Mervyn Peake: Wikis


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Mervyn Laurence Peake
Born 9 July 1911 (1911-07-09)
Kuling, Jiangxi, China
Died 17 November 1968 (1968-11-18) (aged 57)
Education Eltham College, Croydon School of Art, Royal Academy Schools
Spouse(s) Maeve Gilmore

Mervyn Laurence Peake (9 July 1911 – 17 November 1968) was an English modernist writer, artist, poet and illustrator. He is best known for what are usually referred to as the Gormenghast books. (The three works were part of what Peake conceived as a lengthy cycle, the completion of which was halted by his death.) They are sometimes compared to the work of his older contemporary J. R. R. Tolkien, but his surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology.

Peake also wrote poetry and literary nonsense in verse form, short stories for adults and children (Letters from a Lost Uncle), stage and radio plays, and Mr Pye, a relatively tightly-structured novel in which God implicitly mocks the evangelical pretensions and cosy world-view of the eponymous hero.

Peake first made his reputation as a painter and illustrator during the 1930s and 1940s, when he lived in London, and he was commissioned to produce portraits of well-known people. A collection of these drawings is still in the possession of his family. Although he gained little popular success in his lifetime, his work was highly respected by his peers, and his friends included Dylan Thomas and Graham Greene. His works are now included in the collections of the National Portrait Gallery and the Imperial War Museum.

Peake's grandson is rising UK chart star, British musician and singer-songwriter Jack Peñate.[1]


Early life

Mervyn Peake was born of British parents in Kuling (Lushan) in Jiangxi Province of central China in 1911 only three months before the revolution and the founding of the Republic of China. His father Ernest Cromwell Peake was a medical missionary doctor with the London Missionary Society of the Congregationalist tradition and his mother, Amanda Elizabeth Powell, had come to China as a missionary nurse.

The Peakes returned to England just before World War I in 1914 but returned again in 1916 to China. Mervyn Peake attended Tientsin Grammar School, where he wrote in 1921 his first novel The White Chief of the Umzimbooboo Kaffirs, until the family returned to England in 1923 via the Trans-Siberian Railway. Mervyn Peake never returned to China but it has been noted that Chinese influences can be detected in Peake's works, not least in the castle of Gormenghast itself, which in some respects echoes the ancient walled city of Peking (Beijing) as well as the enclosed compound where he grew up in Tientsin (Tianjin). It is also likely that his early exposure to the contrasts between the lives of the Europeans, and of the Chinese, and between the poor and the wealthy in China also exerted an influence on the Gormenghast books.

His education continued at Eltham College, Mottingham (1923-1929), where his talents were encouraged by his English teacher, Eric Drake. He completed his formal education at Croydon School of Art and at the Royal Academy Schools from 1929 to 1933, where he first painted in oils and wrote his first long poems. He first exhibited at the Royal Academy and with the so-called "Soho Group" in 1931.


His early career in the 1930s was as a painter in London, although he lived on the Channel Island of Sark for a time. He first moved to Sark in 1932 where his former teacher Eric Drake was setting up an artists' colony. In 1934 he exhibited with the Sark artists both in the Sark Gallery built by Drake and at the Cooling Galleries in London. In 1935 he exhibited at the Royal Academy and at the Leger Galleries in London.

In 1936 he returned to London and was commissioned to design the sets and costumes for Insect Play and his work was acclaimed in The Sunday Times. He also began teaching life drawing at Westminster School of Art where he met painter Maeve Gilmore, whom he married in 1937. They had three children, Sebastian (b. 1940), Fabian (b. 1942), and Clare (b. 1949).

He had a very successful exhibition of paintings at the Calmann Gallery in London in 1938 and his first book, the self-illustrated children's pirate romance Captain Slaughterboard Drops Anchor (based on a story he had written around 1936) was first published in 1939 by Country Life. In December 1939 he was commissioned by Chatto & Windus to illustrate a children's book, Ride a Cock Horse and Other Nursery Rhymes, published for the Christmas market in 1940.



At the outbreak of World War II he applied to become a war artist for he was keen to put his skills at the service of his country. He imagined An Exhibition by the Artist, Adolf Hitler, in which horrific images of war with ironic titles were offered as 'artworks' by the Nazi leader. Although the drawings were bought by the British Ministry of Information his application was turned down and he was conscripted in the Army, where he served first with the Royal Artillery, then with the Royal Engineers. The Army didn't know what to do with him. He began writing Titus Groan at this time.

In April 1942, after his requests for commissions as a war artist - or even leave to depict war damage in London - had been consistently refused, he suffered a nervous breakdown and was sent to Southport Hospital. That autumn he was taken on as a graphic artist by the Ministry of Information for a period of six months. The next spring he was invalided out of the Army. In 1943 he was commissioned by the War Artists Advisory Committee to paint glassblowers at a Birmingham factory making cathode ray tubes for the early radar sets.

Illustration and writing

The five years between 1943 and 1948 were some of the most productive of his career. He finished Titus Groan and Gormenghast and completed some of his most acclaimed illustrations for books by other authors, including Lewis Carroll's Hunting of the Snark (for which he was reportedly paid only £5) and Alice in Wonderland, Samuel Taylor Coleridge's The Rime of the Ancient Mariner, the Brothers Grimm's Household Tales, All This and Bevin Too by Quentin Crisp and Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde, as well as producing many original poems, drawings, and paintings.

A book of nonsense poems, Rhymes Without Reason, was published in 1944 and was described by John Betjeman as "outstanding". Shortly after the war ended in 1945 he was commissioned by a magazine to visit France and Germany. With writer Tom Pocock he was among the first British civilians to witness the horrors of the Nazi concentration camp at Belsen, where the remaining prisoners, too sick to be moved, were dying before his very eyes. He made several drawings, but not surprisingly he found the experience profoundly harrowing, and expressed in deeply felt poems the ambiguity of turning their suffering into art.

In 1946 the family moved to Sark, where Peake continued to write and illustrate, and Maeve painted. Gormenghast was published in 1950, and the family moved back to England, settling in Smarden, Kent. Peake taught part-time at the Central School of Art, began his comic novel Mr Pye, and renewed his interest in theatre. His father died that year and left his house in Hillside Gardens in Wallington, Surrey to Mervyn. Mr Pye was published in 1953, and he later adapted it as a radio play. The BBC broadcast other plays of his in 1954 and 1956.

Later life

In 1956 Mervyn and Maeve visited Spain, financed by a friend who hoped that Peake's health, which was already declining, would be improved by the holiday. That year his novella Boy in Darkness was published beside stories by William Golding and John Wyndham in a volume called Sometime, Never. On 18 December the BBC broadcast his radio play The Eye of the Beholder (later revised as The Voice of One) in which an avante-garde artist is commissioned to paint a church mural. Peake placed much hope in his play The Wit To Woo which was finally staged in London's West End in 1957, but it was a critical and commercial failure. This affected him greatly – his health degenerated rapidly and he was again admitted to hospital with a nervous breakdown.

Declining health and death

He was showing unmistakable early symptoms of Parkinson's Disease, for which he was given electroconvulsive therapy, to little avail. Over the next few years he gradually lost the ability to draw steadily and quickly, although he still managed to produce some drawings with the help of his wife. Among his last completed works were the illustrations for Balzac's Droll Stories (1961) and for his own poem The Rhyme Of The Flying Bomb (1962), which he had written some 15 years earlier.

Titus Alone was published in 1959 and was revised by Langdon Jones in 1970 to remove apparent inconsistencies introduced by the publisher's careless editing. A 1995 edition of all three completed Gormenghast novels includes a very short fragment of the beginning of what would have been the fourth Gormenghast novel, "Titus Awakes", as well as a listing of events and themes he wanted to address in that and later Gormenghast novels.


Peake died in November 1968. His work, and the Gormenghast books in particular, became much better known and more widely appreciated after his death, and they have since been translated into more than two dozen languages.


Six volumes of Peake's verse were published during his lifetime; Shapes & Sounds (1941), Rhymes without Reason 1944, The Glassblowers (1950), The Rhyme of the Flying Bomb (1962), Poems & Drawings (1965), and A Reverie of Bone (1967). After his death came Selected Poems (1972), followed by Peake's Progress in (1979 – though the Penguin edition of 1982, with many corrections, including a whole stanza inadvertently omitted from the hardback edition, is to be preferred). The Collected Poems of Mervyn Peake was published by Carcanet Press in June 2008. Other collections include The Drawings of Mervyn Peake (1974), Writings and Drawings (1974), and Mervyn Peake: the man and his art (2006).

Dramatic adaptations of Peake's work

In 1983, the Australian Broadcasting Corporation broadcast eight hour-long episodes for radio dramatising the complete Gormenghast Trilogy. This was the only adaptation to include the third book Titus Alone.

In 1984, BBC Radio 4 broadcast two 90-minute plays based on Titus Groan and Gormenghast, adapted by Brian Sibley and starring Sting as Steerpike and Freddie Jones as the Artist (narrator). A slightly abridged compilation of the two, running to 160 minutes, and entitled Titus Groan of Gormenghast, was broadcast on Christmas Day, 1992. BBC 7 repeated the original versions on 21 and 28 September 2003.

In 1986, Mr Pye was adapted as a four-part Channel 4 miniseries starring Derek Jacobi.

In 2000, the BBC and WGBH Boston co-produced a lavish miniseries, titled Gormenghast, based on the first two books of the series. It starred Jonathan Rhys-Meyers as Steerpike, Neve McIntosh as Fuchsia, June Brown as Nannie Slagg, Ian Richardson as Lord Groan, Christopher Lee as Flay, Richard Griffiths as Swelter, Warren Mitchell as Barquentine, Celia Imrie as Countess Gertrude, Lynsey Baxter and Zoë Wanamaker as the twins, Cora and Clarice, and John Sessions as Dr Prunesquallor. The supporting cast included Olga Sosnovska, Stephen Fry and Eric Sykes and the series is also notable as the last screen performance by comedy legend Spike Milligan (as the Headmaster).

A minimalist stage version of Gormenghast performed by the David Glass Ensemble was adapted by John Constable and directed by David Glass. The production features atmospheric music and lighting and relies heavily on mime, all to convey the immense vastness of the Gormenghast castle on the small stage. It has toured theatres in the UK during 2006 and 2007.

The 30-minute TV short film A Boy In Darkness (also made in 2000 and adapted from Peake's novella) was the first production from the BBC Drama Lab. It was set in a 'virtual' computer-generated world created by young computer game designers, and starred Jack Ryder (from EastEnders) as Titus, with Terry Jones (Monty Python's Flying Circus) narrating.

Irmin Schmidt, founder of seminal German 'Krautrock' group Can wrote an opera called Gormenghast, based on the novels; it was first performed in Wuppertal, Germany, in November 1998. A number of early songs by New Zealand rock group Split Enz were inspired by Peake's work. The song "The Drowning Man," by British band The Cure, is inspired by events in Gormenghast, and the song "Lady Fuschia" by another British band, Strawbs, is also based on events in the novels.


  • The White Chief of the Unzimbooboo Kaffirs (1921)
  • Captain Slaughterboard Drops Anchor (1939)
  • Shapes and Sounds (1941)
  • Rhymes without Reason (1944)
  • Titus Groan (1946)
  • The Craft of the Lead Pencil (1946)
  • Letters from a Lost Uncle (from Polar Regions) (1948)
  • Drawings by Mervyn Peake (1949)
  • Gormenghast (1950)
  • The Glassblowers (1950)
  • Mr Pye (1953)
  • Figures of Speech (1954)
  • Titus Alone (1959)
  • The Rhyme of the Flying Bomb (1962)
  • Poems and Drawings (1965)
  • A Reverie of Bone and other Poems (1967)
  • Selected Poems (1972)
  • A Book of Nonsense (1972)
  • The Drawings of Mervyn Peake (1974)
  • Mervyn Peake: Writings and Drawings (1974)
  • Twelve Poems (1975)
  • Boy in Darkness (first separate edition, 1976, but a corrupt text)
  • Peake's Progress (1978)
  • Ten Poems (1993)
  • Eleven Poems (1995)
  • The Cave (1996)
  • Boy in Darkness and other stories (2007, the correct text and five other pieces)
  • Collected Poems (2008)

Illustrated books

Quotes about Peake

  • "Mervyn Peake is a finer poet than Edgar Allan Poe, and he is therefore able to maintain his world of fantasy brilliantly through three novels. [The Gormenghast trilogy] is a very, very great work ... a classic of our age." — Robertson Davies
  • "[Peake's books] are actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience." — C. S. Lewis
  • "Fuchsia was my dream. This idea of the infinite, of the unreal, of the innocence dying..." — Robert Smith 2003 (about the Peake character that inspired the early Cure song The Drowning Man in 1980)

External links



  • Winnington, G. Peter (ed.) (2006) Mervyn Peake: the man and his art. (London: Peter Owen)
  • Winnington, G. Peter (2000) Vast Alchemies: the life and work of Mervyn Peake. (London: Peter Owen)
  • Winnington, G. Peter (2006) The Voice of the Heart: the working of Mervyn Peake's imagination. (Liverpool U P / Chicago U P)
  • Peake, Mervyn (ca.1950) 'Notes towards a Projected Autobiography', printed in Maeve Gilmore (ed.), Peake's Progress: Selected Writings and Drawings of Mervyn Peake (London: Allen Lane, 1978)



Up to date as of January 14, 2010

From Wikiquote

Mervyn Laurence Peake (9 July 191117 November 1968) was an English novelist, artist, poet and illustrator. He is best known for what are usually referred to as the Gormenghast books, though the Titus books would be more accurate.


  • Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls.
  • This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven.
    • Titus Groan ch.1
  • Withdrawn and ruinous it broods in umbra: the immemorial masonry: the towers, the tracks. Is all corroding? No. Through an avenue off spires a zephyr floats; a bird whistles; a freshet bears away from a choked river.
    • Gormenghast (Lines from opening page)
  • There is a kind of laughter that sickens the soul. Laughter when it is out of control: when it screams and stamps its feet, and sets the bells jangling in the next town. Laughter in all its ignorance and cruelty. Laughter with the seed of Satan in it. It tramples upon shrines; the belly-roarer. It roars, it yells, it is delirious: and yet it is as cold as ice. It has no humour. It is naked noise and naked malice.
    • "Boy in Darkness," Sometime, Never (1956)
  • Each day I live in a glass room
    Unless I break it with the thrusting
    Of my senses and pass through
    The splintered walls to the great landscape.
    • "Each Day I Live in a Glass Room," A Reverie of Bone and other Poems (1967)
  • But we have seen it in the air,
    A fairy like a William Pear
    • Poem O Here it is
  • O'er seas that have no beaches
    To end their waves upon,
    I floated with twelve peaches,
    A sofa and a swan.
    • Poem O'er seas that have no beaches
  • I saw all of a sudden
    No sign of any ship.
    • Poem O'er seas that have no beaches
  • It's not their fault if, in the heat
    Of their transactions, I repeat
    It's not their fault if vampires meet
    And gurgle in their spats.
    • Poem The men in bowler hats are sweet
  • When Uncle Jake
    Became a snake
    He never found it out;
    And so as no one mentions it
    One sees him still about.
    • Poem Uncles and aunts
  • Leave the stronger
    and the lesser
    things to me!
    Lest that conger
    named Vanessa
    who is longer
    than a dresser
    visits thee.
    • Poem Vanessa
  • To live at all is miracle enough.
    • Poem of the same title (also on Peake's tombstone)

About Mervyn Peake

  • Mervyn Peake is a finer poet than Edgar Allan Poe, and he is therefore able to maintain his world of fantasy brilliantly through three novels. It (Gormenghast trilogy) is a very, very great work ... a classic of our age.
  • [Peake's books] are actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience.
  • Words were shapes and sounds to him. He saw them, as if he were listening to an unknown language, in shapes.
    • Maeve Gilmore (his widow), Introduction to A Book of Nonsense, p.10

External links

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