main mechanisms used to generate mazes. "Carving passages" is where one marks out the network of available routes. "Adding walls" is where one lays out a set of obstructions within an open area. Most mazes drawn on paper are where one draws the walls, where the spaces in between the markings compose the passages.

Solving mazes

Maze solving is the act of finding a route through the maze from the start to finish. Some maze solving methods are designed to be used inside the maze by a traveler with no prior knowledge of the maze, whereas others are designed to be used by a person or computer program that can see the whole maze at once.

The mathematician Leonhard Euler was one of the first to analyze plane mazes mathematically, and in doing so made the first significant contributions to the branch of mathematics known as topology.

Mazes containing no loops are known as "standard", or "perfect" mazes, and are equivalent to a tree in graph theory. Thus many maze solving algorithms are closely related to graph theory. Intuitively, if one pulled and stretched out the paths in the maze in the proper way, the result could be made to resemble a tree [3].

Mazes in psychology experiments

Mazes are often used in psychology experiments to study spatial navigation and learning. Such experiments typically use rats or mice. Examples are

Mazes in computer games

Mazes have long been a staple element in video games (e.g. the 80's classic Maziacs). In some games the entire objective of the game is to navigate mazes, while in other games the mazes are incorporated as only one element of the gameplay.

Other types of mazes

A plan of a Loops and Traps maze, Ridgewood, NJ
Logic mazes
See Logic maze. These are like standard mazes except they use rules other than "don't cross the lines" to restrict motion.
Mazes in higher dimensions
It is possible for a maze to have three or more dimensions. A maze with bridges is three dimensional, and some natural cave systems are three dimensional mazes. The computer game Descent utilized fully three dimensional mazes. Any maze can be topologically mapped onto a three-dimensional maze.
Picture maze
See Picture maze. A maze that forms a picture when solved.
Dead end maze
A maze game where the route creates the dead ends.
Turf mazes and Mizmazes
A pattern like a long rope folded up, without any junctions or crossings.
Loops and Traps Maze
A maze that features one-way doors. The doors can lead to the correct path or create traps that divert you from the correct path and lead you to the starting point. You may not return through a door which you have entered. The path is a series of loops interrupted by doors. The maze is not created with dead ends, but dead ends are created by doors that only open from the other side. The Halloween Maze in Ridgewood NJ is an example of this type of maze. Through the use of reciprocal doors, the correct path can intersect the incorrect path on a single plane.

Publications about mazes

Numerous mazes of different kinds have been drawn, painted, published in books and periodicals, used in advertising, in software, and sold as art. In the 1970s there occurred a publishing "maze craze" in which numerous books, and some magazines, were commercially available in nationwide outlets and devoted exclusively to mazes of a complexity that was able to challenge adults as well as children (for whom simple maze puzzles have long been provided both before, during, and since the 1970s "craze").

Some of the best-selling books in the 1970s and early 1980s included those produced by Vladimir Koziakin[4], Rick and Glory Brightfield, Dave Phillips, Larry Evans, and Greg Bright. Koziakin's works were predominantly of the standard two-dimensional "trace a line between the walls" variety. The works of the Brightfields had a similar two-dimensional form but used a variety of graphics-oriented "path obscuring" techniques - although the routing was comparable to or simpler than Koziakin's mazes, the Brightfield's mazes did not allow the various pathway options to be discerned so easily by the roving eye as it glanced about.

Greg Bright's works went beyond the standard published forms of the time by including "weave" mazes in which illustrated pathways can cross over and under each other. Bright's works also offered examples of extremely complex patterns of routing and optical illusions for the solver to work through. What Bright termed "mutually accessible centers" (The Great Maze Book, 1973) also called "braid" mazes, allowed a proliferation of paths flowing in spiral patterns from a central nexus and, rather than relying on "dead ends" to hinder progress, instead relied on an overabundance of pathway choices. Rather than have a single solution to the maze, Bright's routing often offered multiple equally valid routes from start to finish, with no loss of complexity or diminishment of solver difficulties because the result was that it became difficult for a solver to definitively "rule out" a particular pathway as unproductive. Some of Bright's innovative mazes had no "dead ends" - although some clearly had looping sections (or "islands") that would cause careless explorers to keep looping back again and again to pathways they had already travelled.

The books of Larry Evans focused on 3-D structures, often with realistic perspective and architectural themes, and Bernard Meyers (Supermazes No. 1) produced similar illustrations. Both Greg Bright (The Hole Maze Book) and Dave Phillips (The World's Most Difficult Maze) published maze books in which the sides of pages could be crossed over and in which holes could allow the pathways to cross from one page to another, and one side of a page to the other, thus enhancing the 3-D routing capacity of 2-D printed illustrations.

Adrian Fisher is both the most prolific contemporary author on mazes, and also one of the leading maze designers. His book The Amazing Book of Mazes (2006) contains examples and photographs of numerous methods of maze construction, several of which have been pioneered by Fisher; The Art of the Maze (Weidenfeld and Nicholson, 1990) contains a substantial history of the subject, whilst Mazes and Labyrinths (Shire Publications, 2004) is a useful introduction to the subject.

A recent book by Galen Wadzinski (The Ultimate Maze Book) offers formalized rules for more recent innovations that involve single-directional pathways, 3-D simulating illustrations, "key" and "ordered stop" mazes in which items must be collected or visited in particular orders to add to the difficulties of routing (such restrictions on pathway traveling and re-use are important in a printed book in which the limited amount of space on a printed page would otherwise place clear limits on the amount of choices and pathways that can be contained within a single maze). Although these innovations are not all entirely new with Wadzinski, the book marks a significant advancement in published maze puzzles, offering expansions on the traditional puzzles that seem to have been fully informed by various video game innovations and designs, and adds new levels of challenge and complexity in both the design and the goals offered to the puzzle-solver in a printed format.

Mazes open to the public






  • Gardens Shopping Mall, Dubai (World's Largest Indoor Maze [5])




New Zealand



  • Schönbrunn Palace, Austria (small entrance fee, tower at the center to overlook the hedge maze)




Inside the labyrinth of villa Pisani





  • Noah's Ark Zoo Farm, Bristol, England (longest hedge maze in the world, planted 2003)
  • Alnwick Castle Water Gardens Bamboo Maze, Northumberland. Designed by Adrian Fisher
  • Blackpool Pleasure Beach Hedge Maze, Lancashire, England. Designed by Adrian Fisher
  • Blake House Craft Centre, Braintree, Essex, England (Open July-Sept) [2]
  • Blenheim Palace Hedge Maze, Oxfordshire, England. Designed by Minotaur Designs, Adrian Fisher, Randoll Coate and Graham Burgess., 1991
  • St. Catherine's Hill, Hampshire near Winchester, old "Miz-Maze" or "Mizmaze" (unusual square design; path is a narrow groove)
  • Castlewellan, Northern Ireland, world's largest permanent hedge maze [3]
  • Chatsworth House, England (hedge maze)
  • The Crystal Palace, England. A hedge maze built into a copse
  • Greys Court 'Archbishop's Maze', Oxfordshire, England. Designed by Adrian Fisher, 1981
  • Hampton Court Palace, England (hedge maze)
  • Hoo Hill Maze, Shefford, Bedfordshire, England [4]
  • Kentwell Hall, Long Melford, Suffolk, England. Designed Minotaur designs, Adrian Fisher, Randoll Coate and Graham Burgess.
  • Leeds Castle, Maidstone, Kent, England. Designed by Minotaur Designs Randoll Caote , Adrian Fisher and Graham Burgess.
  • Longleat, Wiltshire, England: hedge maze, designed by Greg Bright, 1978, and mirror maze, designed by Adrian Fisher; Labyrinth of Love, Renaissance style Rose garden labyrinth designed by Graham Burgess. Sun and Moon Maze designed by Randoll Coate.*
  • Murray Star Maze, Scone Palace, Perth, Scotland (hedge maze). Designed by Adrian Fisher
  • [5]
  • Oak Lane Labyrinth, nr Bury St. Edmunds, Suffolk. Open all year round. Free entry.
  • Paulton's Park, Hampshire, England (hedge maze)
  • Richings Park Amazing Maize Maze, Richings Park, near Heathrow, England (Open July-Sept) [6]
  • Saffron Walden, Essex, England (hedge maze) (The town also has an historic turf maze)
  • Symonds Yat, Herefordshire, England
  • Worden Park, Leyland, Lancashire, England

North America

Public maze at Wild Adventures theme park, Valdosta, Georgia
Maze at Missouri Botanical Garden in St. Louis

Further reading

  • H. Abelson and A. diSessa, Turtle Geometry: The Computer as a Medium for Exploring Mathematics, MIT Press (1980)
  • Adrian Fisher, The Amazing Book of Mazes, Thames & Hudson, London / Harry N Abrams Inc, New York (2006) ISBN 978-0500512470
  • Adrian Fisher, Armchair Puzzlers: Mad Mazes, University Books, San Francisco, USA (2005) ISBN 978-1575289786
  • Adrian Fisher, Mazes and Follies, Jarrold Publishing, UK (2004) ISBN 978-1841651422
  • Adrian Fisher, Mazes and Labyrinths, Shire Publications, UK (2003) ISBN 978-0747805618
  • Adrian Fisher and Howard Loxton, Secrets of the Maze, Thames & Hudson, London (1997) / Barron’s Educational Series Inc, New York (1998) ISBN 978-0500018118
  • Adrian Fisher and Jeff Saward, The British Maze Guide, Minotaur Designs, St Albans, UK (1991) - the definitive guide to British Mazes
  • Adrian Fisher and Georg Gerster, The Art of the Maze, Weidenfeld & Nicolson, London (1990) ISBN 0-297-83027-9
  • Adrian Fisher and Georg Gerster, Labyrinth - Solving the Riddle of the Maze, Harmony Books USA, New York (1990) ISBN 978-0517580998
  • W.H. Matthews, Mazes and Labyrinths: Their History and Development (1927). Includes Bibliography. Dover Publications (1970) ISBN 0-486-22614-X
  • Jeff Saward, Magical Paths, Mitchell Beazley (2002) ISBN 1-84000-573-4

See also


External links

1911 encyclopedia

Up to date as of January 14, 2010

From LoveToKnow 1911

MAZE, a network of winding paths, a labyrinth. The word means properly a state of confusion or wonder, and is probably of Scandinavian origin; cf. Norw. mas, exhausting labour, also chatter, masa, to be busy, also to worry, annoy; Swed. masa, to lounge, move slowly and lazily, to dream, muse. Skeat (Etym. Dict.) takes the original sense to be probably "to be lost in thought," "to dream," and connects with the root ma-man-, to think, cf. "mind," "man," &c. The word "maze" represents the addition of an intensive suffix.

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Strategy wiki

Up to date as of January 23, 2010
(Redirected to Slot Racers article)

From StrategyWiki, the free strategy guide and walkthrough wiki

Slot Racers
Box artwork for Slot Racers.
Developer(s) Atari
Publisher(s) Atari
Designer(s) Warren Robinett
Release date(s)
Genre(s) Action
System(s) Atari 2600
Players 2
Input Joystick

Slot Racers was one of the eleven Atari 2600 titles that were part of the second wave of games released in 1978. It can best be compared to a stripped down Combat. Two players race around a maze, attempting to shoot each other with missiles. In most cases, the missiles turn corners, and in all cases, the player vehicles are incapable of going in reverse. There is technically no single player option, so the game really does require a second player to play the game properly. Slot Racers is not one of the more fondly remembered Atari 2600 games. It was released as Maze under the Sears Tele-Games label.


  • Color/BW: Switch between color display and black & white display. (This feature made the game look better on black & white TVs that were still prominent at the time of the game's release.)
  • Difficulty Switches: Normally, when the difficulty swich is set to "b", players can fire a new missile whenever they like. The new missiles that get fired replace the existing on-screen missiles. When set to the "a" difficulty, players can not fire missiles as long as an existing missile is on the screen. In this case, a missile can only be fired after the existing missile either hits the opponent, or is reclaimed by the player.
  • Game Select: Select a game variation. The variations cycle from 1 to 9 and start back over at 1. Before a new variation is selected, you must first cycle through all four available mazes. See the Game Variation section below.
  • Game Reset: Starts a new game in whatever game variation is currently selected. The scores are not reset to 0.
  • Joystick: Use the joystick to steer your vehicle through the maze. Steering is relative and not absolute. You must press left to make your vehicle move counter-clockwise, and you must hold right to move your vehicle clockwise. Pressing up accelerates your car, and holding down applies the brakes.
  • Button: Press the button to fire a missile. Missiles generally go straight unless they are forced to turn or double back. Pressing the joystick left or right in conjunction with firing a missile programs the missile to always make clockwise or counter-clockwise turns wherever possible.

Game Variations

Game Number 1 2 3 4 5 6 7 8 9
Vehicle Speed Slowest Slow Medium Fast Fast Faster Fastest Slow Fast
Missile Speed Fast Fast Fast Fast Slow Slow Slow No turns No turns

Each game of Slot Racers begins with both players at 0 points. A player earns one point every time they hit their opponent with a missile. The game ends when one player reaches 25 points. Games are determined by three factors; the maze arrangement, the speed of the vehicles, and the speed or behavior of the missiles.

Maze Arrangement
Below are the four maze arrangements that are available for every game variation. Some offer more defense, and some off less.
Vehicle Speed
Vehicle Speed determines what the top speed of both players' vehicles are. The faster the speed, the trickier the vehicles are to steer. Vehicles will generally turn every corner when they are forced to, or perform a 180 if they travel down a dead-end. Vehicle speed generally increases throughout the first 7 variations, and the slows down a bit for games 8 and 9.
Missile Speed
Games 1 through 4 feature Missiles that travel faster than the vehicles, no matter how fast the vehicles are. Games 5 through 7 feature Missiles that travel slower then the top speed of the vehicles, changing the strategy somewhat to getting ahead of your opponent and bombing them. Games 8 and 9 feature Missiles that do not turn corners at all, and come to a stop as soon as they hit a wall, so a direct hit must be fired to succeed.


Up to date as of February 01, 2010

From Wikia Gaming, your source for walkthroughs, games, guides, and more!

Maze games are a type of puzzle game where the player must navigate their way through a maze.

This article is a stub. You can help by adding to it.

Stubs are articles that writers have begun work on, but are not yet complete enough to be considered finished articles.

This article uses material from the "Maze" article on the Gaming wiki at Wikia and is licensed under the Creative Commons Attribution-Share Alike License.

Simple English

Not to be confused with maize.

[[File:|thumb|A simple maze]]

A maze made from hedges

A maze is a puzzle. It is made of a complex system of paths. Mazes can be on paper. They can also be big enough to walk through. Labyrinths, which are similar, have one winding path instead of many paths like a maze. Sometimes balls are placed in small mazes which have to be moved to the end through the maze.


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